|Número de publicación||US9529566 B2|
|Tipo de publicación||Concesión|
|Número de solicitud||US 14/841,422|
|Fecha de publicación||27 Dic 2016|
|Fecha de presentación||31 Ago 2015|
|Fecha de prioridad||27 Dic 2010|
|También publicado como||CN102681657A, CN102681657B, US9123316, US20120165964, US20150370528|
|Número de publicación||14841422, 841422, US 9529566 B2, US 9529566B2, US-B2-9529566, US9529566 B2, US9529566B2|
|Inventores||Jason Flaks, Rudy Jacobus Poot, Alex Aben-Athar Kipman, Chris Miles, Andrew John Fuller, Jeffrey Neil Margolis|
|Cesionario original||Microsoft Technology Licensing, Llc|
|Exportar cita||BiBTeX, EndNote, RefMan|
|Citas de patentes (221), Otras citas (48), Clasificaciones (12), Eventos legales (1)|
|Enlaces externos: USPTO, Cesión de USPTO, Espacenet|
This application is a continuation application of U.S. patent application Ser. No. 12/978,799 filed on Dec. 27, 2010 entitled “INTERACTIVE CONTENT CREATION”, to be issued as U.S. Pat. No. 9,123,316 on Sep. 1, 2015, which application is incorporated herein by reference in its entirety.
For most people, music is mostly a consumption art form. The creation of music is really off limits except to the select few with the natural talent, creativity, education and tools associated with music creation. This makes music one of the least approachable art forms.
To make music creation more widespread and/or easier to accomplish, software has been developed to allow users to make music without playing instruments. Instead, a user will operate a user interface of a computer to generate the sounds of various instruments. However, some prior art music creation software is difficult to use. In some cases, even if a person knows how to use the software, it is difficult to create music that is enjoyable to listen to.
An audio/visual system (e.g., such as an entertainment console) enables users to create music using movement, without requiring any knowledge of how to write music. The system plays a base track, such as a portion of a pre-recorded song or notes from one or more instruments. Using a depth camera or other sensor, the system automatically detects movement of a user or multiple users and creates new music by altering the music being played based on the detected movement. For example, detection of a location of the user can cause a particular base audio track to start playing and detection of the user (or a part of the user's body) moving into or within a collision volume can trigger the addition or subtraction of additional audio samples as well as various audio effects. The technology described herein can also be applied to other forms of content.
One embodiment includes playing audio content, automatically tracking movement of a user including automatically detecting predefined motion of the user, and automatically changing the audio content being played in response. In one example implementation, the audio content being played is automatically adjusted in response to the portion of the user entering a first collision volume. In other examples, the predefined motion of the user includes one or more gestures, motion of a center of mass (or other portion) of an object, movement of a limb, etc.
One embodiment includes an apparatus that creates audio content comprising a depth camera, a display interface, an audio interface and a processor in communication with the depth camera, display interface and audio interface. The processor plays a first base audio track. The processor is programmed to automatically detect first predefined movement of a user from a plurality of predefined movements based on data from the depth camera. Each predefined movement is associated with a different audio stem. The processor adds a first audio stem to the base track (and synchronized to the base track) in response to detecting that the user performed the first predefined movement. The first audio stem corresponds to the first predefined movement.
One embodiment includes one or more processor readable storage devices storing processor readable code thereon. The processor readable code is for programming one or more processors to perform a method that comprises defining one or more base tracks for a plurality of movement zones, identifying audio stems for a set of collision volumes for each zone and creating code based on the defined one or more base tracks for the plurality of movement zones and the identified audio stems. The created code is capable of configuring a computing device to play the one or base tracks depending on which zone a user is positioned within. The created code is also capable of configuring the computing device to add or subtract audio stems based on the user intersecting or otherwise interacting with corresponding collision volumes.
This Summary is provided to introduce a selection of concepts in a simplified form that are further described below in the Detailed Description. This Summary is not intended to identify key features or essential features of the claimed subject matter, nor is it intended to be used as an aid in determining the scope of the claimed subject matter. Furthermore, the claimed subject matter is not limited to implementations that solve any or all disadvantages noted in any part of this disclosure.
An audio/visual system is described herein that enables users to create music (or other content) using movement. For example, the audio/visual system can play audio (or other type of) content and automatically track movement of a user (or multiple users) in the proximity of the audio/visual system while playing the audio (or other type of) content. Using one or more sensors (e.g., a depth camera and/or visual camera), the system can automatically detect that a portion of the user enters a collision volume, is performing a predefined movement within the collision volume, or is performing another predefined movement. The audio (or other type of) content being played is then automatically changed in response to detecting the user(s) entering the collision zone, performing a predefined movement within the collision volume and/or performing another predefined movement (of a set of a plurality of predefined movements). The changing of the content being played creates new content.
In one example implementation, the proximity of the audio/visual system is divided into zones. Each zone can be associated with a base audio track. The system will automatically detect which zone a user is positioned in, and play the associated base track in response thereto. Various audio stems and audio effects can be added and/or subtracted based on detection of the user entering or performing a predefined movement within the collision volume. In some embodiments, base video (or other visual content) associated with the zone is altered based on detection of the user entering and/or performing a predefined movement within the collision volume.
In other embodiments, rather than detecting the user entering a collision volume, the system can use predefined gestures (i.e. hold one or two arms over the head to initiate an audio track), or use something more abstract like tracking center of mass and making musical decisions based off of that, Gestures can also include distorting the sound, as well as creating specific notes. Other gestures could include triggering a loop (for example a gesture causes the last two bars to repeat) Another implementation allows the user to use movement more as an instrument. For example, the system might associate arm movement to the C scale of a piano sound so as the user swipes an arm from left to right they are generating a C scale in a piano sound. The user can move an arm in different movements to generate more complicated melodies. In another example, gestures or movement can be used to create percussion sounds, such as stamping a foot to create a bass drum rhythm, tapping in the air for hi-hat, and so forth. This type of instrument control could be used on it's own or layered on top of the audio stem solution described herein.
The systems can also include a musical visualizer, where visuals are simultaneously generated by both the movements of the user and/or analysis of the music itself.
The audio/visual system that provides the interactive, movement based music (or other content) generation experience can be a desktop computer, portable computer, Entertainment System, set top box, or other computing device. For example purposes,
According to one embodiment, computing system 12 may be connected to an audio/visual output device 16 such as a television, a monitor, a high-definition television (HDTV), or the like that may provide television, movie, video, game or application visuals and/or audio to a user. For example, computing system 12 may include a video adapter such as a graphics card and/or an audio adapter such as a sound card that may provide audio/visual signals associated with the game application, non-game application, or the like. Audio/visual output device 16 may receive the audio/visual signals from computing system 12 and may then output the television, movie, video, game or application visuals and/or audio to the user. According to one embodiment, audio/visual device output device 16 may be connected to the computing system 12 via, for example, an S-Video cable, a coaxial cable, an HDMI cable, a DVI cable, a VGA cable, component video cable, or the like. For purposes of this document, the term audio/visual means audio only, visual only or audio in combination with visual.
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According to another example embodiment, time-of-flight analysis may be used to indirectly determine a physical distance from the capture device 20 to a particular location on the targets or objects by analyzing the intensity of the reflected beam of light over time via various techniques including, for example, shuttered light pulse imaging.
In another example embodiment, the capture device 20 may use a structured light to capture depth information. In such an analysis, patterned light (i.e., light displayed as a known pattern such as grid pattern, a stripe pattern, or different pattern) may be projected onto the scene via, for example, the IR light component 24. Upon striking the surface of one or more targets or objects in the scene, the pattern may become deformed in response. Such a deformation of the pattern may be captured by, for example, the 3-D camera 26 and/or the RGB camera 28 (and/or other sensor) and may then be analyzed to determine a physical distance from the capture device to a particular location on the targets or objects. In some implementations, the IR Light component 25 is displaced from the cameras 25 and 26 so triangulation can be used to determined distance from cameras 25 and 26. In some implementations, the capture device 20 will include a dedicated IR sensor to sense the IR light, or a sensor with an IR filter.
According to another embodiment, the capture device 20 may include two or more physically separated cameras that may view a scene from different angles to obtain visual stereo data that may be resolved to generate depth information. Other types of depth image sensors can also be used to create a depth image.
The capture device 20 may further include a microphone 30. The microphone 30 may include a transducer or sensor that may receive and convert sound into an electrical signal. According to one embodiment, the microphone 30 may be used to reduce feedback between the capture device 20 and the computing system 12 in the target recognition, analysis, and tracking system 10. Additionally, the microphone 30 may be used to receive audio signals that may also be provided to computing system 12.
In an example embodiment, the capture device 20 may further include a processor 32 that may be in communication with the image camera component 22. The processor 32 may include a standardized processor, a specialized processor, a microprocessor, or the like that may execute instructions including, for example, instructions for receiving a depth image, generating the appropriate data format (e.g., frame) and transmitting the data to computing system 12.
The capture device 20 may further include a memory component 34 that may store the instructions that are executed by processor 32, images or frames of images captured by the 3-D camera and/or RGB camera, or any other suitable information, images, or the like. According to an example embodiment, the memory component 34 may include random access memory (RAM), read only memory (ROM), cache, flash memory, a hard disk, or any other suitable storage component. As shown in
As shown in
Computing system 12 includes depth image processing and skeletal tracking module 50, which uses the depth images to track one or more persons detectable by the depth camera. Depth image processing and skeletal tracking module 50 is software that provides the tracking information to application 52, which can be a video game, productivity application, communications application or other software application etc. The audio data and visual image data is also provided to application 52 and depth image processing and skeletal tracking module 50. Application 52 provides the tracking information, audio data and visual image data to recognizer engine 54. In another embodiment, recognizer engine 54 receives the tracking information directly from depth image processing and skeletal tracking module 50 and receives the audio data and visual image data directly from capture device 20.
Recognizer engine 54 is associated with a collection of filters 60, 62, 64, . . . , 66 each comprising information concerning a gesture, action or condition that may be performed by any person or object detectable by capture device 20. For example, the data from capture device 20 may be processed by filters 60, 62, 64, . . . , 66 to identify when a user or group of users has performed one or more gestures or other actions. Those gestures may be associated with various controls, objects or conditions of application 52. Thus, the computing environment 12 may use the recognizer engine 54, with the filters, to interpret movements.
Capture device 20 of
The system will use the RGB images and depth images to track a user's movements. For example, the system will track a skeleton of a person using the depth images. There are many methods that can be used to track the skeleton of a person using depth images. One suitable example of tracking a skeleton using depth image is provided in U.S. patent application Ser. No. 12/603,437, “Pose Tracking Pipeline” filed on Oct. 21, 2009, Craig, et al. (hereinafter referred to as the '437 application), incorporated herein by reference in its entirety. The process of the '437 application includes acquiring a depth image, down sampling the data, removing and/or smoothing high variance noisy data, identifying and removing the background, and assigning each of the foreground pixels to different parts of the body. Based on those steps, the system will fit a model to the data and create a skeleton. The skeleton will include a set of joints and connections between the joints.
Recognizer engine 54 (of computing system 12 depicted in
Filters may be modular or interchangeable. In one embodiment, a filter has a number of inputs (each of those inputs having a type) and a number of outputs (each of those outputs having a type). A first filter may be replaced with a second filter that has the same number and types of inputs and outputs as the first filter without altering any other aspect of the recognizer engine architecture. For instance, there may be a first filter for driving that takes as input skeletal data and outputs a confidence that the gesture associated with the filter is occurring and an angle of steering. Where one wishes to substitute this first driving filter with a second driving filter—perhaps because the second driving filter is more efficient and requires fewer processing resources—one may do so by simply replacing the first filter with the second filter so long as the second filter has those same inputs and outputs—one input of skeletal data type, and two outputs of confidence type and angle type.
A filter need not have a parameter. For instance, a “user height” filter that returns the user's height may not allow for any parameters that may be tuned. An alternate “user height” filter may have tunable parameters—such as to whether to account for a user's footwear, hairstyle, headwear and posture in determining the user's height.
Inputs to a filter may comprise things such as joint data about a user's joint position, angles formed by the bones that meet at the joint, RGB color data from the scene, and the rate of change of an aspect of the user. Outputs from a filter may comprise things such as the confidence that a given gesture is being made, the speed at which a gesture motion is made, and a time at which a gesture motion is made.
Recognizer engine 54 may have a base recognizer engine that provides functionality to the filters. In one embodiment, the functionality that the recognizer engine 54 implements includes an input-over-time archive that tracks recognized gestures and other input, a Hidden Markov Model implementation (where the modeled system is assumed to be a Markov process—one where a present state encapsulates any past state information necessary to determine a future state, so no other past state information must be maintained for this purpose—with unknown parameters, and hidden parameters are determined from the observable data), as well as other functionality required to solve particular instances of gesture recognition.
Filters 60, 62, 64, . . . , 66 are loaded and implemented on top of the recognizer engine 54 and can utilize services provided by recognizer engine 54 to all filters 60, 62, 64, . . . , 66. In one embodiment, recognizer engine 54 receives data to determine whether it meets the requirements of any filter 60, 62, 64, . . . , 66. Since these provided services, such as parsing the input, are provided once by recognizer engine 54 rather than by each filter 60, 62, 64, . . . , 66, such a service need only be processed once in a period of time as opposed to once per filter for that period, so the processing required to determine gestures is reduced.
Application 52 may use the filters 60, 62, 64, . . . , 66 provided with the recognizer engine 54, or it may provide its own filter, which plugs in to recognizer engine 54. In one embodiment, all filters have a common interface to enable this plug-in characteristic. Further, all filters may utilize parameters, so a single gesture tool below may be used to debug and tune the entire filter system.
More information about recognizer engine 54 can be found in U.S. patent application Ser. No. 12/422,661, “Gesture Recognizer System Architecture,” filed on Apr. 13, 2009, incorporated herein by reference in its entirety. More information about recognizing gestures can be found in U.S. patent application Ser. No. 12/391,150, “Standard Gestures,” filed on Feb. 23, 2009; and U.S. patent application Ser. No. 12/474,655, “Gesture Tool” filed on May 29, 2009. both of which are incorporated herein by reference in their entirety.
A graphics processing unit (GPU) 108 and a video encoder/video codec (coder/decoder) 114 form a video processing pipeline for high speed and high resolution graphics processing. Data is carried from the graphics processing unit 108 to the video encoder/video codec 114 via a bus. The video processing pipeline outputs data to an A/V (audio/video) port 140 for transmission to a television or other display. A memory controller 110 is connected to the GPU 108 to facilitate processor access to various types of memory 112, such as, but not limited to, a RAM (Random Access Memory).
The multimedia console 100 includes an I/O controller 120, a system management controller 122, an audio processing unit 123, a network interface controller 124, a first USB host controller 126, a second USB controller 128 and a front panel I/O subassembly 130 that are preferably implemented on module 118. The USB controllers 126 and 128 serve as hosts for peripheral controllers 142(1)-142(2), a wireless adapter 148, and an external memory device 146 (e.g., flash memory, external CD/DVD ROM drive, removable media, etc.). The network interface and/or wireless adapter 148 provide access to a network (e.g., the Internet, home network, etc.) and may be any of a wide variety of various wired or wireless adapter components including an Ethernet card, a modem, a Bluetooth module, a cable modem, and the like.
System memory 143 is provided to store application data that is loaded during the boot process. A media drive 144 is provided and may comprise a DVD/CD drive, Blu-Ray drive, hard disk drive, or other removable media drive, etc. The media drive 144 may be internal or external to the multimedia console 100. Application data may be accessed via the media drive 144 for execution, playback, etc. by the multimedia console 100. The media drive 144 is connected to the I/O controller 120 via a bus, such as a Serial ATA bus or other high speed connection (e.g., IEEE 1394).
The system management controller 122 provides a variety of service functions related to assuring availability of the multimedia console 100. The audio processing unit 123 and an audio codec 132 form a corresponding audio processing pipeline with high fidelity and stereo processing. Audio data is carried between the audio processing unit 123 and the audio codec 132 via a communication link. The audio processing pipeline outputs data to the A/V port 140 for reproduction by an external audio user or device having audio capabilities.
The front panel I/O subassembly 130 supports the functionality of the power button 150 and the eject button 152, as well as any LEDs (light emitting diodes) or other indicators exposed on the outer surface of the multimedia console 100. A system power supply module 136 provides power to the components of the multimedia console 100. A fan 138 cools the circuitry within the multimedia console 100.
The CPU 101, GPU 108, memory controller 110, and various other components within the multimedia console 100 are interconnected via one or more buses, including serial and parallel buses, a memory bus, a peripheral bus, and a processor or local bus using any of a variety of bus architectures. By way of example, such architectures can include a Peripheral Component Interconnects (PCI) bus, PCI-Express bus, etc.
When the multimedia console 100 is powered on, application data may be loaded from the system memory 143 into memory 112 and/or caches 102, 104 and executed on the CPU 101. The application may present a graphical user interface that provides a consistent user experience when navigating to different media types available on the multimedia console 100. In operation, applications and/or other media contained within the media drive 144 may be launched or played from the media drive 144 to provide additional functionalities to the multimedia console 100.
The multimedia console 100 may be operated as a standalone system by simply connecting the system to a television or other display. In this standalone mode, the multimedia console 100 allows one or more users to interact with the system, watch movies, or listen to music. However, with the integration of broadband connectivity made available through the network interface 124 or the wireless adapter 148, the multimedia console 100 may further be operated as a participant in a larger network community.
When the multimedia console 100 is powered ON, a set amount of hardware resources are reserved for system use by the multimedia console operating system. These resources may include a reservation of memory (e.g., 16 MB), CPU and GPU cycles (e.g., 5%), networking bandwidth (e.g., 8 kbs), etc. Because these resources are reserved at system boot time, the reserved resources do not exist from the application's view.
In particular, the memory reservation preferably is large enough to contain the launch kernel, concurrent system applications and drivers. The CPU reservation is preferably constant such that if the reserved CPU usage is not used by the system applications, an idle thread will consume any unused cycles.
With regard to the GPU reservation, lightweight messages generated by the system applications (e.g., pop ups) are displayed by using a GPU interrupt to schedule code to render popup into an overlay. The amount of memory required for an overlay depends on the overlay area size and the overlay preferably scales with screen resolution. Where a full user interface is used by the concurrent system application, it is preferable to use a resolution independent of application resolution. A scaler may be used to set this resolution such that the need to change frequency and cause a TV resynch is eliminated.
After the multimedia console 100 boots and system resources are reserved, concurrent system applications execute to provide system functionalities. The system functionalities are encapsulated in a set of system applications that execute within the reserved system resources described above. The operating system kernel identifies threads that are system application threads versus gaming application threads. The system applications are preferably scheduled to run on the CPU 101 at predetermined times and intervals in order to provide a consistent system resource view to the application. The scheduling is to minimize cache disruption for the gaming application running on the console.
When a concurrent system application requires audio, audio processing is scheduled asynchronously to the gaming application due to time sensitivity. A multimedia console application manager (described below) controls the gaming application audio level (e.g., mute, attenuate) when system applications are active.
Input devices (e.g., controllers 142(1) and 142(2)) are shared by gaming applications and system applications. The input devices are not reserved resources, but are to be switched between system applications and the gaming application such that each will have a focus of the device. The application manager preferably controls the switching of input stream, without the gaming application's knowledge and a driver maintains state information regarding focus switches. The cameras 26, 28 and capture device 20 may define additional input devices for the console 100 via USB controller 126 or other interface.
Computing system 220 comprises a computer 241, which typically includes a variety of computer readable media. Computer readable media can be any available media that can be accessed by computer 241 and includes both volatile and nonvolatile media, removable and non-removable media. The system memory 222 includes computer storage media in the form of volatile and/or nonvolatile memory such as read only memory (ROM) 223 and random access memory (RAM) 260. A basic input/output system 224 (BIOS), containing the basic routines that help to transfer information between elements within computer 241, such as during start-up, is typically stored in ROM 223. RAM 260 typically contains data and/or program modules that are immediately accessible to and/or presently being operated on by processing unit 259. By way of example, and not limitation,
The computer 241 may also include other removable/non-removable, volatile/nonvolatile computer storage media. By way of example only,
The drives and their associated computer storage media discussed above and illustrated in
The computer 241 may operate in a networked environment using logical connections to one or more remote computers, such as a remote computer 246. The remote computer 246 may be a personal computer, a server, a router, a network PC, a peer device or other common network node, and typically includes many or all of the elements described above relative to the computer 241, although only a memory storage device 247 has been illustrated in
When used in a LAN networking environment, the computer 241 is connected to the LAN 245 through a network interface or adapter 237. When used in a WAN networking environment, the computer 241 typically includes a modem 250 or other means for establishing communications over the WAN 249, such as the Internet. The modem 250, which may be internal or external, may be connected to the system bus 221 via the user input interface 236, or other appropriate mechanism. In a networked environment, program modules depicted relative to the computer 241, or portions thereof, may be stored in the remote memory storage device. By way of example, and not limitation,
Either of the systems of
Gesture Input module 340 receives an indication of the gesture or movement of a user and provides that information to the other software components. Audio analysis 342 can be used to identify features of the audio being played in order to perform effects, synchronize audio, etc. Application 52 also includes application logic 350, which is the main logic for controlling the operation of the interactive content generation experience. Scripts 352 includes one or more scripts received from script builder 304 of one or more authoring systems 290. The scripts include code (e.g., software instructions) for configuring and/or programming the particular content generation experience. Scripts can be downloaded to Application 52 via a network, loaded via media (e.g. CD-ROM, DVD, flash memory drive, etc.), or programmed by the user (if the user has access to an authoring system 290 separate from or combined with Application 52).
After an author of an interactive content generation experience creates a script and that script is loaded into the Entertainment System 10, the script will be used to configure Entertainment System 10 (using the software depicted in
The graphical user interface of
In user interface item 424, the author will indicate which zone is currently being configured by the author. Looking back at
User interface item 426 is utilized to configure a background image and/or a background visual program to use with the current unit (or the entire experience). A base track for the particular zone is indicated with user interface item 428. The base track is content that is played when the system automatically determines that the user is in the corresponding zone. If the system has five zones, there can be five separate base tracks, one for each zone. In other embodiments, more than one zone can share a base track. In the case of audio, a base track can be a portion of a song (including a subset of instruments playing that song), the vocal track for a song, predefined sound or a set of notes from an instrument (or multiple instruments) or one or more sounds from a synthesizer. If the base track s shorter than the time (see 422) for the unit, then the base track will be repeated. Note that user interface items 420-428 can be drop down menus, text boxes, etc.
After configuring unit, time, zone, background and base track, the author will identify the actions associated with each of the collision volumes. The GUI of
An example of a stem for music content can include a portion of a song (including a subset of instruments playing that song), a vocal track for a song, a predefined sound or set of one or more notes from an instrument (or a set of instruments) and/or one or more sounds from a synthesizer.
A start condition can include having the stem start playing when the base track starts playing. In this start condition, when it is detected that a user has entered the corresponding collision volume, the stem can be turned off. Another start condition can include the stem being dormant (not being played) when the user is tracked to enter the zone and the base audio track is played. In this condition, when it is determines that the user has entered a collision volume, the stem can start playing at that point.
The up/down motion and left/right motion are two examples of predefined motion within a collision volume. For example, if a user is tracked to put the user's arm within a collision volume and move up or down within a collision volume, that moving up or down can be used to cause an effect to be performed and/or control that effect. Similarly, if the user is tracked to move the user's arm left or right within an collision volume, that motion can be used to cause an effect to be performed and/or control that effect. These predefined motions can be used with any limb of the user or any body part of the user, in any of the collision volumes, as configured using the GUI of
One example of an action that can be taken when the user performs a predefined motion within a collision volume (e.g. up/down, left/right, . . . ) include changing the volume of a stem. For example, if the user moves the user's hand up in a collision volume the volume can be increased and if the user moves a hand down the volume can be decreased. Similarly, if the user moves the hand to the left, the volume can be increased and if the user moves the hand to the right the volume can be decreased. Other effects that can be performed include turning an echo on or off, changing the number of echoes heard (e.g. move the hand up causes more echoes, move hand down lowers the number of echoes), controlling the pass band of a frequency filter for musical content, changing the beat, changing the tempo, adding/changing reverb effect, changing pitch, etc.).
In one embodiment, the background image can be a still image. In another embodiment, the background image can be video. In another embodiment, the background can be a visible system. For example, a visual system can be tied to music being played using a frequency analyzer. Brightness can be tied to the music, a radio blur effect can be provided with focus tied to the beat, posterizing can be performed of the user or the user's avatar that changes to the music, etc. A broad range frequency analyzer can be used to determine how much energy is in each of a plurality of frequency bands. Each frequency band can be tied to a particular visual effect. In one embodiment, a particle system can be implemented. The particle system can be configured to obey the law of physics (or a different set of rules) and be configured to be attracted to or repelled by a portion of the user's body or other locations or objects in the room. If the particle system is configured to be attracted or repelled by the user's hand, for example, as the user's hand moves, the particles will move differently thereby changing the visual presentation on audio/visual output device 16 of Entertainment System 10.
Looking back at step 460, the author will define the zone being configured. As discussed with respect to
The looping of steps 460-466 and steps 454-468 allow multiple units to be configured and multiple zones for each unit to be configured such that the content generation experience will have multiple units. This way, the author will be defining one or more base tracks for a plurality of zones (also referred to as moving zones), identifying audio stems for a set of collision volumes for each zone, and creating code based on a defined one or more base tracks for the plurality of zones and the identified audio stems for the set of collision volumes for each zone. That code is capable of configuring a computing device (e.g. Entertainment System 10) to play the one or more base tracks, depending on the zone in which the user is positioned. The code is also capable of configuring the computing device (e.g. Entertainment System 10) to add or subtract audio stems based on the user interacting with the corresponding collision volumes.
If, in step 514, it is determined that the unit is not over, then the system determines whether the user has entered one of the collision volumes in step 520. If not, the system will continue to track user location and movement (step 510).
If it is determined that a user (or a portion of the user such as the user's arms, legs, etc.) have entered one or more of the collision volumes, then it is determined whether the stem has been configured to be toggled on/off or triggered for one time playing in response to a user entering the collision volume. If the stem has been configured to toggle on/off, then in step 524 the stem will be toggled on if the stem is not currently playing. The stem will be toggled off if the stem is currently being played. In one embodiment, the stem is toggled on or off at a note boundary (e.g. ¼ note boundary, ⅛ note boundary, etc.) in order to keep the stem coordinated with the beat of the base audio track. If the stem has been configured to be triggered, then in step 526, the stem is started on a note boundary (e.g. ¼ note boundary, ⅛ note boundary, etc.) in order to keep the stem coordinated with the beat of the base audio track. Both steps 524 and 526 are examples of automatically changing the content being played (e.g. base track and any stems currently being played) based on the stem associated with the collision volume interacted with in the current zone the user is standing in. The of automatically changing the content being played results in new content being generated.
After step 524 or step 526, the process continues at step 528, during which the system will detect whether the user performed any of the predefined motions within the collision volume. If the user is not performing any of the predefined motions, then the process loops back to step 510 and continues to track the user. If the user is performing one of the predefined motions, then the action associated with the predefined motion will be performed in step 530. For example, if the user is performing an up or down motion, the appropriate function will be performed, as configured using the GUI of
In the above example, the discussion contemplated one user using movements to change audio being played in order to create new audio. In other embodiments, multiple users can concurrently use movements in order to generate the new audio (or other content). In one example, one user will be designated the main user. The base track for the zone the main user is standing in will be the base track played. Each of the other users standing in other zones will have stems added or subtracted to based on those other users entering collision volumes. Various effects can be performed based on each of the users performing the predefined motions in their collision volumes. In one example, all users would turn on or off the same stems based on interaction with analogous collision volumes. In other embodiments, each zone will be associated with a different set of stems so that each user will turn on or off different stems in response to interaction with collision volumes. In one embodiment, the designation of main use will change in response to a predefined motion, gesture or command.
In another embodiment, each base track for each zone for each user can be played simultaneously. In another embodiment, only the main user need be in a zone, and other users can affect the audio being generated by interacting with collision volumes for each user without the user being in the zone.
In some implementations, the system can track the location movement of multiple users in a room and display an avatar for each user being tracked. Each avatar will move in coordination with the corresponding user being tracked. Thus, the system will automatically track movement and location of multiple users, and the automatically changing of the audio content being played includes automatically changing the audio content being played in response to and based on the tracked movement of multiple users such that different movements of different users changes the audio content being played in different ways. For example, step 510 of
When the interactive content generation process is complete (step 518), the system can record the content created. For example, the audio will be recorded and saved as an audio file in any format known in the art. Additionally, the associated video (e.g. the visual backgrounds implemented in step 508) can be saved in any format suitable for storing video. This saved content can then be distributed. For example, the can be provided on a social networking site or posted to a site (or channel) for similar content generation. For example, a service can be created that aggregates content generated using the process of
In another alternative, the Internet (or other network) can be used so that multiple entertainment consoles 10 can work together to generate a single set of content. That is, the process of
Note that the order of steps depicted in
In another embodiment, the system allows one or more users to dance (or perform other movement) in front of capture device 20 to given music. While the one or more users are dancing, the systems captures and analyzes the movement (similar to the skeleton tracking described above). In response to tracking and understanding the users' movements, the system will build a control scheme that would best fit to drive the given music again. The system can use the same methodology to analyze video clips, etc. For instance, the system could train data based on a music video, thus requiring user to move like the dancing in the music video to create the appropriate output.
Although the subject matter has been described in language specific to structural features and/or methodological acts, it is to be understood that the subject matter defined in the appended claims is not necessarily limited to the specific features or acts described above. Rather, the specific features and acts described above are disclosed as example forms of implementing the claims. It is intended that the scope of the invention be defined by the claims appended hereto.
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|Clasificación internacional||G10H1/00, G06F3/01, H03G3/00, G06F3/16, G05B15/02|
|Clasificación cooperativa||G05B15/02, G06F3/017, G06F3/165, G10H2220/201, G10H2220/455, G10H1/0008, G06F3/011|
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