WO2003019930A1 - Method and apparatus for applying tone mapping functions to color images - Google Patents

Method and apparatus for applying tone mapping functions to color images Download PDF

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Publication number
WO2003019930A1
WO2003019930A1 PCT/US2002/027937 US0227937W WO03019930A1 WO 2003019930 A1 WO2003019930 A1 WO 2003019930A1 US 0227937 W US0227937 W US 0227937W WO 03019930 A1 WO03019930 A1 WO 03019930A1
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WO
WIPO (PCT)
Prior art keywords
color
tone mapping
applying
pixel
pixels
Prior art date
Application number
PCT/US2002/027937
Other languages
French (fr)
Inventor
Xuemei Zhang
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Hewlett-Packard Company
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Hewlett-Packard Company filed Critical Hewlett-Packard Company
Priority to EP02757551A priority Critical patent/EP1421778A1/en
Priority to JP2003524251A priority patent/JP2005501356A/en
Publication of WO2003019930A1 publication Critical patent/WO2003019930A1/en

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Classifications

    • HELECTRICITY
    • H04ELECTRIC COMMUNICATION TECHNIQUE
    • H04NPICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N1/00Scanning, transmission or reproduction of documents or the like, e.g. facsimile transmission; Details thereof
    • H04N1/46Colour picture communication systems
    • H04N1/56Processing of colour picture signals
    • H04N1/60Colour correction or control
    • H04N1/6027Correction or control of colour gradation or colour contrast

Definitions

  • a digital image may be represented in an output-device space, such as display RGB, or in a capture-device space, such as camera RGB, or in a device-independent space, such as CIE tristimulus space XYZ.
  • the relative luminance values of all pixels in the image determine the tone properties of the image.
  • Tone mapping is performed to bring the overall brightness of a digitally captured image to a level that is pleasing to the human eye when the image is displayed. This is especially important for images that are under-exposed or over-exposed. Tone mapping is frequently performed with a "tone curve" that maps the original digital levels to new ones. The same tone curve is applied to all color channels independently. The tone mapping is simple and fast, and it does not introduce out-of-gamut colors. However, applying tone mapping curves to different color channels independently can introduce color distortions for some images since the values of different color channels are remapped to new values independently of each other. As a result, the chromaticity of individual pixels can change.
  • a pixel of a digital image is processed by applying a tone mapping function to a first color channel of the pixel, whereby a value of the first color channel is changed by a scale factor; and applying the scale factor to all other color channels of the pixel.
  • the first color channel most closely matches relative luminance response of the human visual system.
  • Figure 1 is an illustration of a method of applying tone mapping functions to color images.
  • Figure 2 is an illustration of a processor for applying tone mapping functions to color images.
  • a method of processing a pixel of a digital image includes applying a tone mapping function to a first color channel of the pixel (110), whereby a value of the first color channel is changed by a scale factor; and applying the scale factor to all other color channels of the pixel (112).
  • the first color channel most closely matches relative luminance response of the human visual system.
  • A represents the channel most closely matching a luminance function in the color space, and
  • a k represents the other n-1 channels of the color space.
  • the method of Figure 1 may be represented mathematically as follows:
  • TM(*) is a tone mapping function
  • a ' and A k ' are the modified values of the color channels
  • scale factor SF A
  • the pixels are processed independently.
  • a scale factor is determined for one color channel of a pixel, and applied to each other color channel of that pixel. Any tone mapping function may be used.
  • the chromacity of pixels in the image does not change (unlike conventional tone mapping techniques that apply tone-mapping functions to different color channels independently).
  • the method of Figure 1 keeps the chromaticity, or the vector orientation in the A k color space, or the spectrum shape of each pixel's color approximately the same after the tone mapping; only the vector length in A k space (or the scale factor of the spectrum) is changed.
  • noise-balancing terms may be added to each channel to prevent noise amplification.
  • the noise balancing terms are small positive numbers that are a function of the amount of noise in the image or the white point of the color space used to represent the image.
  • the noise terms may be set to the noise level, twice the noise level, or some other value. As long as the noise balancing terms are reasonably close to the noise level in the image, the method is not sensitive to variations in how the noise level is determined.
  • Ak' (A k + A k (noise)) (A L + A L( noise)) A' L .
  • noise balancing terms has very little influence on the chromaticities of high-luminance pixels, but helps reduce the noise amplification problem on low-luminance pixels.
  • the noise balancing terms are also helpful in avoiding division by zero when a zero luminance value is mapped to a non-zero value on the tone curve.
  • the method of Figure 1 is applied to an image represented in positive linear color space.
  • linear positive color space examples include the CIE tristimulus XYZ space, RGB space, and human cone sensitivity space.
  • the positive linear color space may include any number of color channels.
  • X n0 ⁇ se> Ynoise, and Z n0 ⁇ se are the noise-balancing terms and they may be small positive values representing the noise levels in each color channel or they may be a triplet of numbers proportional to the white point of the color space used to represent the image.
  • the Green channel is usually the channel that most closely matches the relative luminance response of the human visual system. Therefore, a tone-mapping function is usually applied to the Green channel, and the Red and Blue values are adjusted similarly to keep the color vector orientation constant in the RGB space. Whether the Green channel is tone mapped first depends upon the particular type of color space. In certain instances, either the Red or Blue channel may be tone mapped first instead of the Green channel.
  • FIG. 2 shows a processor 210 that is programmed to tone map a color image (IN).
  • the processor 210 applies a tone mapping function to the color channel most closely matching relative luminance response of the human visual system; and applies scale factors to all other color channels.
  • the pixels in the output image (OUT) retain their chromacity.
  • the processor 210 may be used in applications such as digital cameras, scanners, printers, displays, and image processing software applications.
  • Software for the processor 210 is encoded in computer memory 212.

Abstract

A pixel of a digital image (IN) is processed by applying a tone mapping function to a first color channel of the pixel, whereby a value of the first color channel is changed by a scale factor (110); and applying the scale factor to all other color channels of the pixel (112). The first color channel most closely matches relative luminance response of the human visual system.

Description

METHOD AND APPARATUS FOR APPLYING TONE MAPPING FUNCTIONS TO COLOR IMAGES
BACKGROUND
[0001] A digital image may be represented in an output-device space, such as display RGB, or in a capture-device space, such as camera RGB, or in a device-independent space, such as CIE tristimulus space XYZ. The relative luminance values of all pixels in the image determine the tone properties of the image.
[0002] Tone mapping is performed to bring the overall brightness of a digitally captured image to a level that is pleasing to the human eye when the image is displayed. This is especially important for images that are under-exposed or over-exposed. Tone mapping is frequently performed with a "tone curve" that maps the original digital levels to new ones. The same tone curve is applied to all color channels independently. The tone mapping is simple and fast, and it does not introduce out-of-gamut colors. However, applying tone mapping curves to different color channels independently can introduce color distortions for some images since the values of different color channels are remapped to new values independently of each other. As a result, the chromaticity of individual pixels can change.
[0003] Accordingly, there is a need to improve image tone properties without changing the chromaticity of the pixels.
SUMMARY [0004] A pixel of a digital image is processed by applying a tone mapping function to a first color channel of the pixel, whereby a value of the first color channel is changed by a scale factor; and applying the scale factor to all other color channels of the pixel. The first color channel most closely matches relative luminance response of the human visual system. [0005] Other aspects and advantages of the present invention will become apparent from the following detailed description, taken in conjunction with the accompanying drawings, illustrating by way of example the principles of the invention.
BRIEF DESCRIPTION OF THE DRAWINGS [0006] Figure 1 is an illustration of a method of applying tone mapping functions to color images.
[0007] Figure 2 is an illustration of a processor for applying tone mapping functions to color images.
DETAILED DESCRIPTION
[0008] Referring to Figure 1 , a method of processing a pixel of a digital image includes applying a tone mapping function to a first color channel of the pixel (110), whereby a value of the first color channel is changed by a scale factor; and applying the scale factor to all other color channels of the pixel (112). The first color channel most closely matches relative luminance response of the human visual system.
[0009] The digital image is represented in a linear color space having n- channels that may be designated by A and Ak where k = 1 , 2, ... , n-1. A represents the channel most closely matching a luminance function in the color space, and Ak represents the other n-1 channels of the color space. The method of Figure 1 may be represented mathematically as follows:
AL' = TM(AL); and
Ak' = SF(Ak) for k = 1 , 2, ..., n-1
where TM(*) is a tone mapping function, A ' and Ak' are the modified values of the color channels, and scale factor SF =A|_7AL. The pixels are processed independently. A scale factor is determined for one color channel of a pixel, and applied to each other color channel of that pixel. Any tone mapping function may be used.
[0010] When the overall tone properties of the digital image are changed by the tone mapping function, the chromacity of pixels in the image does not change (unlike conventional tone mapping techniques that apply tone-mapping functions to different color channels independently). The method of Figure 1 keeps the chromaticity, or the vector orientation in the Ak color space, or the spectrum shape of each pixel's color approximately the same after the tone mapping; only the vector length in Ak space (or the scale factor of the spectrum) is changed.
[0011] Since almost all images have some degree of noise present, noise-balancing terms may be added to each channel to prevent noise amplification. The noise balancing terms are small positive numbers that are a function of the amount of noise in the image or the white point of the color space used to represent the image. For example, the noise terms may be set to the noise level, twice the noise level, or some other value. As long as the noise balancing terms are reasonably close to the noise level in the image, the method is not sensitive to variations in how the noise level is determined.
[0012] The noise balancing terms may be added as follows. For each pixel, a tone-mapping function is applied to the value of the A channel, and the values of the color channels are adjusted as follows: AL' = TM(AL); and
Ak' = (Ak + Ak(noise)) (AL+ AL(noise)) A'L.
[0013] The addition of the noise balancing terms has very little influence on the chromaticities of high-luminance pixels, but helps reduce the noise amplification problem on low-luminance pixels. The noise balancing terms are also helpful in avoiding division by zero when a zero luminance value is mapped to a non-zero value on the tone curve.
[0014] The method of Figure 1 is applied to an image represented in positive linear color space. Examples of linear positive color space include the CIE tristimulus XYZ space, RGB space, and human cone sensitivity space. The positive linear color space may include any number of color channels.
[0015] Consider the CIE tristimulus XYZ component representation of a digitized color image. The CIE Y value of an image pixel represents its relative luminance level. For each pixel, a tone mapping function is applied to the Y value and the X and Z values of are adjusted as follows:
Y'=TM(Y);
X' = (X + Xnoise) / (Y+ Ynoise) X Y'l and Z' = (Z + Zn0ISe) / (Y+ Ynolse) x Y'.
[0016] The terms Xn0ιse> Ynoise, and Zn0ιse are the noise-balancing terms and they may be small positive values representing the noise levels in each color channel or they may be a triplet of numbers proportional to the white point of the color space used to represent the image.
[0017] In RGB color space, the Green channel is usually the channel that most closely matches the relative luminance response of the human visual system. Therefore, a tone-mapping function is usually applied to the Green channel, and the Red and Blue values are adjusted similarly to keep the color vector orientation constant in the RGB space. Whether the Green channel is tone mapped first depends upon the particular type of color space. In certain instances, either the Red or Blue channel may be tone mapped first instead of the Green channel.
[0018] Reference is made to Figure 2, which shows a processor 210 that is programmed to tone map a color image (IN). The processor 210 applies a tone mapping function to the color channel most closely matching relative luminance response of the human visual system; and applies scale factors to all other color channels. The pixels in the output image (OUT) retain their chromacity. The processor 210 may be used in applications such as digital cameras, scanners, printers, displays, and image processing software applications. Software for the processor 210 is encoded in computer memory 212. [0019] The present invention is not limited to the embodiments just described and illustrated. Instead, the present invention is construed according to the claims the follow.

Claims

THE CLAIMS
1. Apparatus for processing pixels of a digital image (IN), the apparatus comprising a processor (210) for applying a tone mapping function to a first color channel of the pixels, the first color channel most closely matching relative luminance response of the human visual system, whereby values of the first color channels are changed by scale factors (110); and applying the scale factors to all other color channels of the pixels (112).
2. The apparatus of claim 1 , wherein the digital image IN) is represented in a positive linear color space.
3. The apparatus of claim 1 , wherein the processor (210) adds noise balancing terms when computing scale factors for the other color channels.
4. The apparatus of claim 1 , wherein the pixels are processed independently, whereby a scale factor is specific to each pixel.
PCT/US2002/027937 2001-08-30 2002-08-29 Method and apparatus for applying tone mapping functions to color images WO2003019930A1 (en)

Priority Applications (2)

Application Number Priority Date Filing Date Title
EP02757551A EP1421778A1 (en) 2001-08-30 2002-08-29 Method and apparatus for applying tone mapping functions to color images
JP2003524251A JP2005501356A (en) 2001-08-30 2002-08-29 Apparatus for applying tone mapping functions to color images

Applications Claiming Priority (2)

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US09/945,094 US6894720B2 (en) 2001-08-30 2001-08-30 Method and apparatus for applying tone mapping functions to color images
US09/945,094 2001-08-30

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US20040218072A1 (en) 2004-11-04
EP1421778A1 (en) 2004-05-26
JP2005501356A (en) 2005-01-13
TW583874B (en) 2004-04-11
US6894720B2 (en) 2005-05-17

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