Categories
Period

2010-2019

THE TWENTY TENS

Knight and Day (2010)

Mr. Nice (2010)

Clash of the Titans (2010)

The Way (2010)

Buried (2010)

The Disciple (2010)

Four Lions (2010)

I Want to Be a Soldier (2010)

Room in Rome (2010)

Magic Journey to Africa (2010)

Exorcismus (2010)

Puzzled Love (2010)

Di Di Hollywood (2010)

Mad Dogs (2010)

Underground (2010)

Maximum Shame (2010)

Circuit (2010)

Katmandu (2011)

Powder (2011)

The Honey Killer (2011)

The Impossible (2011)

Weekender (2011)

11-11-11 (2011)

There Be Dragons (2011)

Intruders (2011)

We Need to Talk about Kevin (2011)

Haywire (2011)

Jack and Jill (2011)

The Inbetweeners (2011)

Boronia Backpackers (2011)

The Perfect Stranger (2011)

Trangression (2011)

Zindagi Na Milegi Dobara (2011)

Checkout (2011)

Road to Wacken (2011)

Apartment 143 (2011)

Haunted Poland (2011)

The Cold Light of Day (2012)

Saving Isis (2012)

Red Lights (2012)

A Puerta Fria (2012)

The Dictator (2012)

The Zig Zag Kid (2012)

Cloud Atlas (2012)

Wrath of the Titans (2012)

The Strange Case of Wilhelm Reich (2012)

Deranged (2012)

Dancing Dogs (2012)

Invader (2012)

Miami II Ibiza (2012)

Ibiza: My Way or the Highway (2012)

Animals (2012)

The Corpse Grinders 3 (2012)

Things We Do for Love (2012)

The Sleeper Effect (2012)

Stranger Within (2013)

The Wine of Summer (2013)

Spook (2013)

The Nowhere Son (2013)

Grand Piano (2013)

The Fast and the Furious 6 (2013)

The Counselor (2013)

The Macabre Ayahuasca Hammer Experience (2013)

Mindscape (2013)

Wax (2013)

Open Windows (2013)

Panzer Chocolate (2013)

Kid Gloves (2013)

A Long Way Down (2013)

Leaving Hotel Romatic (2013)

Another Me (2013)

Mama (2013)

Afflicted (2013)

A Night in Old Mexico (2013)

The World (2013)

Encontrados en NYC (2013)

The Liberator (2013)

Paper, Scissors, Stone (2013)

Violet (2013)

Tasting Menu (2013)

The Cosmonaut (2013)

The Extraordinary Tale of the Times Table (2013)

New York Shadows (2013)

Vivir es fácil con los ojos cerrados (2013)

Blue Lips (2014)

10,000 km (2014)

Exodus: Gods and Kings (2014)

Traces of Sandalwood (2014)

A Perfect Day (2014)

Let the Die Be Cast: Initium (2014)

Twice upon a Time in the West (2014)

Six Bullets to Hell (2014)

Seve the Movie (2014)

Aloft (2014)

The Afterglow (2014)

Shooting for Socrates (2014)

Brokeback Mountain (2014)

Fleming (2014)

Tea and Sangria (2014)

The Forsaken (2015)

Mosquito: A Fistful of Bitcoins (2015)

Summer Camp (2015)

The Gunman (2015)

The Rezort (2015)

Never Let Go (2015)

The Hunting of the Snark (2015)

In the Heart of the Sea (2015)

Jupiter Ascending (2015)

Tomorrowland (2015)

Nobody Wants the Night (2015)

Don’t Speak (2015)

Taken 3 (2015)

Sweet Home (2015)

Shadows in the Distance (2015)

The Second Best Exotic Marigold Hotel (2015)

Extinction (2015)

Don’t Grow Up (2015)

Second Origin (2015)

The Evil that Men Do (2015)

Monsoon Tide (2015)

Carpe Diem: European Escapade (2015)

The Singleton (2015)

Vampyres (2015)

Pursuit (2015)

Creditors (2015)

Inside (2016)

Dance Angels (2016)

Stopover in Hell (2016)

History’s Future (2016)

Anomalous (2016)

Erasmus (2016)

My Bakery in Brooklyn (2016)

Wild Oats (2016)

Assassin’s Creed (2016)

Altamira (2016)

Mine (2016)

Risen (2016)

Realive (2016)

A Monster Calls (2016)

The Chosen (2016)

The Promise (2016)

All I See is You (2016)

Brimstone (2016)

Jason Bourne (2016)

Foe (2016)

Voyeur (2016)

White Island (2016)

The Night Manager (2016)

Gernika (2016)

Allied (2016)

Blood Orange (2016)

Me Before You (2016)

Seat in Shadow (2016)

Toxic Apocalypse (2016)

Ibiza Undead (2016)

Barcelona: a Love Untold (2016)

Bittersweet days (2016)

The Night Watchman (2016)

The Cucaracha Club (2016)

Ignatius of Loyola (2016)

The Supers! (2017)

I Love Her (2017)

The Girl From the Song (2017)

Rise of the Footsoldier 3 (2017)

Megan Leavey (2017)

It Came from the Desert (2017)

Coco (2017)

Gunned Down (2017)

Cold Skin (2017)

Black Hollow Cage (2017)

The Bookshop (2017)

Marrowbone (2017)

Geostorm (2017)

Blade Runner 2049 (2017)

Maus (2017)

Submergence (2017)

Still Star-Crossed (2017)

Maniac Tales (2017)

Dirty White Lies (2017)

Yerma (2017)

Pitch Perfect 3 (2017)

Muse (2017)

ReAgitator: Revenge of the Parody (2017)

Sacracide (2017)

Solo! (2018)

I Love My Mum (2018)

Luz (2018)

Fishbone (2018)

Escape From Marwin (2018)

Dancing with Sancho Panza (2018)

Onyx: Kings of the Grail (2018)

Dead on Time (2018)

Han Solo (2018)

The Sisters Brothers (2018)

The Man who Killed Don Quijote (2018)

Ibiza (2018)

Blackwood (2018)

The Titan (2018)

Trained to Kill (2018)

The Price of Death (2018)

Domino (2018)

Hello Au Revoir (2018)

Sonja: The White Swan (2018)

The Bounty Killer (2018)

After the Lethargy (2018)

Life Itself (2018)

The Other Side of the Wind (2018)

Miss Dalí (2018)

Sunburn (2018)

The Invocation of Enver Simaku (2018)

Caged (2018)

The Gate: Dawn of the Baha’i Faith (2018)

The Vibe (2019)

The Glorious Seven (2019)

The Rhythm Section (2019)

The Kill Team (2019)

Terminator: Dark Fate (2019)

The Hustle (2019)

Be Happy! (the musical) (2019)

Love Unlimited (2019)

Milk and Honey (2019)

Rambo 5: Last Blood (2019)

I’ll See What I Can Do (2019)

Remember Me (2019)

Paradise Hills (2019)

Spider-Man: Far from Home (2019)

Wasp Network (2019)

Dulcinea (2019)

Rare Beasts (2019)

WW2: The Long Road Home (2019)

Radioactive (2019)

Rise of the Footsoldier 4: Marbella (2019)

Mother, Father, Son (2019)

Stron Artificial Intelligence (2019)

Savage State (2019)

Once Upon a Time in Deadwood (2019)

2010-2019

Knight and Day (2010)

This film made the news headlines in November 2009 even before it was released, when a scene involving the stars, Tom Cruise and Cameron Diaz, in which they (or their doubles) were pursued by a group of bulls as they sped away on a motorbike through the streets of Cádiz, went badly wrong. The bulls escaped and decided to wander down to La Caleta beach for a dip and to sunbathe before being rounded up again. Among other things, this left the producers on the horns of a dilemma.

La Caleta Beach

Some of the Cádiz streets used were Calles Cánovas del Castillo, San José, Presidente Rivadavia and the Plaza de San Antonio.

The scene with the bulls ends at Sevilla’s bullring, the Plaza de Toros de la Maestranza, but not before passing through various streets of both Sevilla and Cádiz, sneaking between two of Sevilla’s modern trams.

The whole Spanish section of the film is supposed to take place in Sevilla, and to give it a special flavour, during the internationally famous festival of San Fermín, for which reason we see the authentically dressed ‘runners’ in their white clothing and red bandannas. The only problem is that the festival takes place in northern Spain, in Pamplona. Cruise did something similar with Valencia’s Fallas festival, which he also placed in Andalusia in one of the Mission Impossible episodes.

The action also takes place in Salzburg, although Sevilla’s Santa Justa station played the part of the Austrian city’s.

The movie’s biggest chase scene was filmed mostly in Sevilla, near the city’s Cathedral at Plaza Virgen de los Reyes. The Cathedral is the first image we see in the Sevilla section, after scenes in Salzburg, Austria.

Sevilla Cathedral. Photo Courtesy Mage

The city with the fortress on the hill, seen from the hotel balcony, was Cádiz, the old town of Cádiz being the setting for the scene where Cruise meets a representative of an arms dealer.

The port of Cádiz was also used for the end of the car chase, which actually began in Sevilla (80 miles away).

The big gunfight scene was filmed at the Casa de Pilatos, the same one that was used in ‘Lawrence of Arabia.’ This is probably the most painful part of the film for art lovers, as we have to put up with bullets destroying the exquisite Arabian mosaics while Cruise casually woos Diaz, and the rest of us admire the fountains, arches and gardens, and remember that the word ‘paradise’ actually comes from Arabic and means ‘a walled garden.’

Casa de Pilatos is the hide-out of Spanish villain Antonio (played by Spanish actor Jordi Mollá), and it is by crashing through the main entrance that Cruise and Diaz escape on their motorbike.

The construction of this palace was begun by Pedro Enriquez de Quiñones and his wife Catalina de Rivera. It was completed by Pedro’s son Fadrique Enriquez de Ribera (first Marquis of Tarifa), whose pilgrimage to Jerusalem in 1519 was the origin of the name ‘Pilate’s house.’ On his return, he supposedly discovered that the distance between the ruins of Pontius Pilate’s house and Golgotha was the same as that between his palace and a local temple known as the Cross of the Field. Sevillian imagination did the rest.

During their stay, Cruise and Diaz were lodged in the Alfonso XIII hotel, which was also a set for ‘Lawrence of Arabia.’ The entire hotel would later be rented by the cast and crew for the international premiere of the film on June 16th at the Lope de Vega theatre in Sevilla.

Mr. Nice (2010)

Howard Marks was one of those drug dealers who it’s hard to dislike; one who partook of his own product.

His book, largely written in US high security prisons, was the basis of this film about his life as an international drug smuggler based in Mallorca.

In Alicante province the production team filmed his extradition hearing, making use of Mutxamel Town Hall’s Council Chamber, while the Police Station was the old El Salvador school in the same town.

One meeting takes place in a bar in front of the Church of the Virgin del Consuelo in Altea.

Another of the locations used was the old tobacco factory in Alicante, while the City of Light studios were used for interiors.

Clash of the Titans (2010)

Liam Neesen and Ralph Fiennes star in this remake of a 1981 classic of angry Gods and slightly worse humans, filmed largely in Spain.

Among the selected locations used in May and June 2009 in Tenerife were the Teide National Park, where at the base of Spain’s highest mountain most of the filming took place, and the coast in the districts of Icod, Buenavista del Norte and Guía de Isora, plus some pinewoods and mountain areas, as well as the Timanfaya National Park in Lanzarote and the Garajonay park on La Gomera island.

Production Designer Martin Laing explained that they had looked all around the planet for locations and could have gone anywhere in the world, but that Tenerife had so many beautiful and dramatic landscapes. 

The mines were those of San José, where the first temple in the film was located, while the first camp was situated at la Cañada de Capricho and on the slopes of Mount Guajara.

At Llano de Ucanca our mythical heroes took their long walk on the backs of the giant scorpions, with whom they initially fought.

During their journey with the scorpions they cross the dunes of the natural park at Maspalomas in Gran Canaria.

The film heroes also walked through the sea of clouds, a strange meteorological phenomenon which separates the very different northern and southern parts of the island.

In northern Tenerife the film’s producers also took advantage of the forest, known locally as ‘Laurisilva’, an endemic type of humid subtropical forest found on several of the islands of the North Atlantic, such as Madeira and the Azores, a relic of the Pliocene subtropical forests.

The Way (2010)

Tired of playing President Bartlett, and a little bit old to make ‘Apocalypse Later,’ Martin Sheen went to northern Spain to make a film directed by his son Emilio Estevez and set on St. James’ Way, the medieval pilgrim route better known as the ‘Camino de Santiago.’

The castle of Castrojeriz appears for only a few seconds as the credits roll at the start of the film, just before we see Martin Sheen on a train, on the way to identify his son’s body in Sant Jean Pied de Port.

Castrojeriz Castle. Photo Courtesy Mark Yareham

The opening credits are a cleverly woven selection of images, music and maps, and the castle, which is at one of the key villages, halfway along the Camino de Santiago, is a silent reference to the Spanish hinterland, steeped in historical conflicts and saturated in castles.

Among the less than happy visitors to the castle were Leanor of Castile, Queen of Aragon, who was murdered there by her nephew Pedro I of Castile in 1359.

Poor Leanor had a number of unhappy run-ins with the Spanish aristocracy. She was initially engaged to the heir to the kingdom of Aragon, Jaime, but he renounced the material world and became a monk, which is not the most flattering way to woo a young girl. In the end she married his widowed younger brother Alfonso, who became Alfonso IV of Aragon.

She had two sons; the younger of them, Juan, was murdered by order of King Pedro of Castilla, and the elder was ordered murdered by his own step-brother, Pedro of Aragon, after her death.

Monarchy ain’t what it used to be.

The Lisbon Earthquake of 1755 severely damaged the castle, as it did many others on the Iberian Peninsular.

It was a site once occupied by Celts and Romans, and there is even a legend that Julius Caesar founded the place.

The current castle remains were built by the Arabs in the 9th century, using a Roman tower as a starting point.

Sheen follows the French Way, one of several that take pilgrims to Santiago. He starts in France at Saint Jean Pied de Port, before following Napoleon’s Route, in reference to the French Emperor’s unsuccessful (eventually) invasion of Spain, visiting the Navarra villages of Gainecoleta, Ibañeta and Roncesvalles (considered by many as the starting point in Spain, although it is not the first Spanish village).

Even though many of the exterior shots at Roncesvalles are genuine, the interiors of the hostel were shot on a set constructed next to the old town mill, and when Sheen emerges in the morning he is actually leaving the Hotel La Posada, where he spends a night among fellow snorers and where he is attended by famous Spanish actress Angela Molina (Columbus’s wife in Ridley Scott’s ‘1492’).

The tunnel he walks through however, does lead to the real site of the pilgrims’ hostel.

The way continues through Mezkiritz, with its watering hole for visitors, where our ‘caminantes’ briefly pause by the village fountain after buying some goat’s cheese. We spoke here to Carlos, who informed us that Anthony Quinn had been in the village filming years ago. He also told us that some scenes from ‘Robin and Marian’ had been shot at a nearby campsite.

Also on the way were Lintzoain, Larrasoaña and Akerreta (where there is another pilgrim hostel in the film). In reality the hostel is the Hotel Akerrata, where filming took place from 4th to 7th October 2009.

Owner Joxemari informed us that the cast and crew were upset that they couldn’t stay in this rural paradise as the production took up all the available space. For the tiny village of Akerrata the making of the film was an amazing experience. It is here that Sheen meets Sarah, who is suppering with a group of French pilgrims arguing about Charlemagne and Roldan.

The discussion takes place in the hotel’s front garden with its green, eye-massaging views of the valley.

We stayed at the hotel ourselves in the summer of 2011 and were able to confirm that the hotel is indeed situated on the pilgrims’ way; in fact it is the clickety clack of pilgrim walking sticks that wakes guests up long before the dawn chorus gets going.

In the film, bullfighting fan Simón Andreu plays the hosteller.

Irota, Arleta, the River Arga and Zariquiegui also appear until finally Sheen makes it to Navarra’s capital, Pamplona, entering through one of the gates to the old fortress city.

Turning sharp left and up a bit of a slope he would have come to the Restaurante Caballo Blanco, where he finds his corpulent Dutch friend feasting on lamb chops, although in the film he approaches from the arched street next to the restaurant, going completely the wrong way.

Caballo Blanco Restaurant

However, for the most part the film faithfully follows the route of the Camino de Santiago, but we were informed by Koldo Lasa at the Navarra Film Institute (INACC) that a little cheating was necessary for the scene where Sheen drops his rucksack into the river. The bridge from which he drops it can be found at Aoiz, to the west of Pamplona and well off the pilgrim route.

The need for abundant, fast running water sent the film crew to this medieval bridge just below the Itolz Reservoir, where the last summer waters were being released for agricultural purposes.

On leaving Pamplona he ascends one of the route’s best known mountains, Monte del Perdón, with its silhouettes of pilgrims marching defiantly onwards, intent no doubt on quixotically taking on the giant modern windmills that share the crest of the mountain range.

At the bottom of the hill is the church of Santa María de Eunate, a delightfully simple church accompanied only by a pilgrims’ hostel, walking towards which he speaks to the priest with brain cancer.

Also in Navarra he visits Trinidad de Arre and Irache with its famous Monastery, where he stays in a hostel, in which the pilgrims are sleeping in bunk beds in the cloister.

The pilgrims don’t really sleep there, as the warden Alberto explained to us. He showed us the courtyard where Napoleon’s troops were once stationed after turning out the monks at what was the first hospital on the Camino.

Moving into La Rioja we enjoy a visit to the police station in the capital, Logroño, after Sheen is arrested for combining drunkenness and patriotism, and frog-marched to Calle Ruavieja number 47 in the historic centre. It’s quite a walk considering that the scene where he gets drunk was filmed in Haro, at the Bodega CVNE.

I’m not especially hostile to monarchy per se, but when King Felipe VI’s visit to Haro in July 2020 coincided with mine, it was inevitable that if either of us was going to be inconvenienced, it would be me, and thanks to the hundreds of police officers protecting him most efficiently, I was forced to drive an extra 50 kilometres on a paying motorway just to get back to my hotel in Briones.

We were received at CVNE by the delightful, English speaking Natalia, who took us around this winery, now in its 5th generation of Urrutia family ownership.

Although the scene from The Way was quite short, they were here three days filming, with their own catering area.

The bodega was chosen because it looked like a typical Spanish village, where our pilgrims pause to explore Rioja wine and Martin gets patriotically irate.

The bodega visit is full of surprises, including a cellar designed by none other than Gustav Eiffel, he of the tower, and various rooms full of barrels and 100 year old bottles belonging to a company that started producing its flagship Imperial wine specifically for the UK market.

The CVNE bodega isn’t on the Camino either in fact.

We return to Navarra to visit Viana and Torres del Rio (for the scene with the crazy hostel owner Ramón, which I usually fast forward) and Azofra.

In Burgos province we wind our way through Redecilla del Camino, Castrojeriz (whose castle is seen in an aerial view during the opening credits) and Tosantos, where we visit the church, and San Juan de Ortega.

Our pilgrims enter Burgos through the city gate; although the Camino doesn’t. They gather at the Rincón de España restaurant, just inside the old city, where Sheen’s rucksack is stolen by a young gypsy boy.

In Burgos we also see Rabé de las Calzadas, Hornillos and El Molino and San Bol, with their pilgrims’ hostels and the ruins of the Convent of San Antón.

It is near Hornillos, at a cottage called El Molino del Camino, where Joost helps cook a meal for the other pilgrims.

During their stay in Burgos, they were lodged in the Velada Hotel.

In León province Bercianos del Real Camino, El Burgo Ranero, Reliegos, Santa Catalina de Somoza, El Ganso, Foncebadón and Manjarín all turn up along the way.

In León capital Sheen invites his fellow travellers to a night at the Parador Hotel of San Marcos, previously a 16th century monastery, accompanied by the music of the immortal (dead) Nick Drake. Filming took place during 3 days using rooms 366 and 359. One of the hotel receptionists, Juan Miguel, played the waiter who provided the room service.

The extraordinary facade of the hotel is lovingly employed during the scene when the pilgrims arrive there.

They next visit the Cruz de Ferro, an iron cross on a wooden pole where traditionally each pilgrim makes a wish or promise and adds a stone to the pile.

Lugo province takes us to O Cebreiro, (for the scene where Jack explains his wish to be a writer like Joyce or Yeats as they walk out of the village), the Alto de San Roque and Lugar de Vilamaior.

Sheen’s own father was a Galician immigrant from Salceda de Caselas, in Pontevedra.

Our group end up in Santiago de Compostela with its outstanding Cathedral in the Plaza de Obradoiro, which they visit, although restrictions today would prevent some of their gestures with statues.

At A Coruña province we first see the spires of Santiago from Monte do Gozo, and after the obligatory visits to the cathedral, Plaza de las Platerías and the Pilgrim office to get their Compostela certificates, the group continues to Muxia near Finisterre (literally Land’s End), where we see the viewpoint (Mirador) do Corpiño, the lighthouse and the Sanctuary of Virxe da Barca. Here his journey ends, and Sheen casts the ashes of his son towards the sea and, we hope, finds closure.

The Camino de Santiago has existed for over a thousand years and is one of the great Christian pilgrimage routes, along with Rome and Jerusalem.

The film led directly to a multiplication by 5 of the number of Americans on the Camino the following year.

Buried (2010)

Ryan Reynolds wakes up inside a coffin and quite naturally would like to get out.

Although filmed by Rodrigo Cortés in Barcelona, nearly the whole story takes place inside the coffin and therefore any plans to pay a visit would require relinquishing group rates.

The Disciple (2010)

A new take on the story of Jesus, with filming taking place around Baza and Orce in Granada province.

The opening scenes show us the Holy Land, although it is in reality the Sierra de Baza, and all the scenes with expanses of water (including Mary Magdalen walking on the water) were filmed at the Negratín reservoir.

The scenes in front of some cliff caves, where the rebels led by Jesus are frequently seen and occasionally put to the sword by Romans, are in fact the Cuevas Almagruz at Purullena, near Guadix in Granada province. The crew and actors stayed at the tourist complex Cuevas Almagruz nearby.

The films shot there are well documented by Manuel, the manager, who provides cave accommodation (much more upmarket than it sounds), and an amazing educational service documenting and demonstrating cave-life in Granada province throughout the ages.

In Baza, which represents Galilee, the crew filmed the scenes where Saint John and Saint Luke argue about what Jesus really did, in the Baños Árabes. 

Herod’s castle was the Alcazaba de los Siete Torres in Orce and the town’s old city wall provides the backdrop to a market scene replete with conventional Roman repression, and the scenes of Jesus carrying the cross were also filmed there.

Four Lions (2010)

Some people might doubt the wisdom of a comedy about terrorist bombings in London, but here it is anyway. The film is in fact hilarious, an updated version of ‘The Life of Brian’ with clear Monty Python influences, although you can’t help looking over your shoulder as you laugh to check that your head’s still up there on top.

When the aspiring suicide bombers go to Pakistan for their training, they are in fact to be found at Las Salinillas in Almería, one of the locations for ‘The Good, The Bad and the Ugly.’

Almería expert José Enrique Martínez informed us that he identified Monte Alfaro, Viciana and Trujillo (Tabernas) from a trailer.

Rambla Viciana

I Want to Be a Soldier (2010)

A warning about how media violence can affect the young, the film was made entirely in and around Barcelona, including L’Hospitalet de Llobregat, and has performances by Robert Englund and Danny Glover.

Glover plays the director of Alex’s school, which is in reality the Colegio Alemán at Esplugues de Llobregat.

A film guaranteed to dissuade anyone who had ever considered having children.

Room in Rome (2010)

The beginning and end of the film were shot in Via del Corso in Rome, and the rest was filmed on a studio set in Madrid, with Roman rooftops added in post-production.

Various languages were used in the film, in which a Russian and a Spanish girl find some kind of mutually satisfying chemistry.

But English is the main language in a film directed by Julio Medem, whose ‘Lucia y el Sexo’ has become a cult film all over the world, possibly because of the sex.

The Russian actress Natasha Yarovenko was living in Barcelona when cast.

Magic Journey to Africa (2010)

A young girl meets an African boy in Barcelona, and begins an imaginary journey to Africa.

The film tells the story of Namibia; its legends and people.

The hospital used in Barcelona, where the African boy is recuperating, was the well-known Santa Creu i Sant Pau, designed by architect Lluís Domènech i Montaner.

Also briefly seen early on during an aerial shot is the 144 metre tall Torre Agbar, completed in 2005 in the Placa de las Glories. It was designed by French architect Jean Nouvel as the HQ for Aguas de Barcelona, a local water company, and its shimmering blue and red phallic shape has become a talking point of Barcelona’s skyline.

The pizzeria, where girl meets boy while boy is trying to earn a crust nicking mobile phones, was Buongiorno in Calle Comte D’Urgell 239, although the wood panelling has apparently gone now.

With its talking flowers, jackals and lions, raining, flaming books, fire spirits and old men in white robes, the film clearly demonstrates that the sixties are not quite dead and gone, yet.

Exorcismus (2010)

A Spanish version of ‘The Exorcist’ with a largely British and Irish cast and filmed in English, although in Spain they will dub it back into Spanish as usual and then continue wondering why it is that Spanish people find it so hard to learn English, unlike the Portuguese, who don’t dub their films.

To add a little appropriate spookiness, they used the Casa Arnús, also known as El Pinar. Built in 1903, this turreted palace is to be found in the hills above Barcelona, where the pine forests of Collserola begin, next to the cable car that rises to the Tibidabo amusement park.

The hospital and morgue scenes were shot at Hospital General de Catalunya, (Sant Cugat) and the Tanatorio at Badalona, while exteriors of the family house were filmed at Palau de Plegamans.

Some of the road scenes were shot in the Maresme area of Barcelona province, to the north east of the city of Barcelona, and the park of Montjuïc also appears.

Puzzled Love (2010)

A romantic story set in Barcelona and directed not by Woody Allen but by 13 cinema students.

Perhaps that’s why the story is about 2 Erasmus students falling in love instead of studying hard and making the most of all that European funding.

Among the locations were the student flat in the district of Eixample, the Sala Razzmatazz for some scenes of typical student cultural activity, the old Terminal 1 of the airport, the beach at La Mora near Tarragona, and the Delta del Ebro in Tarragona province for the scenes with the wheatfield and desert.

Our thanks to Pau Luzón, who participated in the making of the film, for clarifying these locations.

Di Di Hollywood (2010)

Emilio J Alhambra of the Ciudad de la Luz Film Commission in Alicante informed us that filming took place in November 2009, and that locations included Alicante, Ciudad de la Luz (stage 5 and water tank back lot), Casino Mediterráneo, Plaza Gabriel Miro, Hotel Sidi San Juan, Restaurante Niza, Motel Abril, Discoteca Zeta and San Juan beach.

In Benidorm they used the Asia Gardens, Terra Natura (for a brief scene with Di Di making a film in which she appears about to be ravaged), Hospital de Levante (where Di Di’s friend María dies after being run over on a bridge by the City of Arts and Sciences, Valencia) and Bahamas.

Shooting also took place in Elche’s Hotel Huerto del Cura, in L’Alfàs del Pi at the Sha Welness Clinic, in Mutxamel at the aerodrome and in boring old Miami and Los Angeles, USA.

Towards the end of the picture, with Di Di now a superstar, she stays at Valencia’s Westin Hotel for the premiere of her new film ‘Pacific.’

Westin Hotel, Valencia

The premiere actually takes place at the architecturally Sci Fi complex, the City of Arts and Sciences, which also appears in the opening scene as a flashback, including interior shots of the screening inside the Opera House.

Director Bigas Luna wrote and directed a film that moves from Spain to the USA and back using both Spanish and English quite sensibly, depending on who is speaking to whom. It stars Elsa Patakay and American film star Peter Coyote, who jangled keys in ‘ET.’

Mad Dogs (2010)

More of a four part, four hour series than a film, although it has the chronological coherence of a feature.

The story of four old school friends who visit Mallorca looking for the fifth.

Sóller, Pollenca and Palma are among the locations.

Underground (2010)

No tasty vampires in this one but a creature that lives in the underground, where some young graffiti artists like to display their wares.

Shot in Bilbao, Vizcaya, and Lleida by the enigmatically named Galician director Tinieblas Gonzalez, with English with American actors.

Many scenes were shot in the Bilbao underground, particularly in and around Basarrate station.

In Spain the film is known as ASD.

Maximum Shame (2010)

Barcelona director Carlos Atanes is responsible for this self-described apocalyptic fetish horror musical chess sci-fi weird movie, with lots of S&M in abandoned factory sets, apparently located in Terrassa, Barcelona.

Young Spanish actors appear to ad-lib their way through some musical numbers, but that’s ok as this is ‘underground.’

Circuit (2010)

In the world of fashion photography everyone is important and sensitive.

Shooting took place at Barcelona’s El Prat airport, and at Sabadell, as well as El Prat de Llobregat.

Katmandu (2011)

Laia leaves her life in Barcelona to work in a poor school in Nepal. Her unhappy childhood includes time spent in a convent school, depicted in the Escola Pia Sabadell.

Shooting also took place at El Berguedà and Manllue.

Powder (2011)

Powder is a comedy about a rock band making the big time, with a brief visit to Ibiza for a suicide.

Playing a small part is The Smiths’ guitarist Johnny Marr.

The Honey Killer (2011)

Richard Harrison, Director, Co-writer and Producer of The Honey Killer from Razor Films in London told us that the film was made in Ronda, Montejaque and Gaucín in Málaga province in August 2008.

The Flamenco scene was shot at Anna María’s, in Marbella old town, famous for having some of the best and most authentic Flamenco in Spain. The scene where Janine dances Flamenco was improvised and shot in one and a half hours.

The bar where Darryl meets Rik was found by accident just 24 hours before it was filmed and the bar owner, Santana, actually plays himself.

The village, near which Darryl has rented a villa, is Gaucín, with its white houses and castle looming above.

The Impossible (2011)

Ewan McGregor and Naomi Watts star in this film including scenes shot in Alicante, although the true star is a Tsunami.

The film has a Spanish director, Juan Antonio Bayona, and writer Sergio G. Sanchez, and filming began in Alicante in August 2010, before transferring to Thailand.

Naomi Watts started filming in Alicante’s City of Light in mid-September.

There were also some underwater scenes, originally supposed to be filmed in Thailand, but later patched together in Barcelona’s Piscina Bernat Picornell i Piscines Muncipals de Montjuïc.

Weekender (2011)

I’d always thought that it was a bad thing to rave, but apparently it is not a symptom of disease, but a scene, and people do it when they’re not chilling out.

Where did my life go?

Ibiza is the place to rave apparently, although the natives may beg to differ. However, Stephen Salter of Benchmark Films informed us that they sneakily used Gaucín, near Estepona in the province of Málaga as a substitute for the island of the beautiful people; perhaps to keep the actors out of the all-night discos!

Gaucín

According to the film’s director in the audio commentary, the sumptuous hillside villa once belonged to Richard Burton’s first wife, Sybil Williams.

Our heroes (thieves, drug dealers and they don’t pay taxes; whatever happened to Roy Rogers?) Matt and Dylan supposedly pay a brief visit to Ibiza, where they see the light, and Matt finds his dream beach and opens his dream beach bar.

11-11-11 (2011)

The title refers to the date when one of those inconvenient gates to a nasty world full of monsters can be opened.

Yet another in a now long line of Spanish productions, brewed in Barcelona but with an international cast speaking English.

Shooting began on the 17th of January 2011 under the direction of Darren Lynn Bousmann, who was responsible for three of the ‘Saw’ saga, and who loves Spain enough to have proposed to his wife at the Sitges film festival.

Barcelona and Sant Vicenç de Montalt (site of the house with the tower that is destroyed) are the locations, including the maze in Barcelona’s Parque del Laberint, which is where Joseph and Sadie are cornered in the maze by Javier, who threatens Joseph with a gun.

The cemetery l’Est or de Poblenou also appears.

There Be Dragons (2011)

Although mostly shot in Argentina, Roland Joffré’s film set in the Spanish Civil War, and telling in part the story of José María Escrivá, founder of Opus Dei, also involved two weeks of shooting in Sepúlveda, Segovia.

The creator of ‘The Mission’ employed mud and earth to transform the streets of Sepúlveda into the ‘authentic’ 1908 streets of Barbastro, Huesca, Escrivá’s hometown. The Streets used were Lope Tablada, San Batolomés, Santos Justo y Pastor, Comandante Cristóbal, Los Fueros, Conde Sepúlveda, Sancho García, the plazas Mayor, Virgen de los Pucherillos and de la Fuente, the arches Ecce Homo and de la Judería, and the cemetery.

150 extras were used and the local council netted a very much welcome 18,000 euros for their trouble.

Geraldine Chaplin, who shot ‘Doctor Zhivago’ in Spain, returned for a role in this film. Both she and director Joffé were among the crew lodged in the Hotel Vado de Duratón during the second fortnight of October.

The title of the film refers to the comments written by cartographers on maps to describe unexplored areas.

Intruders (2011)

Canary Island director Juan Carlos Fresnadillo is responsible for this paranormal drama focused on two children; one in Madrid and one in London.

In south east Madrid filming focused on Calle Hacienda de Pavones, in the district of Moratalaz, where the entrance to the young boy’s flat was situated, specifically at number 99, although the producers also had to cut a deal with the residents at number 97 in order to erect the scaffolding.

The children’s playground where two priests stroll while discussing the possible ‘possession’ of the boy was created in a green zone nearby.

Filming also took place in a pedestrian street, Avenida Fernández Ladreda in Segovia in September 2010, when 80 local extras collaborated under the artificial rain of sprinklers hoisted on cranes. The photography shop there is really a bank. Another scene was shot in the old prison.

Clive Owen stars, as does Spanish actress Pilar Lopez de Ayala, although the Bogeyman outshines both.

We Need to Talk about Kevin (2011)

In a symbolic gesture meant to make the viewer concentrate on the colour red, the film kicks off with the exuberant ‘Tomatina’ tomato throwing festival celebrated every August in Buñol, Valencia.

The festival dates back to August 1945 when a group of youngsters started throwing vegetables at each other until the police arrived.

During the 50s it was briefly banned, but popular demand (not a common occurrence under Franco) brought it back after the local people had carried a coffin containing a tomato, accompanied through the streets by the local band.

In 1957 the festival was legalized and the Town Hall took over its organization, despite which it has survived and prospered, and now attracts an international crowd almost comparable with San Fermín.

The film, about a serial killer’s mother (Tina Swinton), is neither as exuberant nor as much fun as the festival, which is in fact her only moment of pleasure as she is covered in Vitamin C while covering the festival for a travel magazine.

Haywire (2011)

In February 2010 filming started in Barcelona on this Steven Soderbergh thriller starring Michael Douglas, Bill Paxton and Ewan McGregor.

The rescue of a hostage in this film takes place in Barcelona, with Ciutat Vella; Plaza Reial, la Rambla del Raval, Calle Ample, Mirador de l’Alcalde de Montjuïc, and Plaza George Orwell for the scenes when Gina Carano is betrayed by Antonio Banderas.

Jack and Jill (2011)

Adam Sandler does a ‘Victor Victoria,’ playing his own twin sister, whereas Al Pacino plays Al Pacino.

Bellver Castle on the outskirts of Palma, Mallorca appears in the scenes seen from the air when Pacino helicopters Jack, disguised as his sister, (double disguised really) into the castle for a seduction supper. The unique circular cloister is also briefly seen.

Work on the castle was commissioned by Jaume II, King of Mallorca in 1300.

Following the Battle of Bailén in 1808 it was a prison for Napoleon’s defeated soldiers.

Only six years later General Lacy, who participated in a failed liberal rebellion against King Fernando VII, faced a firing squad in the castle moat.

In 1821, the castle was used as a mint.

 In 1931 it was turned over to Palma Council and it now holds various cultural activities such as summer concerts.

Spanish actor Santiago Segura participates playing (who would have guessed?) a Spanish gigolo.

The Inbetweeners (2011)

Based on the TV series, the film version included bar scenes at Calvià, Mallorca, shot there in March 2011.

Calle de Punta Ballena and the promenade of the Magaluf beach were among the locations, which are supposedly Greece in the film.

Among the bars used were the Daiquiri Palace and Revolution, with shooting in Palma and Sóller.

Boronia Backpackers (2011)

Two Australians from back in the woods Boronia decide to ‘do’ Europe and pass through 20 countries, including a visit to Barcelona.

The Perfect Stranger (2011)

Colm Meaney is at the centre of this story, and the only person speaking English for the most part.

He plays a foreigner whose arrival at a small village causes all sorts of excitement among the locals.

Majorcan director Toni Bestard used his hometown of Bunyola, as well as Llucmajor, Calvià and Campanet, all of which are in Mallorca, for which the rustic film is a showcase, showing the idyllic side of the island.

While visiting the Raixa Estate, we were informed that a set had been built there in an old servants’ quarters for the making of the film, and that the end of shooting party had been held at Raixa.

Trangression (2011)

Michael Ironside is part of an international cast for this Spanish film, which also stars Carlos Bardem.

The transgression in question is four criminals breaking into someone’s home, which is in Barcelona.

Zindagi Na Milegi Dobara (2011)

The film was made all over Spain, starting in June 2010. It tells the story, in typical Rom-Com, Buddy-Buddy, Road Movie Indian style with three young men who go to Spain and find all the usual stuff as each overcomes some fear or problem.

Barcelona appears briefly with some shots of the city’s symbol, Gaudí’s Sagrada Familia Cathedral, and further north the camp site of Illa Mateua at L’Escala was the base for the scuba diving scenes.

In Buñol, Valencia, the internationally famous Tomatina festival that takes place in August was recreated so that tons (16 of them imported from Portugal) of ripe tomatoes could be thrown around by fervent advocates of world famine relief.

In the film’s climax, a Bollywood version of a song called ´Señorita’ was shot in Alájar, Huelva, with a lot of local extras in typical costume, including the Mayor. The song has apparently made Spain very popular in India and increased the interest in all things Spanish.

In Pamplona, Navarra, they run with the bulls, and filming also took place in Carmona, Sevilla, Ronda, in the province of Málaga, famous for its gorge and bridge, which appear in an aerial view, and Setenil de las Bodegas, Grazalema and Zahara de la Sierra, all in the province of Cádiz. In Setenil, we see the threesome driving through the narrow streets, and the ridiculous fight scene took place in the picturesque Bar Alhambra.

Setenil de las Bodegas

Although the film was made in Hindi for domestic consumption, the characters regularly punctuate their conversations with English words and expressions, which is our excuse for including the film here; that, and the possibility of attracting millions of wealthy Indian set-jetters to Spain. The film was brought to our attention by Gus.

Checkout (2011)

This black comedy about ‘suicide tourism’ was shot in Sitges, Barcelona, the location of many interesting films since Errol Flynn shot there in the 50s.

It was made by afilm International Film Workshops.

Yolanda Torres, Producer/ Head of Studies of afilm informed us that the film centres on a guest house for suicides (the definitive check out), and one guest whose hesitation causes some concern to the landlady.

The guest house in question was the delightful Hotel Romantica, a beautiful, historic hotel in the old part of Sitges, which is full of noble mansions.

Road to Wacken (2011)

Wacken is a little town in Germany that is invaded each year by Heavy Metal fans for a rock festival.

Aragonese director Pablo Aragués made a film about an all girl band from Zaragoza that travels there to claim their fame and mix with the likes of Alice Cooper.

Apartment 143 (2011)

Property values will plummet in Barcelona, where this film about paranormal activity in a flat was made.

Written by Rodrigo Cortes, who directed ‘Buried’ and ‘Red Lights.’

Haunted Poland (2011)

A Spanish film with Spanish and Polish actors filmed in Polish and English, set in the USA and Poland although the opening scene was filmed in Girona, home of director Pau Masó.

Evil forces are lurking in Poland, or maybe in childhood, or both.

Those who feel more comfortable with it could call the film ‘Nawiedzona Polska.’

The Cold Light of Day (2012)

A thriller starring Bruce Willis and Sigourney Weaver in which an American family is kidnapped during a holiday in Spain; something which almost never happens in reality all Americans may rest assured.

Various Spanish actors participated, including Simón Andreu as Pizarro, a policeman who threatens Willis.

Filming began in early September 2010 on Cabo (Cape) La Nao near Jávea, Alicante, at the idyllic cove of Granadella, where actor Henry Cavill was to be found, surrounded by 100 extras, all trying hard to look as if they were enjoying themselves playing on the beach. Five power launches and a yacht were involved in filming upon the limpid blue Mediterranean waters of the Costa Blanca.

It was here that Henry swam ashore to visit a Chemist’s while his family was being kidnapped. The Chemist’s was actually quite a long way off, in the Plaça Sant Antoni in Denia, where Hollywood brought it all back home by filming briefly in the same square where ‘John Paul Jones’ was shot back in 1958.

Just before the kidnapping, Henry’s family, headed by Bruce Willis, had suppered on a yacht in the Nautical Club of Moraira, filming of which took place on the 13th of September.

From the marina we can see the 18th century castle on the beach, built to defend against Berber pirates.

The Madrid Film Office pulled out all the stops when the story switched to the capital for the bleaker scenes where Henry takes on the combined forces of Arab terrorists, Mossad and the CIA; no mean feat. A great number of the capital’s tourist attractions appear as Henry seeks to free his family.

We see the Puerta de Alcalá and the Cibeles fountain with its chariot towed by lions, carved in stone in order to prevent them from eating the horses.

Willis meets with Sigourney Weaver in a square with the statue of a rearing horse. This was shot in the Plaza de Ramón y Cajál, in front of the Faculty of Medicine of the Complutense University. It is here that Bruce’s fee ran out and he was shot too.

The chase is on, with Henry sometimes chasing the baddies and sometimes being chased.

He reaches the Plaza Mayor, where a policeman is shot and he gets the blame, finally finding refuge in the American Embassy.

He makes his way to Diego Caldra’s house, actually a set built at the Ciudad de Luz studios in Alicante, where he teams up with Spanish actress Verónica Echegui. Weaver pursues them as they speed off on a scooter, sliding to a stop in front of the Delicias Railway Museum, housed in an old railway station in central Madrid.

In their search for Henry’s father and some answers they take the Madrid underground from the Pitis station, taking in the Puerta del Sol. After a shootout in an underground car park the chase is on again, passing the Puerta de Alcalá and ending up at Las Ventas bullring, where Weaver’s car tries to take the tube unsuccessfully.

At one point imagination is stretched when Verónica takes Henry to a leisure complex called Fabrik Espacio Multiuso, located between Moraleja and Fuenlabrada, where some of her friends happily help them out, beating up a professional killer as a favour, imagining no doubt that this ruthless assassin will just mutter “fair enough” and leave it at that.

It all ends happily ever after, and Bruce is hardly missed as the Mossad arrive ages before the Madrid police; which is a fairly common complaint in the capital.

Saving Isis (2012)

A post apocalyptic story of the relationship between mother and daughter, with filming in the province of Tarragona, specifically at Casa Castellarnau (for the decadent palatial scenes) and Pla de la Seu i Catedral; in fact we see a naked woman on the steps leading up to the cathedral, the cemetery and the subterranean tunnels of the Complex Educatiu de Tarragona.

Casa Castellarnau, now the city’s history museum, is lucky enough to have a ghost. A young, sickly girl who lived there and was only allowed to play the piano, and still plays, long after her death.

Nevertheless, the action takes place in post-apocalyptic New Mexico.

Red Lights (2012)

After shooting ‘The Cold Light of Day’ with Bruce Willis in Spain in 2010, Sigourney Weaver returned in February 2011 with Robert de Niro in tow for another ‘lights’ film.

Spanish Director Rodrigo Cortés obviously earned himself a lot of credit with ‘Buried’ (apparently the producers were delighted with the low budget, an inevitable consequence of filming practically the whole thing inside a coffin) and have since given him a few dollars more.

Science and the supernatural battle it out in this film shot in Barcelona and Canada.

One of the locations in Barcelona was the Casino L’Alianca del Poble Nou at Rambla de Poble Nou in the north east area of the city in the municipality of Sant Martí de Provensals. The Casino was founded in 1868 and in the film is used for a theatre scene featuring 300 extras.

Other scenes were filmed in the studios of TV3, the Catalan public TV channel, and at the Facultad de Económicas of the Universidad de Barcelona (UB).

Filming also took place in the Teatre Musical, Teatre Tívoli in Barcelona, Cornellà, Sant Andreu de Llavaneres, El Prat de Llobregat and Sant Vicenç de Montalt.

A Puerta Fria (2012)

Although it’s a Spanish language film, it’s all about a businessman suffering the handicap of not speaking English. For this reason, Antonio Dechent needs the services of María Valverde in order to communicate with Mr. Battleworth, played by Nick Nolte.

The film is directed by Catalan Xavi Puebla and was shot entirely in Sevilla in the summer of 2011, with the Hotel Sevilla Center, Avenida De La Buhaira, 24, as the main location.

The Dictator (2012)

As the film is about an Arab dictator, played by Sacha Baron Cohen, Sevilla was chosen because of its Arabian architecture.

One of the dictator’s palaces is none other than the Plaza de España, also used for ‘Attack of the Clones’ and ‘Lawrence of Arabia.’

Plaza de España. Photo Courtesy Mage

On Fuerteventura filming took place at Corralejo, Majanicho, Esquinzo and el Barranco de La Herradura, where the desert scenes were shot with the dictator on horseback and with goats. Self-explanatory.

The Zig Zag Kid (2012)

Isabella Rosellini filmed the Spanish section of this Belgian film directed by Vincent Bal in the old Rio Tinto mines of Huelva.

The film is based on a novel by Israeli author David Grossman, and the makers constructed a large wooden house in the area known as Zarandas, which represents Moonberg in the film.

The film tells the story of a young boy’s journey from Haifa to Jerusalem and was filmed in English and Dutch.

Rio Tinto started exploiting the mines in 1873 and ceased operations in 1954. Today you can visit the mining museum, ride the steam train’s remaining 12 kilometres of track, visit the ‘typically English’ house of the mine’s General Manager or visit the Peña de Hierro mines.

Cloud Atlas (2012)

Filming took place in Mallorca in September 2011 of this film by the Wachowski Brothers and Tom Twyker.

Of the film’s six parts the ‘Big Island’ and ‘Pacific Islands’ stories were filmed in Mallorca.

At Sóller, Jim Broadbent takes the familiar tourist tram to the port where an 18th century ship was kept during production, and where at the seafront Hotel Esplendido, 40 rooms were taken over by the film crew.

It was at Sa Calobra beach, near Sóller, that the opening scene, when Adam Ewing meets Dr Henry Goose (Hanks), was filmed. The beach, at the end of Torrent Pareis, is reached by regular ferries or a torturous mountain road.

Tom Hanks is at one point seen on top of a Hawaiian mountain, which is in reality Puigmajor mountain, in the Serra de Tramuntana.

A scene with fires in a slave village was shot next to the Hotel Formentor, a famous hotel in the eastern extreme of the island.

Halle Berry was unfortunate enough to break a bone in her right foot during filming and was treated at the Miramar Private Clinic (Room 119 for all you serious fans!)

Wrath of the Titans (2012)

Like its predecessor ‘Clash of Titans,’ Wrath’s exteriors were largely filmed in the Canary Islands, particularly on Tenerife and La Gomera.

Once again Liam Neeson and Sam Worthington star, joined by Ralph Fiennes as an especially melancholic Hades, no doubt depressed by the fact that the Greeks are losing their religion.

Abades on the southern coast of Tenerife was the site of the village of Perseus at the beginning of the film and the first attack of the Chimera.

Nearby Los Desriscaderos, an area of dry gulleys and hills, was the spot chosen for the exterior of the labyrinth leading to Tartarus. Queen Andromeda’s first camp was built at Minas de San Jose, and the Mount of Idols was provided by Llano de Ucanca.

In the north west, Teno Rural Park, an eroded volcanic mountain next to coastal cliffs, provided the opening scene of Io’s seaside grave, where Perseus, Agenor, Andromeda and her soldiers board their ship, the Nomos, which later would drop anchor in front of the Los Gigantes cliffs, at the extreme west of the island.

A second camera unit did some aerial photography of a five million year old volcano, Roque de Agando in nearby La Gomera island.

The Strange Case of Wilhelm Reich (2012)

Klaus Maria Brandauer plays the controversial psychiatrist Wilhelm Reich during the last years of his life, and the Tabernas desert in Almería plays Arizona.

According to Janine Michtner of Novotny Film Produktion, the petrol station scene towards the end of the film was shot at the restaurant and petrol station ‘Alfaro,’ Autovía A-92 Exit 376 – Tabernas, and the desert scenes, where Reich is seen experimenting with his family, starting in the film’s second scene, at Finca Tecisa.

Alfaro Petrol Station

Deranged (2012)

Shot near Madrid and starring Londoner Craig Fairbrass, this horror flick tells the story of four attractive British girls staying at a friend’s place in rural Spain.

The location of the house is actually a rural hotel called La Tejera de Lozoya, located on the M635 road from Gargantilla to Navarredonda at the edge of the Guadarrama mountains.

Nearby, on the road between Rascafría and Lozoya, is the restaurant El Tascón, where Fairbrass hands over the keys of hell to the girls. Sorry; is that a spoiler?

Dancing Dogs (2012)

The trainees at afilm International Film Workshops produced this movie, in which their native Sitges, Barcelona plays a key role.

The Hotel Romantic, Carrer de Sant Isidre 33, was again a location, representing Elizabeta’s home.

Also featured are the El Prado theatre, Carrer de Francesc Gumà, 6, where the sisters are forced to dance, and the streets and beaches of the town. The film ends at the Avinguda de Balmins beach, where the dead sister’s ashes are finally scattered.

At Cami de Santa Bárbara, Lily and River miss the bus, and they are kidnapped at a farmhouse at Vallpineda.

Invader (2012)

A film about right, wrong and Iraq.

The Iraq scenes were shot in the Canary Islands at Fuerteventura and Lanzarote, where Arrefice was transformed into an Iraqui town, while the Spanish scenes were shot in Galicia on the cliffs of A Coruña, and in its port and prom, with Pablo’s house located in Betanzos.

The dialogue is in Spanish, English and Arabic, and the director is Daniel Calparsoro.

Miami II Ibiza (2012)

Focusing more on disco strobe lights than the limpid blues of Ibiza’s sea and sky, this musical comedy charts the rise of a new DJ called DJ Hound as he makes it with a little help from some real life DJ friends.

Ibiza: My Way or the Highway (2012)

A film that is almost a documentary, but not quite, and which is a homage to not only the nightlife, but also the coves, caves and light that is Ibiza.

On a more serious note, the film deals with Attention Deficit Hyperactivity Disorder.

Animals (2012)

A curious film made by the Catalan director Marcel Fores, but with some British actors such as Martin Freeman from ‘The Office,’ playing a teacher at a bi-lingual school where main character, Pol, has a disturbing relationship with his English speaking Teddy bear.

The school is in fact the Universitat Autónoma de Barcelona and the exteriors were also in Catalonia, where there really are bi-lingual schools, so I suppose the whole teddy bear thing is also fairly believable.

Included in the locations are Sant Llorenç de Morunys and Pantà de la Llosa del Cavall, Lleida, which is the reservoir.

Also used were Sant Esteve de Palautordera, Barcelona and El Port de la Selva, Girona.

The Corpse Grinders 3 (2012)

Only 40 years later the third part of this American denouncement of the cat food industry reached the silver screen thanks to Spanish director Manolo ‘Motosierra,’ (which means ‘chainsaw’ and might not actually be his real name).

Ted V. Mikel made the original in 1971, and for the third part the director brought some much needed work to his native Alcoy in the province of Alicante.

The old industrial area of El Molinar, a veterinary clinic in El Terrer and an old building in Calle San Francisco, were used for interiors, while exteriors were filmed in the village of Planes.

Things We Do for Love (2012)

A Portuguese man has to choose between love and home, so, rather than toss a coin, he goes on the road, touring Europe with a discrete film crew, calling on Granada, Sevilla, Madrid and San Sebastián in Guipúzcoa.

The Sleeper Effect (2012)

This dystopian vision of the future was mainly filmed in the UK, but with some shooting also done in Marbella, Málaga, a kind of dream sequence involving a supermarket, a beach, a bar and a car park, which, like the rest of the film, I didn’t really understand.

Stranger Within (2013)

William Baldwin stars in this Danish production shot mostly in the Serra de Tramuntana mountain range in Mallorca, especially the area between Sóller and Deià. The cliffs and coves of the island were especially praised by the director.

The Gran Hotel in the village of Sóller featured, and the city of Palma pretends to be Manhattan in one curious fabrication.

The Wine of Summer (2013)

Near the beginning, Carl, an elderly writer is listening to a man on a balcony paying the trumpet while seated at a bar in Plaza San Felipe Neri, Barcelona, a location used in various films. Later he is joined there by Elsa Patakay.

They go to watch an awful play in Teatre Tarantana, which is a real theatre and the real name, situated in Carrer de les Flors, 22.

Elsa Pataky produces and stars in this film featuring Marcia Gay Harden and Ethan Peck, grandson of Gregory Peck, who arrives, rucksack on back at Barcelona’s airport, with its Miró mural, and then at Franca station, in search of that elusive something.

We see some rapid sights of Barcelona’s Gothic quarter and then Peck is exiting Hotel Adagio, Carrer de Ferran, 21, which is also real.

On to a church, and then the Canuda bookshop, where he spots Carl, and they return to Plaza San Felipe Neri for a drink.

Through the medieval streets of Girona, Peck wanders around with the playwright, and some locations from Game of Thrones and Perfume are easily recognisable, such as the cathedral steps.

El Parrigur, where the five main characters go for some music, is also real, and can be found at Carrer del Pas de l’Ensenyança, 2.

Spook (2013)

Dutch musician and film maker Aldous Byron Clarkson found his haunted house at Beniarbeig, Alicante. The old mansión is in fact the 19th century Casa Santonja, now available for weddings and other natural events.

For some mellow marsh he used nearby Pego, a coastal wetland where rice is also grown to make the famous Valencian paella.

Xàbia and Benicolet were also employed.

The Nowhere Son (2013)

This Indian film about corruption and violence in that country was shot all over the world, including Madrid, and was directed by San Benarje.

Grand Piano (2013)

The film was made in Las Palmas in Gran Canaria, and Barcelona; the old hospital, now film studios at the Parc Audiovisual de Catalunya in Terrassa was used to reconstruct the concert hall in Chicago.

The film stars John Cusack and Elijah Wood and deals with a pianist (Wood) who suffers from stage fright, although he finds Cusack scarier than a harmless stage.

The Fast and the Furious 6 (2013)

Vin Diesel stars in the sixth part of the saga. In an age when petrol is running out fast, it makes sense to flog a dead horse I suppose.

Among the international locations is Tenerife, with filming around Santa Cruz de Tenerife and the port of Santa Cruz taking place in September 2012.

Filming also took place on Gran Canaria, on the G2 motorway, under construction at the time, in the section between El Pagador and Santa María de Guía, in the northern part of the island. One of Spain’s highest viaducts, the Puente (bridge) de Silva, seduced the producers with its spectacular views.

The Counselor (2013)

Brad and Cameron bring on the Hollywood attraction, while Javier and Penelope offer home grown talent for yet another Ridley Scott Spanish movie, filmed in Pego, Elche, Alicante, as well as Cañada de Albatana, the vineyards of Termino de Arriba on the outskirts of Jumilla in Murcia province, and in the Badlands of Bardenas Reales Natural park in Navarra, which simulates the border between Mexico and the USA. Here filming took place around the military base and an area known as Castildeterra, with the main actors and crew staying at the Hotel Aire de Bardenas.

In the city of Alicante the Town Hall (including its colonial façade and square) was transformed for a day into the courthouse of Ciudad Juárez, while the waste processing plant at Fontcalent was used for a scene where a dead body is found.

In Alicante’s Calle Ángel Lozano, a scene was shot involving Michael Fassbender and Javier Bardem in front of a lingerie shop.

The luxury mansión with sea views can be found at the Monte Pego estate, full of villas.

The Macabre Ayahuasca Hammer Experience (2013)

The 14 weeks of filming took place at various locations in the Valencia Community, although the key location was the 13th century monastery of San Jeroni at Alfahuir near Gandia, where the horror unfolds.

Filming took place at Burriana and Morella (both in Castellón province), and Alicante, Alcoy and Jávea (all in Alicante province), with studio work at the Ciudad de la Luz, Alicante.

Some filming was also done in Mallorca, at Palma and Cala Sa Ponsa.

Director Aldous Byron Clarkson returned to Spain in Spring 2012, after making ‘Spook’ in Alicante province.

Mindscape (2013)

A psychological thriller from Jorge Dorado filmed in Barcelona, at l’Hospital Clínic, for the scenes where Anna recovers from an attack, and at Col·legi d’Advocats, whose multi-level library represents the private school where Anna studies before her contretemps with some other students (who deserve what they get).

 The Parque Natural del Montseny provides some scenery for driving and chasing young girls through the woods, and the studios of Parc Audiovisual de Catalunya, Terrassa were used for interiors.

The international cast includes Mark Strong, Taissa Farmiga and Brian Cox.

Wax (2013)

Author and cinema expert Victor Matellano directed his first full length feature film, ‘Wax’ in 2012 at locations such as Girona, where filming took place at the Sa Conca, Platja D’Aro, a beach well known to film makers, where ‘The Seventh Voyage of Sinbad’ and ‘Nicholas and Alexandra’ were shot, and where in ‘Wax,’ Mike shoots himself and his wife and son with his own camera.

In Barcelona the quaint old Waxwork Museum played its role, for example in an early scene where the director of the museum Mister Jarrod, in a wheelchair, explains about the security cameras in the area dedicated to Bonnie and Clyde robbing a bank. In fact the décor is real, as the museum was originally the Banco de Crédito y Docks.

A reporter stands in front of a prison where the evil Doctor Knox is held. It is in fact the Modelo Prison of Barcelona, now a cultural centre, but which functioned as a prison from 1904 to 2017. It was here that Salvador Puig Antich was the last person in Spain to be executed by the garrot on 2nd March 1974.

Málaga provided the exterior of the house featured in the same news report on Doctor Knox, at the Señorío de Lepanto estate, a location habitually used as a cheerier venue for weddings.

Mike recalls his wife on the beach again and then the 100 year old Raluy Circus, in Paseo de Colón in the port, provides some ambience.

The funeral dream sequence was shot at Monte de Valdelatas, a popular picnicking area near Alcobendas, Madrid.

The reporter approaches the entrance of the Museu de Cera and goes inside, where she finds Mike.

The Madrid Waxworks Museum was also used for other scenes in which a journalist has to spend a night in the museum.

Madrid Wax Museum

The international cast included the legendary Geraldine Chaplin of ‘Doctor Zhivago’ fame, and a special appearance by Paul Naschy, who was deceased at the time; a very clever achievement.

Another legend who participated was costume designer Yvonne Blake, collaborator on an endless number of films such as ‘Robin and Marian,’ ‘The Three Musketeers’ or ‘Presence of Mind,’ all made in Spain.

You couldn’t wish to meet a nicer person than Victor Matellano; just don’t let him inside your head!

Open Windows (2013)

Frodo comes to Madrid, but his mission is more sinister in this thriller directed by Nacho Vigalondo, a Cantabrian director shooting his first feature in English.

Filming took place in a steel factory in an industrial estate in Getafe; not a great location for set jetters really.

Elijah Wood took advantage of being in Spain to shoot two films here; the other one being ‘Grand Piano.’

Panzer Chocolate (2013)

Another Spanish production filmed in English and including international stars such as Geraldine Chaplin.

Parque Natural del Montseny, Vilanova I la Geltrú, the Mas Viver de Torrebonica in Terrassa and the city of Barcelona are among the locations of the story of hidden Nazi treasures in the Pyrenees.

The film makes use of new technologies, allowing the audience to choose a different ending. Would that they had thought of that for ‘Doctor Zhivago!’

The film opens situating us in Barcelona with a view of the twin towers, Torre Mapfre and Hotel Arts.

Kid Gloves (2013)

The story of a young boxer and his father/trainer, with some scenes shot in Palma de Mallorca, which represents Cuba.

A Long Way Down (2013)

Pierce Brosnan visited Mallorca to film this version of the Nick Hornby novel about four hapless suicide candidates who make a non-suicide pact.

Filming took place in Camp de Mar near Andrax, where the interiors of the Hotel Playa were used, as was the beach and a beach bar called La Illeta. These scenes in Mallorca represent the Canary Islands, while Mallorca’s Son San Joan airport represents Heathrow.

Leaving Hotel Romantic (2013)

Filmed entirely in the appropriately named hotel in Sitges, near Barcelona, a guest’s death starts the ball rolling in this thriller made by students of the afilm International Film Workshop school.

Another Me (2013)

Isabel Coixet is one of a new generation of Spanish directors who have begun to make successful English language films mixing the best of Spain with American and British actors.

Among the actors in this psychological drama were Sophie Turner, Jonathan Rhys Meyers, Rhys Ifans and Geraldine Chaplin               

Although mainly filmed in Wales, some studio scenes were shot at Parc Audiovisual de Catalunya Studios, Terrassa, Barcelona and some swimming pool scenes at Club Natacio, Terrassa, Barcelona.

Mama (2013)

A horror film directed by Argentinian Andrés Muschietti and produced by Benito del Toro. Andrés, who lives in Barcelona, first made a short, filming in a house with a spiral staircase in Barcelona, before making the full length film, which was largely shot in Canada, although some studio work was done in Barcelona.

A horror film starring horrible children.

Afflicted (2013)

Vampire problems mess up a Euro trip for two friends, Derek and Cliff, who travel to Italy and Paris, setting off from Barcelona, cam recorder in hand. Big mistake.

The first thing we see in the city is the Barceloneta beach, with the two Port Olímpic skyscrapers and the Frank Gehry golden fish statue in the background.

Derek and Cliff are first seen in the Plaza del Portal de la Pau del moll de les Drassanes, with the Columbus statue standing out.

Finally we see them preparing their yellow convertible in the Plaza del Duc de Medinaceli.

A Night in Old Mexico (2013)

Emilio Aragón, a Spanish comedian and actor tries his hand at directing Robert Duvall, who plays a cantankerous (who’d have him any other way?) old Texas rancher, forced off his ranch, who then decides to take a last, wild car journey to Mexico with a newly acquired grandson.

A few background shots from the cars were done in Madrid, although the film was shot in Brownsville, Texas.

The World (2013)

With today’s technology anybody can make a film; and here, anybody just did.

A very home made movie, obviously with a lot of help from his friends, and telling the story of a chess piece and time travel, when a young traveller briefly visits Barcelona through a whirlpool in his California supermarket.

We see the Sagrada Familia cathedral, the Boqueria market, Plaza Reial and La Rambla before returning to California.

Encontrados en NYC (2013)

A Spanish film in which some friends from Sevilla visit New York, which means that they have to speak English at some point, although not in a NY cab.

In Sevilla the Guadalquivir river appears quite a bit, as does the university.

The Liberator (2013)

From the tiny Basque village of Bolibar, Simon Bolivar’s ancestors set out for the new world. The Liberator tells his story in this film in Spanish, French (which he spoke) and English (which he didn’t).

Bolivar besieges and conquers the South American city of Valencia, although the market in which he fights was in reality in Jeréz, in the province of Cádiz. A bloody battle takes place in the Plaza del Mercado to conquer Valencia.

The horses were provided by the Real Escuela Andaluza del Arte Ecuestre, who also provided the anecdote when two steeds escaped during the shooting.

On the beach he fights another battle, upon the endless sands of Zahara de los Atunes.

The city of Carmona in Sevilla represents Valencia too.

Filming also took place in Segovia, where the Plaza de la Trinidad was transformed into a market, and the royal gardens of La Granja de San Idelfonso provided some classy backdrops for Bolivar’s alleged badminton match with a Prince.

The Andes mountains were ably portrayed by Granada’s Sierra Nevada, while the drawbridge of Chinchón’s castle gets a cameo as Bolivar rushes across it as hurriedly as he rushed all over the continent, and Alcalá de Henares in Madrid provided some authentic street scenes, offering Calle Bedel for our pleasure.

Chinchón Castle

Paper, Scissors, Stone (2013)

The film begins in Manchester, England, England, but then moves across the Mediterranean Sea to Almería.

After touching down at Almería’s international airport, a number of ranches, known locally as ‘Cortijos’ are employed, such as Cortijo El Coto at Velez-Blanco, and Cortijo Venturillo at María. 

The astounding beauty of Cabo de Gata, where beach scenes were shot at La Isleta del Moro, also makes its presence known in a story of three old friends who reunite in Spain, but each bringing their own unwanted baggage.

Violet (2013)

Like the character in the film, Alex, director Luiso Berdejo moved from Spain to California.

In this story Alex seeks a woman in a photo and ends up finding his grandfather.

The Spanish scenes were shot in Luiso’s native San Sebastián, Gipuzcoa.

Tasting Menu (2013)

The clientele of a famous restaurant are from various countries, and so various languages are used, including English.

The restaurant is closing and everyone want to be present at the final supper.

Filmed at Empúries, Girona, the real restaurant was l’hostal Empúries.

The Cosmonaut (2013)

This dreamy sci-fi story with echoes of 2001 and Solaris was filmed by Nicolás Alcalá, who informed us that “we shot a good bunch of ambient shots in the north of Spain, mostly in Galicia and some in Asturias; cliffs and empty beaches and forests; landscapes mostly and some dreamy shots. Some ended up in the film, some ended up in the collateral 35 short films that complemented the movie.

We also shot all the scenes in which the cosmonaut is inside a spacecraft and on the Moon in a studio in Madrid. Most of them were used in a couple of the short films and some in the film.”

The Extraordinary Tale of the Times Table (2013)

An interesting film with an amazing performance by Aïda Ballmann. Directed by José F. Ortuño and Laura Alvea, and filmed over a period of two weeks in a studio at Cora del Rio, Sevilla, the film, described as a macabre fairy tale, shows the danger of taking pen-pals too seriously.

New York Shadows (2013)

A Spanish film that takes place in Madrid and New York in English and Spanish, about a film producer who travels to the Big Apple to plan his next movie and encounters emotional problems with a woman.

Vivir es fácil con los ojos cerrados (2013)

Although the film is shot in Spanish, the theme could not be more English; The Beatles, and specifically John Lennon, who made How I Won the War with Richard Lester in Almería, and where English teacher Javier Cámera seeks him out in a Road Trip movie that concludes with a recording in English that does in fact sound a lot like Lennon.

The title is a translation of a line from Strawberry Fields: Living is Easy with Eyes Closed, a song written by Lennon during his Almeria sojourn, inspired by a bit of homesickness and possibly by the fact that the entrance to the villa he rented, now a cinema museum with a section dedicated to him, looks a bit like what the entrance to the Strawberry Field orphanage used to look like before it was also turned into a museum.

Javier’s journey begins in Madrid, before continuing at La Almadraba de Monteleva, next to the famous salt lakes and church Las Salinas by Cabo de Gata, Almería, where the bar and guest house are located, Desierto de Tabernas, for the scenes where Lennon’s film is being shot, as well as the beach at Playazo de Rodalquilar, Níjar.

La Almadraba de Monteleva

Apart from the final scene where Javier talks to Lennon, based on a true story apparently, the opening scene is a news programme in English about the Beatles and Lennon’s trip to Almería, followed by Javier teaching an English lesson using the lyrics to ‘Help’.We also hear English when Javier listens to Radio Luxembourg, when he rehearses his meeting with Lennon and when he has an altercation with Lennon’s wife Cynthia.

Blue Lips (2014)

Six characters from six cities with six directors, but with everything converging on the San Fermín bull running festival in Pamplona, Navarra.

Buenos Aires, Honolulu, Los Angeles, Rio de Janeiro and Matera, Italy are the runners up to Pamplona with familiar locations including the Town Hall square, the bullring and the Caballo Blanco restaurant, filmed during 2012’s San Fermin festival.

Pamplona Town Hall

10,000 km (2014)

Sergi and Alex are happy in Barcelona, but when she is offered a job in Los Angeles, their relationship has to survive through video conferences.

Nevertheless, her LA apartment scenes were filmed in a flat in Barcelona’s Gràcia neighbourhood.

Exodus: Gods and Kings (2014)

Christian Bale adds a certain sex appeal to the role of Moses, played more intensely by Charlton Heston many parted seas ago.

Ridley Scott once again turned the deserts of Almería into the promised land for this promising return to epics.

The desert of Tabernas became Sinai, while at Cautivo de Tabernas, where part of ‘Lawrence of Arabia’ was filmed, the scenes of the burning bushes were shot, and the great battle scene, elephants included, was shot at Llanura de Búho.

The battle in question is supposed to be that of Kadesh, fought in 1274 BC. As in Kingdom of Heaven, Scott distorts history. Rameses II was in fact Pharoah by then, his father Seti long dead, and Moses, was nowhere to be seen.

Huge sets were set up at El Chorillo, Pechina in the Sierra Alhamila mountains, and at Macael we can find the quarries where the Jews are abused by their Egyptian masters. Macael’s marble quarries have been in use since Phoenician times.

When we drive up towards the Sierra Alhamilla spa, below us to the right we see an avenue of palm trees and various abandoned buildings. The site began as a mining location and the sets were later constructed by Scott for his film.

It is here, with a fair bit of CGI, that we can see the avenue of palms as Moses arrives in Pithom to inspect the works, meet Ben Kingsley and discover his own true identity.

El Chorillo

On Fuerteventura, the white sand of the beach at Risco del Paso, Sotavento, was digitally joined to other beaches at Marrajo and El Cotillo for the spectacular scenes where the Red Sea opens, with far better special effects than Charlton Heston had available for his version of the story made back in 1956.

Scott set up shop at the old Parador of Playa Blanca, now a hotel, from where he directed the massive logistics.

On the Peninsula of Jandía, at the south west extreme of the island, all kinds of animals, 500 crew and 400 local extras accompanied Moses on his Exodus.

Buen Paso became Madian, where the wedding of Moses takes place, whereas the scene showing the coronation of Ramese II, originally planned for London, was finally filmed at La Caldereta, a village belonging to La Oliva on Fuerteventura.

Traces of Sandalwood (2014)

Set in Barcelona and Mumbai, an Indian girl looks for her lost sister in a film made in English, Hindi and Catalan by the Catalan director María Ripoll.

Among the locations in Barcelona are Parque Güell, where Mina enjoys the view after arriving in the city looking for Sita/Paula.

On the rooftop of La Pedrera Sita attends a cocktail party after discovering she was adopted.

La Pedrera Rooftop

In Port Vell Paula wanders and chats with her new Indian friend from the video club, Prakash, who takes her for an Indian meal at the Veg World restaurant.

Mina is staying at the beachside tower, the Hotel Arts, which we see from inside and out, while Paula works in the Center for Regenerative Medicine (Parc de Recerca Biomedica).

After visiting her parents’ villa, which is Casa Margara in Valldoreix, Paula returns to the city on the Funicular de Vallvidrera.

A Perfect Day (2014)

Tim Robbins and Benicio de Toro star in this black comedy, where the small Sierra Nevada mining village of Alquife, Granada becomes Kosovo during the civil war, and a corpse in a well gets what they call a bit part. The mines, recently reactivated, used to be the most important iron extraction operation in Europe. Today they have the kind of hole that film makers love, although the actual filming took place at the abandoned houses just outside the restricted area.

Scenes for Kosovo were filmed at Fuente del Hervidero in the Sierra Nevada National Park.

In Cuenca they took over an abandoned hotel, the Claridge, on the old main road from Valencia to Madrid at kilometre 187 near the Alarcón reservoir. Both the exteriors and the interiors served as the United Nations base, where they go after picking up the boy in need of a football. Today the building serves as a canvas for graffiti artists.

The Spanish director, Fernando León de Aranoa, and his stars stayed at the Hotel Palacio ‘Villa de Alarcón’ between the 17th and the 25th of May. The hilltop medieval village of Alarcón, with a small Parador castle, deserves a film of its own.

Let the Die Be Cast: Initium (2014)

Two brothers are cast adrift in a post apocalyptic world, where they confront an evil philosopher.

Almería is a pretty good place to imagine the end of the world, although there are no cowboys around as our heroes visit the famous beach at Mónsul, Cabo de Gata, where Sean Connery fought the seagulls in ‘Indiana Jones and the Last Crusade,’ or Santuario del Saliente, Albox, for the church scene.

Tabernas is always a good place if you’re looking for a photogenic desert, whereas the well scene was shot at the Torre García beach at Cabo de Gata.

El Marchal, Lubrin, provided the shack, and Cariatiz, Sorbas the girl’s house.

The ruined bridge was at Santa Bárbara, Huercal Overa, while the rockpool was at Turre.

Tahal provided the location for the new village, whereas Marchalico Viñicas was the old one. The almond grove was at the inappropriately named Los Castaños.

Once again Almería proves to be a striking contrast to the green fields of Oxfordshire where the boys start out.

Twice upon a Time in the West (2014)

Kind of truth meets sort of fiction as Claudia Cardinale returns to Almería, and the Western Leone western township at Tabernas for a parody of her role in Sergio Leone’s ‘Once Upon a Time in the West.’

This time it’s Bulgarian director Boris Despodov calling the shots, with some inappropriate Tchaikovsky music.

The action begins when Pepe Fonda, who claims to be the illegitimate son of Henry (in real life not in the film) recalls Fonda’s role in Once Upon a Time in the West, in a film within a film shot at the Western Leone township with the almost mythical McBain ranch and the West Bank, both of which can still be seen there today.

McBain ranch, Western Leone

The shootout takes place there in the saloon.

When Claudia and Maria drive down to the beach, they are of course at La Almadraba de Monteleva, next to the famous salt lakes and church Las Salinas by Cabo de Gata.

The film ends with a parade during the annual Tabernas Western Film Festival.

Six Bullets to Hell (2014)

Now here’s a storyline we haven’t heard before in a western; a woman is murdered and her husband, an ex-gunslinger who had renounced his pistols, takes them up again to exact revenge. In order to drag the story out he has the original idea of hunting them down one by one!

Anthropologists say that the pistol is a phallic symbol, but what do they know?

Once again the authentic American desert of Tabernas in Almería comes into its own and the western townships of Fort Bravo and Parque Oasys see some real action uncluttered by tourists.

Fort Bravo
Oasys

Seve the Movie (2014)

The story of Severino Ballesteros, the great Spanish golf player, is told in his native Cantabria, and particularly at Comillas and Santander, and the golf course at Pedreña, where Seve learnt to play, and where filming took place between 23rd September and 12th October 2013.

Aloft (2014)

Filmed mostly in Canada and Madrid, where the scenes of the children underwater at the end were shot in a swimming pool, this story of a mother separated from her daughter was filmed in English and French by Peruvian director Claudia Llosa.

The Afterglow (2014)

This movie was made by students and staff at the afilm school in Sitges. All the scenes were filmed in Barcelona province.

Laura’s death scene was filmed at Carrer de la Devesa, Sitges, while the library scenes, where Laura nearly kills Carlos, were shot in the Manuel de Pedrolo Library at Plaça María Mercé Marçal, Sant Pere de Ribes.

In Cafe Plantaciones Vilanova Oliver meets his fans, in the bar situated in Rambla Principal, 32, Vilanova i la Geltrú.

Oliver’s workout and Lorena’s underwater scenes were shot at Espai Blau Sports Club Passeig de Circumvaŀlació, Sant Pere de Ribes, while Laura’s hypnosis scene was filmed at Hotel Estela, Av. de Port D’Aiguadolç, 8, Sitges.

Oliver’s dream sequence took place at Hotel Romantic, Carrer San Isidro, 33, Sitges, as did Laura’s visit to the psychiatrist.

Oliver confronted Sarah in a Pizzeria, the Gilda, Rambla Principal, 114, Vilanova i la Geltrú.

Helena’s death was filmed at Sant Camil hospital, Ronda Sant Camil, s/n, Sant Pere de Ribes.

The beach that appears in various takes was San Sebastián beach at Sitges.

Shooting for Socrates (2014)

It’s the 1986 World Cup in Mexico and plucky Northern Ireland will be taking on Brazil (and Spain).

The film follows the followers back home among ‘the Troubles’ while the football mostly took place at the grounds of Benidorm (for the training sessions) and the Rico Pérez stadium, (home of Hercules CF) for the matches, both in Alicante.

The Finca el Migueral del Hortelano, at El Rebolledo, Alicante, also appears.

Brokeback Mountain (2014)

Don’t get all excited; this isn’t the original, shot in Wyoming and Canada, but an opera version filmed at the Teatro Real in Madrid.

Fleming (2014)

More of a mini-series than a film, we are introduced to the man who created Bond, James Bond, and who actually lived the life of a spy, including an operation in Spain to sabotage Nazi activity that was named Goldeneye.

One snorkelling scene, featuring Fleming’s wife Ann, was shot in Mallorca at Cala Agulla.

A villa called Can March situated in a pine grove known as Pinar de ses Vegues, between Cala Agulla and Cala Lliteres was also used.

Tea and Sangria (2014)

A young Englishman is jilted by his girlfriend in Madrid, and has to adapt to his new situation on the streets and in the bedrooms and classrooms of the city.

The Forsaken (2015)

A kidnapping and a gang of thieves holding their hostage in a large, mysterious house, which in reality is Casa Felix, in Olivella, Barcelona, whose owner Jane is apparently a great hostess and doesn’t tie up her guests at all.

Directed by Yolanda Torres, head of studies at the aFilm school of Sitges.

Mosquito: A Fistful of Bitcoins (2015)

Tom Block and Laura Revell self-financed this film with a touch of Terminator, about time travel to save the Earth, represented post-apocalyptically by the Canary Islands of Tenerife and La Palma, where Tom grew up and where Mosquito exists for the first ten minutes of the film.

Summer Camp (2015)

The team that gave us ‘Rec’ filmed Summer Camp with an international cast including Diego Boneta, Jocelin Donahue and Maiara Wals. The camp and its large 18th century house, currently called Can Montmany, can be found at Valldoreix, in the mountainous forests of Collserola in Barcelona province.

The Gunman (2015)

Sean Penn and Javier Bardem star in a film that allows Penn to have it both ways, as a professional assassin with a soft spot for NGOs.

Once more Hollywood attacks ruthless corporate greed and immorality. What?

A view of the city from Collserola, and the Telefónica del Fòrum building, and inevitably a quick shot of the Sagrada Familia cathedral begin the Barcelona section.

Scenes from this thriller were shot in the streets of Barcelona; specifically Rambla de Catalunya and Calle de Valencia in the summer of 2013.

Other locations used were the arches of Plaça Reial, the Tibidabo fairground above the city (where Penn arranges to meet Terrance Cox, although the Aquarium, in whose bowels a lot of shooting takes place, is nowhere nearby).

The film makers had a problem when they wanted to film some scenes at Barcelona’s Monumental bullring, as bullfighting is no longer allowed in Catalonia. They were not permitted to use real bulls and so the bullfighting was provided by the San Isidro Fair of Madrid. It is at the bullring that Penn tries to negotiate the release of his kidnapped girlfriend and has to take out three unethical gunmen, while the bull evened up the score by taking out the main villain.

Filming also took place at Caldes d’Estrach, specifically in the castle of Can Jalpí, Arenys de Munt in the Maresme district, and Penn slept in the Hotel L’Arts.

The Rezort (2015)

I’d always thought that the last resort was Benidorm. However, according to the news broadcast map, it’s the Canary Islands where zombie safaris take place, although the island scenes were actually shot in Mallorca.

A Steve Barker horror film, a kind of ‘Jurrasic Park’ for zombies, but with real weapons. The would be hunters come ashore on the island at Cala Tuent, situated near Sóller.

The abandoned military barracks at Son Busquets was used for some of the chase scenes, where the zombies were tied up for shooting; until they weren’t!

The group that camped out among the stars saw the reservoir at Cúber, just inland from Sóller among Mallorca’s emblematic Tramuntana mountains.

Later they escaped through the forest around the Formentor peninsula.

Never Let Go (2015)

A woman’s baby is snatched while she is on holiday, and she does everything physically possible to get it back.

Writer/Director Howard J Ford informed that around 30-40% of the film was shot in Spain, including the opening sequence that used a rented villa, Casa Moleve, situated at Montroy just outside Valencia.

The other Spanish sequences were shot in Palma, Mallorca, and most of the film in Morocco, although in many cases Morocco was Spain.

An old Guardia Civil barracks, now the Museu del Calçat I de la Pell, was used as a Moroccan police station. The building, inaugurated in 1915, became a museum in 2010.

A fight scene with a van was shot in C/General Luque at Inca.

The fight with the first kidnapper and van accident took place at Puig de San Pere, a neighbourhood of Palma, as did the taxi theft and chase, specifically in Plaza Drassanes, while the internet café was in the Barrio Son Gotleu.

The Police road block in the mountains was at Llucmajor village.

Howard added that the Spanish sequences were the nicest to shoot, assisted by Mallorca Specials and he regretted not shooting more of the film in Spain. The original intention had been to return to film at several Sergio Leone locations, but budget limitations made that inviable.

Our thanks to Production Manager Joan Fontanet and Claudia Joest for their help with the Mallorca locations.

The Hunting of the Snark (2015)

Although it is a stop motion film, made in a London studio, it uses some real scenery, such as the white cliffs of Dover, and a beach, that of Lloret de Mar in Girona, perhaps to save the artists drawing all those waves. The same thing happened with the cartoon version of ‘Lord of the Rings,’ using Belmonte castle.

Lawrence Mallinson of The Third Story Productions Limited told us that the Lloret filming was “mostly close-ups of waves lapping against the beach and the rocks and some views of the horizon out to sea.” He added: “It was just an opportunistic grabbing of a few shots as we had taken a short break there as a belated honeymoon, and given that it was February the beaches were deserted, we got the shots that you are not able to get on the English coast at any time of year.”

In the Heart of the Sea (2015)

Ron Howard brings us his version of ‘Moby Dick,’ with Herman Melville as a character this time and telling the true story of the ‘Essex,’ inspiration of the book.

Like John Huston’s version starring Gregory Peck, some of the sea scenes were shot in the Canary Islands, although this time just off Lanzarote at Yaiza, where beach scenes were filmed at El Golfo, with its beachside crater, and around the tiny island of La Gomera, at Alajeró, on the south coast, with additional filming at Playa Santiago at Tapahuga, where rain stopped play.

The islands represent the coast of Ecuador where the shipwrecked Essex crew washed up.

At Playa Santiago, Ron and the crew lodged at the Gran Hotel Tecina.

Jupiter Ascending (2015)

The makers of ‘Matrix’, the Wachowskis, were in Bilbao, Vizcaya, in May 2014, taking advantage of the futuristic Guggenheim Museum for their latest film, although they fast forwarded on the futurization, digitally remastering both the museum and La Salve and Zubuzuri bridges and Torre de Iberdrola to represent a city on another planet, where the Abrasax siblings chat about life, the universe and everything’s theirs after the harvest, to quote Neil Young..

Sean Bean and Terry Gilliam are among the stars of this sci-fi movie about a girl destined for great things. The film however is destined for obscurity, being another deluge of special effects in absence of a plot, characters or a point. ‘Casablanca’ it ain’t.

Tomorrowland (2015)

George Clooney is the star of this Walt Disney story filmed in Canada and Valencia, in the latter case at the emblematic, architectural blockbuster, The City of Arts and Sciences (CACS), where filming took place in January 2014 with Clooney and co-star Hugh Laurie lodged at the police stables turned hotel, The Westin.

CACS is often hard to recognise, but there are four points when we can identify the sci-fi architecture of Valencian Santiago Calatrava.

When Britt Robertson (Casey) finally reaches the city across the wheatfield, she finds herself there.

After the train ride, the CACS is also recognisable, especially the façade of the Science Museum.

When the spaceship escapes Earth and crashes into the CACS, we see the planet in ruins.

When Clooney (Frank) crashes into a lake, after destroying the evil machine at the end of the film, we see the first-built building of the complex, the domed Hemisferic, a 3D cinema, where Tomorrowland was premiered.

Clooney was kept under wraps in Valencia, but he was spotted at the Lambrusqueria Italian restaurant in C/ Conde Altea (the big table on the left as you go in).

Nobody Wants the Night (2015)

Spanish director Isabel Coixet directed Juliette Binoche, Rinko Kikuchi and Gabriel Byrne in a menage a trois with the North Pole to calm the passions.

Although mostly filmed in Norway, shooting inside the igloo took place in the slightly warmer ambience of Tenerife, (where else?) making use of the dockside Plató del Atlantico studios.

Don’t Speak (2015)

Horror on the glorious beaches of the Costa Brava as a group of youngsters find out that they would prefer to forget what they did last summer.

They come ashore from their holiday boat and explore the old fishermen’s houses at Cala S’Alguer, Girona. Then the problems begin.

Taken 3 (2015)

Olivier Megaton directs a film written by Luc Besson and Robert Mark Kamen, which could quite possibly take off where Taken 2 landed. It once again stars Liam Neeson, who during the summer of 2014 was shooting in Murcia and Alicante provinces.

In Murcia the airport of San Javier was a location, as it was for ‘Green Zone,’ representing this time not Baghdad but Santa Monica, for the film’s climax when Neeson’s car stops a plane from taking off. This was made possible thanks to the Spanish airforce, owners of the airfield, reminding everyone of the golden days of Samuel Bronston, when the Spanish armed forces spent more time making films than defending the frontiers.

A road was cut off to traffic between Cartagena and Isla Plana and La Azohía so that car chase sequences could be filmed on the RM-E22 road, when Neeson is following Stuart on his way to Malibu in the film, and is attacked.

In Alicante province, filming took place near Jávea at Cala (Cove) de Ambolo, where a rather shabby boat house was constructed for a scene where Neeson tortures Stuart, pouring petrol over his face.

It’s estimated that the production contributed a million euros to the local economy.

Sweet Home (2015)

This horror film directed by Rafa Martínez was shot in a deserted building in the district of Sant Martí, on the corner of Calle Wellington, which once housed soldiers and their families in Barcelona, and explains why you shouldn’t make out in an abandoned house.

The building was close to Barcelona Zoo, although the animals didn’t make it onto the soundtrack.

Shadows in the Distance (2015)

Orlando Bosch, a director from Buñol, Valencia, living in Berlin, directs a film about an Italian radio personality who meets a German bookshop employee, with scenes in Berlin, Poland and Valencia, where the beach and streets of the city feature, but not Buñol, famous for its tomato throwing festival and its Masonic cemetery.

Valencia contributes some blue seas to contrast with grey Berlin, and the Flamenco scenes with the guitarist Javier Zamora and the dancer Marta Sol.

German, Italian, Spanish and English are the film’s languages and professionals from six countries worked on this most European of movies.

The Second Best Exotic Marigold Hotel (2015)

The follow up, with Richard Gere included, to ‘The Best Exotic Marigold Hotel’ features Marbella, Málaga, at the Hotel Meliá Don Pepe, and the road between Málaga and Marbella where the opening scenes were shot, as well as Almería.

Dev Patel and Maggie Smith appear arriving at the Don Pepe in a grey sportscar for one of the two scenes filmed there by director John Madden.

Extinction (2015)

Zombies have taken control of the Earth, but the survivors exist in a hotel, in reality situated in Budapest, surrounded by snow and ice, kindly provided by the Pyrenees mountains near Vielha, Lleída.

Don’t Grow Up (2015)

….because if you do, you’ll turn into a zombie, something I can vouch for.

This is good news; you can never have too many examples of the walking dead, can you?

The film was shot on the island of Tenerife, with filming at Santa Cruz, La Laguna and the Parque Nacional del Teide.

The village of Güimar was also an important location for filming during March 2014.

Second Origin (2015)

A young woman, an unhappy English teacher played by British actress Rachel Hurd-Wood, and a boy of African origin, have escaped the holocaust and they must learn to make a new start, speaking English and Catalan.

Filming took place in Barcelona, where the beach scenes were shot, and where we see Barcelona Football Club’s stadium destroyed; and Lleída, whose city is shown completely devastated, and where the water into which the boy is thrown, and which saves their lives, is in reality the ‘Estany d’Ivars I Vila-Sana,’ just east of Lleída, although the underwater scenes were shot at the INEF swimming pool. The lake where Alba’s house is located is the reservoir of Utxesa.

Also in Lleída, a fruit and veg stall and bar were constructed on the promenade of the river, with the cathedral in the background, and then blown up.

The library scenes were shot in the cathedral cloisters with a lot of special destructive effects inevitably.

Carles Porta directed, taking over from Bigas Luna who died during the production phase. The film was finished as a homage to him.

The Evil that Men Do (2015)

A story of Narcos and kidnapped children set somewhere on the border between Mexico and Texas, but written and directed by downhome good ole boys Daniel Faraldo and Ramón Térmens.

Most of the filming was done in an abandoned washing machine factory at Martorelles, Barcelona, which has since been demolished, and at the nearby quarry. More expensive than filming in a coffin!

Thanks to Ramon Térmens and Ivan Llamas for their help.

Monsoon Tide (2015)

Most of the film was shot in India, although the underwater scenes were filmed off the coast of Murcia.

Nick Fletcher of Laid Back Films informed us: ‘The underwater scenes were intended to be all shot off the coast of Tarifa. Some shots and angles were filmed there but visibility did not allow us to shoot the ‘rising of the body to the surface shot’ so our dive team travelled down to Murcia where the visibility was better and that shot was filmed there, at Aguilas.’

Carpe Diem: European Escapade (2015)

Any excuse to travel all over Europe looking for a friend who got lost in a train station toilet; very lion, witch and wardrobish!

The Spanish section includes scenes in, San Sebastián (Guipúzcoa), with views of Monte Igueldo, the cathedral and a scene shot on the Concha beach, and on the streets of Pamplona, Navarra.

Concha Beach

Finally in Barcelona we briefly see Port Vell, la Pedrera and the National Art Museum, as well as the Barceloneta beach.

The Singleton (2015)

A movie about an artist called Kudos, with filming in the UK and around Málaga.

Vampyres (2015)

Victor Matellano remakes a 1974 classic by Joseph Larraz, in which two young ladies tempt people back to their mansion to dine. Obviously the menu may not be to their liking.

The mansion in question was Finca Villa Ángeles, Avenida Alto de León 69, San Rafael, Segovia, the summer residence of Ramón Menéndez Pidal, the famous historian, who was a consultant on the movie El Cid. It is located in San Rafael, Segovia.

The basement scenes were shot in the Cartuja de Talamanca de Jarama, Madrid.

Pursuit (2015)

The film crew were lodged in three hotels in Nerja, Málaga, for two weeks: the Parador, Perla Marina and Hotel Nerja Club, and shot various chase scenes in the area, particularly on the road between Nerja and Maro and a stretch of the N340 road at the Águila aqueduct, which is seen in the background as the couple, Diarmuid and Gráinne, are finally captured on a bridge.

Filming of this modern version of the ancient Irish legend of Diarmuid and Gráinne also took place near the María Luisa estate, Hotel Marinas de Nerja, where Gráinne gets a job as a chambermaid and a garage called Talleres Autos Raya, where Diarmuid is working.

Nerja can be seen from the beach where Gráinne announces her pregnancy to Diarmuid.

The first hour of the film is set in Ireland.

Creditors (2015)

A man comes to Madrid looking for an artist and finds a love triangle.

This is the first feature film by producer, director and actor Ben Cura.

Inside (2016)

Miguel Ángel Vivas directs a horror story about a pregnant widow whose baby is on someone’s wanted list.

Filming took place at Barcelona, Sant Vicenç de Castellet, Seva and Terrassa.

Dance Angels (2016)

Former James Bond George Lazenby plays a sea captain whose boat needs to be saved, and so logically some cool young people help raise the money through a dancing challenge.

They practise their dancing all over Alicante, including the promenade with its dizzy tiles, the marina, and below, as well as from, the battlements of the Castle of Santa Bárbara, which overlooks the city.

Stopover in Hell (2016)

Colmenar Viejo (the director’s hometown, where the stage coach stopover was built in the middle of the Dehesa de Navalvillar), Manzanares el Real and Titulcia in the province of Madrid, and Almería were the locations, some of them classic spaghetti western scenarios, as Victor Matellano revives the western genre with a gang of psychopaths led by the seriously philosophically-challenged ‘Colonel.’

In the opening scene a man is tortured and killed, while his daughter is raped and killed, as we see the snowy peaks of Sierra Guadarrama and the rocky hills of La Pedriza at Manzanares.

Later, when the two sisters pay a short-lived visit to the river to bathe, they are seen beside the Jarama River at Titulcia.

One of the Colonel’s victims is the straight-laced Miss Whitman, who is in fact the daughter of film mogul Samuel Bronston, Andrea. Bronston produced such classics as El Cid and King of Kings, often in the same locations as this film.

As the Colonel rides off into what is not a sunset at the end, in front of him in the distance is Almería’s Oasys Mini Hollywood Park.

Oasys

History’s Future (2016)

A man is mugged and loses his memory and then wanders the world, including Barcelona, where he finds himself in one of the world’s oldest markets; Mercado Encants – Fira de Bellcaire.

Anomalous (2016)

A Spanish film shot in English and set in Brooklyn, with interiors filmed in Barcelona.

Spanish directors seem to have a preference for the horror genre when they film in English; maybe the accents aren’t so noticeable when the actors are screaming.

Erasmus (2016)

It’s been done before, and done in Barcelona, but this time it’s an Argentinian, Pablo Cosco, not a French director, who shows us the rough and tumble lives of Erasmus students.

Things look good at the beach and at the Pompeu Fabra University where filming took place, but turn bad when they visit the Shôko nightclub in the Gothic quarter.

My Bakery in Brooklyn (2016)

Although set in New York as the title suggests, the end of the film was shot in Valencia.

First the Town Hall and then the impressive Post Office in the Town Hall Square are locations that remind us that Valencia was an important place for Hemingway, who often turned up to see the bulls in the July Fair, and who began his first novel ‘The Sun Also Rises’ in Valencia not Pamplona, in the Hotel Reina Victoria, as well as including various references to the city in ‘For Whom the Bell Tolls.’

Valencia Town Hall

A lawyer with literary ambitions in the film wants to copy Hemingway and visit Valencia, which explains the city’s presence in a New York bread tale.

Wild Oats (2016)

Gran Canaria is the location for an American film shot in June 2014 with a bundle of well knowns such as Jessica Lange, Shirley MacLaine, Demi Moore and Billy Connolly.

The swimming pool of the Hotel Lopesan Costa Meloneras at Maspalomas, was used for the scene where Shirley and Jessica meet Billy Connolly, as were the endless, famous sand dunes which hosted Jessica’s wedding in the final scene. This is the hotel where Shirley and Jessica first arrive in a taxi, after we first see several shots of the island’s cliffs and dunes and the Cathedral of Santa Ana.

The stars actually stayed at the Hotel Hacienda del Buen Suceso at Arucas, whose bar features in some scenes, as do its lush gardens dating back to 1880.

For the casino scene, the Gabinete Literario at Plazoleta de Cairasco, dating from 1844, was expropriated.

After their casino visit Shirley and Billy tour the city, including the cathedral and La Casa Colón in the Plaza del Pilar Nuevo, now a museum, which was used both for filming and as a production centre. From there they go to San Antonio Abad church and talk about Christopher Columbus (Colón).

At the Finca (estate) de Osorio they meet Spain’s new Fernando Rey; the very dangerous Santiago Segura, although the inevitable Simón Andreu is also on hand as a hotel manager..

Assassin’s Creed (2016)

Callum Lynch (Michael Fassbender) discovers that he is descended from his ancestor, Aguilar, from 15th Century Spain.

Jeremy Irons, Marion Cotillard and Brendan Gleeson are the other stars in a film made in various parts of Spain.

 In the opening scene an eagle (or is it?) swoops down into the cloister of a castle, which is La Calahorra, Granada. There the Assassins sect conducts its ceremonies by which we learn the plot of the film; Templars versus Assassins, fighting across the centuries for the possession of the apple of Eden and Man’s free will.

La Calahorra has seen a lot of filming thanks to its impressive castle, and in 2022 the local council erected a series of statues to commemorate its silver screen status, among them one to this film, tucked away behind the church.

The key to the apple is the Prince of Granada, and there is a pursuit scene with horses and carriages through the desert of Tabernas, using Indiana Jones locations at Las Salinillas, Cañón Rojo and Rambla Moreno.

Las Salinillas

 Michael as a child narrowly escapes capture when a convoy of vehicles comes for his father, who is hiding out at Las Salinas, next to Cabo de Gata, which represented Baja California, as it does so well.

Las Salinas & Cabo de Gata

The boy escapes across the salt lakes while we enjoy a view of the emblematic church of Las Salinas, which also appears in Patton.

Also used was Sevilla’s cathedral for aerial shots in amongst a lot of digitally produced stuff, as well as the interior of the cathedral where the apple is found in Columbus’s tomb,

Seville Cathedral. Photo Courtesy Mage

while the 15th century scene when the apple is handed over to the Templars for a few mere seconds, used digitally generated images of the Alhambra of Granada.

On a more modern note, an aerial view of Huntsville Department of Criminal Justice in Texas is depicted by the prison of Almeria.

Altamira (2016)

Antonio Banderas leads the cast, which includes Rupert Everett as the evil(ish) Monsignor, in a film directed by Oscar winner Hugh Hudson, he of ‘Chariots of Fire.’

The film tells the story of the discovery in 1879 of the caves with their prehistoric paintings, and the shallowness of human nature.

The locations are mostly fairly accurate, in Cantabria, at Santander, Castro Urdiales and cobblestoned Santillana del Mar, whose Plaza Mayor stands out, as does the Colegiata de Santa Juliana, which is where the Banderas family go to see a painting and Banderas gives his daughter a geology lesson in the cloister after her unsuccessful violin concert. Later, after Banderas (Marcelino) presents his discovery of the cave to local dignitaries, we see a horse and cart descending Calle Cantón.

The original cave was used for filming, although today only a replica can be visited at the Altamira Museum, two kilometres from Santillana.

Nearby we can find the cliffs at El Bolao (Cóbreces), where Banderas speaks to his daughter and the painter does too.

Also appearing is one of architect Gaudí’s few buildings outside Catalonia, El Capricho, a summer house built in the 1880s at Comillas. It is here that Banderas attends a meeting of enlightened scientists in Paris at the beginning of the film.

In Santander we see Marcelino’s daughter riding in a carriage through Plaza Porticada.

When Banderas tries his luck in a congress in Lisbon, and fails, he is in fact still in Spain. The Biblioteca (Library) Menéndez y Pelayo of Santander provide the exterior, while the Palacio de Sobrellano at Comillas is the interior.

Banderas’s grave can be seen in the cemetery at Comillas, although Marcelino’s is elsewhere. His house, which was his real one, or at least the gardens were, is at Marcelino’s estate at Puente San Miguel.

Mine (2016)

Arnie Hammer stars as a soldier lost in the desert, provided by Fuerteventura, with additional scenes shot in Barcelona. He might wish he’d never said: “it’s mine.”

Risen (2016)

A Roman detective story to discover if Jesus really did rise from the grave.

Joesph Fiennes adds a certain Shakespearian quality to a film set in Jerusalem and shot in Almería at the Alcazaba castle, at the foot of which is the Parque de La Hoya, near the Muralla de Jayrá, an area now used as a car park.

The Playa de los Genoveses was used for some Roman embarkation on the shores of the Sea of Galilee, and the desert of Tabernas provided backdrop.

Realive (2016)

So, what becomes of the resuscitated? Realive is the second film by Canary Island director and scriptwriter Mateo Gil, and features Oona Chaplin, grand-daughter of Charlie Chaplin and daughter of ‘Doctor Zhivago’ star Geraldine Chaplin.

The gloomy prospect of immortality contrasts with the shiny, happy beaches of Tenerife, where the modern arts centre, Espacio de las Artes, stands in for the cryopreservation clinic surrounded by forest and supposedly located in California.

A Monster Calls (2016)

The Parc Audiovisual de Terrassa, Barcelona, provided the interiors for this film with Sigourney Weaver and Liam Neesen, in which Juan Antonio Bayona follows up the horror of ‘The Impossible’ with a more traditional horror story about a tree that haunts a little boy.

The exteriors were shot around Manchester, and the windows of the set in Terrassa were plastered with photos of Manchester scenery to create some authenticity.

The Chosen (2016)

The story of Trotsky’s death is brought to life with Julian Sands and some kid from ‘Game of Thrones.’

Filming took place in June 2015 between Mexico, where Trotsky was killed, and Barcelona, where his assassin was from, representing 1937.

The streets of Barcelona represent those of Paris and Brooklyn. In the forests outside the city, Caridad visits her son in the trenches to recruit him for his mission.

It should be remembered that Trotsky’s nephew was Samuel Bronston, who also came to Spain, where he made ‘El Cid’, ‘55 Days at Peking’ and other expensive epics, although the price he paid was not as high as Trotsky’s.

The Promise (2016)

Christian Bale stars in a film set in the setting sun days of the Ottoman Empire. His first role in Spain was as a child in Spielberg’s Empire of the Sun, so he must like Spain…..or empires!

The film concerns the oppression of the Armenian people, a holocaust that never achieved the capital H.

The first image in the film is Mikael’s hometown Sirun in the mountains of southern Turkey, although it is really Albarracín in Teruel province with a few minarets digitally added. According to the tourist information office the images were achieved with a drone.

Albarracin

The Plaza Mayor of Albarracín was transformed into a market, and the betrothal celebration was also shot there, as well as a scene in a chemist’s.

The frequently used Hospital Tavera in Toledo, with its double cloister, represents the Faculty of Medicine of Constantinople, for a scene that made use of 300 extras.

In Navarra some scenes were shot using the barren wasteland of Las Bardenas Reales. It is here that Bale witnesses a refugee exodus and the shooting of a refugee, after which he flees in a car.

The castle of San Fernando just outside Figueras in Girona also plays a part; the Turkish army drills its recruits there and executes dissidents, such as Mikael’s medical student friend, shot in the moat for treason.

The castle, inaugurated in 1766, has had some illustrious involuntary guests. In 1975, the incipient democratic military movement, la Unión Militar Demócratica (UMD) had the audacity to suggest that democratic elections in Spain might not be such a terrible thing, and after careful, objective consideration, four officers were imprisoned in the fortress.

Later the tables turned, and it was the most photogenic of the leaders of the coup d’état of February 1981, the Guardia Civil Antonio Tejero Molina, who ended up there after suggesting, pistol in hand in the Spanish parliament, that perhaps democracy and all that might be rushing things just a bit.

As the 1992 Olympics took place in Catalonia, the military prison was closed down.

We were given a captivating tour of the castle by Captain Pedro Rodriguez Ortega, including a display about all the films shot there, and later given an insight into the role of the castle as a cultural centre by the President of the Friends of the Castle association, Antonio Herrero.

The castle is the largest fortress in Europe, built in 1753. Inside there is a monument to Martin Zermeño, treacherously executed by Napoleon’s invading troops when he was sent out to negotiate with them.

The French occupied the fort using the old trick of “we only want to invade Portugal, and if we don’t house our soldiers here, they’ll probably rape and pillage in the town.”

The castle receives 40,000 visits a year, organizes chess competitions, weddings and other events, and was visited by the location scouts of Game of Thrones, who eventually turned it down.

At the end of the 18th century the castle entertained President Estrada, the first President of Cuba, although his stay wasn’t voluntary.

During the Civil War, the castle held the last cabinet meeting of the Republican government before it fled into exile, and also housed the art treasures removed from El Prado to protect them from German bombing.

When we visited in November 2022, the moat was occupied by a large crew, many extras and a massive Excalibur, for the filming of scenes from the American series Mrs. Davis.

A quarry at Pilar de Jaravía near Pulpí, Almería shows scenes of the Turks using Armenian labour to build a railway line in the Taurus mountains. Mikael escapes and catches a train full of refugees. In October 2015 a steam train was brought by road to Segorbe and used on the line to Jérica, with some filming at a tunnel at Navajas, all in the province of Castellón. Nearby, at the El Regajo reservoir, a scene was shot where a stuntman, supposedly Mikael, hurled himself from the train into the water.

Mikael is helped by an Armenian family and travels home via the Calomarde gorge in Teruel province. Bale apparently liked the area so much that he bought a property there.

Chris (Bale) and Ana reach a protestant mission, which was located at the Abadía de Párraces, Bercial, Segovia, and the Valsain forest there was also used for the scenes where the refugees flee from Turkish soldiers.

The abbey is a popular place for weddings and events. On our visit there in July 2022 they were setting up for a wedding, but Honorio, who lives on the site, kindly showed us the courtyard and two cloisters where filming took place at this lovely site, tucked away in deepest Castilla.

In Murcia, the beaches of Playa Amarilla, Cala del Pino and the road at Calabardina  showed scenes of the embarking of Armenian refugees by the French navy.

This time Simón Andreu plays an old Armenian peasant.

 All I See is You (2016)

Blake Lively is born blind but then regains her sight.

The makers reproduced the famous Tomatina Festival in Buñol, Valencia for some sensuality, and also filmed in Barcelona in the Franca railway station, and at Sitges.

Brimstone (2016)

The Almería western is not dead, it just changes; although the old themes of sex, violence and revenge ain’t going nowhere.

The twist is that the duel this time is between a dumb woman and a preacher.

Filming for the desert scenes took place around Tabernas, for the part of the film where the dumb girl (Liz) is working in a brothel.

Actor Kit Harington, better known as Jon Snow from ‘Game of Thrones,’ caused a stir in Almería, where he stayed at the Hotel Elba.

Jason Bourne (2016)

The Bourne saga continues, and again Spain gets a look in, although not contributing its own cities such as Barcelona or Madrid, but the Greek capital Athens.

Santa Cruz de Tenerife has the honour of impersonating the city that founded democracy, and it was there that Bourne got involved in a demonstration, just to prove the point, which took him through Plaza de España, Imeldo Serís, Aurea Díaz Flores, Poeta Tomás Morales, Méndez Núñez, Taco, Plaza Candelaria, Calle Hero, as well as in La Salud and Valleseco districts.

Filming also took place in the University town of La Laguna and finally in Tenerife Norte airport, which represented not only Athens, but also Reykjavík airports. Similarly, Tenerife was also used for the Beirut scenes.

Damon stayed in the Hotel Mencey.

Foe (2016)

An American archeology professor is the hero; now why does that ring a bell?

Johan Meyer visits Barcelona looking for work and is contracted to translate a document by the mysterious Ramku. Their first meeting takes place at the Finca Güell, with Gaudí’s famous dragon gate.

Voyeur (2016)

Director Marc Recuenco tells us the story of Nadia, who views the world through other people in Barcelona, including scenes shot on the city’s underground.

White Island (2016)

The white island is of course Ibiza, where a friend helps out a friend in trouble while trying to forget another friend.

Among the locations are the ferry port at Denia, Alicante, the main gateway to the island, as well as the quaint little Ibizan cove of Cala Gracioneta.

After our heroes are rescued from the yacht and certain death, we are treated to first a seaview and then a droneview of the castle and city walls of Ibiza’s capital for some philosophical reflection, followed by the magical island of Es Vedra, looking as lovely as it did in ‘South Pacific.’

We also see the island as a backdrop for the scene where Leo confesses his illness to Connor, and it still looks great despite the depressing news.

The Night Manager (2016)

This six part mini series based on the John Le Carre book actually features a cameo appearance by the writer, in a restaurant in Mallorca, where all the Mediterranean scenes with villains on powerboats were shot.

Le Carre is dining in the restaurant of the Hotel Maricel at C’as Catalá, just outside Palma; a location used various times. It is here that Corky loses his cool and Pine smooths things over.

Sa Fortalesa, built in 1628, on Cape s’Avançadain at the end of the Port de Pollença, is Roper’s stronghold, seen at various times throughout the series from the second episode onwards with spectacular aerial views included.

In a scene where Pine takes Danny for a walk, they are in reality in Carrer de la Marina, Puerto de Soller. They are seen queuing at the Glace Moustache ice cream van at the moment when Angela Barr listens in on their conversation.

The super trendy beach bar Cas Patró March at Cala Deia features, as it did in ‘Evil Under the Sun,’ for the child kidnapping scene, when Pine gets beaten up and into the organisation.

Palau March, a well known landmark in the capital, was used as the entrance to an Istanbul hotel.

Flexibility is, or would be, Palma’s middle name as the terrace of the Sadrassana restaurant in Plaça de Drassanes, Santa Eulalia church (supposedly a church in Madrid where Angela meets the Spanish lawyer) and Café Moderno all perform well as locations in Madrid.

We also have an aerial view of the capital’s kilometre zero, Puerta del Sol, just before Sandy Langbourne meets with a lawyer.

Gernika (2016)

Directed by Koldo Sierra, who had earlier shown Gary Oldman a lesser degree of Spanish violence in ‘Backwoods,’ the tragedy of Gernika is seen through the eyes of an American reporter (drunk and cynical, what else?) played by James D’Arcy.

The Arriaga Theatre of Bilbao, Vizcaya features at least three times as a meeting up place, filming of which involved distrupting public transport, although not as much as the German and Italian aviation did.

As well as the theatre, the adjacent Arenal bridge and the La Concordia railway station in Calle Bailén were filmed, as was the nearby Town Hall, whose Salón Árabe held a ball for the local bourgeoisie instead of the usual weddings.

The Palacio Munoa, in Barakaldo, served as the Press and Propaganda HQ of the Spanish Republic, and was also used for some hotel scenes.

Bilbao’s columnated Plaza Mayor can be seen when Henry and Teresa kiss after their sexual encounter.

For a touch of romance, the relationship between Henry and Teresa begins to take off after a visit for foreign journalists to the chapel of San Juan de Gaztelugatxe, which also appears in Game of Thrones, although this time the dragons are spectacularly absent.

Another trip is organized to the seat of the Basque parliament in Gernika, where, in front of the famous oak tree, an aurresku dance is performed by a single dancer to honour the guests.

During the lethal bombardment, the village of Artziniega, in Álava province was used, as well as Lekeitio, and Gernika itself.

The scenes showing Gernika after the desolation were shot in June 2015 at two truly devastated villages in the province of Zaragoza, Tiermas and Escó, which had been abandoned to build a reservoir.

Tiermas
Escó

The church of ruined Belchite, also in Zaragoza, destroyed in reality during the Civil War, can be briefly seen just before Teresa is (spoiler!) mortally wounded.

Allied (2016)

Brad Pitt finally became a real life hero when he landed in Gran Canaria and rescued a young girl in danger of being crushed by his fans.

The incident took place at Plaza Belén María in the port area of Las Palmas where Pitt was shooting this World War II spy thriller set in Casablanca.

The Gesport Atlantic terminal, situated at the dock of Gran Canaria del Puerto de La Luz was also the scene of some filming.

In one scene, Pitt appears in Calle Muro in a dust covered taxi, stopping in front of a post office, which is in reality the Centro de Iniciativas de La Caja de Canarias (Cicca); paying the driver, he then gets into another car in Calle Remedios,

Various other scenes were shot in the Arenales neighbourhood, particularly in and around Calle Núñez de la Peña during three days of filming in May 2016.

Several transformations took place; the ‘Fábrica de Hielo’ (ice factory) in the port became the Nazi HQ for the scene where Pitt and co-star Marion Cotillard exit carrying guns, while in the Plaza de Cairasco, the Hotel Madrid played the Café de la Place.

After leaving Gran Canaria, the crew hopped over to Fuerteventura to film at the desert scenery of Los Arrabales (Tuineje), at Finca Cervantes near Lajares and at the dunes of Parque Natural de Corralejo, where Pitt’s stuntman is parachuted into North Africa in the opening scene.

The film crew lodged at the Hotel Bahía Real at Corralejo.

Blood Orange (2016)

Iggy Pop somehow finds it within him to portray an ageing rock star, retired in Ibiza with a beautiful young wife with a shady past, that comes visiting.

Filming took place in 2014 around Sant Josep in October and November.

Me Before You (2016)

An attractive couple find each other and fight depression together.

Among the places they discover love and scuba diving is the famous Formentor Hotel on the eastern extreme of Mallorca, although in the film it is supposed to be Mauritius.

Seat in Shadow (2016)

The relationship between a young boy and his psychiatrist in Scotland also involves the Australian outback, about which the young man is obsessed, represented, for a change, by the desert of Tabernas, Almería.

Director Henry Coombes revealed that a tree prop used in the film was the same one used to crucify Arnold Schwarzenegger in ‘Conan.’

Toxic Apocalypse (2016)

This low budget science fiction film tells a story of unethical pharmaceutical industry misbehaviour and includes images of a villain’s villa somewhere on the Costa Blanca, Alicante.

Ibiza Undead (2016)

Everything that’s good and not so good about Ibiza; sun, sand and sky-blue water on the one hand and nightclubs and zombies on the other.

A group of young Londoners visit the island looking for experiences, and get bitten off more than they can be chewed.

The villa that our young heroes rent was located at Bahía de Sant Antoni. Also in Sant Antoni some club scenes were shot in The Savannah Beach Club, The Boozer and West End.

Writer/Director Any Edwards informed us: “Ibiza Undead was probably 80% shot in Ibiza itself. The rest was largely in London. The only shots that were done in Valencia were some shots of zombies on the beach near the end of the film. They were done by a second unit so I don’t know the exact location unfortunately.

In Ibiza itself we shot in San Antonio and the surrounding area. The main location was a villa just outside San Antonio, and the beaches were all neighbouring beaches to San Antonio. There are 2 bars which were both in San Antonio, but the club scene interiors were shot in London.”

Barcelona: a Love Untold (2016)

A Philippines film shot in Spain, largely in English but with other languages too.

A young couple are in the city, each trying to get over their past.

Their romance counts on backdrops such as the Sagrada Familia Cathedral, la Rambla and the Ciutadella park in Barcelona, and in the same province the famous steps leading up to the church in Sitges;

as well as the historic centre of Girona, and even the Plaza de España of Sevilla.

Bittersweet days (2016)

Can distance relationships last? Of course not. When boy moves to London for the opportunity of his life, girl has to unwillingly take in an English speaking Dutch photographer Luuk, who turns her world around to the backdrop of Barcelona.

We see Julia contemplative on the roof of her flat, with its view of the Sagrada Familia cathedral.

She discusses the problem with her friend Ana in a bar in Plaza Real.

When Luuk arrives, she takes him on a whirlwind tour of the city, including Guadí’s Pedrera building and Sagrada Familia, La Rambla, Plaza San Felipe Nerí, the gothic c/ Bisbe and the Boqueria market.

At the Barceloneta beach they discuss his homosexuality.

Other minor locations used are Bicioci Bike Café, Carrer Venus, 1-3,where Julia and Ana look at some fetal ultrasound images Chatalet, a cocktail bar in C/ Torrijos, 54, Deuvedes, a video club in C/ Martínez de la Rosa, 71, where Julia rents La Dolce Vita, La Fourmi, a bar and restaurant in C/ Milà i Fontanals, 58, L’entresól, a bar in C/Planeta, 39, Lingua Ya, a language school in Gran Via de les Corts Catalanes, 390, where Luuk has his Spanish lessons, Matusalén, a flea market in C/ Puig Martí, 5, Melic, a children’s clothes shop in C/Diluvi, 3 and Runroom, C/Milà i Fontanals, 14-26, where Julia works.

Julia takes Luuk to Mallorca, where she is from, and filming takes place at the beach of Caló Des Moro, Santanyí, Colònia de Sant Jordi, with its black and white hooped lighthouse and the Hotel Marquès del Palmer, the cathedral of Palma, which they chat in front of, S’Embat, a beach bar at Ses Covetes, Campos, where the haystack scene was filmed, and Valldemossa, where Chopin and George Sand used to hang out.

Thanks to Margarida Araya for her help in locating locations.

The Night Watchman (2016)

The Asturias mining town of Morcín provides the coal mine, called Monsacro in the real world, which conceals a terrible secret.

The night watchman has returned home after a spell in prison to work there and face new demons, accepting a night watchman’s job in a mine, later wishing it wasn’t his.

Director Miguel Ángel Jiménez shot part of the film, located in Kentucky, in the USA but apart from Morcín, also used the Asturian locations of Mieres, the pit at Sotón and San Martín del Rey Aurelio, as well as the forest at Artikutza, Gipuzcoa.

The Cucaracha Club (2016)

A retired spy comes out of retirement and his drunken haze to rescue some kidnapped kids.

Filmed mainly around Torrevieja, Alicante, where there is a lot of haziness.

Ignatius of Loyola (2016)

Although it was the Jesuit Foundation of the Philippines who made the film, it was shot in English as that part of the Jesuit order is controlled by the USA.

Our story begins at the iconic rock known as Castildetierra, located in the desert of Bardenas Reales, Navarra. Later Loyola will be tempted by the Devil on top of the same towering rock.

We then visit Loyola’s home, the Loyola castle, which is in reality the 14th century Torre de Galarza, Aretxabaleta, Gipuzkoa, to which we return several times as he remembers his upbringing.

Interiors were filmed in Azpeitia at Caserío Errekarte del beato Gárate, now a museum, and the Hospital de la Magdalena, where Loyola recuperated his health in 1535.

Loyola’s time as a soldier takes him to Pamplona in 1521, and then to Valladolid. It is here that he fights an imaginary villain and meets Princess Catalina, with whom he dances in the cloister of what is in reality the Monasterio de la Oliva, Spain’s oldest monastery, dating from the 12th century and located in Carcastillo, Navarra.

Later we see Loyola studying with some rude children in the same location.

The defence of Pamplona was filmed on the battlements of Artajona (which was Nottingham in Richard Lester’s Robin and Marian) where Loyola is wounded defending the city against an army of French CGI soldiers.

Loyola begins his pilgrimage, which takes him to the monastery of Montserrat, Barcelona, whose impressive mountains stand out.

While in Manresa he spends time in a cave, practising his spiritual exercises and flagellating himself. The cave was in fact that of Zugarramurdi in Navarra.

It is in the streets of Manresa that Loyola begins his career as a beggar, although he is actually on the medieval streets of Sos del Rey Católico in Zaragoza province. Filming there took place at the Portal de la Reina, the Lonja, the castle and the Jewish quarter.

At the end we encounter Loyola’s friend Father Sanchez, now an old man at the Santuario of Loyola in Azpeitia, Loyola’s birthplace. This is complicated as the building only dates back to the 18th century.

The Supers! (2017)

Yolanda Torres directs a story about the downside of being a super hero.

Filmed around Barcelona, including the Parc del Laberint d’Horta, a location from Perfume, and at Sitges, where Yolanda teachers at the aFilm school.

I Love Her (2017)

This feature film stemmed from a short of the same name released in 2013.

Ukrainian director Darya Perelay tells the story of a Ukrainian female busker playing the streets of Barcelona, who is in love with a deaf dumb girl.

As well as the mean streets of Barcelona, some of the romantic scenes between the two girls were filmed in the Parc del Centre del Poblenou.

Some say that the word ‘busker’ derives from the Spanish verb ‘buscar,’ to seek.

The Girl From the Song (2017)

Eric travels from London to the desert of Nevada to try and recover the girl he loves, with the Burning Man festival as a backdrop.

Producer Marta Rodriguez Coronil informed that the interior and exterior of the London pub and guitar shop were actually filmed at Sant Cugat, Barcelona.

Rise of the Footsoldier 3 (2017)

Crime and violence in Essex contrasted with the idyllic life of rich people in their coats and ties on the sexy coast of Málaga, and particularly in the rich man’s playground of Puerto Banús.

Megan Leavey (2017)

Leavey is a female military dog handler in Iraq, although the Spanish filming took place at the air force base at Zaragoza, and in the historic centre of Cartagena, Murcia.

In the province of Murcia the locations of Mazarrón, Monte Sacro and Cerro del Molinete were used in November 2015 to represent war-torn Iraq. Specifically Monte Sacro represented an American checkpoint, while on the road at Tentegorra we can see numerous Iraqi casualties lining the roadside.

The real hero of this true story is Rex, the dog.

It Came from the Desert (2017)

The title leaves no doubt that we are in the horror genre, although this Finnish film is a parody based on a video game.

The only doubt is about the desert; in the film New Mexico, and supplied once again by Almería, specifically Tabernas and Rodalquilar, no questions asked, thank you very much.

The abandoned mine of Rodalquiñar provides the entrance to the Chicane plant, where the fun begins.

Motorbikes and over-sized ants sum up the action.

Coco (2017)

Neil Boultby’s second film is a psychological drama about a woman trying to understand her past.

Filming took place in the province of Alicante with scenes shot at Santa Pola and nearby Gran Alacant, a large residential tourism complex where the writer and actor Neil Boultby actually lives, enabling him to obtain help with locations such as Tutti’s restaurant and Ohana Gastro Bar.

Gunned Down (2017)

Craig Fairbrass stars in this gangster film that contrasts the sunny beauty of south east London with the grim drabness of Puerto Banús and Marbella, Málaga.

Filming took place in the old town of Marbella with its narrow streets and bars in a story of violent revenge (everybody’s favourite kind).

Cold Skin (2017)

As World War I looms, a young man arrives at a location near the Antarctic Circle to man a weather station.

He is in for a few surprises, including the fact that he is slightly off course on Lanzarote, with the action taking place mostly around Las Malvas beach near Tinajo.

Filming also took place on the Costa Brava at Llançà, Girona.

Black Hollow Cage (2017)

Traumatised by the loss of her arm, Alice doesn’t do like Scarlett Johansson and rediscover her horse, but talks to her dog (who talks back) and finds a mysterious cube instead.

Filming took place in the woods around Olot, Girona, mainly in and around a house called Horizon, created by the RCR architecture studio of Olot at La Garrotxa for a local Michelin star chef.

The Bookshop (2017)

Our story, directed by Isabel Coixet, is set in a peaceful East Anglian town, although the filming actually took place in Portaferry, County Down, which was also used in Game of Thrones, representing Winterfell.

The interiors however were very Catalan. The drinks party early in the film and a private audience later, were shot at Bell Recó in Argentona, near Barcelona, a popular wedding venue.

The offices at the start and end of the film are Fábrica Anis del Mono, a distillery in Badalona, and the Biblioteca Arús public library housed in Passeig de Sant Joan also appears.

Marrowbone (2017)

A Spanish film in which a British family escapes to the USA, which is actually Asturias, home of the Spanish director.

The Valle de Arango near Pravia provided the large house, the Palacio or Torre de Arango, where the action is focused, and whose medieval tower gives character to the main character. The house is abandoned, although some cattle guard its approach, and is quite difficult to find, especially with my GPS.

Torre de Arango

The abandoned La Vega arms factory in Oviedo provided various locations, such as Molly’s shop and the library, and also the main street of the village. The factory site is well protected and not visitable, although from the outside it is quite impressive.

Main Entrance La Vega Arms Factory

The beach scenes were filmed at Xagó beach, just north of Avilés.

Geostorm (2017)

If you are one of the many people who would like to see Benidorm (Alicante) blown away by a tsunami, here is your chance as the digitally enhanced (or degraded?) Poniente beach and buildings are swept away in another global warming warning. Madrid’s Puerta del Sol suffers a similar fate.

Blade Runner 2049 (2017)

Nobody would ever accuse anyone of cashing in; this was a film that just had to be made, and Harrison Ford isn’t getting any younger!

Andalucía provided some scenes, notably the aerial views of greenhouses of El Ejido, Almería that open the film, and the Gemasolar solar power station Fuentes de Andalucía, province of Sevilla.

Sea of Plasic El Ejido

Another location that made it into the film but not into the real world was the Museo del Neandertal de Piloña, which was supposed to be built at Villamayor, Asturias. Unfortunately the money ran out, but the film makers took the minimalist designs to create the HQ of the villainous Wallace Corporation.

Maus (2017)

Although inspired by the Balkan conflict and set in the forests of Bosnia Herzegovina, the woods were really those of El Espinar in Segovia province, with some extra filming in Tenerife for studio scenes at Plató del Atlántico Estudios as well as Parque La Granja de Santa Cruz.

Submergence (2017)

Wim Wenders directs a thriller with a bit of science, a bit of philosophy and a mere soupçon of terrorism with some scenes shot in Madrid and Toledo, where the river Tajo provided some aquatic support near Villamanrique de Tajo–la salina de Buena-mesón, in the municipality of Santa Cruz de la Zarza.

Still Star-Crossed (2017)

In April 2016 Salamanca’s calle Compañía, Casa de las Conchas, the cathedral and the university, all became 16th century Verona in order to continue the story of the families of Romeo and Juliet, although this time with the politically correct addition of various typically 16th century Italian black actors.

Casa de las Conchas

Some scenes were also shot in and around nearby Alba de Tormes, Salamanca, at the Basílica de Santa Teresa, an unfinished temple, started in the late 19th century to host Saint Teresa’s remains, although it does operate as a pilgrim hostel.

Another scenario is Cáceres, where a non-execution and rooftop arrowfest in front of San Jorge church serves to announce that “the new Prince is coming!”

In Plasencia, the Palacio Mirabel features as Juliet’s home, and the cathedral also appears.

In Cuidad Real province, in the town of Viso de Marqués, another palace, the 16th century Palacio de los Marqueses de Santa Cruz was employed too.

Apparently the producers are now planning an LGTB version of Othello with an all Chinese cast.

Maniac Tales (2017)

Spanish director Kike Mesa makes his feature debut with a film set in New York but cleverly shot in Málaga.

The El Equitative building in Málaga impersonates a New York edifice, where Enrique Arce gets a job as a porter.

Filming also took place at Ojén, Mijas and Alhaurin de la Torre.

Dirty White Lies (2017)

The lies are about the adulterous behaviour of a couple, and the sea is the Mediterranean, specifically the Costa Blanca, Alicante, where the sailing trip to resolve differences takes place.

Yerma (2017)

Yerma was one of the works of García Lorca, and the film tells the story of its performance in London, although the other plot is a couple who can’t have children.

Scenes were shot at the stunningly beautiful village of Buitrago de Lozoya, and at the hotel and banquet palace complex of Aldea Santillana, Puentes Viejas, both in Madrid.

Pitch Perfect 3 (2017)

An American singing group The Bellas, reunite for a USO tour including a concert at US naval base of La Rota, Cádiz, as the girls go through their paces on the bases.

The cathedral and a few scenes of the city are clearly visible after their visit to the base.

Muse (2017)

Catalan director Jaume Balagueró directed this thriller about nightmares and English literature, using the imposing former asylum of Torrebonica, Barcelona.

ReAgitator: Revenge of the Parody (2017)

This American horror film, with a Frankenstein veneer, was partially filmed on the Canary island of La Palma, mostly at Tazacorte and Los Llanos.

Sacracide (2017)

A horror film shot in pleasant surroundings on Ibiza, with additional filming at Reus, Tarragona.

Solo! (2018)

Not many films have their premiere in the village of Barx, situated in the mountains of Valencia, but Solo was shot there and many of the villagers were extras in this rom-com about an Englishman who inherits his father’s house and tries to reform the village band.

250 locals participated as extras and the auditorium, the village of La Drova and the Puigmola recreational area all appear.

I Love My Mum (2018)

Mother and son wake up in a container and have to make their way back to the UK.

Spanish director Alberto Sciamma takes a poke at nationalism as the odd couple wend their way home, turning up on a beach, which is Benidorm, Alicante, where some kids bury them in the sand.

Luz (2018)

American Director Damian Chapas loves Spain and has a home in Marbella, Málaga, so even though most of the film takes place in LA, there is a ray of Costa del Sol light in the film too.

Fishbone (2018)

Fishbone is a homage to the island of Tabarca, just off Santa Pola, Alicante. It is a magical place both in reality and in the film, where a young chef working in Manhattan returns following her father’s death.

The film, by local director Adán Aliaga, was shot in English, Spanish and Valencian, depending on the locations.

Escape From Marwin (2018)

The first feature of Jordi Catejón is a new take on Escape Rooms but with an old idea about prisoners fighting to survive and achieve their freedom, or die.

Sabadell, Gavà and Viladecans were the locations in Barcelona province.

The mansion was in the centre of Sabadell, in calle Creueta. Visual Group Films informed that the building was later sold and divided into two blocks. The drone scenes were shot in a forest near the industrial estate of Sabadell.

The control room scenes were shot in the Ateneo de las Artes de Viladecans.

The flashback scene was shot in the restaurant El Torreón, in the maritime district of Gavà.

The opening scene was filmed in a factory in Calle Ciencia in the industrial estate of Gavà.

Dancing with Sancho Panza (2018)

Set during the Spanish Civil War, the film tells the story of the Abraham Lincoln Brigade, made up of foreigners who came to Spain to defend the Republic.

Filming took place in Madrid, Alicante and at Belchite, Zaragoza, a town genuinely destroyed during the war and left as a reminder.

Onyx: Kings of the Grail (2018)

The story of the Holy Grail comes back to life with the discovery of a document in a film spanning the centuries.

In León, this dramatized documentary that claims to have identified the Chalice of Doña Urraca as the grail, was filmed at the Botines Building, which was designed by Gaudí between 1891 and 1892, and now houses a museum. In front of the building, the two researchers, Margarita and José Miguel, meet and discuss pollen testing.

 The Cathedral Museum and cloister, Plaza San Marcelo, the Palace of the Guzmanes and the Royal Collegiate and Basilica of San Isidoro (where the Grail is supposedly kept) all contributed their monumentality.

While walking towards the cathedral, the researchers discuss removing the gold cover from the onyx cup. The impressive stained glass windows are taken advantage of inside the cathedral.

Palace of the Guzmanes
Basilica de San Isidoro

The Last Supper itself was shot just south of the city in a cellar at Valdevimbre. The castle of Cornatel at Villavieja, Priaranza del Bierzo, features too.

In Ponferrada filming took place at the Casona Burillas en Villar de los Barrios (where the Nazis had their HQ) and the Monasterio de Santa María de Carracedo, representing the court of King Fernando I, who receives a visit there from the Emir of Denia.

Margarita presents her findings to press and public in Leon’s Parador hotel.

Heinrich Himmler has a cameo role as the film spans the centuries.

Dead on Time (2018)

The Arab Spring of 2011 finally makes it to the big screen, although it is Málaga that provides the typical Arabian scenery for this bellicose film starring Michael Madsen.

The white sand beaches of Cofete and Barlovento in Jandía Natural Park remain, although the scrap metal dumped there for filming has thankfully been removed.

The Sisters Brothers (2018)

Starring Joaquin Phoenix, this western about bounty hunters with unfortunate nomenclature, originally planned for Canada, was shot partly in Huesca province, using Pyrenees locations such as Hecho, a gulley at Paternoy, Zuriza, the mountains of Salto del Roldán, Oza and a mountain refuge at Linza near Ansó.

The Salto de Roldán (Roldan’s Leap) is a pair of rocky crags in the Pyrenees foothills where, according to legend, Charlemagne’s nephew Roldán leapt on horseback to escape his Saracen pursuers. Just one glance at the inter-crag distance tells us that this is indeed the stuff of legends.

Filming actually began in Almería near Tabernas, for the scenes depicting the Mayfield Mining town at the Cinema Studios Fort Bravo/Texas Hollywood,

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and then moved on to Navarra, where in the Urbasa-Andia mountains, a base camp was set up at the mountain pass of Lizarraga. A large scale representation of 19th century Jacksonville, Oregon was built there for filming between 29th June and 6th July 2017.

Urbasa

Filming took place at locations at Sarasa, Manga de Sosa, Balcón de Pilatos, Cabecera, Lezamen, Kataliturri and Ollide. The crew and actors stayed at Arbizu, and in bungalows at the Urbasa camp site.

Han Solo (2018)

Nobody would ever accuse anyone of cashing in; this was a film that just had to be made, and Ron Howard isn’t getting any younger!

For this spin off, one of many on the conveyor belt no doubt, Solo’s hometown of Corellia on the planet Savareen is represented by the wild landscape of Fuerteventura island, particularly at Cañada La Barca.

The Man Who Killed Don Quixote (2018)

In Toledo province, the scene of the duel with the Knight with mirrors was shot inside the castle at Almonacid; according to Gilliam, he had spotted the location as far back as 1990, although he finally filmed it during the third week of shooting.

Toby arrives at the castle and begins an affray with some sheep, and then in a very Monty Python-like scene, the fight with the knight takes place, all inside the ruined castle and finishing with Toby waking up kissing a sheep.

Almonacid

When Don Quixote believes he has arrived at the lost city of the Moorish kings, Al-Azahara, in fact it is the castle of Oreja, next to its abandoned village.

The name Oreja doesn’t mean ‘ear’ but Aurelia, demonstrating its Roman origin.

From 1113 the castle was used by Muslim forces as a point from which to attack the Christians, until a long siege by Alfonso VII of León led to its recovery.

Once it ceased to be useful militarily, most of the inhabitants moved away to nearby Ontígola and Aranjuez.

Currently the castle is a ruin.

We were given a guided tour by José Emilio Cuerva of SOS Aurelio, a group of local people attempting to save this spectacular location from further deterioration.

There has been a settlement since the Bronze Age, with the Romans taking over around 170 AD.

In 1085 Alfonso VI took Toledo, and among the spoils was Oreja, a strategic castle overlooking the River Tajo valley.

In 1108 the Christians lost the Battle of Uclés and by 1113 the castle was once again under Muslim control.

Alfonso VII recovered it on 31st October 1139 after a lengthy siege lasting 18 months.

Following the Battle of Alarcos in 1197, Alfonso VIII lost to the Muslims, although they couldn’t take Oreja, which in 1171 had been given to the Order of Santiago.

The main street of the abandoned village is used when Quixote and Sancho follow a girl on a bicycle into a settlement inhabited by gypsies and illegal immigrants.

The ruined interior of the castle keep is used for a brief scene where Quixote taunts Sancho with his singing.

The famous tavern set at Talamanca de Jarama (Madrid) was put to good use once again, as was Spanish actress Rossy de Palma. Also in Madrid, and similarly frequent, Viñuelas castle saw three days shooting. Here the hotel scenes were shot. In the restaurant a canopy was created for the flamenco dancing scene.

Also frequently used, the waterfall at Monasterio de Piedra (Zaragoza) for the scene of Toby’s reunion ten years after with Angélica.

Gallipienzo (Navarra) was the village of Los Sueños, where Toby arrives on a motorbike and is reunited with the people from his past, including Don Quixote the cobbler. The nearby desert landscapes of Las Bardenas Reales once more provided wastelands for several scenes as Quixote and Toby look for adventure and Quixote ends up fighting the Guardia Civil, and the village of San Martín de Unx provided the modern windmills.

Villacastín (Segovia) provided the older windmills for Quixote’s updated dreams of giants, while the arid landscapes of Fuerteventura provided the backdrop for Quixote’s fight with the giants.

Ibiza (2018)

Three American girls travel to Barcelona and then Ibiza, although a lot of the scenes were filmed in the Balkans.

A rom-com chick-flick that didn’t please the authorities of Ibiza very much, hence the locations.

Blackwood (2018)

Also known as ‘Down a Dark Hall,’ Rodrigo Cortés continues to direct tense films. Blackwood is an exclusive school for troubled adolescents run by Uma Thurman.

The school was a set built in the Parque Audiovisual de Cataluña, Terrasa (Barcelona).

Interiors of the school were filmed at Las Palmas de Gran Canaria in the Gabinete Literario, with other scenes shot at plaza de la Feria and around the Delegación del Gobierno.

The Titan (2018)

Same name, same Canaries, same star (Sam Worthington) but not a God in sight for this science fiction film shot in the southern part of Gran Canaria around the famous Maspalomas beach and dunes, where the stars stayed at the Hotel Lopesan Costa Meloneras and dined at the Samsara restaurant.

Some interiors were filmed in the area, particularly in a villa at the Monte León residential estate at San Bartolomé de Tirajana, with exteriors in the inland mountainous region of Tejeda.

To the south west we can find the reservoir Cueva de las Niñas, which is seen several times.

Two swimming pools were used for the production, the municipal pool at Vecindario, Santa Lucia and the Manuel Guerra Ciudad Deportivo in the island’s capital.

The semi-abandoned premises of the Colegio Universitario de Las Palmas (CULP), belonging to the Universidad de Las Palmas de Gran Canaria near the Hospital Universitario Insular de Gran Canaria was used for some filming, while the beach scenes were shot at Arinaga on the south east tip of the island, where the NATO base was located.

The airport scene was shot at the Real Aeroclub de Gran Canaria.

Trained to Kill (2018)

The action moves between Scotland and Torrevieja and Torremendo, Alicante, as ex-SAS men try to righten wrong.

The Price of Death (2018)

The good, old fashioned Almería western is not dead yet, and bounty hunters continue to get their man and their fee just like the lawyers of today.

The western town scenes were shot at the ever reliable, tumbleweed infested, don’t lean on anything in case it falls down, Mini Hollywood at Tabernas, as well as the Western Leone township, with additional filming at Gádor, Abla and Abrucena and a sensible number of horses.

Domino (2018)

Brian de Palma deals with international terrorism in a Danish film with scenes in Belgium, and a brief dip into the bullring, airport and port of Almería.

The bullring is the scene of various meetings and the terrorist bomb attack, when the terrorist enters selling popcorn or some such thing.

The famous, endless greenhouses around Adra also feature.

Hello Au Revoir (2018)

Another of these films that accumulate contributions from all around the world, which in the case of Spain includes Madrid and Cabrils, Barcelona.

Sonja: The White Swan (2018)

This Norwegian film tells the story of an ice skating star who goes to Hollywood in order to rise and fall.

Algeciras, Cádiz, provides some street scenes, while the desert of Tabernas, Almería portrays the deserts near LA.

The Bounty Killer (2018)

Shot mostly at Poblado Western ‘Sergio Leone’, Tabernas, Almería, used by the man himself for Once Upon a Time in The West.

The story isn’t exactly original; a Mexican landowner hires a bounty killer to find his kidnapped daughter.

After the Lethargy (2018)

With a Barcelona based production company called Creatures of the Dark, you might expect something gruesome, filmed in English in Catalonia. And you’d be right. Marc Carreté directed.

A creature from another world terrorises some young people in the woods, with shooting at Bosc de Can Deu, Sabadell, and in the Parc Natural de la Serra de Collserola.

Also used for the military barracks was the old Hospital de Torrax at Terrassa.

Furthermore, the iconic mountains of Montserrat appear on TV when a journalist is talking about UFO sightings.

All of the locations are in the province of Barcelona.

Life Itself (2018)

A film of flashbacks, flashforwards and even flashsideways, telling the stories of various characters in New York, and Antonio Banderas, which is why part of the action takes place at Hacienda Molinillos, Carmona, Sevilla, on the estate of an olive growing wealthy farmer who thinks that money can buy love, and isn’t exactly wrong.

The estate is actually used for weddings and other events.

The Other Side of the Wind (2018)

Although shot in the 70s in USA, France and Spain, the film was not released in Orson Welles’ lifetime.

The scenes with Lilli Palmer, the German actress, were filmed in Spain while Welles was trapped in Madrid, waiting for finance and good weather.

Miss Dalí (2018)

The story of Salvador Dalí’s sister Anna María, shot mostly around the family’s summer house, which is now a museum, at Port Lligat near Cadaqués, Girona, on the beautiful Costa Brava coast.

As she studied at Cambridge, Anna María speaks good English, as does her university friend played by Claire Bloom.

The scene where Lorca is led blindfolded into a church was filmed at Santa María de Cadaqués.

Sunburn (2018)

An American tourist goes looking for a missing friend in the Alpujarras mountains of Granada. After passing through Granada airport, he ends up at Bubión (‘Angustias’ in the film) for some horror and sex and then some more horror. Angustias is a character from Lorca’s play The House of Bernarda Alba, and young Mike arrives at the airport bearing Lorca’s name in Granada.

I doubt if the local tourist board will use the film to promote the village, except for a minority kind of tourism.

The Invocation of Enver Simaku (2018)

According to ‘Con Un Pack’ distribution company, the film was shot in Albania, although interior scenes, such as the interview with the priest, were filmed at Bigastro, Elche, Formiche Alto and Santa Pola, all in the province of Alicante.

The film deals with a camerawoman who was killed during a conflict and her husband’s obsession with what really happened.

Caged (2018)

A girl travels to Almería to participate in a film, which turns into a real life drama of vengeance.

Filmed in the desert of Tabernas, and in one scene the castle of Almería’s Alcazaba can be seen in the distance.

The Gate: Dawn of the Baha’i Faith (2018)

Although it is a documentary, and a very biased one, many scenes from the story of this 19th century Messiah are reproduced with actors, and were shot in Spain, representing Iran.

One location where they still remember the filming is Cuevas Almagruz, Granada, where the films shot there are well documented by Manuel, the manager, who provides cave accommodation (much more upmarket than it sounds), and an amazing educational service documenting and demonstrating cave-life in Granada province throughout the ages.

The Vibe (2019)

Poison and religion make a dangerous mix for a thriller filmed in Barcelona and Paris.

Barcelona plays itself and there are plenty of aerial shots and pans to highlight many of the attractions such as the Sagrada Familia cathedral.

The Glorious Seven (2019)

Not to be confused with magnificence, a surprisingly original plot of a group of ex-soldiers tracking down the kidnapped wife of a millionaire by a guerrilla group.

The millionaire’s villa is the Casa Rural Sant Grau, Navès, Lleida.

The Rhythm Section (2019)

Blake Lively and Jude Law star in a family thriller as she pursues the people who killed her family.

The action begins in Tangier as she hones in on one of the men responsible, but we return to that scene later.

Almería represents Tangier, and there is a car chase as Lively escapes the terrorists, starting in Calle Cara and ending in a crash at the roundabout in the Pescaderia neighbourhood. During these scenes the Alcazaba castle can be seen on various occasions.

Plaza Campoamor was turned into a Moroccan market for the film.

Jude, an ex-agent, sends Blake to Madrid to meet Marc Serra, an ex-CIA agent.

The streets of Madrid portrayed, specifically, were calle Arenal, calle Alcalá and Gran Vía, while other scenes were shot in calle de las Maldonadas in La Latina district, calle Augusto Figueroa in Chueca district and Pasadizo de San Ginés, where Lively meets Marc as he is looking at magazines. She also has two encounters with him in a market, the Mercado de la Cebada.

In nearby San Martín de Valdeiglesias, Marc Serra’s house is located. Supposedly a riverside villa, the water in fact belongs to the San Juan reservoir.

Then she is supposedly off to Marseilles, which in fact was Cádiz, and she pursues Mohammed Reza onto a bus, which explodes next to the city’s cathedral, in Calle Arquitecto Acero.

Calle Sopranis and Plaza de las Canastas were also used.

The Kill Team (2019)

Once again American soldiers doubt their role overseas, and Fuerteventura provides a convincing Afghanistan to deal with that. An entire village was built representing Mojammad Kalay in southern Afghanistan.

Terminator: Dark Fate (2019)

Once again humanity discovers the folly of allowing robots to take over the world. Some people in Madrid were also a bit put out when shooting took place there in June 2018. Calle Santa Isabel, between Lavapiés and Antón Martín became Mexico, while Cartagena, Murcia provided other typical Mexican scenery, represented by calle Casas de Candela, in the Los Mateos district and the Cabezo Beaza industrial estate.

Another industrial estate used was that of Catral in Alicante province. The San Juan estate provided the wall through which a lorry crashes, a scene that is used in the preliminary trailers to promote the film. The wall is part of the factory where Dani and Diego work and from which Grace extracts them, fleeing from the new Terminator.

Guatemala on the other hand was provided by Isleta del Moro, Almería.

The ruins of the abandoned spa Real Sitio de la Isabela at the reservoir of Buendía, between the provinces of Cuenca and Guadalajara appear in a river crossing scene, where illegal immigrants are trying to cross into the USA.

In nearby Toledo province, the town of Villaseca de la Sagra provided a railway line for a train scene between Prado Viejo and Los Pilares. This also involves immigrants, making their way towards the American dream.

One classic location which got a second chance was the dam at Aldeadávila de la Ribera, Salamanca. This dam started and ended Doctor Zhivago in 1965, and returns to its former glory with terrified workers scurrying for safety. It also ends this film as the climax is reached with some serious killing and self-sacrifice and two planes crash into the reservoir.

Spanish actress Alicia Borrachero plays Arnold’s (sort of) human wife.

The Hustle (2019)

Anne Hathaway and Rebel Wilson take on the roles of Steve Martin and Michael Caine from Dirty Rotten Scoundrels in a remake shot in Mallorca, especially at Cala Rajada, at the western extreme of the island, representing the exotic French Riviera.

Much of the luxury was provided by Hospes Maricel & Spa Mallorca.

Be Happy! (the musical) (2019)

Catalan director Ventura Pons creates a wide range of characters living in different places and in different stages of their relationships.

Among the locations is Mallorca, whose mountains, coastline and vineyards contrast with London.

Girona also plays an important role as David lives in Banyoles and works in Girona, while his mother Betsy, lives in Cadaqués, while Albert lives in Begur.

Love Unlimited (2019)

Although officially finished in 2013, this thriller shot in Sevilla by young director Alejandro Ochoa, has yet to see the inside of a cinema.

During the TV news scenes the city’s Guadalquivir river and emblematic Torre de Oro appear in the backdrop.

Torre de Oro. Photo Courtesy Mage

Milk and Honey (2019)

Cyber crime is the name of the game, with some excursions to Marbella and Mijas in the province of Málaga.

Rambo 5: Last Blood (2019)

Once again Stallone shoots absolutely and definitively the very last instalment of the franchise, this time with Spanish actress Paz Vega and scenes filmed in the Canary Islands.

Fuerteventura and Tenerife represent Arizona and Mexico as Rambo tracks down the people who kidnapped a friend’s grandaughter.

The Complejo Ambiental de Tenerife at Arico, despite its cool name, is where all the island’s rubbish goes and is, hopefully, recycled. No doubt Stallone will use the location to clean up some villains.

El Rosario, a municipality in the north eastern part of the island of Tenerife provided the location of a Mexican cantina, situated near Plaza Gabriel in Llano del Moro.

Villa Circense, a luxurious building owned by a German lady, was rented for a mere 1,200€ a day to represent the home of the villain Hugo Martínez, played by Sergio Peris-Mencheta.

The house is on an estate, Villa Paraíso, at Santa Úrsula.

I’ll See What I Can Do (2019)

Although the action mostly takes place in the UK, there is a brief visit to Carlton’s villa, which is located in Madrid.

Remember Me (2019)

Bruce Dern fakes Alzheimer’s to get into a residence where an old flame is suffering the real thing.

Filming took place in Madrid, (Villanueva de la Cañada and Pozuelo) and in Navarra, where Elizondo in the Valle de Baztán was a location.

The residence was further south at the Hotel Villa Marcilla, in the village of Marcilla.

The Hotel Lobby

I had a lovely chat with the Baselga-Elorz family, who live across the street and who were the owners of the hotel and restaurant before. Surrounded by some of her 22 grandchildren, the lady of the house told us that the filming had taken place during a month in May 2018, and that the whole hotel was occupied by about 100 crew and actors, while the leads stayed in Pamplona.

In reality the hotel and restaurant are separate buildings, although they merge in the film, which took advantage of the lush, verdant restaurant gardens.

The hotel maintains its elegance, and the enormous, spacious lobby, but has lost a lot with the building of a roundabout and industrial estate right on the doorstep, and now sells itself as Low Cost.

Paradise Hills (2019)

A tropical island has a centre for reforming young people, with filming at Barcelona and Gran Canaria, notably in the capital, at the abandoned San Martín Centro de Cultura Contemporánea, Gran Canaria Arena, and at the beach of El Confital, where we see our actresses walking and talking as the waves lap their feet.

Further scenes were shot in the northern part of the island at Las Cuevas de Las Cruces, situated at Gáldar, where the girls plot escaping in their boat, and at the lush botanical gardens of La Marquesa at Arucas, representing the reformation centre.

The church scene was filmed at Santa Magdalena d’Espluges de Llobregat, Barcelona, and the cloister of the Monestir de Santa María de Montsió in the same town provided images for the centre too.

Starring Emma Roberts, niece of Julia, and Milla Jovovich as the flowery director.

Spider-Man: Far from Home (2019)

Spider Man and his friends go on holiday and are doing Europe when some evil needs to be sorted out.

The town of Belchite, Zaragoza lent its Civil War ruins during two weeks to represent the Mexican town of Ixtenco being destroyed by a malicious, powerful monster who is tackled by super-hero Mysterio.

The ruined church of San Agustín is especially noticeable.

Other Euro locations trashed were Venice, Prague and London.

Wasp Network (2019)

Shooting took place at some distinctive yellow flats in the neighbourhood of Las Rehoyas in Las Palmas, Gran Canaria, representing Miami, with additional filming in the Colegio Brains and Ciudad de la Justicia law courts.

Filming started around the old El Pino social health centre at Tarifa, and stars Penelope Cruz.

There were also scenes filmed at San Bartolomé de Tirajana at the Campo Internacional de Golf of Maspalomas, the Real Aeroclub de Gran Canaria at San Agustín, as well as the hotel Lopesan Costa Meloneras, where the crew also stayed.

Dulcinea (2019)

Some days are worse than others. An American, obsessed with Spain, returns home to find that his girlfriend is cheating on him with his brother (who else?) and his mother is dead.

Madrid features a lot, especially the Plaza de España with its Don Quixote statue, and the lake at the Casa del Campo, Puerta del sol, Plaza Mayor, Palacio Real, Museo Del Prado, Cibeles, Palacio de Correos, Gran Vía, the restaurant Las Bravas, as well as the well known ‘suicide bridge,’ which is technically the Segovia or Bailén viaduct, although locals prefer the former title.

There is also an excursion to Asturias at Cabo de Peñas, as well as Consuegra, Toledo, with its famous row of windmills, suitable for a film named after Quixote’s muse.

There’s even a magic ring!

Rare Beasts (2019)

Some of this film about feminism and bringing up children and love and the whole damn thing was shot in Lloret de Mar, at the wonderful coastal gardens of Santa Clotilde, where the wild, wedding takes place, and Llagostera (Girona).

Santa Clotilde

WW2: The Long Road Home (2019)

Director Elliott Hasler, who based the film on his great-grandfather’s experiences, told us that the scenes shot in Spain fill in for Sidi Nsir in Tunisia where part of the film is set.

The main character, Private Charlie, goes for a solitary swim prior to being sent into the desert on a mission during which he is captured by the Nazis. This was shot on a beach just north of Cape Trafalgar near Barbate, Cádiz.

 There are also a couple of shots that were filmed in Ronda, which fills in for parts of the British Army HQ in Sidi Nsir.

Radioactive (2019)

The story of the Nobel winning couple, the Curies, including a scene in the Nevada desert from 1961, shot at Tabernas, Almería, and depicting the nuclear tests there.

Rise of the Footsoldier 4: Marbella (2019)

The Pat Tate story continues, with revenge-violence as the main theme. As the title suggests, Pat travels to Marbella, Málaga for some sunny scrapping.

Mother, Father, Son (2019)

Richard Gere’s first venture into TV with a BBC miniseries, supposedly based on Richard Murdoch.

Sevilla fills in for Mexico, with shooting taking place at the village of San Juan de Aznalfarache, decked out for Day of the Dead celebrations, and where a market was created in calle Uruguay.

In a neighbourhood called La Pañoleta, Gere visits a typical bodega, in reality, San Rafael.

In the city of Sevilla, the Town Hall, the parliament building of Andalucía and the palace of the Marqueses de la Motilla were all used.

Strong Artificial Intelligence (2019)

A bit of a one man show, unless you count the would-be robot. The writer/director adheres to conspiracy theories about world domination by the illuminati etc. However, we do get to see some lovely scenery from Gran Canaria, starting with the Maspalomas dunes.

The carnival celebrations also feature with a party on the Playa de los Ingleses.

As Riccardo (human) develops his relationship with David (aspiring human) he visits the Playa de los Amadores, where he talks about life after Riccardo, and later to the white sandy each at Puerto Rico to watch some volleyball.

Savage State (2019)

If Italian westerns are spaghetti, I’m not sure what to call a French one, but here it is.

The dialogues are in French and English as a wealthy French family tries to escape the American Civil War in Missouri.

Some of the film was shot in the Monegros desert, and the emblematic rock, the Tozal de la Cobeta appears, and is also seen in the trailer.

Once Upon a Time in Deadwood (2019)

Motivating staff is always positive, and Charles Bronson lookalike Robert Bronzi, who plays the Colonel, is especially keen to rescue his employer’s sister, as she has the antidote to the poison the boss has given him.

Among the locations was the Western Leone township in Almería, where West Bank plays a role in both the film and the trailer.

Categories
Period

+2020 & TV Series

+2020 & TV SERIES

The F**k it List (2020)

Agent Kelly (2020)

The Legion (2020)

Way Down (2020)

Wonder Woman 1984 (2020)

Rifkin’s Festival (2020)

The Roads Not Taken (2020)

Ron Hopper’s Misfortune (2020)

Granada Nights (2020)

It Snows in Benidorm (2020)

State of Prey (2020)

The Midnight Sky (2020)

Trevor (2020)

Chasing Wonders (2020)

Black Beach (2020)

A Perfect Enemy (2020)

One Glorious Sunset (2020)

The Odd Perspective (2020)

Us (2020)

Bill and Ted Face the Music (2020)

The Music Island (2021)

Last Letter from your Lover (2021)

Off the Rails (2021)

The Eternals (2021)

The Internationalist (2021)

Borrego (2021)

True Things (2021)

Gunfight at Dry River (2021)

Don’t Come Here (2021)

SAS: Red Notice (2021)

Under Spanish Skies (2021)

Red Notice (2021)

Hitman’s Wife’s Bodyguard (2021)

The Nanny’s Night (2021)

Send it! (2021)

The Matador’s Cape (2022)

Uncharted (2022)

Asteroid City (2022)

Operation Mincemeat (2022)

The Man from Rome (2022)

Marlowe (2022)

Renko (2022)

The Covenant(2022)

Hustle (2022)

The Mother (2022)

D is for Detroit (2022)

A Man of Action (2022)

Who Killed Che Guevara (2022)

Planet of the Astronauts (2022)

Dead Man, Don’t Die (2022)

What About Love (2023)

Lucas (2023)

Fyre Rises (2023)

American Star (2023)

Catching Dust (2023)

Uncancelled (2023)

Journey to Bethlehem (2023)

Bird Box Barcelona (2023)

See You on Venus (2023)

Agent of Solitude (2023)

Venom 3 (2024)

The Assessment (2024)

Den of Thieves 2 (2024)

Daniela Forever (2024)

Killing Rainbow (2024)

The Path Less Travelled (2024)

Once Upon a Time in Spain (2024)

Argylle (2024)

Vanilla (2024)

The Room Next Door (2025)

In the Grey (2025)

The Island (2025)

TV Series Made in Spain

Game of Thrones

House of the Dragon

The Witcher

Black Mirror

Westworld

Silent Witness

The Crown

Doctor Who

Berlin Station

White Lines

Emerald City

The Spanish Princess

Hanna

Killing Eve

The One

Soulmates

Warrior Nun

Wheel of Time

Foundation

The Mallorca Files

Penny Dreadful

Years and Years

Rosemary and Thyme

Eastenders

El C.I.D.

The Love Boat

In From the Cold

La Fortuna

Little Birds

The Head

Snatch

Utopia Planitia

The Bounty Hunters

Genius: Picasso

Top Boy

The Man who Fell to Earth

Jack Ryan

Inventing Anna

That Dirty Black Bag

The Diplomat

No Return

The Lazarus Project

American Odyssey

Any Human Heart

Blindspot

Covert Affairs

Kaos

Suntrap

Mrs. Davis

Vampire Academy

Queen of the South

Land of Women

Dark Justice

The English

The White Princess

All in the Game

A Town Called Malice

Who is Erin Carter?

The Rat Patrol

Intergalactic

Realm of the Waterfall

Andor

Citadel

The Rings of Power

Living the Dream

Framed

Doctor Death

Special Ops: Lioness

Crossfire

Suspect: The Shooting of Jean Charles de Menezes

Fool Me Once

Benidorm

Duty Free

We Were the Lucky Ones

Archie

Stonehouse

Films in Development

Untitled Don Johnson Film

Hot Milk

Tau Ceti Four

An Actor’s Journey

Shooting Bernarda

After the Fall

The F**k it List (2020)

A disenchanted, privileged American without a bucket, becomes a social media phenomenon, but all he really wants is his girl, who has gone to Spain for a dubious job.

He tracks her down at Porto Colom, Mallorca, even though she sends him her location as Porto Cristo.

Fortunately the taxi he takes has the real name plastered on the side and they live happily ever after. What’s more, the black and white lighthouse is easily recognisable.

Agent Kelly (2020)

Kelly is a retired assassin in her 50s who returns to her old ways for (wait for it…..) revenge.

She escapes to Spain to avoid her hunters, ending up in Almería, where shooting of both kinds took place in El Ejido, Puerto Almerimar and Almería city.

More filming took place in the city of Málaga and in Motril, Granada.

The Legion (2020)

The Romans are bogged down in Armenia and send a messenger to get help. While they wait the actors can enjoy the mountains, lakes and valleys of the Natural Park of Somiedo in Asturias.

Among the park’s locations were La Farrapona at 1,708 metres, and the frozen lakes of Saliencia.

The crew’s lodgings were at Pola de Somiedo. In fact the staff at the Castillo del Alba hotel informed us that the actors practised their sword fighting on a terrace behind the hotel.

The messenger also has to cross a bit of desert, and for this they employed the lesser known desert of Gorafe in the province of Granada.

We were lucky to be accompanied by local tourism entrepreneur and film enthusiast Miguel, who drove us around in his 4X4 (totally necessary to visit all the good spots) showing us the locations of films and series.

Access to the location for this film is very complicated and can only be achieved with a 4X4 or possibly a helicopter.

The wild scenery is certainly spectacular.

English speaking Miguel can be contacted via his web site: http://www.geoparkgranada.com/

All this and Mickey Rourke too!

Way Down (2020)

Catalan director Jaume Balagueró is no stranger to international projects and this time combines Spanish and foreign actors in a heist movie with the 2010 World Cup final, won by Spain, as a backdrop.

Central Madrid was briefly shut down around the emblematic Plaza de Cibeles, as our stars tried to rob the Bank of Spain.

41 days of shooting included scenes shot at the Palacio Cibeles (site of the Town Hall and the CentroCentro contemporary arts centre), Edificio Zúrich in calle Alcalá, Edificio Metrópolis on the corner of Gran Vía, Círculo de Bellas Artes, Instituto Cervantes, Palacio de Buenavista (HQ of the Spanish army) and the Biblioteca Nacional

A thousand extras, 340 crew, 80 police officers and 80 soldiers took part. As did the Good Doctor, Freddie Highmore, who had actually lived in Madrid for a year.

Wonder Woman 1984 (2020)

The film begins with Diana as a child trying to win the Amazon Games. The beach she rides along was at Sotavento de Jandía, Fuerteventura, although the mountain scenes were filmed on Tenerife at Maciza de Teno and the gulley of Masca (where Wrath of the Titans was shot) and Isla Baja.

In September 2018, filming took place in Almería on the follow-up to Wonder Woman. The Alcazaba castle is supposedly that of the King of Crude, Emir Said Bin Abydos in Cairo, and was one of the main locations used, including the gardens of the Casa del Alcaide, the Cerro de San Cristóbal and the Muralla de Jayrán, which then becomes the wall dividing the Emir’s land from the rest.

Muralla de Jayrán.

The church of San Pedro with its twin towers also appears.

A car chase took place on Fuerteventura, at the Corralejo sand dunes, where a village was built, and there was also filming at La Oliva around Parque Holandés and the beach of El Jablito.

On La Palma island, they superimposed images of a satellite headquarters, using the same location as the Aretuza island in The Witcher, which was also superimposed. It is here that the film reaches its finale and once more the world is saved.

Rifkin’s Festival (2020)

Woody Allen does for San Sebastián, Gipuzkoa what he did for Barcelona, as well as Paris, London and even New York, with a film centred on the famous San Sebastián film festival and filming all over the city’s most iconic locations such as the Concha beach, which is the opening shot of San Sebastian and appears again as Felipe tries to seduce Wallace’s wife Sue under the boardwalk and also for the dreams of the Jules and Jim film.

Concha Beach

The film begins and ends with Wallace talking to his psychiatrist, in a set constructed inside the Miramar Palace.

We see Wallace crossing the iconic Maria Cristina bridge, and then approach the Kursaal Centre, venue of the San Sebastian Film Festival.

In the Plaza Gipuzkoa gardens Wallace meets a friend who gives him the card of Jo, the doctor.

In the grounds of the Ariete Palace they shot the first black and white scene with al the characters from Wallace’s past.

Wallace visits the doctor, whose office is in Paseo Árbol de Gernika.

We then see him in a restaurant, Mirador de Ulia, with spectacular views of the beach.

In the Café de la Concha he chats to some festival goers and discovers Jo’s complicated past.

Felipe is interviewed on the terrace of the Maria Cristina Hotel, where most of the characters are staying, and where Wallace and Sue later have breakfast.

All-focus

Wallace kills time visiting the Donosti Bookshop in Plaza Bilbao. He kills some more time visiting the church of San Vicente.

He has a drink with Jo in the garden of the Botanika Café and later attends a party in Felipe’s honour at the San Telmo Museum. Felipe then plays the bongos in the Altxerri Bar.

On his day out with Jo they drive across the Maria Cristina Bridge before visiting the Chillida statue, Peine del Viento. They take a boat across the bay at Pasajes de San Juan and have a waterside picnic at Ereñozu.

Twice they visit a market, located in Santiago Plaza, Pasai Donibane, where they buy bread and chocolate, and later Jo looks for a gift for her husband Paco.

The dream supper, based on Buñuel’s Exterminating Angel was filmed at Gipuzcoa Provincial Council.

Wallace phones Jo and says his farewells seated in front of the bandstand, the Kiosko del Boulevard.

As was the case in Barcelona, San Sebastian tourist office has organised a Movie Walk to visit the film’s locations as Allen indulges in all his usual obsessions.

The Roads Not Taken (2020)

La Isleta del Moro, where the writer spends his time in a bar on the beach and discusses how to end his book with two girls on a bar terrace, the Parque Natural Cabo de Gata (both represent Greece), while the cemetery of San José in the city of Almería and the desert of Tabernas (supposedly in his character’s native Mexico) were all locations in a film starring Javier Bardem, whose mental state is deteriorating, much to the displeasure of his daughter.

Isleta del Moro

The cast used the Hotel Cortijo Paraiso in Los Escullos, where Pilar Miró filmed “El Pájaro de la Felicidad” in 1993 and the Hotel Elba in the city of Almería.

Ron Hopper’s Misfortune (2020)

Canary Island director Jaime Falero shot the whole film in his native Tenerife, a story about Hell with Vinnie Jones as the Ferryman who takes you there.

Granada Nights (2020)

A young British-Asian man heads to Granada to save a relationship but arrives too late and has to make do with friendship and culture in this beautiful city.

The Alhambra inevitably features, but so does the  Camborio Club for some more up to date scenes.

Writer/Director Abid Khan informed us: “Here is some information on the major locations; we shot in a lot of locations around the city but these are the main scenes – If you need more details let me know?”

Hammam Al Ándalus, Cueva de Curro – Flamenco Cave with eccentric gypsy owner Curro, Cafe Futbol, Carmen de los Martires, Mirador de San Miguel, Camino del Sacromonte, Pub Legend, Café Bar Pennsylvania, Bohemia Jazz Café, Teteria Baghdad, Granada Inn Hostel, Centro Lenguas Modernas, Potemkin café, Hannigan & Sons Irish Pub.

“We also all stayed in Hospedaje Almohada – we rented the whole place and this was actually the place that I stayed in 2005-2006 and started writing the script.

Another interesting fact is that I wrote the script on locations e.g. I wrote the Mirador scene at the mirador and the Camborio nightclub scene I wrote whilst I was at the nightclub! I wanted the film to be authentic to the place which is why I wrote in this way. We also shot the gypsy processions as they were happening and wrapped a fictional narrative around documentary scenes.  With the vast history and culture of the city, it was important the locations needed to be a main character in their own right because this film in essence is a love letter to the city of Granada.”

It Snows in Benidorm (2020)

Isabel Coixet directs this story set in the bright, murky location of Benidorm, Alicante, where some British citizens such as Timothy Spall take a break from sunny Manchester.

The Red Wall of Calpe has nothing to do with politics, but is an apartment complex designed by Ricardo Bofill. This and other locations such as Pola Park in Santa Pola, and the area between Hotel Canfali and Villa Venecia, make up some of the locations, as do the streets of Benidorm.

Carmen Machi plays a policewoman obsessed with the presence of poetess Sylvia Plath in Benidorm in the 50s, and her house is located in Plaza del Torrejó.

Alex’s workplace is located beneath Apartamentos Oasis.

State of Prey (2020)

A Scandinavian thriller with a mix of nationalities and languages, including English, much of the filming takes place in and around Torrevieja, Alicante, thanks to the ready supply of coastline, mountains, skyscrapers and natural light, according to its director.

Filming also took place at Callosa de Segura, Benidorm, Santa Pola and Elche.

The Midnight Sky (2020)

George Clooney was on the Canary island of La Palma in February 2020 staying at the exclusive Hacienda de Abajo, at Tazacorte.

One of the locations for this film about a scientist stranded in the post-apocalyptic Arctic is the Observatorio del Roque de los Muchachos. Two scenes were shot there featuring Ethan (son of Gregory) Peck as the younger Augustine (Clooney), sacrificing all for science on ‘the island,’ at the ACTEC site.

Trevor (2020)

Trevor seems to be a classic ex-pat, living the good life at his villa in Spain, and then his daughter and her boyfriend come to visit.

The rolling countryside is to be found around Cardedeu in the province of Barcelona.

Chasing Wonders (2020)

Although set in Australia, the film is about a Spanish family and stars Paz Vega and Edward James Olmos.

Filming also took place in Barcelona and Lleída.

Black Beach (2020)

Although mostly shot in Spanish, there is also a fair amount of English dialogue, mostly at the beginning when the action takes place in Belgium, and also during an inspiring English class given by nuns in an African school.

In Gran Canaria, the oil drilling platforms in the bay of Las Palmas were one of the reasons for filming there, and the restaurant Segundo Muelle, next to the Hotel Santa Catalina was also used for the final meeting between Carlos and his mother.

Other exteriors included Playa del Inglés, Puerto Rico, Puerto de Mogán and San Agustín.

The mansion where Carlos is lodged in Africa was actually in Gran Canaria as was some of the jungle.

The discotheque scene was filmed in Madrid, with what was hopefully a digitally inserted giraffe in the foyer.

The final chase scene was multinational, starting in Ghana, continuing in Toledo, moving on to Canarias. The car crashed in Toledo, in an African village which was built in Toledo inside a Spanish army camp. The action then returns to Madrid and Ghana.

A Perfect Enemy (2020)

Kiké Maíllo directs another Spanish film shot in English, this time about an architect who has a run-in with a girl.

Filmed in various locations in Barcelona, such as El Prat de Llobregat, El Maresme, L’Hospitalet de Llobregat, Reus, Masia Freixa, Terrassa and Sant Vicenç de Montalt.

Ana Eiras of Sábado Películas informed us that filming took place in the trade fair, Fira de Reus, in Barcelona for interior shots, in Maresme and El Prat for car shots and in Terrassa on set at the Escola Superior de Cinema i Audiovisuals de Catalunya.

One Glorious Sunset (2020)

The problems of dealing with dementia when ‘Dad’ starts to lose it.

Filmed on Tenerife. Deanna Dewey of TF Productions informed that “the film was mostly shot in the South of the Island with a few shots in the north and up in the mountains.  The locations I can remember are Golf del Sur, Valle San Lorenzo, Puerto Colon and Los Abrigos.”

The Odd Perspective (2020)

Another production in English from the aFilm workshop based in Sitges, where some of the action takes place, as well as in Barcelona.

Multiple murders and a synergist detective who can connect stuff!

Us (2020)

Us is a four part BBC mini series starring Tom Hollander, who tries to turn a failing marriage into a holiday romance instead of vice versa.

His holidays include Paris, Amsterdam, Venice and Barcelona, although Venice is in reality also Cataluña.

Tom is Douglas and is accompanied by his wife Connie (Saskia Reeves) and son Albie (Tom Taylor).

In episode 3 Albie leaves his parents to join a girl called Kat in Venice. Douglas searches for him there and comes across a couple of musicians in a typical Venetian square, which is plaza de Sant Felip Neri.

Douglas meets a woman called Freja (Sofie Gråbøl), and they have a coffee on a hotel terrace, Hotel Neri (calle de Sant Sever, 5).

In episode 4 in plaza de Sant Felip Neri, Freja and Douglas have another coffee, when Douglas’s wife rings.

Freja and Douglas go for a walk after supper and come across a Roman temple, which in reality is in the city of Vic in calle Pare Xifré. Then they walk along the arcades in the plaza Mayor.

 The next day Douglas visits Siena, but it’s still Vic, and here we see him sitting on the steps of the Sant Pere cathedral.

In episode 5 Douglas actually travels to Barcelona, and finds his son leaving a disco, which is in fact number 4 plaza Sant Josep Oriol.

In a flashback we see Connie and Douglas watching the light show at the Font Mágica.

The next day Douglas wanders through plaza Carles Buïgas by the Font Mágica. We see him talking to Albie with the MNAC as a backdrop.

Douglas and Albie drink coffee with churros in Bar El Mendizábal in calle Junta de Comerç, 2. That night they have a drink in Granja El Drac de Sant Jordi in plaza de Sant Josep Oriol, 3. After visiting a disco we see them sitting on a bench inside pasaje del Crèdit on the corner of calle Baixada de Sant Miquel. The disco was in fact a vegetarian restaurant called Salida, at 7 Baixada de Sant Miquel, although the interiors were filmed in Sitges. Returning to their hotel they pass through plaza Real and las Ramblas.

Then we see Albie and Douglas enter the Estación de Francia in Avenida Marqués de l’Argentera to catch a train to Sitges.

In episode 6 they are back in Barcelona. From a taxi we see Paseo Picasso and la Pedrera before arriving at a rented flat in calle Teodor Roviralta.

Douglas and Connie accompany Albie to the Estación de Francia to see him off.

We then have a tour of the city including plaza de Sant Felip Neri, the Bisbe bridge and the sculpture of the Toro Pensador by Josep Granyer y Giralt in Rambla Cataluña.

Douglas and Connie walk around the barrio Gótico to the plaza del Pi through a market to a juice bar which in reality is the Giovanni ice cream shop.

We see the Montjuic cable car, and Connie looking at the city from the Jardines de Miramar.

They visit the Fundación Miró, and we also see plaza Cataluña, the Calatrava Tower and Paseo de Gracia before they return home.

Bill and Ted Face the Music (2020)

Keanu Reeves stars in an update of an old story about two rockers trying to save the world.

Although filmed entirely in Louisiana USA, San Dimas, set in the year 2720, is in fact Santiago Calatrava’s City of Arts and Sciences (CAC) of Valencia, also used in George Clooney’s Tomorrowland, although this time the stars stayed home and did everything on green screen, while Valencia’s sci-fi complex was padded out with some serious CGI. One such example of padding, was adding Calatrava’s Montjuïc Communications Tower, located in Barcelona’s Olympic Park and built in order to transmit the 1992 Olympic Games.

CAC represents the home of the Great Ones, led by Holland Taylor, Charlie Sheen’s mother in Two and a Half Men.

The Music Island (2021)

The music island is of course Ibiza, although this philosophical film was also shot in the UK and Bulgaria.

Last Letter from your Lover (2021)

Filming of the flashback scenes to 1965 took place in and around the internationally famous Formentor Hotel at the eastern extreme of Mallorca, representing the French Riviera, in a romance spanning decades.

Off the Rails (2021)

The cast includes Judi Dench and Franco Nero, and some flight scenes were shot at the Bennisalem Aeródrom in Mallorca, where a selection of planes can be seen.

The modernist architecture of the capital, Palma, is seen in some evening shots and El Passeig des Born de Palma represents Paris, while Costa de la Pols also appears. The 13th century gothic Basílica of Sant Francesc and the parish of Santa Eulàlia are seen and also the cathedral, where on 2nd February the Festa de la Llum was woven into the plot. The stained glass windows of the cathedral play a role in the plot.

Filming took place in Pollença too.

The Eternals (2021)

Angelina Jolie stars in a science fiction story about immortals who visit the volcanic wasteland of the Teide National Park, Tenerife.

Lanzarote and Fuerteventura are also involved and represent pre-historic landscapes for a film that spans the ages as the Gods meddle in the affairs of Man.

Shooting in Fuerteventura took place around Ampuyenta and nearby El Espinal, as well as Buen Paso and on the volcanic, black beach at La Solapa at Pájara, all of which are in the Parque Rural de Betancuria, representing ancient Mesopotamia.

The film is part of the Marvel empire, and the crew stayed at two hotels in El Castillo, including the Sheraton Fuerteventura Beach at Caleta de Fuste.

For a touch of the Amazon, the crew moved to Fragas do Eume, a forest in the Galician province of La Coruña.

The Internationalist (2021)

An Australian photographer goes in search of his grandfather, who disappeared during the Spanish Civil War.

The locations include Corbera del Ebro, (Tarragona), and Barcelona.

Today Corbera’s old town, destroyed in the Battle of the Ebro in 1938, has been conserved in its ruined state, and the church is now an exhibition centre, reminding us of its tragic history.

Borrego (2021)

A botanist researching in the desert gets caught up in a drug smuggling ring.

The desert concerned was Tabernas in Almeria, and not California.

True Things (2021)

Ruth Wilson stars in a drama produced by Jude Law and which has been filmed in the province of Málaga.

The Paseo Marítimo Ciudad de Melilla was one location, as was Plaza de la Merced, with some interiors shot in a flat in La Malagueta.

The port, the historic centre and the town of Benalmádena also appear.

Gunfight at Dry River (2021)

Two abandoned villages in the province of Tarragona, Piñeres and Corbera de Ebro, are used to recreate a Mexican township with water problems; a topical question in Catalonia and the rest of Spain.

Corbera del Ebro’s tatty, desolated look is not so much due to drought, as to the fact that the old town was destroyed during the Battle of the Ebro in Spain’s Civil War in 1938.

The desert scenery of Tozal de la Cobeta, Monegros, Zaragoza is also employed.

SAS: Red Notice (2021)

Another story by ex-SAS soldier Andy McNab, about a fellow SAS man, Buckingham, trapped in the Chunnel by terrorists with his girlfriend.

Buckingham has a place in Mallorca at Son Marroig, which was also used in The Kovac Box (2006).

The final wedding scene includes images of the Sa Foradada peninsula hole in a cliff, allegedly made by a cannonball in a 1582 conflict between North African pirates and Majorcan Christians.

Don’t Come Here (2021)

As opposed to wishing you were here, as a tourist is murdered on idyllic Mallorca.

Filming took place around the village of Campos, and especially at Sa Barrala, where the forest cabins were located.

Under Spanish Skies (2021)

A very international cast with actors and crew from Algeria, Egypt, Ghana, Tunisia, China, Japan, Denmark, England, France, Germany, Hungary, Italy, Luxembourg, Netherlands, Scotland, Spain, Sweden, Canada, U.S.A. Uruguay, Peru and Suriname, and with a timeless theme: what to do when your partner dies.

A woman living on an idyllic farm, which in reality can be found at Cazalla de la Sierra in Sevilla province, invites some old friends to visit her as she makes some decisions.

Nathan Buck, director and writer of Before El Finâ (later changed to Under Spanish Skies) told us “the film was shot entirely on location in Cazalla on three private farms in the area: Finca Juncarejo, Cortijo Chacón Casa Rural & Casa Rural Riscos Altos. We shot the film in August, 2019 and completed it in June, 2021”.

Finca Juncarejo represents the main building with the pool and small belfry where widowed Leah lives.

Red Notice (2021)

This year sees two films with Red Notice in the title, as this is the name of an Interpol alert.

This international film stars Dwayne Johnson, Ryan Reynolds and Gal Gadot.

Johnson and Reynolds travel to Valencia to rob arch-villain Sottovoce, although an aerial view of the city’s main square for two seconds is all we see.

Reynolds and Johnson escape the clutches of Sottovoce and escape through a trap door into the middle of a bullfight. Johnson is butted by a bull in the bullring, which was that of Antequera, Málaga, with 300 locals as extras, although the aerial shot is of the Sevilla bullring, La Maestranza, both of which are supposed to be Valencia.

Hitman’s Wife’s Bodyguard (2021)

Although mostly shot in Croatia, the presence of Antonio Banderas brought about some scenes in Málaga, specifically in Hacienda Nadales, a banqueting venue, and an industrial estate building at Guadalhorce.

The Nanny’s Night (2021)

The interiors of this horror story were shot in a house in Valdemoro, with exteriors nearby in Valdetorres del Jarama, both in Madrid.

The film marks the debut of Ignacio López, a close collaborator of author and director Victor Matellano.

Send it! (2021)

A kite-boarding story of love and surf with a cameo by Richard Branson (that’s how Trump got started and you heard it here first!)

Pedro Barbadillo of the Mallorca Film Commission informed us that shooting took place in North Carolina, Texas and a day’s shooting in Mallorca on 11 July 2018 and three weeks of preparation.

The filming took place at sea and covered an area between the cathedral in Palma to Es Malgrats.

Once again Palma Pictures was the local production collaborator.

The Matador’s Cape (2022)

Martial arts expert Gary Wasniewski tries his hand at bullfighting, with filming in the bullring at Almería, and in Talavera de la Reina, Toledo.

The film is a variation on a standard theme of what to do when someone assassinates your wife.

Uncharted (2022)

First there was a Playstation game, and then came the movie.

When brothers Nathan and Sam are arrested, they are taken to an orphanage, the Recinto Modernista de Sant Pau (Sant Antoni Maria Claret, 167); a former hospital, now a museum in Barcelona.

Starring Tom Holland, Mark Wahlberg and Antonio Banderas, filming took place in October 2020 along the Costa Blanca, Alicante.

The Granadella cove was once again used, as it was in The Cold Light of Day.

The Cova dels Orguens, a cave that can only be reached by sea below Cap San Antoni, also appears. It is here that Nathan finds Magellan’s lost ships, although this was a set constructed elsewhere.

Nathan and Sully meet Chloe Frazer (Sophia Ali), in Plaza de Carles Buigas, site of the Font Mágica de Montjuic. They talk on the roof of the Pabellón Victòria Eugènia, and they chase her past the fountain of the Plaza de las Cascadas, and then through a market situated in Plaza de Josep Puig i Cadafalch. The chase ends at her car in Plaza de las Cascadas.

Then we see Santiago Moncada (Antonio Banderas) arguing with his father Armando (Manuel de Blas) in the Born Centro de Cultura y Memoria.

Santiago Moncada meets his father again in Plaza Gaudí in full view of the Sagrada Familia.

They visit the church of Santa Maria del Pi looking for the treasure or clues to its whereabouts.

Sully and Braddock fight in Bar Pisamorena (Consolat de Mar, 37).

Secret tunnels abound and Sully talks down to Nathan and Chloe as they try to emerge from a sewer in Plaza Sant Felip Neri.

The action moves to the Phillipines, although the beach is in reality that of Lloret de Mar, Girona. The coves at Sa Boadella and Treumal were employed.

Sa Boadella

For the prison scene at the end, where we see brother Sam writing postcards, they once again used the Recinto Modernista de Sant Pau.

During the credits we find Nathan and Sully in a bar in Havana, in reality Barcelona in the Mescladís del Pou, Calle Carders, 35, setting the scene for the follow up movie.

Asteroid City (2022)

This Wes Anderson film was shot from August to October 2021 near Chinchón (Madrid), where a western-type set and a train station were built.

The golf course at Aranjuez was used for filming on September 6th.

200 local people were contracted as extras and the Chinchón Parador was sealed off for mere mortals until December 1st.

Stars such as Tom Hanks, Scarlett Johansson and Steve Carell are in it.

Operation Mincemeat (2022)

Colin Firth stars in a remake of ‘The Man who Never Was’, which also had scenes shot in Spain, at the beach and cemetery where the corpse was washed up and buried respectively in Huelva.

However, the new version was filmed in Málaga, largely because of its busy, international airport, much to the displeasure of the people of Huelva.

The local film office informs that the locations are Málaga Town Hall, Gardens de Puerta Oscura and the San Miguel cemetery.

At the end we see the real grave of the body used, in Huelva cemetery, as we do in The Man who Never Was.

The Man from Rome (2022)

Set in Sevilla and Rome, a computer hacker meets a ghostly 17th century church (or something like that).

After the credits we see an aerial shot encompassing the Guadalquivir river and the bullring.

The action in Sevilla was filmed in Plaza de San Francisco, including the Town Hall, and around Plaza Nueva. The Town Hall represents the Archbishop’s palace, which Father Quart, a gun-toting far from chaste priest visits. Both the Sala del Apeadero and the Sala Capitular Baja were used.

The historic town of Carmona also appears; the Church of the Virgen de las Lágrimas, so important in the film, is in reality the 16th century Convento de la Concepción, now empty. We can see a cloister through a door at times, and at the end in an aerial view, showing us that this is a convent rather than a simple church.

The Palacio de la Motilla in calle Cuna is the home of the Bruner family. This palace will probably become a hotel in the near future.

Not all is monuments, Sevilla’s river, the Guadalquivir also features considerably, as do its bridges, Cristo de la Expiración and Triana and the Muelle (dock) de la Sal.

There are also scenes in the riverside Restaurante Abades Triana, with its views of Sevilla’s emblematic Torre de Oro. Here Quart has lunch with Macarena Bruner. When Father Ferro is kidnapped, he is held on a riverboat, and we see the well-known Luna de Triana.

Torre de Oro. Photo Courtesy Mage

Shooting also took place in Paseo de Colón, Plaza de Toros, calle Betis, Hotel Renacimiento de la Cartuja, where Quart stays and is attacked, and calle Parras.

Yet another film based on a novel by Arturo Perez-Reverte, with performances by the actor who played Conan as a boy, Jorge Sanz.

Simón Andreu plays the President of the bank that is the focus of evil in the film.

Marlowe (2022)

Philip Marlowe is not a new subject for a film, and Liam Neeson is not a newcomer to filming in Spain, but shooting Marlowe is Manresa, in the province of Barcelona is an original idea.

Accompanied by Colm Meaney and some period cars and costumes, in November 2021 the actor was to be seen filming in calle Jaume I in the Bar Restaurante Miami, which was converted into Schmidt’s Liquors in faraway Los Angeles.

In this scene they discuss the brutal murder of Peterson’s sister.

Marlowe’s first encounter with the sister takes place in the vaults of a cemetery. The real cemetery is the Cementirio de les Corts in Barcelona, and the vaults are the Panteón de los Repatriados, containing the remains of over 700 Catalan soldier killed in the wars in Cuba and the Philippines.

In Sant Cugat, in the district known as la Floresta, a house on the carretera de Vallvidrera became Laurel Road 2900.

The house of Marlowe’s rich client was none other than the iconic gardens with columns of La Gavina hotel at S’Agarò, Girona, used in films such as Nicholas and Alexandra.

The hotel and its private grounds, where only the owner’s family and film-makers are allowed, is in fact a multiple location.

When Marlowe follows Clare to her meeting with the Ambassador, he walks through the hotel lobby, where the bell-boy is asleep at Reception.

Filming also took place at Capellades, Alella, Garraf, Sant Pere de Ribes, Sitges, Blanes and Terrassa, where a building belonging to the Federación Empresarial Comarcal de Terrassa was used.

Renko (2022)

Javier Bardem’s brother Carlos stars in this thriller about a Spanish secret agent and an American bounty hunter

At Valdemanco, Madrid, we can find Daryl’s house, and some roads to Di Lorenzo adventure park, which includes scenes shot at Aranjuez, and the park bar, filmed at San Martín de Valdeiglesias, while in Segovia we encounter the Airsoft Camp and battlefield of the park.

The Covenant (2022)

Filming for this Guy Ritchie movie starring Jake Gyllenhaal began in December 2021, when the production team set up in the car park of the Petrer Football Club, Alicante.

It is supposedly a true story of an Afghan interpreter who saves an American soldier, who then returns to Afghanistan to save him in turn.

Filming took place in the village of Sax, where the houses leading up to its spectacular castle served as typical Afghan dwellings. Scenes were shot in the Camino del Coso.

After Sax the film moved on to Novelda, to areas known as Paraje Natural Clots de la Sal and Serra de la Mola, where two scenes were shot. The first consisted of a Taliban ambush of an American convoy, and in the second the Taliban search a vehicle, and in the following gunfight two bodies are thrown into a river, which was in fact the Vinalopó.

The area was chosen because one of the production team, holidaying in Altea, visited the Santuario de Santa María Magdalena in Novelda and noticed how the countryside was similar to Afghanistan.

The final action scenes around a dam and reservoir were filmed at the Amadorio reservoir, which provides water to Villajoyosa.

The airport scenes were shot at Zaragoza’s Garrapinillos airport, with some magical mountains added using CGI.

Hustle (2022)

Adam Sandler returned to Mallorca, (he filmed scenes from Jack and Jill there with Al Pacino) for a story about a basketball scout who hopes he’s found a new star in Spain, although most of the film takes place in Philadelphia.

The scene where Sandler discovers Bo playing basketball in a rough neighbourhood was shot at El Rafal, while the more professional players played in the Son Moix Polideportivo.

The flat where Bo and his family live can be found at Nou Llevant.

 At the beginning Sandler visits various countries looking for his star, among them Russia, where the artificial snow was in fact created at Pollença.

The scene where Sandler is offered a job at a hotel with a pool was filmed at Sa Fortalesa.

The Mother (2022)

Jennifer Lopez and Joseph Fiennes star in a film interrupted by the pandemic, where Gran Canaria represents Cuba.

Shooting took place there around Plaza Cairasco, Alameda de Colón, Gabinete Literario (a cultural centre from whose balcony Lopez and Fiennes look out and chat in happier times) and Hotel Madrid.

El Salobre, Berriel airfield, plaza de Santa Ana, Casa de Colón, La Isleta, Calle Guzmán El Bueno, the districts of San Cristóbal, La Isleta and San Juan de Las Palmas with its defensive battery, Calles Malteses and Bravo Murillo all feature.

The motorbike and stolen car chase scene took place around San Cristóbal, San Telmo park with its iconic bandstand and calle Canalejas, as well as Fataga and Meloneras.

60 kilometres from the capital, at San Bartolomé de Tirajana, a luxurious villa called Monte Léon, was employed as Hector’s house, which Lopez trashes in rescuing Zoe.

And 11 kilometres away, the Marquesa Garden at Aruca, with its 2,500 species of plants from 5 continents, offered a touch of exotica, while a gulley at Artenara offers us a view of palm trees in another scene.

D is for Detroit (2022)

A young man called Tarquin, getting away from drugs and London, discovers sun, scenery and music in Ibiza, including a shot of the magical island of Es Vedra.

A Man of Action (2022)

A Spanish film, about an anarchist, Lucio Urtubia, with characters speaking English and Spanish. Most of the English is spoken by and with the man from the American bank, Mister Barrow.

Early on we see some scenes shot at Lucio’s hometown of Cascante in Navarra.

Scenes were shot in Vigo in Pontevedra province, with filming in Praza de Compostela and García Barbón. The Casa da Cultura Galega became a bank that Lucio robs.

Vigo’s port also features, as does the old barracks of the Civil Guard, as well as Plaza Estrela, the Xunta building and the pedestrian area of O Calvario and a café terrace between Rúa Montero Ríos and Rúa de Concepción Arenal.

Santiago de Compostela, A Coruña appears too, including Calle das Ameas, Praza do Obradoiro, Praza de Salvador Parga, Calle de San Francisco, Calle de Santo Agostiño and Alameda Park.

From 1 to 15 October del 2021, filming took place in Tarragona, using the Complex Educatiu, the Banco de España and the old provincial prison, located in Avenida L’Argentina.

The film was actually set in Paris, which is recognisable in the scenes where the Eiffel Tower appears.

Who Killed Che Guevara (2022)

The title speaks for itself. Figueras (Girona) was among the locations.

Planet of the Astronauts (2022)

A spoof movie (I think) about astronauts returning to a devastated Earth, post-Covid.

Among the locations they visit, searching for a remedy, is Barcelona, where we see two lovers kissing in front of the famous fountain in the Ciutadella park.

Dead Man, Don’t Die (2022)

German director (and actor here) Dirk Roche filmed most of this at the Fort Bravo township in Tabernas, Almería.

With a Budget of only 41,000 euros, the movie was shot in 18 days, with a six month interruption due to the Covid crisis.

What About Love (2023)

Starring Sharon Stone and Andy García, and with a load of Spanish actors too, the film was made in the USA, Rumania and Catalonia in October 2012.

The locations include Barcelona, (especially the Cuitadella park, where the steps leading up to Neptune’s statue play an important part in the romance) Canet de Mar, Montserrat and Tossa de Mar (Girona), made famous in the 50s when Ava Gardner filmed ‘Pandora and the Flying Dutchman’ there.

Some images were also shot in Begur, Castelldefells, Gavà, El Prat de Llobregat, Jardines de Santa Clotilde in Lloret de Mar, Pals and Sitges.

Jardines de Santa Clotilde

 Directed by Klaus Menzel, it is the story of an American Senator’s daughter who falls in love with a cinema director in Barcelona, with whom she sets off on their own road movie.

Lucas (2023)

Juan Pedro Ortega directs a film about a serial killer with footage from his native Barcelona.

Fyre Rises (2023)

A reluctant ex-mercenary is forced to return to his old ways.

Writer-Director Paul Knight informed us: “We shot in Lanzarote, in Puerto Del Carmen in early September 2022 – in and around the local town”.

American Star (2023)

Spanish director Gonzalo López-Gallego filmed this film set in Fuerteventura in Fuerteventura.

A professional assassin goes there to fulfil a contract and has to take time off due to a delay.

As American Star was a ship, wrecked near Fuerteventura in 1994, we can expect it to play a part.

Catching Dust (2023)

Four weeks of filming at Puerto del Rosario, Antigua and La Oliva on the island of Fuerteventura produced a story of white trailer trash in the desert as two couples work out their differences.

Uncancelled (2023)

It started with a wedding between Australian film maker Luke Eve and his bride María Armiñana, which was cancelled due to COVID 19.

Trapped in Valencia, they decided to make a documentary out of their experience, although it later became this feature film, a mixture of truth and fiction with some professional actors.

Their prison was Valencia, and among the locations were El Palmar, a village famous for its multiple paella restaurants, the Sueca rice fields and the Malvarrosa beach, where Sorolla used to paint and Hemingway used to imbibe.

Journey to Bethlehem (2023)

Antonio Banderas leads the cast of a musical version of the birth of Christ.

Representing the Holy Land are Almería, where Nicolas Ridley’s set from Exodus at El Chorrillo, in the Sierra de Alhamilla was brought out of retirement as Mary and Joseph make their way to destiny.

The movie makers favourite beach, Monsúl, also appears.

Banderas plays Herod, and his lair is the often used castle of Santa Bárbara, Alicante, especially the dungeons, where filming took place in February 2023.

Bird Box Barcelona (2023)

As Woody Allen basically makes the same film in different cities, so this version of Sandra Bullock’s California Bird Box takes the franchise to Barcelona, in a film made in Spanish and English, depending on who is speaking to whom.

In the opening scene Sebastián and his daughter Anna go skating at a sports centre, which is located in Granollers. Three nasty blindmen attack them in the Antigua Fábrica Mercedes-Benz (calle Sant Adrià, 65). As they emerge outside the CGI shifts into top gear (at least I hope it’s CGI) and we see Eixample, completely wrecked.

 Scenes of destruction ensue, including people hanging from a bridge at Baró de Viver. We also see plaza Cataluña and the Barceloneta beach, where a cruise ship is sinking and bodies abound.

Sebastián and Anna wander around an industrial estate, which is Carretera del Mig, Hospitalet.

The ensuing bus depot scene was also filmed in the antigua fábrica Mercedes-Benz.

In a flashback we see some wind turbines, which are at Falgars del Bas, Girona.

Sebastián’s office is in the Torre Pujades, calle Provençals. Out in the same street, a man crashes to the ground.

He seeks refuge in the underground, the station being Selva de Mar, but the suicide bug is spreading.

Sebastián seeks his daughter at her school, the Casa de la Convalecencia in calle Sant Antoni M.ª Claret, 17. The chapel is in La Salle Bonanova (Paseo Bonanova, 8).

Sebastián looks down from a building and sees Palacio de la Virreina, and an obelisk in the Diagonal.

With Claire Rafa and Octavio he goes to a refuge (Torre del Reloj, Plaza de la Vila de Gracia)

They meet Sophia and we see an aerial view with torre Mapfre, hotel Arts and the Tibidabo church.

After a lot of hiding, from a building they observe a church, which is the dome of the Basílica de la Mercè.

On Monjuic mountain Claire and Sophia take the cable car and we see the Montjuic castle, where Bird Box Barcelona 2 is clearly being set up.

Spanish, German and English are all used in a film that is clearly aiming for an international market.

See You on Venus (2023)

This is a film with a message; and the message is that you can park your van anywhere in Spain, but especially, near or even under national monuments.

Mia and Kyle travel from California to Spain to find her birth mother. She has a list of candidates and criss-crosses the country checking out each of them.

First she visits Segovia, and quite naturally they leave the van unmolested beneath the Roman aqueduct, as one does.

As they check out the city we see the cathedral, a man painting next to a statue of Juan Bravo, (a 16th century leader of the Comuneros revolt, for which he was executed) and a long shot of the Alcazar castle.

They move on to Valencia, passing through the Plaza Redondo, which used to sell birds and now sells embroidery and tourist stuff.

After some serious criss-crossing we see them in San Sebastian, Gipuzkoa, looking down on the Concha beach from Monte Igueldo.

Zooming back to Valencia, they eat strawberries beside the Central Market, pass quickly through Benidorm, Alicante, back to the province of Valencia at the Port Saplaya residential area, whose marina has earned it the title of Little Venice, and then back to Altea, near Benidorm, to play a bit of soccer with some kids in the Plaza de la Iglesia, with its church the Virgen del Consuelo.

At a romantic beachside restaurant with a little island just off the coast, Kyle discovers the relationship between Mia and Noah and gets upset. The island is Portichol on the Costa Blanca, and the restaurant in Cala Portichol is Cala Clemence.

Just writing about this is getting exhausting! But we haven’t finished yet; it’s back to Valencia to visit the Plaza de la Virgen, with its cathedral, where Mia reveals her situation as regards her heart operation.

Undeterred by stress they shoot up to Consuegra, Toledo, driving past the castle and windmills, although the road is a dead end in reality.

Sensibly, they then end up in the city of Toledo, with views of the Alcazar, and spend a night in the city’s Parador, with its view of the River Tajo.

Then its off to Cuenca, for a chance to drive past the famous Hanging Houses, and to find her Mum.

Mission accomplished they slip into La Granja Palace of San Idelfonso and of course are able to park among the fountains and gardens at night with no other tourists present, as is usually the case.

And of course, thanks to the excellent Spanish health service, the operation is a success.

Agent of Solitude (2023)

A CIA agent pursues a terrorist across Europe, including Barcelona.

Venom 3 (2024)

Another Marvel superhero bites the dust of Almería. Local expert and author José Enrique Martinez informed us that filming was taking place in Rambla El Búho and Las Lomillas, and that star Tom Hardy was training at the Dayron gym in Huércal.

Another key location was Cartagena, Murcia. Sets were built in the Los Mateos district of the city, representing Mexico.

Another location was the Calblanque nature reserve, to the east of the city.

Filming also took place in the newly reopened Ciudad de la Luz studios in Alicante province.

In Huesca province the Gállego river was the protagonist for some white water scenes shot around Mallos de Riglos and Murillo de Gállego between 5th and 7th March 2024.

The Assessment (2024)

Filming took place in Tenerife in August 2023 at Abades in the district of Arico. Who knows if they took advantage of the abandoned leper sanatorium there.

It wouldn’t be surprising, as this dystopian film deals with the abandonment of the planet due to climate change.

Alicia Vikander and Elizabeth Olsen star in a film directed by Fleur Fortuné. Not much gender diversity there!

Den of Thieves 2 (2024)

Gerard Butler stars in a thriller set in Marseilles but filmed largely in Tenerife. Evin Ahmad, who answered the question who is Erin Carter? co-stars after making the eponymous series in Barcelona.

Filming in the island capital Santa Cruz involved making some changes. A jeweller’s was created in calle Del Castillo and a police booth on the corner of calles Teobaldo Power and Imeldo Serís.

A bar called La Capilla in calle Salamanca, became a French bar called La Chapelle.

Some scenes were shot at the port and a beach, Las Teresitas, was used when Butler and Jackson emerge fully clothed from the water.

Daniela Forever (2024)

Henry Golding plays a man trying to contact his dead girlfriend through dream therapy.

Locations include Madrid.

Killing Rainbow (2024)

Not just Rainbow but a whole plethora of people being whacked. Fortunately most of them deserve it.

Some scenes were filmed Marbella, Malaga, where a hitman meets Ruby, and Tenerife, where a hotel supposedly in Florida appears.

The Path Less Travelled (2024)

Shiloh travels to Barcelona in search of treasure, with a dead wife, a grandfather’s story and nothing to lose.

Once Upon a Time in Spain (2024)

This comedy involving some zany characters takes us to various Spanish locations (hence the title) including the castle of Gibralfaro in Málaga and the deserted beaches of the Canary Island of Fuerteventura.

In Torremolinos, Málaga the action takes place at the adults only Hotel Sirenos, where Cindy practises her singing on the roof, combined with the castle and local beaches. The tourist shops are also located there.

Cindy and Joey visit the Gibralfaro castle, from which they look down at the bullring, which he calls the Colosseum. She agrees that everything here is ancient!

Argylle (2024)

Truth may be stranger than fiction, but sometimes it’s the same thing.

This thriller starring Henry Cavill includes some scenes shot in Tenerife.

Vanilla (2024)

A gay couple try to shore up their rocky relationship with a trip to Barcelona, but a third party complicates matters.

The Room Next Door (2025)

Pedro Almodovar finally makes a full length English language film with the help of Julianne Moore and Tilda Swinton.

Filming took place in the US and in Madrid.

In the province of Guadalajara, Almodovar spent 17 days in March 2024 shooting in the village of El Cubillo de Uceda. A house was built between the town and Viñuelas, and later burnt unfortunately. Another cinema tourism attraction gone up in smoke.

In the Grey (2025)

We know it stars Henry Cavill along with Javier Bardem’s brother Carlos, and that it has been filmed in Tenerife. One of the locations was Tenerife’s Casino in plaza de La Candelaria.

Along the coast another location was San Andres, where a gulley known as Las Teresitas and the neighbourhood of Suculum were used.

The Island (2025)

Joaquin Phoenix and his real life partner Rooney Mara are to star in a film by Pawel Pawlikowski, which will include filming on Fuerteventura.

TV Series Made in Spain

Game of Thrones

In Game of Thrones, the Alcazaba of Almería represented the castle of Sunspear, the capital of Dorne, kingdom of the Martell family. Some benches created for the series can still be seen there.

It is here that Ellaria murders Doran Martell. Later in Season 6 episode 10, none other than Diana Rigg discusses avenging with Indira and her fighting females.

For the interiors however the Real Alcázar of Sevilla represented the Water Palace Gardens of ‘Dorne,’ where Ellaria and Doran Martell argue about revenge and where Jaime and Bronn go to rescue Myrcella in Season 5 episode 2.

Also in the province of Sevilla is the town of Osuna, whose bullring was the site of the Fighting Pit in Season 5, when Daenerys Targaryen fights the Sons of Harpy and rides her dragon.

Nearby at Santiponce are the ruins of Italica, a Roman city, the cradle of emperors such as Trajan and Hadrian, founded in 206 BC. The amphitheatre which had a capacity of 25,000 spectators is used as a backdrop for the ruins of the Dragon Well. It is here that Daenerys negotiates with Cersei, asking for her cooperation against the White Walkers in episode 9 of Season 5.

In Season 8, episode 6 it hosts one of the final scenes as the nobles judge Jon Snow and Tyrion.

Santiponce. Photo Courtesy Mage.
Where the Dragon Landed. Photo Courtesy Mage

Córdoba, and specifically its long Roman bridge, was used in Season 5, episode 3 to represent the city of Volantis, which Tyrion and Varys cross, although the bridge has been modified to include houses like the one in Florence. In a later episode, Theon and Yara cross the bridge to take refuge in the city.

In Season 5, episode 1, Cersei arrives for her father’s funeral and climbs the steps to Girona’s CGI modified cathedral. The same steps are seen in the wedding between Tommen and Margaery in episode 3.

In episode 6 of Season 6, Jaime Lannister rides up the same steps to confront the High Sparrow, only to be let down by King Tommen.

In episode 1 of Season 6 we find blinded Arya Stark begging by the gardens behind the cathedral in calle Obispo Josep Cartañà.

The cathedral nave is the Great Sept of Baelor, while the old library that Sam visits in Season 6 episode 10 is in the monastery of San Pedro de Galligans, where we see him in Season 7 episode 1 serving his apprenticeship.

The play that Arya watches, and which we see on more than one occasion, took place in Plaça dels Jurats.

Later in Season 7 Arya Stark walks through Braavos market looking for a way to abandon Braavos. The market was located in the Paseo Arqueológico of Gerona and in calle del Rey Fernando el Católico, in front of the entrance to the Baños Árabes.

Arya will revisit the Baths, built in 1194, when she is chased there in Season 6 episode 8 by the Waif and upsets fruit sellers tumbling down the steps of Sant Domènec.

In the province of Guadalajara, the abandoned castle of Zafra was employed to represent The Tower of Joy in the Red Mountains of Dorne. It his here that Bran and the Three Eyed Raven watch Bran’s father Lord Eddard Stark fighting Sir Arthur Dayne in episode 3 of Season 6. At first it’s 6 against 2, then 4 against 1, but a knife in the back balances the score. Later in episode 10, we see what happens when Eddard enters the castle.

The 12th century castle was built upon previous Visigoth and Moorish fortifications and guarded the border between Christian and Moorish forces.

Back in Almería, Mesa Roldán castle appeared in season 6, episode 9, representing Meereen. Here there is a meeting between the Masters and Daenerys and her allies, interrupted by a dragon perching on the castle and some throat slitting. We also see the quarries of Majadas Viejas (Sorbas) at the same time.

Driving up to the Sierra Alhamilla spa, below you to the right you see an avenue of palm trees and various abandoned buildings. The site began as a mining location and the sets were later constructed by Ridley Scott for Exodus. Later they would be employed in Game of Thrones as a Dothraki settlement, Vaes Dothrak. The series Penny Dreadful also used this location.

In episodes 1 and 3 they used the Rambla de Búho for the scenes with the Dothraki taking Daenerys to Vaes Dothrak, passing under the giant statues of two horses (courtesy of CGI of course). In episode 5 they leave the settlement, Daenerys having won their hearts.

The Dothraki also appear with Daenerys in the Bardenas Reales desert of Navarra, representing the Dothraki Sea in Season 6, episodes 1 and 6. At the end of episode 6 she speaks to the Dothraki on top of her dragon, inspiring them to follow her.

In the city of Cáceres itself, filming took place in Plaza de Santa María, Arco de la Estrella, Torre de Bujaco, Torre de los Púlpitos, Cuesta de la Compañía and the facade of Fundación Mercedes Calles and Carlos Ballestero, situated in Casa Palacio de los Becerra.. Scenes representing Euron Greyjoy’s victory parade in Season 7, episode 3 were shot here.

Nearby the scenery of Malpartida de Cáceres, Los Barruecos was used for the battle in which Daenerys defeats Jamie Lannister’s forces and then her dragon burns Randyll and his son Dickon from the House of Tarly.

The castle of Santa Florentina in Canet de Mar, Barcelona was used in the 6th season, episode 6 to represent Sam’s home, Horn Hill, although only for the interiors, especially the cloister.

Also in Season 6 the castle of Peñiscola, representing Meeren, is the scenario for the burning of the ships, with filming taking place at Plaza de Santa María, Portal Fosc, Rampa de Felipe II, Paso de Ronda and Parque de Artillería, as well as both the town’s beaches.

Peñiscola. Photo Courtesy Mark Yareham

In episode 1 of Season 7 Daenerys arrives with her fleet at Dragonstone, although the church of San Juan de Gaztelugatxe, just west of Bermeo, Vizcaya, is barely recognisable with so much CGI. In fact really only the 241 steps are authentic.

Along the coast is the flysch beach at Itzurun, Zumaia Gipuzkoa, where Jon Snow disembarks to meet Daenerys, although they immediately ascend the steps of San Juan de Gaztelugatxe from there.

In Vizcaya Muriola beach was the scenario of a mission by Tyrion Bannister and Sir Davos, who come ashore there at what is supposedly Kings’ Landing.

Trujillo in the province of Cáceres was a location, representing Casterly Rock. While the Unsullied are capturing it, Jamie Lannister is at Almodovar del Rio, Córdoba, representing High Garden, sacking, looting and killing Diana Rigg in Season 7, episodes 3 and 4.

Almodovar del Rio Castle

In episode 7 the Unsullied are lined up in front of Kings’ Landing (Trujillo Castle) where they are joined by the Dothraki.

House of the Dragon

In October 2021 filming took place in the main square, castle and some churches in Trujillo, Cáceres, where a dragon statue replaced the usual suspect, Pizarro.

In Cáceres filming took place in Cuesta de Aldana, and the plazas de San Jorge, Santa María and San Mateo. Santa María square was the main location for the scenes where Prince Daemon and his new, reformed Watch commit a massacre in episode 1.

The leafy splendour of the Jardins de Santa Clotilde at Lloret de Mar, Girona was also used to represent the gardens of King’s Landing in episode 2. It is here that Lord Corlys discusses the dangers to the realm with Rhaenys Targaryen, the King’s cousin.

Later the King discusses marriage in the garden with his daughter, Rhaenyra Targaryen.

Dragonstone, the Targaryen castle appears, as it does in Game of Thrones, as a CGI disfigured San Juan de Gaztelugatxe chapel, Vizcaya, where Rhaenyra and her uncle Daemon face off with their dragons, disputing the ownership of an egg!

The name Gaztelugatxe means Rock Castle in the Basque language, which may have induced Francis Drake to sack it in 1593, an incident repeated the following year by the Huguenots of La Rochelle, who rather churlishly killed the caretaker.

The ancestral home of the Targaryen uses the iconic flysch beach of Itzurun in Zumaia, Gipuzkoa.

In episode 4, King of the Narrow Sea, Rhaenyra and Daemon see a street play, which takes place at the Casa del Sol, a 15th century building in Calle de la Monja, Cáceres.

In episode 5 the action moves to Lord Corlys’s castle, which is an interesting composite of Saint Michael’s Mount in Cornwall and the castle of Butrón in Viycaya. This medieval castle was completely restored in 1878, giving it its current Bavarian-inspired excesses.

In episode 6 we move to the castle of La Calahorra in Granada province, representing Pentos where Daemon and Laena Velaryon stay in episode 6. Curiously the castle is transported to some clifftops, faraway from its real inland location. The impressive cloister is used for a banquet.

In 2020 the local council of La Calahorra erected a series of statues reflecting their long history as a cinema setting. One of these shows the famous Iron Throne. It is located on the path leading up to the castle.

The Witcher

Filming took place in Gran Canaria of the highly successful TV series The Witcher, starring Henry Cavill, who had previously made The Cold Light of Day on the peninsular. Maspalomas, Cuevas Blancas, Tamadaba, Roque Nublo, Caldera de Tejeda, Fataga, Agaete and Guayedra, were all locations on Gran Canaria, while Garafía, Los Tilos, La Zarza, Cubo de Galga, El Paso and San Andrés y Sauces, were locations on La Palma island.

The dunes of Maspalomas represent a desert where Yennefer transports Queen Kalis and her child, trying to escape an assassin. The second transportation is to Roque Nublo, and the third to the forests of Caldera de Tejeda. Finally, Yennefer ends up alone on the beach at Guayedra.

The dry river bed of Fataga is the location along which Jaskier and Geralt travel and Jaskier sings ‘Toss a Coin to you Witcher’.

Garafia represents the location of the magicians’ academy Aretuza, situated in the series at Thanedd (Temeria). The rocks are real but the tower is a CGI creation.

Near Agaete we can find the beach of Guayedra, which is where the Brotherhood comes ashore on its way to the keep at Sodden Hill to confront the army of Nilfgaard.

Brokilon, the forest of death, is an amalgamation of three La Palma forests; Los Tilos, La Zarza and Cubo de la Galga. It is to here that Ciri flees from Cintra. When she drinks the liquid from the tree, she is transported to the dunes of Maspalomas.

At El Paso we find Los Llanos del Jable, which represent the Dragon Mountains, where the four teams go in search of a green dragon to kill. Llano de las Brujas, the viewpoint at Cumbrecita and Roque de los Muchachos, where the questers set up camp, were all used, although the dragon cave itself was situated in Hungary.

Black Mirror

Gran Canaria’s Caldera de Tejeda provided the final scene of the episode ‘Hated in the Nation’ from Season 3. At the end, like the end of Silence of the Lambs, we see the policewoman following the villain, without his bees to protect him, in what appears to be South America; or somewhere exotic.

Episode 1 of season 4 is a Star Trek spoof in which USS Callister lands on a planet which is in reality Lanzarote.

The Playa de Bermeja in Yaiza, with its black sand beaches and the red Montaña Bermeja were used, as was an abandoned quarry called Rofera de Teseguite at Teguise.

One of Spain’s most filmed petrol stations is the ‘Alfaro,’ on the Autovía A-92 Exit 376 – Tabernas. The restaurant next door, now closed, was used for the Netflix series Black Mirror to represent the Black Museum in episode 6 of season 4. The museum, supposedly located in the Australian desert, was painted black for the occasion.

The interior however, was filmed in Málaga’s old Provincial Prison at Cruz de Humilladero, now closed and a location for various films.

In season 5, episode 2, Billy Bauer, the boss of Smithereen, is located, supposedly in Furnace Valley Utah, although his glass home retreat was in reality located in the province of Granada, at Gorafe.

The desert of Gorafe is not as well known as that of Almería, and perhaps for that reason has conserved its wildness.

We were lucky to be accompanied by local tourist entrepreneur and film enthusiast Miguel, who drove us around in his 4X4 (totally necessary to visit all the good spots) showing us the locations of films and series.

The Black Mirror house in fact has two locations, as the house has been moved to a different place since the filming and replaced with a similar glass house.

The original Location
The Original House

English speaking Miguel can be contacted via his web site: http://www.geoparkgranada.com/

For season 6 the Black Mirror team returned to Málaga. Episode 4, Mazey Day was filmed at Marbella, Estepona and an estate between Monda and Ojén, which represented the Cedarwood Retreat. San Pedro Alcántara and the Loasur studios in Coín were also employed.

The East Sunset Motel, where a paparazzi takes photos of an actor indulging in an illicit rendezvous, was in reality a restaurant called Venta José Carlos C/ Junta de los caminos, Puerto de la Torre, and another restaurant, situated in the nearby mountains was Venta El Túnel. It is here, at the tunnel entrance, that Mazey Day has her car accident.

For episode 3, Beyond the Sea, about David, an astronaut played by Josh Hartnett, his space age house can be found in La Eliana, Valencia, at calle Dr. Moliner 21. It is currently called Casa Axis and belongs to an artist, Felipe Pantone.

The house is frequently used by film makers and publicists for its futuristic look, although it was actually built in the 70s.

Westworld

The film version of course starred Yul Brynner, who made many films in Spain, and the third season includes various Spanish locations.

The Ciudad de las Artes y las Ciencias (CAC), in Valencia, which appeared in George Clooney’s Tomorrowland, plays the hi-tech HQ of the Delos corporation, where we see Charlotte Hale (Tessa Thompson) landing by helicopter.

Architect Ricardo Bofill, who designed the park where the CAC is located, provided his house-studio at Sant Just Desvern (Barcelona), built in an abandoned cement factory. In the series it is Engerraund Serac’s HQ. It’s here that Maeve Millay, actress Thandie Newton, regains consciousness.

In another episode, The Winter Line, she comes to in an Italian town occupied by the Nazis during World War II, although it is in fact Besalú, (Girona), where part of The Perfume was shot. Plazas Llibertat and Prat de Sant Pere were employed, as was the town’s iconic 12th century bridge.

Silent Witness

When Silent Witness, a BBC series, took the action to Afghanistan in 2012, they took a short cut and filmed in Almería.

Rambla de Buho and Rambla Roja near Tabernas were used for some desert driving scenes, the airport was the well-known Alfaro petrol station by the A92 car park, while the tarmac road was on the way to the Sierra Alhamilla.

An Orange Grove was filmed at Cortijo Concejo. The main compound was at La Galera, north of Tabernas.

The Tenerife village of Güímar has been frequently used for the BBC series Silent Witness, which began in 1996, representing a Mexican border town with the USA. Furthermore, an abandoned leper sanitorium further south at Abades has also been put to good use. Built in 1943, it was never used as such as the illness was brought under control. The Spanish army used it until 2000.

The Crown

In season 3 Princess Margaret’s happy days of refuge were filmed at the Playa de los Alemanes at Zahara de los Atunes, Cádiz, representing Mustique in the Caribbean.

Nearby, San Roque’s Sotogrande residential area was used for Margaret’s visit to the USA, specifically when she drives along a palm tree lined avenue, supposedly in Los Angeles.

The emblematic Hotel Alfonso XIII in Sevilla, which appears in Lawrence of Arabia, became California in the 60s for a visit by Princess Margaret, where a party is held in her honour.

Hacienda la Pañuela, near Jerez, Cádiz, is the ranch in Arizona owned by the Douglas family, Margaret’s hosts as she awaits a White House invitation from President Johnson.

The Palacio de Congresos y Exposiciones of Torremolinos, Málaga, somehow transformed itself into San Francisco airport.

When the Duke of Edinburgh’s mother has to pawn jewels in Greece, she does so to help finance a convent, represented by the church of Santo Domingo in Jerez, where she is a nun. The streets of San Juan de Aznalfarache, Sevilla, also represent Greece.

The 18th century naval station of La Carraca at San Fernando is used for the scenes where she goes past soldiers who are holding a coup, on her way to the pawn shop. The same location would be used in season 4 episode 8 when Margaret Thatcher walks to the Queen’s yacht, supposedly at Nassau in The Bahamas, and again in episode 9 as Charles walks towards his Caribbean posting. On both the latter occasions we see the distinctive gate towards which they are walking.

The library of Cádiz university campus of Puerto Real appears when Queen Elizabeth arrives in Nassau for the Commonwealth meeting in episode 8.

The Crown was one of many to employ the desert of Almería, this time representing New South Wales during the visit there of Charles and Diana in season 4.

When Mark Thatcher gets lost during the Paris-Dakar rally, he is in fact more lost than you’d think, in the Finca Las Lomillas in the Tabernas desert.

What’s more, the famous red Ayer’s Rock was also filmed in Almería, with a little CGI magic, specifically in Rambla Búho, representing the Uluru-Kata Tjuta National Park.

Even more magic converted the Auditorio Cortijo de Torres, Málaga into the Sydney Opera House!

A little less technology was used to construct the ranch in the same rambla, where Charles and Diana are reunited with their baby son William.

Unlike many sets, the ranch has been preserved, although transported to the Oasys western township.

The producers also managed to create an airport at El Toyo, in a car park next to the Hotel Barceló Cabo de Gata.

In episode 8 there is a flashback, when Princess Elizabeth gives a 21st birthday address to the Commonwealth from Cape Town. The scenes of her and her audiences were shot at Finca El Romeral, and the beaches of Genoveses and Mónsul.

In Málaga, Puerto Banús and a luxury villa at La Zagaleta appear, while the Palacio de Ferias of Torremolinos became an airport.

In the fourth season we see Charles and Diana in a parade from the Hotel AC Málaga Palacio, supposedly in Brisbane.

The Jardín Botánico represented Adelaide and the iron bridge at Cártama, seen briefly over the River Guadalhorce, was Darwin.

In the Cártama sports centre we witness a polo match and in the Gran Hotel Miramar the meeting with the Australian PM Bob Hawke in Canberra. The same hotel was used for scenes from the Commonwealth conference as Margaret Thatcher struggles over a draft document before finally settling on the word ‘signals’.

The Castañón de Mena military residence had three scenes; Diana’s meeting with swimmers at the pool, a hospital visit in Sidney and a staircase for a gala dinner, supposedly in Tasmania.

Sevilla was used again in season 5, this time to represent Egypt, when the whole Dodi business kicks in.

During a wedding in Alexandria, as Dodi’s birth is announced, the ceremony is celebrated in the Casa de Pilatos.

The Plaza de América, and its Museo Arqueológico and Artes y Costumbres were used, as was the María Luisa park.

Charles and Diana try out a second honeymoon, including a trip to Capri, where the ruins they visit are in reality the Baelo Claudia Roman site, on the Bolonia beach near Tarifa, Cádiz.

In season 6 Lady Di dies, and her death in Paris actually takes place in Barcelona, specifically in  plaça Francesc Macià.

Filming was supposed to take place in September 2022, with the Jardinets de Gràcia as the focal point, but was postponed following the death of Queen Elizabeth II.

Diana’s affair with Dodi Al-Fayed in Saint-Tropez, was actually filmed in Mallorca at a luxurious rental known as The Yellow Castle on a headland near Puerto de Andratx.

In real life Lady Di actually stayed there once, and one of the suites is now named after her.

In their efforts to avoid the paparazzi and get an ice cream, Di and Dodi skip through the streets of Palma, especially calles Sant Feliu and Costa de Can Santacilia, plaza Can Tagamanent and the seaside promenade, all representing Montecarlo.

Other scenes were filmed at the airfield of Son Bonet and on the island of Formentor.

Doctor Who

The sci-fi location of the City of Arts and Sciences in Valencia was used in 2017 for an episode of the legendary British series Doctor Who.

Since 1963 the time-travelling Doctor has changed identities 12 times, and was being played at the time by Peter Capaldi. In fact, the first episode was screened the day after President Kennedy’s assassination.

But Valencia was not feeling itself, as the futuristic City of Arts and Sciences complex represented Colony world Gliese 581 D, where, according to the BBC’s magazine Radio Times: “architect Santiago Calatrava…..created an opera house like a spaceship; an Imax cinema resembling a giant eye; a science museum that could be an aircraft hangar crossed with a whale skeleton; and the largest aquarium in Europe, with 45,000 living creatures of 500 different species”.

In 2019 filming also took place in Tenerife for the 12th season of the British TV series Doctor Who.

Filming took place in a pine forest near the Teide mountain and in the Auditorium de Santa Cruz.

Kill the Moon was the title of the 7th episode of the 8th season filmed on Lanzarote, near the Volcán del Cuervo, in the Parque Nacional de Timanfaya.

Planet of Fire was shot at the jetty at Órzola, also on Lanzarote, this time playing itself, where Howard discusses Peri’s future with her and the Doctor looks over the treasure found underwater.

At the Mirador del Rio, Timanov and Malkon speak about the unbelievers. This old gun battery was converted into a restaurant by Cesar Manrique. Filming also took place at the Papagayo beach, where Peri is brought ashore after a swimming accident.

When Jodie Whittaker took over from Capaldi some filming took place in Granada province, specifically around Aldeire, Alquife, and La Calahorra. This was episode 6 of Season 11 and Granada represented the Punjab in an episode entitled Demons of the Punjab, with the snowy peaks of Sierra Nevada once again standing in for The Himalayas.

The episode The Two Doctors, screened in 1985, was filmed all over Sevilla.

Locations included La Finca La Caprichosa, the River Guadiamar, Plaza del Triunfo, Calle Joaquin Romero Murube, Calle Rodrigo Caro, Plaza de la Alianza and Plaza Doña Elvira among others.

The 2012 episode A Town Called Mercy made use of both the Oasys and Fort Bravo western township parks in Almería.

While filming in Almería, the production team slipped next door to the Sierra Nevada mountain’s, the peninsula’s highest, to shoot the snow scenes for the episode Asylum of the Daleks.

Berlin Station

The Canary island La Palma features in the TV series Berlin Station, representing Panama.

When Meyer enters the Panamanian jungle in the first episode looking for a box, he is in fact at Los Tilos, with its spectacular waterfall.

Later, scenes in a typical Panamanian street market were filmed in Avenida El Puente de Santa Cruz.

Some beach bar scenes were shot at Playa de la Bombilla at Tazacorte.

Fuerteventura also appears in the series specifically at Hotel Oliva Beach and Finca Cervantes at Lajares.

White Lines

The TV series White Lines is the story of a DJ called Axel, whose death is investigated by his sister Zoe.

But first we go to Almería, where Axel’s body is unearthed after a storm, and Zoe talks to the police at the Fort Bravo western theme park at Tabernas.

Fort Bravo

A lot of the filming was done on Mallorca, including the scene in the first episode when Marcus meets a mafia boss in Bar Restaurant Illeta, located at Camp De Mar beach near Andratx. Marcus’s villa is in reality Can Pirata at Cala D’Or.

The orgy scene in the first episode was filmed at S’Estaca, a villa that had belonged to actor Michael Douglas.

The Calafat finca was Son Oliver, a villa in the Coanegra Valley near Santa Maria del Camí, although scenes from the villa’s chapel (where the dog’s funeral is held) and courtyard were actually filmed at the Biniagual vineyard at Binissalem.

The Calafat foundation’s residential home, where Conchita Calafat tries to enlist the support of a priest for her plans, is El Rafal dels Porcs at Es Llombards.

From Almería, Zoe takes a ferry to Ibiza and gives us a good view of the capital with its castle and harbour seen both from below and above. Most of the film’s flashbacks are of Ibiza in the 90s, including Axel’s favourite spot, the watchtower Torre d’en Rovira at Sant Josep de sa Talaia with views of the islands of Des Bosc and Sa Conillera. It is here that Kika takes Zoe to talk about her relationship with Axel. We also see him staring out at the iconic island of Es Vedra in the first episode.

In episode 2, Marcus meets the Romanian drug dealers at Port Esportiu Marina d’Eivissa, with Dalt Vila, the city’s walled city in the background.

Dalt Vila

Oriol tortures Cristobal at Ses Salines salt lakes on Ibiza.

Scenes were shot at Portocolom, Mallorca, with its iconic black and white lighthouse and the religious procession in episode six was filmed there, ending in the harbour at Cala Figuera. The lighthouse is clearly visible behind Kika as she sits on a bench waiting for Zoe.

Homage is paid to Sergio Leone twice. When they are in Fort Bravo, the film The Good, the Bad and the Ugly is mentioned, and in the Calafat mansion there is a poster from the film A Few Dollars More.

Emerald City

In the TV series Emerald City, the Wizard of Oz is to be found in Barcelona’s Parc Güell,

Parc Güell

whereas the Wicked Witch of the East makes do with the often used castle of La Calahorra in Granada province, and in the same province, the cave dwellings of Guadix, Granada get a reprise in episode 2.

La Calahorra

In Almería, Cabo de Gata provides one of its many beautiful beaches, and the inevitable desert of Tabernas, features, as does Sevilla’s one model suits all Alcázar royal palace. Within the Alcázar we can find the baths of Doña María de Padilla, which is where young Dorothy goes to get purified.

In Málaga province, El Torcal Natural Park, near Antequera lays on a yellow brick road for Dorothy.

The Spanish Princess

An American series The Spanish Princess takes its turn at butchering history, telling a version of the story of Catherine of Aragon.

Although the opening shot shows the Alhambra of Granada, when we go inside to meet Catherine, we are in the Real Alcázar of Sevilla with good use made of the gardens, as well as the Salón de Embajadores, the Cuarto Alto, the Patio de las Doncellas, the baths of Doña María Padilla and the Pavilion of Carlos V.

Alhambra

When Isabel, the warrior Queen escorts Catherine towards the boat for England, they are attacked by Moors in the Tabernas desert of Almería.

Hanna

The Amazon series Hanna chose Almería for some of its locations, starting with the capital’s old railway station, in front of which a French flag flew to prove that Hanna had reached France, and where she takes on a bunch of villains. At the port, with scenes incorporating a Trasmediterránea ferry, Hanna and Sophie’s family travel from Morocco to Spain.

Almería’s Old Railway Station

In the Tabernas desert, Hanna finds Sophie, and the Parque Natural de Cabo de Gata-Níjar also features.

The series also used some well-known locations from the city of Barcelona. Sandy arrives in a taxi at the arcaded Plaça Reial, while her classes are in the 19th century Universitat de Barcelona through whose cloister we see her stroll.

Parque de la Ciutadella is where Kat meets her father at the monumental fountain, Plaça del Pi is where we see Sandy playing the piano and La Monumental bullring is where Hanna meets up with Clem.

Robert and Kat have lunch in the Carballeria restaurant (Reina Cristina, 3).

In the Biblioteca de Lletres CRAI of the University of Barcelona Clem tries to contact her mother by e mail.

The nightclub that Kat and Sandy visit is the Club Opium in the Barceloneta district, while the offices of El Periódico de Catalunya newspaper are where the journalist Alba works.

Furthermore, the rooftop swimming pool of the Hotel Ohla in Via Laietana was used for the scene where Sandy sunbathes with Kat, and another Barcelona hotel, The Metro Plaza, where the lawyer Robert Gelder stays, is in fact the Almanac Barcelona in Gran Via de les Corts Catalanes, although the Mandarin Oriental, and Majestic hotels were also used for some scenes.

The luxury modern villa where Clem and Hanna hide, and where there is a shoot out, is above Barcelona in the Tibidabo area.

In episode 7 Marissa is rescued in a desolate landscape, which can be found in the province of Zaragoza in Los Monegros, specifically at La Almolda.

Killing Eve

The series Killing Eve features a serial killer, and in the third season Jodie Comer (Villanelle) visits Barcelona.

Her wedding in episode 1, Slowly Slowly Catchy Monkey, is not a happy occasion and takes place in fact in Sevilla, where the exteriors were provided by the 14th century Castillo de la Monclova, situated to the east of Sevilla.

Villanelle’s first whacking of the season takes place in a spice shop, with exteriors located in Carrer d’en Mònec, Barcelona.

Episode 2, Management Sucks, begins with Villanelle walking past the Arco del Triunfo.

Villanelle’s apartment in Barcelona is the modernist Casa Ramos in Plaça de Lesseps, 31, while the clown party takes place in San Andrés de Llavaneras, in Casa Paradiso.

When we see Villanelle and Dasha having breakfast in a square, they are in Plaça de la Barceloneta.

When Villanelle is sent on a mission to France, she is in fact still in the province of Barcelona, at Sitges, at the marina.

In episode 3,  Meetings Have Biscuits we see a beautiful view of the Alhambra palace in Granada, although when Villanelle pursues her next victims there, the shooting takes place back in Barcelona province at the Castell de Godmar.

Alhambra

The One

One series filmed in Tenerife was Netflix’s The One, a science fiction story about DNA with the series opening at the Auditorio de Tenerife designed by Santiago Calatrava, where Rebecca gives a conference explaining her project to find people their perfect partner and in the biology laboratories of  the Instituto Universitario de Enfermedades Tropicales y Salud Pública de Canarias at the Universidad de La Laguna (ULL), where Rebecca and James work.

The coast at Granadilla de Abona also features and, when Rebecca and James go looking for her own personal match, they hire a car and drive along the road that connects La Tejita and El Médano, to reach a water sports centre, which is in reality the Surf Center Playa Sur (C/ La Gaviota).

In the same street is the Hotel Playa Sur Tenerife, where Rebecca stays.

Rebecca also goes for a beer at Manfred’s Soul Café, Avenida José Miguel Galván Bello, 10, where she meets Matheus and his brother Fabio.

In Apartamentos Bahía (Carretera de Los Roques), on the coast at Fasnia, Rebecca and Matheus discuss going to live in the UK.

On the black sandy beach at Anaga, Matheus and Fabio argue about going to live in the UK.

The scene, supposedly in London, when Fabio blackmails Rebecca, was actually shot at the Iberostar Heritage Grand Mencey Hotel, in Santa Cruz de Tenerife (Calle José Naveiras, 38).

Soulmates

With a basic idea similar to the series The One, Soulmates was filmed in and around Madrid, representing places as diverse as Los Angeles, New York and Mexico.

In the episode Soul Connex, the testing clinic was the Clínica Dermatológica Internacional in calle Marqués de Villamagna.

The residential estate, Monteclaro de Pozuelo in Alarcón and the Santo Domingo one in Algete were used, as was The Magic Forest children’s park in the Ciudad de la Imagen, as well as The American Dream and El Gallinero restaurants in Collado Villalba.

In the second episode filming took place in the  Universidad Complutense of Madrid, specifically in the Facultad de Medicina, Pabellón 8 and the Sala de Juntas as well as the Facultad de Derecho. The Colegio Mayor Mendel also appears, as does the WeCollect Club, in calle Conde de Aranda.

Other locations include Restaurante Paolo in calle del Maestro Ángel Llorca in Vallehermoso, Home Burguer Bar in calle de Silva in the capital, Madrid, Hotel Los Olivos in Getafe and Hotel Pax in Torrelodones. The finca La Granjilla near El Escorial also appears.

Episode 3 takes us to the USA, although we are in fact near Paseo de la Castellana, and Impact Hub Picasso also provides locations. Faborit de Torre Europa, Sala Equis and the La Neomudéjar arts centre also appear.

In episode 4 we visit Mexico, using calle de Cormorán in the Pueblo Nuevo district, La Estación de Pitis in Fuencarral-El Pardo and Hotel Hilton Madrid Aeropuerto.

Outside the capital, San Martín de la Vega, Navalcarnero and Aranjuez appear, and some images were also filmed in Málaga.

Episode 5 takes us to San Martín de la Vega and Daganzo de Arriba, as well as Casa Villa Marista San José in Los Molinos in the Guadarrama mountains.

Back in Madrid we see Restaurante Casa Mono in calle Tutor and the Clínica Sanzmar in calle del Buen Suceso as well as ETSIT in the Universidad Politécnica de Madrid.

The last episode takes us to New York. The district of Arganzuela saw filming in calles Juan Duque and Moreno Nieto.

The Cafetería HD in calle de Guzmán el Bueno, Restaurante Chifa in calle de Modesto Lafuente and La Noche Club in calle de Segovia also saw action, as did Alcalá de Henares and San Lorenzo de El Escorial.

Warrior Nun

A simple tale (in 10 episodes) of an order of nuns who fight demons. As they damn well should!

Saint Michael’s orphanage was established in the Cultural Center La Térmica, Av. de los Guindos, Málaga, where Ava’s story begins. However, the orphanage church exterior was the Encarnación in Marbella, while the interior was the San Juan de Dios church in Antequera.

The old prison, the Antigua Prisión Provincial de Malaga, Av. de José Ortega y Gasset, 24, provided a disco scene in a prison.

The castle at Almodóvar del Río, Córdoba, appears again, as it did in Game of Thrones, this time as a castle in Areala of Córdoba’s flashback scenes.

In Antequera the Royal Collegiate Church of Santa María La Mayor was another province of Málaga location, as was the Church of San Juan de Dios, where Ava and Mary sleep on pews. The Order of the Cruciform Sword has its headquarters in the Real Colegiata de Santa María la Mayor perched on a hill above the town.

The Marbella Club Hotel, Av. Bulevar Príncipe Alfonso de Hohenlohe, appears as a luxury chalet with some beach and pier scenes with Ava and JC.

The mountainous Torcal de Antequera provided a quarry where Shotgun Mary speaks to a mercenary and where Mary and Ava trek towards Ronda. Ronda’s bridge over the famous gorge stands out and when Mary and Ava arrive there they hear that the Pope is dying.

They stop for a meal at the Caserío de San Benito, a restaurant next to the Málaga motorway near Antequera.

The twin churches that are supposed to be in the same town are in fact Portichuelo Chapel and the Santa María de Jesús church in Plaza Portichuelo, Antequera.

In the capital of Málaga the University of Malaga provided the headquarters of the Arqtech company in the Institute of Subtropical and Mediterranean Horticulture.

The Vatican is represented by Malaga´s Cathedral, which appears during the Papal conclave. From a window in the Vatican we see Málaga’s Roman theatre in front of the Arab castle.

The Museo de Málaga (previously the Custom’s House) provided the Vatican’s arched corridors.

The Baños de María de Padilla in the Real Alcázar of Sevilla are also part of the Vatican, specifically the Vatican Grottoes, where the nuns search for Adriel’s tomb, while St. Peter’s Basilica in the Vatican was not far away in the Real Fábrica de Tobacos, now the Rectorado of the University, where the final battle takes place in the cloister at the end of season 1.

If season one was shot in Andalucía, most of season two was filmed in and around Madrid.

The action opens in Switzerland, although we are in fact in Madrid’s ski resort, Navacerrada. Even the bar where Ava works, La Vasseur in the series, is in reality El Portillón.

The action then moves to the famous double cloister of the Hospital Tavera in Toledo, where we see a group of nuns speaking. Among the films made here are The Three Musketeers by Richard Lester and The Promise.

Quinta de Mirabel near Toledo provides the large estate where Jillian tries to straighten out the arc, the portal to ‘the other side’.

In episode two we meet our villain, Adriel, who moves in mysterious ways around the Temple of Debod, an Egyptian monument reconstructed in Madrid’s Parque de la Montaña.

Adriel’s lair is the 13th century Moorish palace of Galiana, on the outskirts of Toledo.

His new cathedral is the Spanish Cultural Heritage Institute in Madrid, which looks appropriately like a crown of thorns.

Photo Courtesy Mark Yareham

In episode 3, after Father Vicent attacks the nuns, we see the Cine Dore in calle Santa Isabel, 3, the façade of which dates back to 1923.

Photo Courtesy Mark Yareham

A lot of action also takes place in El Prado museum, where the nuns seek the crown of thorns.

Episode 4 also sees action in El Prado and the Cine Dore is burnt down.

There are also a few encounters of a futuristic footbridge, which is the Arganzuela in Madrid, designed in 2010 by Dominique Perrault.

Photo Courtesy Mark Yareham

A fight with members of Adriel’s cult takes place in the Almudena cemetery.

When the Pope organises a conclave in Madrid, which turns into a bloodbath worthy of The Godfather, his choice is the modern Princesa Plaza hotel complex in calle de la Princesa 40. This time the Vatican scenes were shot in Madrid’s Escorial palace and in the Casa de América.

Princesa Plaza Hotel. Photo Courtesy Mark Yareham

Another multiple use Madrid location was the Palacete de la Trinidad, built in 1928, in calle Francisco Silvela, which was the home of Lilith, a hospital and the flat in Rome of Yasmine. 

Season two ends with a long shot of the monastery of Uclés, Cuenca, where Richard Lester filmed The Four Musketeers.

The last scene is the monastery’s courtyard, as Beatrice leaves her sisters, no doubt preparing the ground for season three.

Wheel of Time

White smoke is good and black smoke is bad in what is another version of the Star Wars, Lord of the Rings type of saga.

Opening episode 4, the city of Ghealdan is represented by Segovia, and specifically, as usual, its spectacular castle, the Alcázar. Some impressive aerial views show the castle and the city in flames as a battle takes place between the false Reborn Dragon and the King of Ghealdan, culminating in a scene on the Terraza del Pozo, on the battlements.

The final scene at the end of season 1 was shot at Benijo beach, Tenerife. Here we see an invading (presumably) navy sending a tidal wave against the beach where a little girl is to be seen. A question of breaking a butterfly on a wheel perhaps.

Foundation

Asimov’s masterpiece was filmed all over Europe, including Fuerteventura in the Canary Islands, where the village of Tuineje was the focal point, as well as Caldera de Los Arrabales and Santa Cruz de Tenerife.

Some scenes were shot at Hotel Mencey and the Trade Fair building.

For episode 8, The Missing Piece, the action crosses the water to Lanzarote, where we visit the ‘lava tube’, a cave created by volcanic action in La Cueva de los Verdes, the green cave located in the municipality of Haría.

For the second season the futuristic Auditorio de Tenerife was used, as was the church of Santísimo Redentor in La Laguna and the Puerto de la Cruz.

The Mallorca Files

British and German police officers team up to solve crimes in Mallorca. All highly believable as it’s a BBC production.

The first episode of season 1 focuses on Palma airport and later moves to the Ses Cases del Virrey hotel near Inca.

Max and Miranda track down a gunman and a corrupt policeman to a lighthouse on the cliffs, which is the 19th century Far de Cap Blanc lighthouse. Afterwards we see some views of the capital Palma, including the hilltop Bellver castle.

A lot of action takes place in Palma’s old town, including the Moltabarra Bar which poses as Joan’s Bar.

In episode 2 a famous cyclist disappears at the end of a tunnel, which is at Puigmayor, overlooking the Gorg Blau reservoir.

The headquarters of the race competition is located in front of Palma’s gothic cathedral, the building of which started in the 13th century.

When Esteban the famous cyclist is found, he is placed in the Joan March hospital.

At the end of episode 2 Miranda and Max race each other on bikes at Sa Calobra.

Episode 3, about a stolen icon, was filmed in the Església de Monti-Sión de Palma, and especially in its cloister.

Episode 4 portrays Mallorca’s famous train, which runs between Sollér and Palma, and also features in the film Cloud Atlas.

In episode 5 a dog dies in a vineyard, with shooting at Bodegas Oliver Morgagues and Bodegas Ribas, representing the fictional Bodegas Negra.

This episode gives us yet another opportunity to see the omnipresent Spanish actor Simón Andreu, this time acting in his native Mallorca and playing the role of wine-maker Emilio Byass, shotgun in hand.

The luxury villa in episode 6 is Sol de Mallorca, just south of Magaluf.

In episode 7 a DJ is the focus of the investigation, and the nightclub used was Tito’s. The cemetery that features is Palma’s.

Episode 8 focuses on bullfighting, and was largely shot in the town of Felanitx, using the town’s bullring and church to represent the fictional village of Cazador.

In season 2, episode 1 features an opera concert in the famous Caves of Drach in Porto Cristo. The theatre scenes were filmed in the Teatre Principal de Palma, in Placa Major.

The drowning sequence took place at Cala Anguila in Porto Cristo Novo.

The Tanatorium is Bon Sec.

Episode 2 features the hairpin bends at Sa Calobra. The Gris family home was the Gran Son Net hotel, and there are flashbacks to the Civil War showing the Nuestra Señora de Los Ángeles church, in Sineu with its winged lion statue, and where the private detective confesses.

Episode 3 sees a food critic murdered, and the restaurant used was the Gran Hotel Son Net in Puigpunyent.

In Pollensa 365 Calvari Steps leading up to a chapel feature in a chase scene.

Episode 4 deals with a football star and filming took place in the Real Mallorca FC, the Estadi Son Moix.

Episode 5 focuses on bird-watching, especially at the Paraiso Parque Natural. Filming also took place in Es Salobrair de Campos, a wetlands area near Es Trenc.

Puerto Pollensa also appears.

In episode 6 we see some mean riding at Rancho Grande Park (Son Serra de Marina), near Can Picafort.

The manhunt sequences were filmed at the Serra Tramuntara mountain and Puig de Masanella mountain.

Penny Dreadful

Juan Antonio Bayona directed some episodes, and in the third season the series came to Spain, using the set created by Ridley Scott for Exodus at El Chorillo at the foot of the Sierra Alhamilla and the Fort Bravo western township, Almería.

Fort Bravo

Years and Years

This dystopian vision of Britain, incorporating contemporary themes such as Brexit, included some shots of demonstrations in the streets of Barcelona and aerial views of Madrid.

Rosemary and Thyme

Miss Marple, Poirot and Father Brown are people no sane person would invite for a cup of tea, knowing that when any of them turn up, murder most foul will be committed.

Much the same can be said for Rosemary and Thyme, two female gardeners with a knack for finding bodies in the sod.

In the third season there were two visits to the Costa del Sol. In episode 4, Agua Cadaver, an old Moorish garden on the Costa del Sol is their hunting ground,  and the episode begins with a tour of the gardens of Málaga’s Alcazaba palace.

In episode 7, Thyme’s son Matthew is playing in a tennis tournament in an episode which opens with a visit to the bullring at Mijas, Málaga, which we are told is the smallest in Spain, built in 1900, and with a nice view of the village, and with the church of Inmaculada Concepción looming behind it.

 The tennis scenes were shot at the Lew Hoad Tennis Club, Fuengirola.

Thanks to José María Burgos for his help in identifying these episodes.

Eastenders

Or Coronation Street South as it’s also known.

In the double episode, Peggy and Frank in Spain from 2002, Peggy goes to the Costa del Sol expecting to attend con-man Frank’s funeral.

We see her arriving at Torremolinos, Málaga, and checking in to the Hotel El Pozo, and later we see her in Marbella.

Thanks again to José María Burgos for his help in identifying these episodes.

El C.I.D.

The title of this three season 1990s series does not refer to the medieval knight, but to a boat bought by a couple of ex-police officers who look for the good life in Spain, but end up chasing crooks as usual.

Local expert José María Burgos informed us that most of the filming took place around Fuengirola (especially the marina and Bar Lineker), the Teatro Salon Varietes, as well as Marbella and Mijas, all in the province of Málaga.

The series features stalwart Spanish actor Simón Andreu as a local detective.

The Love Boat

This American series was very popular in the 70s and 80s. Episode 242 featured Barcelona, where we see the cruise liner in the port, along with Columbus’s Santa María, which sank in 1991.

The episode is a tour de force of the city featuring the Sardana statue, the National Art Museum of Cataluña, Gaudí’s dragon statue in Park Güell, Montjuïc, Plaza Cataluña, the Ramblas when they still sold birds in cages and flowers and you could walk along without tripping over a clutter of human statues, and of course Gaudi’s Sagrada Familia cathedral.

At the end of the episode we see some flamenco dancers outside a bar in C/ los Caños. This is in Mijas, Málaga.

In From the Cold

Madrid is the main location for a series that focuses on spies, mind control and a mother’s love for her daughter.

In the first episode we witness three acts of seemingly inexplicable violence, the third of which takes place in the Plaza Mayor, where a woman stabs a mother and tries to steal her baby.

Our heroine Jenny arrives with her daughter Rebecca for a skating competition and we see some iconic Madrid landmarks such as the crystal palace in El Retiro park and Atocha station, followed by Plaza Cibeles and the Puerta de Alcalá.

The scenes representing the Moscow underground during Jenny’s flashbacks were in fact shot at Madrid’s old Antigua Estación de Chamberí, now a museum.

The scenes where Jenny breaks into a prison and then morphs were filmed at the barracks of USAC Primo de Rivera, Rotonda Brigada Paracaidista, Alcalá de Henares, Madrid.

The ice skating took place at the Pista de Hielo Valdemoro.

In episode two, a bloody wedding, supposedly celebrated in Zaragoza, was in fact filmed in and around the Church of Nuestra Señora de la Asunción, Brunete, while Jenny tracks down the blushing bride at the Cementerio de la Almudena.

In episode 3, still in the cemetery, Jenny fights an assailant among the tombs.

Chauncey meets a contact by the El Retiro lake.

Jenny, in her Chinese morph, scores some drugs from Ramón and Diego in front of the Café Moderno in Plaza de las Comendadoras.

In episode 4 we see the skaters jogging in El Retiro park, and also there, Chauncey meets his Europol nemesis among the statues of the Alfonso XII monument.

In episode 7, Andrés phones his brother Felipe from a balcony overlooking Las Ventas bullring.

The leaning Torres Kio, a landmark in Madrid’s Plaza de Castilla, appear here and on other occasions.

The attempted assassination of the Prime Minister takes place where it is supposed to, in the Museo Lázaro Galdiano, and in the last episode, the Madrid Arena and the rooftop of the Centro Colón also play themselves for the ice skating championship and the final meeting between Jenny and Svetlana.

La Fortuna

Alejandro Almenábar turned to TV to make this six part series about 19th century treasure and 21st century ownership, with international actors such as Stanley Tucci.

With its maritime theme, ports proliferate, such as Ría de La Graña, El Ferrol, La Coruña, La Linea de la Concepción, Algeciras (including the Playa del Rinconcillo, where Manolo Solo’s character lives) and the Rota navy base, Cádiz as well as Pasajes, Guipúzcoa, where part of the naval battle between the British and Spanish took place, with additional sea scenes between the ports of San Sebastián and Fuenterrabía, while the underwater scenes were shot in the swimming pools of the Club Deportivo Martiartu in Erandio (Gipuzkoa).

Back on dry land, shooting took place at Madrid, in the Palace of Moncloa and the Ministry of Culture, Plaza del Rey, while various buildings performed alternative functions: the Instituto Cervantes was the Banco de España, the Ministries of Transición Ecológica and Trabajo (which provided the courthouse in Atlanta, Georgia) and the Archivo Nacional performed as the Ministerio de Cultura), Delegación del Gobierno was the Spanish embassy in Washington and the Centro Cultural de los Ejércitos impersonated the Archivo Histórico de la Marina.

Madrid also provided some American locations. Madrid Arena showed us the interiors of the Atlantis Corporation HQ, Getafe provided the Hotel Los Olivos, Cercedilla was the location of a traffic accident, Mejorada del Campo for a car chase, and Valdemorillo, where the lawyer played by Clarke Peters had his house.

There is also a night time meeting between Álvaro Mel and Karra Elejalde at the frequently filmed lake in El Retiro park, and a military parade of the Guardia Civil and army in the Paseo de la Castellana.

The airforce base at Torrejón de Ardoz was used as was the old American base at Zaragoza airport.

Filming also took place in Guadalajara, acting as the HQ of the Atlantis Corporation.

Little Birds

Set in Tangier in 1955, the series, based on the erotica of Anais Nin, was actually shot in Tarifa, Cádiz.

Rossy de Palma, one of Almodóvar’s favourite actresses appears, as does the city of Algeciras.

The Head

The Head is a drama set at the South Pole (Iceland in fact) and tells the story of mysterious disappearances from the Polaris VI research station, built to scale in unlikely Tenerife.

The complex set was built using a hangar at Los Majuelos, the Phillip Morris tobacco factory and the Floatel Reliance platform in Puerto de Santa Cruz.

For the second season the action moved to a 150 metre long cargo freighter anchored in the port of Santa Cruz de Tenerife, after which they transferred to a second set in Madrid.

Snatch

Harry Potter’s friend Rupert Grint changes role and becomes an English gangster, who in the second season finds himself and his cohorts in Spain.

All the filming took place in Málaga province, and local journalist Paco Griñán pointed out that Vélez Málaga was one of the main locations, with a bar called Torre del Mar in fictitious San Toledo being the gang’s main hangout.

Málaga’s port and Marbella’s Town Hall also feature, as do Paseo de la Farola, La Malagueta, Pinares de San Antón, Rincón de la Victoria and Mijas.

In episode 5 of the second season, Simón Andreu plays the part of Federico.

Utopia Planitia

This American series about the colonisation of Mars took a right turn when an episode called Zartaginetik was filmed in the abandoned flour factory, now a protected building, Grandes Molinos Vascos situated in Zorroza, near Bilbao, Vizcaya. The building represents the ESA shipyards in the series.

The Bounty Hunters

A comedy series about an odd couple fighting crime.

In the first season, in episode 6, Las Canteras (quarries) of Osuna, Sevilla was chosen to represent Mexico, with additional filming in the local sports centre and the Veracruz neighbourhood.

In the second season they filmed in Almería, specifically in the Pescadería district, also representing Mexico. Further filming took place in Tabernas and Huercal Overa.

Genius: Picasso

Two Spanish cities associated with Picasso are Málaga and Barcelona.

Filming in the former took place in the bullring and the church of Santiago, where he was baptised.

La Misericordia beach substituted for the French Costa Azul.

In Barcelona province filming took place in the old Universitat de Barcelona building, the Arc de Triomf, the Arc de la Ciutadella and Llotja de Mar, as well as the Torreta district and in Davallada, and Sitges.

Top Boy

In the second season of this modern gangster series, some of the action moves from the UK to Spain and Morocco as the gangs try to secure the supply lines of their ‘food’.

Cádiz was the scene of much shooting, in Plaza Pinto, where Spanish actor Hugo Silva participated, the children’s playground in front of the La Salle-Viña school, with interiors shot in the Instituto de Fomento, Empleo y Formación, Avenida Cuesta de las Calesas, 39.

The beach scenes included Barbate, Conil de la Frontera and Roche.

The Spanish connection continues with Jamie travelling there and discovering the amazing beaches at locations such as Los Caños de Meca.

When Sully follows him out there they kill three corrupt policemen underneath Cádiz’s emblematic bridge ‘De La Constitución de 1812’.

The Man who Fell to Earth

This remake of the 70s film that starred David Bowie as the alien, has its 10 episodes all taking names from his songs.

Some of the action is set in New Mexico, which was actually filmed in Almería, using the Lawrence of Arabia oasis site at Rambla Viciana and the Oasys township near Tabernas.

Cast and crew stayed at the Hotel Cortijo El Paraiso, Níjar.

Jack Ryan

For the 4th season of the series, the action moved to Gran Canaria, where La Aldea de San Nicolás was a location; specifically the Rúben Díaz park, the docks (where Chao Fah’s meeting with the Martinez cartel is interrupted by police machine guns) and beach. Castillo del Romeral, in San Bartolomé de Tirajana, was another spot chosen.

At El Charco, a tiny lake next to the beach, a wooden cabin was built for the scene where Domingo Chavez meets with a Narco and threatens to cut his head off.

Shooting (of both kinds) also took place on Tenerife, taking advantage of the capitals very own Twin Towers, the Torres de Santa Cruz.

Inventing Anna

Based on a true story, as they say, of a con-woman who at one point, in episode 2, flies to Ibiza to con a millionaire, with some nice aerial views of the capital Eivissa and some beaches.

That Dirty Black Bag

A series with some new takes on old western themes. Largely shot around Tabernas, Almería and with two western townships, both Oasys-Mini Hollywood and Fort Bravo-Texas Hollywood, representing the town of Greenvale.

Fort Bravo

Ridley Scott’s Exodus enclave at El Chorrillo, Pechina, was also employed, as was Mazarrón, Murcia.

Mini Hollywood
Fort Bravo Saloon

The Diplomat

The Diplomat is a 6 part series set in Barcelona.

It follows the adventures of Sophie Rundle who works in the British Consulate.

No Return

Once again (as in Midnight Express) Turkey gets the blame although Spain gets the money as, due to the pandemic, the tale of a young boy on holiday with Mum and Dad who gets accused of a sex crime in Turkey, was mostly filmed around Nerja, Málaga.

Filming took place in Benalmádena and at the Calahonda beach.

The 4 part series was shot in September 2021 and was shown on ITV. In the city of Málaga some scenes were shot at the Palacio de Ferias y Congresos, the cruise ship terminal and the Hotel Sol Melia Guadalmar.

There were also scenes shot in Vera, Almería, where Jack Nicholson met his end in The Passenger.

The Lazarus Project

Not to be confused with a film of the same name, the first season of this time travel/end of the world series includes scenes shot in Barcelona.

Other scenes were shot in Tenerife, including the Marina del Sur, Puerto Deportivo Las Galletas.

American Odyssey

El Prat de Llobregat and Plaça Reial, both in Barcelona, appear in episode 13 of this series about conspiracies.

Any Human Heart

This 4 episode drama includes such characters as The Duke of Windsor, Ian Fleming and Hemingway.

It is in Barcelona that Hemingway convinces Logan Mountstuart to go to the front and participate in the Spanish Civil War.

Among the Barcelona locations are Plaça Sant Felip Neri, Port Olímpic, Parc de Pedralbes and Palau Reial, as well as Girona.

Blindspot

The 6th episode of the third season called ‘Adoring Suspect’ takes us to Barcelona.

The series turns on a woman with amnesia and meaningful tattoos.

The Moll de les Drassanes docks appear when Roman phones Weller about a tattoo. A swivelling camera allows us to see Columbus’s statue at the end of La Rambla.

Roman has a meeting with a villain to get information about Crawford in the Gothic quarter in Carrer del Bisbe with its famous bridge over the street. Although it looks medieval, the Neo-Gothic bridge was only built in 1928, connecting the Palau de la Generalitat with the Casa dels Canonges. It was designed by a disciple of Antoni Gaudí, Joan Rubió i Bellver.

Hotel Ayre Rosselló’s rooftop bar is the location of Roman’s meeting with Crawford, with Gaudí’s Sagrada Familia cathedral looming massively over them.

The emblematic fountains and terrace of the Museu Nacional d’Art de Catalunya provide the backdrop as Roman and Crawford discuss wine and someone tries to rob her, leaving him unconscious.

The rooftop of the Hotel Ohla provides Crawford’s penthouse.

Roman returns at the end to Carrer del Bisbe to kill his demanding collaborator.

Covert Affairs

Episode 2 of season 3 takes the unlikely CIA couple to Barcelona, playing itself.

A deadly computer virus is their target, but much more interesting are the Gothic district, Parque Güell and the Ciutadela park.

Kaos

Domingo Lizcano worked on this series and told me it had been filmed in Madrid and Málaga. Filming has also taken place in Cádiz and Jeréz. One location was the disco Mucho Teatro in Puerto de Santa María, with filming in calles Misericordia and Luna.

The beach at Santa María del Mar was another location, specifically in a bar called Charlotte in calle Santa María del Mar, 8.

In Jeréz shooting took place in González Hontoria and Avenida Alcalde Álvaro Domecq.

Hugh Grant plays Zeus (who else?) in an epic parody on the ways and wars of Gods and Men. Eventually Grant was replaced by Jeff Goldblum.

Filming has taken place in Marbella, and in the city of Málaga in calle Parras. It is here, beside a basketball court that Nabhaan Rizwan takes of phone call from a public phone (don’t rush to use it, it’s a prop), although the nearby Centro Cultural Provincial MVA is real enough.

According to the local Film Office, filming also took place at Calle Salitre, Plaza de la Misericordia, Paseo Marítimo Ruiz Picasso, Tabacalera, C/ Lagunillas, C/Ana Bernal, C/Vital Aza, Pasaje Ana Bernal, Plaza Esperanza, Mirador de Gibralfaro, C/Hilera, Paseo Angeles Arroyo Castro and C/ Concejal Pedro Ruz García.

Aided by Fresco Films, who collaborated on Warrior Nun, it is not surprising that they used some of the same locations, such as the palace of Galiana, a 13th century Moorish style building near Toledo.

Sevilla provides another iconic landmark, the Plaza de España, made famous by Lawrence of Arabia and Star Wars shooting.

Plaza de España. Photo Courtesy Mage

Also in Sevilla province, the Torre del Águila reservoir at Utrera saw some action.

In Almería filming took place at Cabo de Gata and at the strange Ermita Torregarcía, a modern beachside chapel.

Suntrap

A British reporter, Woody, is framed and flees to hide out on a Spanish island, where his former mentor, Brutus, now runs a bar.

The island is Gran Canaria, and the bar is El Faro at Puerto de Mogán.

Mrs Davis

At times we must have all felt like a nun taking on technology with nothing but a little faith; and that is what this series is all about.

In November 2022, while visiting the castle of Sant Ferran in Figueras, Girona, we came across filming taking place in the moat and other locations in the castle, which had also seen filming of The Promise and Perfume.

It was here that they shot the Excalibattle scenes, supposedly taking place in Scone, Scotland.

The castle is then revisited in episode four when Wiley’s friends attempt to rescue him from captivity in what turns out to be the Vatican.

The series kicks off however with the burning at the stake of some Templar Knights in Paris in 1307, although in reality they were also in Girona, specifically in the Plaça del Apostols.

Filming also took place in Lloret del Mar, where they used the beach at Cala Sa Boadella, as did the makers of Uncharted.

Here we find a castaway attempting to create a rocket to help him escape after ten years of trying.

In episode 3 we see a ceremony in which an apparently pregnant woman turns out to have the Holy Grail in her abdomen. The water in this scene was the reservoir of  Darnius in Girona province.

In episode 7, after her encounter with a whale, Simone washes up on a beach, where a group of people sing ‘Electric Avenue’ to her. This long beach is at Castelldefels in Barcelona province.

Vampire Academy

Vampires never die, they just fade into twilight, and the half human, half vampire concept continues in this series, filmed largely in Navarra, and specifically at Palacio Real de Olite (the vampire queen’s abode), Monasterio de Irache and Bodegas Otazu.

Olite

Filming took place between September 2021 and March 2022, and shooting also occurred in Ujué and the Señorío de Beraiz estate, as well as the Alfonso XII fortification, built during the 1872-1876 Carlist War on mount San Cristóbal at Ezcaba, near Pamplona.

In Viana, they made use of the spooky ruins of the church of San Pedro.

In the episode ‘Ascension’, filming took place in Zaragoza, at the Palacio de la Aljafería, which is the parliament of Aragon, and the library of the Paraninfo de la Universidad de Zaragoza.

Simón Andreu makes an appearance as the Queen’s herald, Clarence.

Queen of the South

Marbella is one of the stars of the Queen of the South series written by Arturo Perez-Reverte.

After her escape to Spain, drug queen Teresa continues her adventures at El Puerto Marina la Bajadilla, la Playa del Marbella Club, la Plaza de la Iglesia, la Playa del Faro and Puerto Banús. All in Málaga province.

Other scenes were shot in Melilla, Gibraltar and Madrid.

Land of Women

Eva Longoria is the star of a series based on a book by Sandra Barnada, whose hometown of Vilanova de la Muga, Girona, is one of the locations.

A woman (Eva), her daughter and mother (played by veteran Spanish actress Carmen Maura) have to leave the U.S. after a scandal involving Eva’s husband, and return to her mother’s village.

The village of Peralada was the base of operations.

Dark Justice

Dark Justice is believed to be the first series shot totally in Spain, or at least the first season was.

Barcelona was in fashion in 1992 because of the Olympics, and so it was there that this story of a judge who seeks revenge outside and beyond the system takes place.

And yet, all the action takes place in California! Studio work was undertaken in Maresme, near Barcelona, and the city’s main post office became the California Supreme Court.

Costa del Garraf represented the cliffs of Malibu, while the Tibidabo amusement park impersonated the Hollywood hills.

The English

Although set in Kansas and Wyoming, like the Quixote, The English was filmed in some places in La Mancha.

An area known as La Mesa, near Tembleque (famous for its windmills) in Toledo province, was one such place.

It was here that the ramshackle hotel was built for episode one, where both Emily Blunt as Cornelia Locke and Chaske Spencer as Eli Whipp almost meet their ends in what is supposed to be High Plains, Kansas.

Before that we see some typical Kansas/ Toledo scenery, which includes the Finisterre reservoir.

Other locations included Campo Azálvaro, open range country near El Espinar in Segovia province.

As there’s not a lot of 19th century American architecture in the area, a number of buildings were constructed.

The crew, including actress Emily Blunt, stayed at the Hotel Segovia Sierra de Los Ángeles but were tossed out when the Atlético de Madrid team arrived and had to make do with Hotel Náyade.

Horses brought from Almería were kept at Yeguada Centurión, and did not have to give up their stalls for a bunch of footballers.

The White Princess

On 28th October 2016 some scenes from the series were filmed for episode 6 at the Alcázar palace in Sevilla, although purporting to be La Alhambra of Granada.

Here we see Rossy de Palma as Queen Isabel meeting King Henry VII of England to discuss the arrangements for the marriage between Prince Arthur and Princess Catherine.

All in the Game

This 90s soccer series, created partly by Gary Lineker, who also has a cameo, is about an English footballer who is signed by Barcelona FC.

Simón Andreu plays Roberto Gámez, surprising nobody with his participation.

A Town Called Malice

Some British criminals get in a jam and move their business to Spain, with filming taking place on Tenerife, although it’s supposed to be the Costa del Sol in the 80s.

Among the locations for this 8 part series was La Playa de las Teresitas.

Who is Erin Carter?

We’ve all had the experience, British teacher in Spain caught in a robbery.

This Netflix mini-series was shot mostly in and around Sitges, Barcelona, specifically at Baluard (bulwark) Vidal i Quadres, which is a defensive wall at the end of the San Sebastian beach in Sitges, where Erin breaks into the lawyer’s flat at the behest of Emilio. The flat itself is the Cotxeres Vidal i Quadras.

Emilio is a repentant, corrupt policeman, whose HQ is the frequently used, modernist Hospital de la Santa Creu i Sant Pau. Built at the beginning of the 20th century, the hospital finally closed in 2009 and is now a cultural centre and museum. It was designed by Lluís Domènech i Montaner.

The prison scenes were shot at the old Model prison, closed to the captive ‘public’ since 2017.

Emilio meets his end in the Monumental bullring, where bullfights took place from 1914 until 2011, when it was banned in Catalonia.

Erin, husband Jordi and daughter Harper live in a residential area north of Barcelona called Les Bilbenyes in Sant Vicenç de Montalt. The school where Erin works is the Hamelin-Laie International School at Mongat near Badalona.

 Villian Daniel’s modern villa is located at Tossa de Mar, Girona, and was designed in 1970 by Joseph María Bosch.

When the lawyer’s secretary tries to blackmail Erin they meet at a hotel, where a shootout takes place. Domino Hotel is in reality Hotel Restaurant Medinyà, located by the motorway north of Girona.

Erin’s meeting with Lena takes place in Bar Monaco, 164 Carrer Pallars Barcelona.

When Lena abducts Erin, they pull over on the road to Campdàsens to search for gold, and then Lena shoots Erin, all of which takes place with the mountains of Montserrat as a backdrop.

The scenes at a hospital after Erin has been shot (the first time) were filmed at Manresa.

The scene of the elegant party with fireworks was shot in and around Finca Mas Solers at Sant Pere de Ribes.

The final scene takes place at the Vivero beachfront bar in Sitges, with the frequently used church in the background. The bar used to be a restaurant with a long cinema tradition. Scenes from Savage Grace were filmed there.

The Rat Patrol

This 60s TV series was at one point condensed into a feature film, Massacre Harbour, and consists of four commandoes in North Africa causing havoc amongst Rommel’s desert rats.

A lot of it was shot in the USA, but among the locations in Almería are the desert of Tabernas, Cabo de Gata, San José, Roquetas de Mar, Carboneras, Mojácar and La Alcazaba castle.

If you walk north along the beach out of the city of Almería, you will come to a bunker that was used for the series, as pointed out to me by local expert José Enrique Martínez.

Intergalactic

Sky is responsible for this sci-fi series, although they dropped it after one season.

A group of prisoners escapes while being exiled, and then they start fighting for their freedom in some desolate locations, such as the deserts of Tabernas, Almería and Gorafe, Granada. Filming in Almería took place in La Tortuga, and Las Lomillas.

On our journey through the desert of Gorafe, we were lucky to be accompanied by local tourism entrepreneur and film enthusiast Miguel, who drove us around in his 4X4 (totally necessary to visit all the good spots) showing us the locations of films and series.

Miguel explained that a crashed spaceship was brought to the desert, to an extraordinary area known as ‘Los Coloraos,’ where the filming took place for episode 2. Gorafe represents Pau Rosa, where the survivors bury their dead. If you don’t have a spaceship on hand, Miguel’s company can take you to the site, and he hasn’t crashed yet!

English speaking Miguel can be contacted via his web site: http://www.geoparkgranada.com/

Some shots were also taken in a tunnel on the M30 motorway in Madrid.

Their point of departure is the much nicer City of Arts and Sciences (CAC), Valencia, with all the usual CGI additives, representing a futuristic London.

In episode 3 Wendell is arrested and shot. This takes place in the Umbracle, a spectacular gardened esplanade and exhibition zone.

There is a night time aerial view of the CAC in episode 6 and in episode 8 Rebecca Harper’s coup takes place in the Palau des Arts, also known as the Opera House.

Realm of the Waterfall

Another fantasy with good triumphing over evil and, this time, women over men.

Among the Spanish locations are Barcelona, Santa Cruz de Tenerife, Las Palmas, Garajonay National Park on La Gomera island and Fuerteventura.

Andor

Almost nobody would accuse George Lucas of milking a dead horse, and practically everyone agrees that Star Wars really needed a prequel to Rogue One. Nevertheless, what there is no doubt whatsoever about is that this is not about money, this is about art.

In March and April 2023 Lucasfilms descended upon the city of Valencia to shoot scenes for the second season, and the City of Arts and Sciences, already used in Tomorrowland, Westworld and Doctor Who among others, was the centre of attention, although Valencia Basketball’s stadium was also used.

The castle at Xátiva was also employed for some scenes.

Citadel

A story of spies with their memories erased included some shooting in Valencia.

After the train crash in Italy, Nadia is kidnapped, and when she frees herself and realises her memory is about to be erased she writes herself a note to visit Valencia.

Although the action takes place during the city’s emblematic Fallas festival in March, the shooting actually took place during October 2022.

Mason goes to Valencia looking for her and we see an aerial view and then the Torres de Serrano, one of two remaining city gates from medieval times.

Scenes of Fallas festivities were shot in the Carmen district, Valencia’s historic centre.

When Mason and Nadia rescue Carter in Morocco, they stop the car at the foot of a dam, which we are told is Barrage Bab Louta, 50 kilometres from Fez. In fact it’s a bit further away as it’s the Tous dam about 60 kilometres south of the city of Valencia. Here they argue about Celeste, and then Manticore agents arrive with news of the kidnapping of Nadia and Mason’s daughter.

The second visit to Valencia takes place in episode 5. First we see an aerial view of the City of Arts and Sciences, an increasingly popular location for film and series makers. Then we see Nadia on a balcony with a church in the distance. The street is Calle de la Paz, and the church is Santa Catalina.

In episode 6 the City of Arts and Sciences, and especially the opera house, is the scenario for Mason and Nadia’s rescue of their daughter.

Villahermosa del Río, which is in Castellón province, also appears.

The Rings of Power

The first season of this prequel to Lord of the Rings was shot in the UK and New Zealand, although season 2 includes filming in Tenerife.

Teide National Park and San Juan de la Rambla were two of the locations chosen.

Living the Dream

When the Pemberton family swaps Yorkshire for Florida, little do they know that the dream isn’t what they expected. Even less did they expect that in the second season their High School would in fact be the Law Faculty at Málaga University!

Filming also took place in a recording studio in Málaga, Puerto Records, and in San Roque in the province of Cádiz.

In San Roque they set up the camp site that the family runs in the Pinar del Rey, which forms part of the Parque Natural de los Alcornocales.

The coastal area of Sotogrande was used for the family home.

Framed

This 1990s 4 episode thriller starred ex-Bond star Timothy Dalton as a criminal hiding out on the Costa del Sol, where he is spotted by a British policeman on holiday.

It was also the first excursion into an English language part by Penelope Cruz.

Dalton stayed at the famous El Fuerte Hotel in Marbella, Málaga, whose other famous guests had included Walt Disney.

Filming took place in and around Marbella.

Doctor Death

The second season of this series about medical malpractice focuses on an Italian doctor, Paolo Macchiarini, although Tuscany is represented by Spain, specifically the quiet, medieval village of Guimerà, Lleída, whose population of 300 increased by 180 in April 2023, when cast and crew arrived.

Filming also took place in Sant Cugat del Vallès – Valldoreix, Barcelona.

Special Ops: Lioness

In February and March 2023 filming took place in Mallorca of scenes from the Paramount series which stars Nicole Kidman and Morgan Freeman among others.

Locations included the Formentor beach and the Fortalesa peninsular near Pollença.

Also used was the Pueblo Español, located in the Son Espanyolet district of the capital Palma. In Palma the restaurant of the Hotel Glòria de Sant Jaume represents a Washington nightspot. Son Vida in Palma also appears.

Crossfire

A fun family holiday turns sour when terrorists turn up to spoil everything.

The sunny scenery of paradisical Tenerife provides the backdrop.

Most of the action takes place in a hotel complex, which is the recently built Barceló Tenerife in Los Abrigos, near the airport in the south of the island.

Curiously since it was shown on the BBC, bookings have increased substantially. Go figure!

Suspect: The Shooting of Jean Charles de Menezes

The square in front of Almería’s cathedral, which once played hosts to the tanks in ‘Patton,’ is once again the scene of shooting for this series about the Brazilian man accidentally killed as a suspected terrorist after the London bombings of  2005, although the locations, including the Pescadería-La Chanca and historic centre represent Italy.

La Casa Sacerdotal represents an agency of the República Italiana, and the Hotel Catedral is a police station.

Almería also represents Jean Charles’ native Brazil, particularly the area of Pescadería, around Bar Los Sobrinos.

Fool Me Once

Although mostly filmed in Manchester, with locations including a mansion used in Peaky Blinders, some scenes were filmed around El Chorillo, Almería; specifically for the scenes showing Maya’s time as a helicopter pilot in Afghanistan.

Benidorm

The series lasted for ten seasons and tells the stories of holiday makers at the Solana Resort, which is in fact the Sol Pelicanos Ocas Hotel in Benidorm.

 The rooms however were those of the Acuariam II Apartments.

Neptune’s bar/restaurant was nearby Morgan’s Tavern.

From series 3 onwards the reception was a set in a building opposite Benidorm Palace known as The Pink House. Nothing to do with The Band but the right colour.

Duty Free

This Yorkshire Television series from the 80s lasted for 22 episodes and told the story of Britons on holiday in Spain.

The main location was the Don Carlos Hotel in Marbella, Málaga.

We Were the Lucky Ones

This 8 part series tells the story of a Jewish family after the Holocaust.

For nautical scenes they filmed at the Puerto Sherry marina in Puerto de Santa María, Cádiz.

In the same province, in Jeréz they filmed at Plaza del Mercado, Palacio de Campo Real, around the Teatro Villamarta and calle Doña Blanca.

Shooting also took place in Málaga’s Plaza del Obispo, and Villa Fernanda, a luxurious, modernist house and garden in Calle San Juan.

The old prison was also employed, as was La Térmica in Avenida de los Guindos, 48, a cultural centre that was built in 1907, and functioned as a hospital and orphanage for many years.

Archie

Archibald Alexander Leach, better known as Hollywood star Cary Grant, is the subject of a four part series called Archie.

The Villa Huerta del Conde, in Pinares de San Antón, Málaga, was one of the locations. This luxurious mansion, used now for weddings and events, represented a similarly luxurious mansion in Hollywood.

Stonehouse

Labour politician John Stonehouse faked his own death and fled from Miami to Australia, although in this 3-part mini series on ITV, he only got as far as Spain, specifically Torremolinos, Málaga, where the Hotel Pez Espada and the Carihuela beach filled in for the Hotel Fontainebleu and Miami beach respectively.

For Australia they didn’t go much further, using the Soho and Carranque districts and the reservoir of Agujero.

Films in Development

Untitled Don Johnson film

Since September 2023 the local media have been raving about the arrival of Don Johnson in the tiny Basque village of Zeanuri, Vizcaya.

All we know is that Johnson’s character will have a house in the village.

Hot Milk

A mother seeks a cure for her illness and ends up in Almería with her daughter, where she hopes a doctor can cure her.

Tau Ceti Four

Diehard John McTiernan directs Uma Thurman and a group of rebels out to repeat the Star Wars formula; rebels versus all-powerful nasties.

An Actor’s Journey 2020

An Indian actor goes west looking for the dream, and visits a lot of European locations, including Madrid.

Shooting Bernarda

A film crew arrives in Andalucía to shoot Lorca’s play The House of Bernarda Alba, and then things start to get complicated.

The film hasn’t been made yet but director Marcus Thompson said “I scouted many places in Andalusia and particularly around and in the town of Cogollos de Guadix. I also visited Huerta de San Vicente, cortijo Santa Catalina and The Wellington Estate including the Dehesa Baja de illora, and of course Granada. Great locations.”

After the Fall

A spy thriller whose action locations include Madrid, Barcelona and San Sebastián in Guipúzcoa province.

To be continued…………?

Categories
Period

2000-2009

THE NOUGHTIES

The Adventures of Young Indiana Jones: Espionage Escapades (2000)

The Adventures of Young Indiana Jones: My First Adventure (2000)

Love and Basketball (2000)

Sexy Beast (2000)

Faust: Love of the Damned (2000)

One of the Hollywood Ten (2000)

Helter Skelter (2000)

Kevin & Perry Go Large (2000)

Don Quixote (2000)

Sabotage (2000)

The Pilgrim factor (2000)

Where is the Chesterfield King? (2000)

Happy Days (2000)

Off Key (2001)

Moulin Rouge (2001)

The Others (2001)

Gaudi Afternoon (2001)

Dagon (2001)

The Discovery of Heaven (2001)

Arachnid (2001)

Stranded (2001)

Megiddo: The Omega Code 2 (2001)

Intact (2001)

Baby Blue (2001)

Sword of Honour (2001)

Is Harry on the Boat? (2001)

Hemingway, the Hunter of Death (2001)

Hornblower: Mutiny (2001)

Die Another Day (2002)

Star Wars: Attack of the Clones (2002)

Callas Forever (2002)

The Dancer Upstairs (2002)

Food of Love (2002)

Come Together (2002)

Darkness (2002)

Welcome 2 Ibiza (2002)

The Bourne Identity (2002)

High Speed (2002)

Second Name (2002)

Incubus (2002)

Morvern Callar (2002)

Chopin, Desire for Love (2002)

Lost in La Mancha (2002)

L’Auberge Espagnole (2002)

Bear’s Kiss (2002)

Angel of Death (2002)

Mystics (2003)

The Galindez File (2003)

The Emperor’s Wife (2003)

Face of Terror (2003)

The Life of David Gale (2003)

The Visual Bible: The Gospel of John (2003)

Beyond Re-Animator (2003)

The Tulse Luper Suitcases (2003)

Imagining Argentina (2003)

Kombi Nation (2003)

Jericho Mansions (2003)

Oh Marbella! (2003)

Seeing Double (2003)

Are We There Yet? (2003)

Cambridge Spies (2003)

A Talking Picture (2003)

The Reckoning (2004)

The Bridge of San Luis Rey (2004)

The Machinist (2004)

It’s all Gone Pete Tong (2004)

Ae Fond Kiss (2004)

Rottweiller (2004)

Art Heist (2004)

Blueberry (2004)

Fakers (2004)

The Birthday (2004)

Crusader (2004)

Glitterati (2004)

Romasanta: The Werewolf Hunt (2004)

People (2004)

Merlin (2004)

Visions of Europe (2004)

Within the Way Without (2004)

Kingdom of Heaven (2005)

Sahara (2005)

Fragile (2005)

The Hitch-hiker’s Guide to the Galaxy (2005)

Soldier of God (2005)

Americano (2005)

Beneath Still Waters (2005)

The Business (2005)

The Secret Life of Words (2005)

The Nun (2005)

Wannabe (2005)

Deuce Bigalow: European Gigolo (2005)

Runt (2005)

A Midsummer Night’s Dream (2005)

A Sound of Thunder (2005)

One Day in Europe (2005)

The Kovak Box (2006)

Goya’s Ghosts (2006)

Perfume: the Story of a Murderer (2006)

Cargo (2006)

Tirant Lo Blanc (2006)

Backwoods (2006)

Mysterious Creatures (2006)

The Deal (2006)

Moscow Zero (2006)

Find Her, Keep Her (2006)

The Stoning (2006)

The Cheetah Girls 2 (2006)

The Fall (2006)

Ride Around the World (2006)

Xavier (2006)

The 9/11 Commission Report (2006)

Karol: the Pope, the Man (2006)

Nobody’s Hero (2006)

Savage Grace (2007)

El Greco (2007)

Body Armour (2007)

Four Last Songs (2007)

Velocity (2007)

Intergalactic Combat (2007)

Blackout (2007)

Irina Palm (2007)

The Heart of the Earth (2007)

Hidden Camera (2007)

Goal 2 (2007)

Never Sleeps (2007)

The Matador’s Mistress (2008)

 Vantage Point (2008)

The Bourne Ultimatum (2008)

Che: Part 2 (2008)

Vicky, Christina Barcelona (2008)

The Garden of Eden (2008)

Deception (2008)

Little Ashes (2008)

Unnatural Causes (2008)

Black Forest Gateau (2008)

The Twisted Tale of Bloody Mary (2008)

Ser o Estar (2008)

Donkey Punch (2008)

The El Escorial Conspiracy (2008)

The Crew (2008)

Reflections (2008)

Stevie (2008)

Sing For Darfur (2008)

Goodnight Irene (2008)

Telstar: the Joe Meek Story (2008)

My Life in Ruins (2009)

Green Zone (2009)

The Limits of Control (2009)

Triage (2009)

Tetro (2009)

Open Graves (2009)

The Frost (2009)

Paintball (2009)

The Damned United (2009)

The Third Testament: The Antichrist and the Harlot (2009)

Nothing Personal (2009)

My Last Five Girlfriends (2009)

The Lost (2009)

Original (2009)

Just Shy of Being (2009)

Beautiful Blue Eyes/ Iron Cross (2009)

The Adventures of Young Indiana Jones: Espionage Escapades (2000)

Not only Indiana Jones but also Terry Jones as director of the Barcelona parts and in a cameo in an attempted comedy combining scenes from World War I in Barcelona and later Prague.

The film opens with a homage to Barcelona, and especially Guadí, with images of Casa Batlló, Parc Güell, Sagrada Famila, as well as the port and the Arc de Triomph.

Casa Batlló

The ballet scenes were shot in the Gran Liceo theatre, later destroyed in a fire and rebuilt.

The Adventures of Young Indiana Jones: My First Adventure (2000)

Indiana Jones meets Lawrence of Arabia and so it’s logical that the desert action should take place in Almería, although we are led to believe that it’s the Valley of the Kings in Egypt.

Love and Basketball (2000)

Quincy and Monica are both basketball players, but whereas he enjoys the fame and glory, she has to struggle to get ahead in a male-dominated world.

The film, like a basketball match, consists of four quarters, and deals with the problems of choosing career (or sport) over love. The fourth quarter begins in Barcelona, where Monica has to go to play in a serious competition.

A few street scenes of the city are seen, with an aerial view of the port including the emblematic statue of Christopher Columbus, the Monumental bullring and, inevitably, Gaudí’s Sagrada Familia Cathedral.

Monica is also seen entering the Palau Blaugrana basketball stadium where her coach’s complex, tactical speech in Spanish is translated to her by a team mate as “he says to give the ball to you”.

Sexy Beast (2000)

Agua Amarga is a Mediterranean fishing village, hidden away in the Nature Reserve of Cabo de Gata on the Costa de Almería. Actor Ray Winstone (Gal) described Agua Amarga as absolutely stunning, the genuine article, which had restored his faith in the country. The production team found Gal’s villa, which is in reality an architect’s home, perched high above the perfect beach cove in the tiny village of Agua Amarga on the site of an old coal mine, 30 miles east of Almería.

It’s the typical film of an English criminal finding the peace and quiet he needs, apart from a boulder that scrapes past his head before crashing into his swimming pool.

Hot on the tail of the boulder is Don, played by Ben Kingsley trying to shake off his wimpish image from ‘Gandhi’ by playing a psychopath.

Despite the peace and quiet, weapons are always on hand when hares or unwanted visitors need to be shot.

Faust: Love of the Damned (2000)

The film raises an important moral issue; does seeing your girlfriend murdered justify selling your soul to the Devil; and even more important, can the Devil be trusted?

Filmed in and around Barcelona, the elegance of some of the architecture contrasts with the gruesomeness and gore.

One of the architectural gems of the film, which appears in the opening credits and later as the scenario of Jasper’s suicide bid and meeting with the Devil (or M as they call him with perhaps a nod and a wink to Bond, James Bond) is the Bach de Roda bridge, which crosses a train line and joins Felipe II and Bach de Roda streets in the Barcelona district of Sant Martí.

Although the bridge has its ground supports augmented by digital techniques, the basic structure of Santiago Calatrava’s first important bridge is intact.

Barcelona port is briefly seen as we loom in on Jasper’s hideout, and scenes were also shot around Barcelona at Terrassa (for the hospital scenes), Argentona, Alella and Granollers.

Line 2 of the Barcelona underground system was the location of the scenes where Jasper (or Faust if you prefer) makes a barbeque of some American policeman.

The film is in fact supposed to be set in an anonymous American city, although the modernist architecture of Gaudí’s Palau Güell gives the game away when we enter the lobby of the Devil’s quite tasteful lair.

This is definitely not a film for those who can’t stand the sound of blood: pitter patter, pitter patter.

One of the Hollywood Ten (2000)

Jeff Goldblum stars in a film about the victims of McCarthyism in the 50s, with shooting in many parts of Spain. Spanish actress Angela Molina also participated in this film about the problems of making a movie about workers, originally entitled ‘The Salt of the Earth.’

Mines which have been exploited since Roman times in Portman, Murcia, became a silver mine in New Mexico with a little help and three months work from the production team, and the crew also used the mining zone of La Union and the casino of Cartagena.

The church scenes were shot in San Nicolas de Bari, Estrecho de San Ginés, Murcia.

The New Mexican scenery of Almería, with some filming around the Rodalquivir mines, the San José beach representing California and Finca El Romeral, and the 50s style interiors of Madrid added to the atmosphere of an epoch of elegance and inequality.

Filming took place between 31st January and 30th of March 2000.

 Helter Skelter (2000)

Tired porn filmed in a flat overlooking the beach at Málaga. Saved from the fires of Hell only by the narrative from the work of the Marquis de Sade and an acceptable jazz soundtrack.

Kevin & Perry Go Large (2000)

Harry Enfield explores the minds of modern adolescents with hilariously unpleasant results.

A family holiday in Ibiza allows us to see the perfect beaches, although our heroes are more interested in the discos, such as the Amnesia Nightclub.

Kevin and his Mum and Dad stay at a holiday flat above Nina’s bar, which exists, and is to be found in the town of Santa Eulalia.

The cove where Kevin swallows his pride and something else, equally unpleasant, or more so, is Playa Benniras, recognisable because of the strangely shaped offshore rock. The beach is a hippy hangout and is considered one of Europe’s top ten beaches.

Ibiza airport was another location where, amazingly, our heroes arrive in a plane.

Don Quixote (2000)

If they won’t let you play Hamlet, the next best mad role must surely be the Don.

“En un lugar de la Mancha, de cuyo nombre no quiero acordarme,” are the famous opening lines to this classic, which is Spain’s equivalent of ‘Ulysses’ or ‘War and Peace,’ a tome that everyone has on their bookshelves, although few can attest to reading the whole damn thing.

Unfortunately the makers of this version didn’t enter into the spirit of things and shot the whole film in Málaga province; perhaps because of the superior golf courses.

The actors stayed in Ronda, and at the beginning and end of the film we see what is supposed to be the view from Quixote’s home, which is in fact the gate and city wall at Puerta de Xijara.

The fencing scenes were filmed in the cloister of the Palacio Mondragon, and the church scenes in the cathedral.

Authentic Bob Hoskins plays Sancho Panza. Enough said.

Sabotage (2000)

An eccentric comedy about the Battle of Waterloo, with Stephen Fry as the Duke of Wellington, a role he also played in ‘Black Adder.’

Our thanks to Denis Murphy, who was dialogue coach and script editor on this film for providing most of the information below.

Filming began on the 2nd of August 1999 and continued until the 6th in the Colegio Seminario de San Sebastián, Guipúzcoa, from beyond whose walls a view of the city can be seen. Inside they created the set for the operetta in which a cock and a damsel perform until Napoleon arrives to address his gathered troops.

Before we enter the theatre, we see troops milling outside, although the exterior is in reality the Church of Los Santos Juanes in Bílbao, Vizcaya.

Next they moved to Álava and stayed in an old schoolhouse at Izarra, near Abornikano, where the interiors of Wellington’s tent were filmed.

On the 7th filming took place at the Urrúnaga Reservoir at Legutiano, just to the north of the Basque capital Vitoria, where they shot the scene with Armani coming out of the water and Napoleon telling him to look for Lady Edwina.

On the 9th and 10th they shot in the woods of Monte Grande near Abornikano, where the French camp was established, supposedly at Waterloo, and on the 11th at Victor Meabe, Goiuri Ligny, where they filmed the scenes of the French army attacking and being massacred as the false Napoleon takes charge of the battle plan.

Between the 12th and 17th they filmed the interiors of Napoleon’s tent at K2000 Galdakano Studios in Bilbao and then returned to the Monte Grande woods between the 18th and 20th to film the French camp.

Back to the woods of Abornikano on the 24th and 25th where we see Napoleon’s wagon escaping the pursuit of two Prussian cavalrymen, after which they went to Bilbao’s Palacio de Artaza situated in Leioa at Avenida Txikia Etorbidea, 20, between the 26th and the 31st for the scenes of the mansion and hothouse (where Napoleon discovers his true destiny as a gardener) of the allied headquarters two days after the battle, where a trial decides that Napoleon isn’t himself. The palace, inaugurated in 1918, belongs to the Basque government.

Between the 1st and 4th of September they filmed at Abornikano, in the fields of Victor Meabe at Goiuri, Alava for the film’s most violent scenes, and on the 5th of October they were back in Bilbao at the church of Los Santos Juanes to shoot the exteriors for the theatre.

The film’s director, Esteban Ibarretxe, informed us that the Guadalajara scene in the movie was the one where they launched the chariot, in which Napoleon was escaping from the Prussians, into the inland waters of the Embalse (reservoir) de Sacedón.

The reservoir in question is the Embalse de Entrepeñas, just north of the town of Sacedón.

Ironically, much of the filming of Waterloo took place just around the corner of the site of a real defeat by Napoleon’s troops at the battle of Vitoria near the village of Tres Puentes as the French forces were being chased out of Spain on the 21st June 1813. For this reason there is a statue of the Duke in the main square of Vitoria.

The Pilgrim factor (2000)

This Spanish production, usually entitled ‘El Factor Pilgrim,’ includes scenes shot in London where English is (from time to time) spoken.

Rumour has it that when they finished filming in London, they realised they needed more shots from there and so, to economise, they used the English neighbourhood of Huelva, known as the Barrio de Reina Victoria, where the Rio Tinto Mining Company had built British-style houses for its employees.

Where is the Chesterfield King? (2000)

A kind of Monkees/Beatles type spoof featuring an American band, one of whom is kidnapped by an alien.

The other members circle the globe trying to get him back, save the world and play a few tunes.

Among the bits of the globe trotted was Madrid, for which 1997 footage of The El Sol Club and the Bilbo Club was used.

Happy Days (2000)

A woman buried up to her waist and then her neck on a volcano in Tenerife; it could only be Samuel Beckett.

The island does in fact have other attractions and some very nice scenery.

Off Key (2001)

Although the stars of the film are American, this is really a Spanish film with a Spanish director, Manuel Gómez Pereira, and various Spanish actors, including Ariadna Gil, who appears with blue hair.

The scene with the ambulance rushing into a French village was shot at Ayllón, Segovia, where the local Romanic church of San Miguel was transformed into a restaurant and the buildings around the main square became bakeries and cafés.

Scenes were also shot in the Teatro Calderón de la Barca in Valladolid, where the final concert was held with 500 local extras posing as a sophisticated New York audience at the Lincoln Theatre. Scenes were also shot at the Palacio de Congresos in Madrid.

Moulin Rouge (2001)

Don’t get excited, you won’t be able to visit the rooftops of Paris nor the orgiastic dance hall. The whole film was made in the studio, mostly at the Fox Studios in Sydney. When the makers passed their deadline however, they had to leave orbit so as to make way for the filming of Star Wars: Episode II – Attack of the Clones (2002), and so some finishing touches were made in Madrid, which was convenient (or not if you enjoy conspiracy theories) for Nicole Kidman, whose next film, ‘The Others,’ would be made in Spain.

The Others (2001)

It’s not unusual that a film by one of Spain’s top directors, Alejandro Almenábar, should be filmed in Spain; what is unusual is that it stars Nicole Kidman, was produced by Tom Cruise and filmed in English.

The action supposedly takes place on the island of Jersey, although the haunted house, which is the true star of the film, is in fact in Cantabria.

The house in question is the Palacio de los Hornillos at Las Fraguas in the Arenas de Iguña region of central Cantabria, and it was chosen after permission was refused to use a house in Jersey itself, where the natives apparently don’t like to mention the war, during which some of them were apparently somewhat accommodating with the occupying Nazi forces.

Almenábar looked at about 100 houses in the UK before finally finding something typically English in the green, northern belt of Spain.

The house was in fact constructed in ‘the English style,’ as all the local guide books will tell you, and was designed by an English architect, Selden Wornum, and built between 1899 and 1904.

When we arrived in Las Fraguas we checked out the Ocho Hermanas hotel and on seeing a book about The Others in reception, which was in fact the script of the film, decided to check in, which was a good idea, as the owner turned out to be very knowledgeable, informing us that the spooky house was inhabited not by a ghost but by a Duke.

The Duke’s family also apparently built (or had built) a mini Parthenon just across the road.

The house is not open to the public but is easily seen from the road and very photographable, and the spookiness is alleviated by a herd of very placid white cows and a lake.

Those who wouldn’t mind snoozing with Nicole Kidman, or at least spending some time in the same bed (though not at the same time) could do worse than stay at the El Jardín de Carrejo, an example of the trend in rural accommodation that has become so popular now in Spain, and where Kidman was lodged during filming.

According to Isabel, one of the hotel’s owners: “Nicole stayed in our hotel, which was especially dedicated to her team and to her, including her personal trainer, personal assistant and cook. Although we were ready for her in September 2000, an injury to her leg delayed her appearance here until mid October.

She lodged at the hotel for 20 days, during which time she took over the hotel, using the ground floor gym, dining room and offices, and on the first floor taking up each room for massages, changing room and her own bedroom (number 5).

The second floor was used by her staff”.

Almenábar spent 4 months studying English in London so that he could charm Kidman and the 2 English kids whose performances really make the film.

A special delight in the film is Eric Sykes’s performance, a return to Spain for him after the making in Almería of ‘Shalako’ with Sean Connery in 1968, and a pleasant surprise to those of us who had thought he must surely be dead, (don’t worry; in the film, he is!)

Kidman’s character is called Grace, which is Almenábar’s homage to Alfred Hitchcock, whose favourite actress was Grace Kelly. Almenábar’s admiration of Hitchcock led him to emulate the maestro’s custom of making a brief appearance in his own film. He appears as a corpse in one of the photos of dead people (the one with three men lying on a bed). In fact the other two were his flat-mates in real life.

In the film Kidman lives in a large house with her children, who suffer from a rare disease called ‘xeroderma pigmentosum,’ which makes them allergic to light. Anyway, that’s her alibi.

The music that Kidman hears playing is Chopin’s Waltz Number 9 in A flat.

Gaudi Afternoon (2001)

Where else could a film with this title be set if not in Barcelona, where the 19th century architect Antoní Gaudí created his greatest works?

Judy Davis, one of Woody Allen’s favourite neurotic actresses, (‘Celebrity,’ ‘Deconstructing Harry,’ ‘Alice,’ ‘Husbands and Wives’) plays an American writer based in Barcelona, who receives a plea from a stranger for help.

The first location we see is the Plaza del Pi, where Cassandra (Judy Davis) takes a walk with Frankie, the woman who wants to hire her as a detective and turns out to be a man, although in the film he is played by a woman.

Actually all the characters are a bit bizarre, even more so than Allen’s, and if he liked this film that would explain why he used so many of the same locations in ‘Vicky, Christina, Barcelona.’

When Frankie confesses to her first of many lies, she and Cassandra are strolling in Paseig Born, with the famous church of Santa María del Mar behind them.

Ben, who we at first think is a man but turns out to be a woman played by Lili Taylor, is living with Hamilton, who we believe to be Ben when we first see him, and straight, then gay and finally bi. Ben is living in Gaudí’s La Pedrera in Paseig Gracia, although some of the interiors are taken from Gaudí’s Casa Batlló. The fight between Ben and Frankie, who actually love each other, takes place on the famous turreted roof of La Pedrera.

Before we discover who Ben is, Cassandra follows the man who is not Ben to Gaudí’s Parc Güell, where we see the real Ben and her lover April, played by Juliette Lewis, and who doesn’t really love her. During these scenes we see the famous ceramic dragon fountain, the terrace overlooking the city and the colonnades, fortunately free of the thousands of tourists who are usually draped all over them.

When her cheque bounces, Cassandra seeks Frankie out at her hotel, which is the Hotel Avenida Palace located in Gran Via de les Corts Catalanes, 605.

Cassandra accidentally on purpose meets Ben, who is really Hamilton, at a café in the Plaza Reial, and then pursues him through the short and winding streets of the Gothic Quarter.

When Cassandra goes for a walk with April they are at one of the four beaches just north of the Olympic Village, a stone’s throw away from the Hotel Arts, where the crew for this film stayed, as did Woody Allen when making his own homage to Gaudí.

The prostitutes of the Raval district also appear in both films.

One of Cassandra’s meetings with Frankie takes place in the Crypt of Gaudí’s unfinished masterpiece, the Sagrada Familia Cathedral, the facades of which are seen on various occasions, such as when Cassandra is on her way to the meeting in the crypt, walking along Avinguda Gaudí, with the towers of the Cathedral in the background.

After the daughter is kidnapped, Cassandra and Ben look for her in the Franca railway station, where they meet a couple of policemen who turn out to have extraordinary typing abilities.

Later there is another visit to Parc Güell, where Frankie chases April.

When Cassandra finds the girl at the nightclub, she takes her for a banana, as one does, in the Plaza Sant Felip Neri, another location repeated by Allen.

Finally, at Barcelona airport, the postcard Cassandra chooses is a photograph of Gaudí himself.

One of the things I like about Gaudí is that he didn’t do too well in school. Like Einstein, he was no more than an average student. In 1875 Gaudí was expelled from an examination in which he was supposed to be designing a cemetery gate; but the dreamy, young man devoted far too much attention to details of the mourners’ faces or the branches of the cypress trees for the liking of his professors.

But what I really like about Gaudí is that he was a mean, badly dressed religious fanatic, a humourless celibate and a teetotal misogynist who was notoriously bad company. So there’s still some hope for the rest of us.

The city of Barcelona finally demonstrated its undying affection for Gaudí by having one of its distinctive municipal tram cars run him over on Monday June 7th 1926. He died 3 days later on June 10th.

Dagon (2001)

Galicia is Spain’s Cornwall, with similar scenery and similar maritime traditions, like piracy and smuggling.

Onto the Galician coast two couples are hurled by the sea and the American male lead entertains us with his version of the Spanish language: “Roomo, pleaseo, upstairso.” He does after all have a Spanish wife.

Filming took place in the Galician village of Combarro in Pontevedra province, and the film is based on a story by H P Lovecraft called ‘The Shadow Over Innsmouth.’ The Spanish village in the film is called ‘Inboca,’ which literally means ‘in mouth.’

The little church which appears is Igrexa Vella de San Roque.

The film gives a whole new meaning to ‘Pulp Fiction’ (‘pulpo’ means ‘octopus’ in Spanish) and the nasties in this horror movie are half human, half tentacle.

Incidentally ‘Pulpo a la Gallega’ is an excellent local dish of boiled octopus with paprika, although I’d wait a few days after seeing the film before trying some.

The village hotel is admittedly not up to modern standards, although the green tap water is not as bad as it looks once you get used to it.

Filming also took place in Barcelona at Capella Romànica del Poble Espanyol and in the Sala de les Columnes the large hall with 36 Romanic-style sandstone columns, located at the Jardins de Ca n’Altimira, a park in the Sant Gervasi district of Barcelona. It also features some manmade underground caves and through these caves our hero makes his way to the sacrificial room of the worshippers of Dagon.

The Discovery of Heaven (2001)

Although a Dutch film, and largely made in Holland, the film stars British actors such as Stephen Fry and is all about God’s wrath, which is never a bad plot device.

The Spanish parts were shot in Carmona (Sevilla), and Coronil (Cádiz).

Also in Sevilla the Fundación Lara building in Calle Fabiola was employed.

Arachnid (2001)

A man with strange bites is taken to a small clinic in Guam. A group of men and women, en route to his island to investigate the causes, crash on the island.

With a title like this, you won’t have to be a genius to know what they find…..or what finds them…..

Mind you, Guam is quite a way away from Fira de Montjuïc (Palau Victòria Eugènia) and the Font Groga (Parc de Collserola) or the Can Catà private estate in Barcelona, where some scenes were shot.

The film holds few surprises, and most of the victims and survivors-to-be are obvious from the beginning, especially when they wander off alone accompanied by sinister music and copious webbing.

The best moment for me was the line: “the more guns I have, the safer I feel.” Classic.

Stranded (2001)

Lanzarote is out of this world, and especially in this Sci-fi movie where it represents Mars.

It is of course Mars through rose-tinted glasses and so everything looks pink, but nevertheless you get an idea of the lava harvest to be found on the island.

The film itself, a wholly Spanish production, follows a failed attempt to explore Mars in a craft resembling a series of Coca Cola cans stuck together. When the going gets tough, the crew turn out to be a bunch of bickering manic depressives and fatalists who sound as if they are reading the scripts for the first time ever.

Visitors to Lanzarote will be pleased to learn that the chances of survival and a return flight home are considerably better than the scenario portrayed in the film.

El Golfo (with the famous green lake that the astronauts reach at the end of the film), Timanfaya and the Volcán (volcano) del Cuervo are some of the locations, with studio work at Plató Valencia and in Hollywood, where they used the same space ship as Clint Eastwood in ‘Space Cowboys.’

Megiddo: The Omega Code 2 (2001)

The follow up to the ‘Omega Code’, and which also featured Michael York, was partly shot in Madrid.

Intact (2001)

Four people with tortured pasts are brought together by fate and consequently don’t really get a chance to enjoy the exquisite locations on the island of Tenerife.

The blindfolded race through moss-laden pine trees takes place in the Bosque de La Esperanza at El Rosario.

The director Juan Carlos Fresnadillo, probably not coincidentally, comes from the Canary Islands, and would later direct Clive Owen in an Anglo-Spanish film ‘Intruders,’ which also swings between English and Spanish.

Max Von Sydow is the reason why the film is partially made in English, and everyone who talks to him does so in the language of Shakespeare, although it’s Shakespeare with a Cervantes accent.

Max lives in a casino nestled amid the moonscapes of Las Cañadas del Teide in a building that is a touched up version of the local Parador.

The airport scenes were shot at Tenerife Sur airport.

Baby Blue (2001)

Theo Van Gogh is mostly famous for being the great grandson of Vincent Van Gogh (or Kirk Douglas if you prefer, who is famous for being Michael Douglas’s father) and for having been assassinated by a Muslim extremist.

The film is far less controversial and deals with tension in an insurance company.

Half the film was shot in English and half in Dutch, and is set mainly in Holland, though the nice bits were filmed in Ibiza.

Sword of Honour (2001)

Not strictly a film, this two part, four hour television production starring Daniel Craig attempts to encapsulate Evelyn Waugh’s trilogy.

Parts of Mallorca became Crete, Egypt, Yugoslavia, North Africa, France and Italy.

Bellver castle in Palma, or at least the rooftop terrace, became Fort Sidi Bishir, the military headquarters in Egypt, where Guy comments Trimer’s apparent heroism.

The disastrous commando raid on a beach to capture an enemy head was filmed on a southern cove of the island called Cala S’almunia

The scenes representing Yugoslavia, where Guy (Craig) befriends a Jewish couple and saves a train-load of refugees, were shot in the village of Sineu, in the centre of the island.

Is Harry on the Boat? (2001)

A TV film based on a TV series; or maybe it’s a TV series based on a book…..whatever it is, Ibiza provides the beautiful backdrop to a comedy about tour reps.

Hemingway, the Hunter of Death (2001)

Albert Finney plays Hemingway on safari in Kenya, although he also finds time to pop into Ronda, Málaga; no doubt to fight a few bulls and stare mystically into the town’s famous gorge.

Hornblower: Mutiny (2001)

Although he doesn’t have Gregory Peck’s irritating cough, or an easy to pronounce name, Ioan Gruffudd gives a good performance as C S Forrester’s Hornblower in his younger days in this version of ‘Mutiny on the Bounty.’

The terribly British Spanish island of Menorca is among the locations, and we were informed by Núria Sintes of the Menorca Tourist Board that most of the shooting took place at La Mola, in a country house on the road to Fornells.

One well known location is the Castillo Fortaleza de Isabel II or de la Mola, where Hornblower is imprisoned in Jamaica, and is gazing out of his cell window when Sir Edward visits him.

Die Another Day (2002)

The spa where Bond meets Jinx (Halle Berry) is in fact the Castle of San Sebastián in Cádiz, and the wide sweeping Bay of Cuba is Cádiz Bay too. Curiously Fidel Castro’s government wasn’t too keen to let Bond do his stuff in the original locations.

Filming took place between 3-12 April 2002 and made good use of 600 local extras.

The castle is situated on a small island at the end of La Caleta Beach, where Halle Berry walks out of the sea in a bikini, wearing a white belt and a diving knife, just like Ursula Andress did in ‘Dr. No.’

After Bond comes through the window of the medical facility in Cuba, he grabs a few grapes as he did before making his exit from a room in the medical centre in ‘Thunderball’, although this time the ever-present Spanish actor Simón Andreu is on hand as Doctor Alvarez.

The spot where Bond arrives in Cuba is ‘el Campo del Sur’ and the road he drives along goes to the Camposoto beach at San Fernando.

Bond’s hotel is in reality the spa ‘Balneario de La Palma y del Real’ at la Caleta beach in Cádiz. The place where Bond and Berry drink a ‘mojito’ together is in Cádiz’s other beachside castle, Santa Catalina.

The Torre del Sagrario of the old Cathedral and the area around the new Cathedral appear, as does the Plaza de Abastos, which becomes a tobacco factory in the film.

Star Wars: Attack of the Clones (2002)

When Anakin Skywalker and Padmi Amidala arrive on her home planet of Naboo we see an impressive exercise of digital invention mixed with real images of Sevilla’s impressive Plaza de España, one of Spain’s best-loved tourist attractions, built as part of the Spanish-American Exhibition of 1929.

The Plaza is constructed as a semi-circle with buildings around the edge that are reached across a moat by bridges. In the centre is a large fountain. Around the inner walls are various alcoves, each representing a different province of Spain in ornamental ceramic tiles.

Plaza de España. Photo Courtesy Mage

Callas Forever (2002)

Fanny Ardant, Jeremy Irons and Joan Plowright star in Zeferelli’s tale of the last years of Maria Callas.

One scene, representing the filming of ‘Carmen’ by Bizet, shows the procession towards the bullfight, which was shot in Calle San Pedro in the town of Osuna in Sevilla province, with the collaboration of El Coro de Opera de Córdoba. Osuna’s Collegiate was also used for some scenes.

Osuna is also a Game of Thrones location; its bullring was used to represent the fighting pit of Meereen. The Roman ruins of Itálica, in the same province, became the location for the Dragon pit summit.

Zeferreli and his stars spent 6 weeks in the Hotel Palacio Marqués de la Gomera, and the Italian director also shot scenes there.

Carmen’s murder in the opera took place at the Plaza de Capuchinos y Cristo de los Faroles in Córdoba.

The Dancer Upstairs (2002)

Filmed in Spain (Madrid), Portugal and Ecuador, and based on the story of the Maoist terrorist group from Peru, Sendero Luminoso (Shining Path), this was John Malkovich’s first film as director, with Spanish actor Javier Bardem taking part.

In the time spent in Madrid the crew and actors stayed at the Hotel NH Alcalá, Hotel Santo Mauro and Hotel Wellington.

Food of Love (2002)

A story of music and homosexual love set in New York, San Francisco and Barcelona, in which a famous musician and an aspiring one have a brief affair while the younger is on holiday with his mother in Barcelona.

Food of Love is the first English language film by Catalan director Ventura Pons.

The young boy goes on a walk around the city and visits Plaza San Felip Neri, the Picasso Museum and Plaza Real, and later, his mother on a tour bus passes the Sagrada Familia cathedral.

Come Together (2002)

A romantic comedy set in Hollywood Hills and directed by Graham Theakston but with villa scenes shot in San José, Almería.

Darkness (2002)

A Spanish film in which an American family moves to a haunted house in Spain, and in which filming took place in Barcelona and Lleida.

The idyllic, American-style country house where it all happens was built for the film, which is probably just as well, considering all the nasty things that went on there. It is a haunted house, with a haunted father. Some people may think that a man who takes out his rage on inanimate objects is insane, although most of us have long realised that that is precisely what inanimate objects are for.

The country house, apart from our first visit there for a sunny drinks party, is in a permanent storm, in all senses, and the victims occasionally visit Barcelona for a bit of light relief, or to find a library with some books on the occult. It is in fact immediately before this that we see an aerial view of the port area of Barcelona with Columbus’s characteristic statue.

The hospital in which the father of the family’s fits are dealt with is in reality a school, situated in Sant Cugat, and the street where his first fit occurs, and where the film-makers created their own traffic jam (on a Sunday fortunately) was in the Via Laietana, between Plaza Urquinaona and Plaza Antonio López.

Many of the interior shots were done in Casa Burés, built between 1900 and 1905 by the modernist architect Francesc Berenguer i Mestres for the textile magnate Francesc Burés i Borràs on the corner of Calles Ausiàs Marc and Gerona.

Welcome 2 Ibiza (2002)

The film really only has two good things about it; the enviable scenery of Ibiza and the appearance of Gary Busey, a man who was born to be a film villain (with apologies to his parents).

An American girl tries to turn around her life and an inherited dilapidated beach bar.

While the credits are still running we discover that she’s quite clumsy, provoking a cascade of water melons on the narrow winding streets.

We also see both an aerial and ground level views of the castle, crowning the capital.

The Bourne Identity (2002)

Clive Owen is ‘The Professor,’ a Treadstone assassin based in Barcelona. We briefly see the statue of Christopher Columbus in the port and the Sagrada Familia Cathedral, started, and still unfinished, by the Catalan architect Antoni Gaudí, when Clive is contacted by the villains (or parallel American government), as you prefer.

High Speed (2002)

The world of motor bike racing with footage from circuits in Italy and Spain, where our hero Raf competes on the Valencia circuit located at Cheste.

Second Name (2002)

Another production by the Catalan company Filmax with a Valencian director, Paco Plaza and an English speaking cast filming in and around Barcelona.

Like Richard Cory, a rich man blows his brains out, although this time in a forest, and his biologist daughter visits her catatonic mother to find out what it’s all about.

The film is based on the book ‘Pact of Fathers’ by Liverpudlian Ramsey Campbell. Happy go lucky it isn’t.

Incubus (2002)

Spanish director Jess Franco worked with Orson Welles, although his themes tend to lean towards gore and tit, and preferably both.

The moral is that if you make a pact with evil, you’d better read the smallprint.

Filming took place in Málaga. At the beginning we see the airport, and after about an hour of drudgery, flagellation and wooden dialogue we encounter the castle Monumento Colomares, located at Benalmádena. The castle’s construction began in 1987, and is supposed to be a homage to Columbus, telling the story of the discovery of America.

Inside the castle, we are supposed to believe, the final corruption of Lucy takes place.

Morvern Callar (2002)

It may not be a total coincidence that ‘callar’ means ‘to shut up’ in Spanish, because that’s pretty much all Morvern Callar does throughout this insufferable, self-indulgent chic-pic.

It begins when she finds her boyfriend’s body, after his suicide; so she quite naturally goes out for a drink, takes a bath, steals his money, steals his book, cuts him into pieces and buries him on the heath with a trowel!

Obviously a bit knackered after all that, she goes on a package tour to Spain with a friend.

The hotel where they stay is the Hotel Aguamarina at Almerimar in Almería. After purchasing snorkels, they immediately go off to a bar to get pissed and pick up boys. Morvern shows how volatile and interesting she is by moving out of the package mind set and they end up in a village festival in the mountains, where everyone dresses up for San Fermín and looks a bit angry.

The village is in fact Ohanes, where the locals even brought forward their traditional festival of San Marcos, with most of the villagers celebrating their status as extras.

The festival has all the drumming and bull running you would expect; the only thing missing is the goat being tossed from the church steeple.

The marvellously unspoilt Parque Natural de Cabo de Gata-Níjar can also been seen briefly during a car trip.

Chopin, Desire for Love (2002)

Filmed mainly in Poland as you would expect, but Chopin also lived in Paris and Mallorca, where he explores his passion for George Sand.

In the film, and in real life, the couple take up residence in a monastery at Valldemossa, where the relationship with the locals was far from cordial. Today however, the town largely lives off this brief stay and you can’t turn a corner without wading through a sonata.

Valldemossa

Actually it’s a lovely place, especially when the tourist buses head back to the coast every evening.

Lost in La Mancha (2002)

Despite being dated as 2002, this documentary, shot in August 2000, was released in 2011.

Like Orson Welles, Terry Gilliam took on Don Quijote and lost, in a production jinxed by bad weather.

Only a few scenes made it into the can, the rest went down the can (as Americans like Gilliam would say).

Nevertheless, among the few scenes shot were some using the arid wastelands of the Bardenas Reales in Navarra and the waterfall at the Monasterio de Piedra located in Zaragoza province.

The film would eventually get made as The Man who Killed Don Quijote (2018) with some of the same locations.

 L’Auberge Espagnole (2002)

Although a French film, almost half of the dialogue is in English.

A group of Erasmus students share a flat in Barcelona and in the brief intervals between sex, drugs, rock and roll and more sex, they study.

Xavier from Paris is the main character and, not content with having pre-‘Amelie’ Audrey Tautou as a girlfriend back home, he decides to start an affair with the wife of a man who has shown him nothing but kindness and trust.

When Xavier arrives in Barcelona looking for a place to live, we see him at the Urquinaona underground station just north of the Gothic Quarter. We also see him briefly in the Plaza Real.

On his first date with Anne-Sophie, he takes her to the famous ceramic terrace of Parc Güell, where he returns with her later to ravish her. Keeping in with the Gaudí trend, he also takes her to the Sagrada Familia cathedral.

He visits the Barceloneta beach a couple of times and takes her (in the non-sexual sense this time) in the cable car that traverses the port.

Despite his two-timing, he is shocked to see flatmate Wendy making out with an American who is not her boyfriend on the pedestrian bridge to the Port Vell leisure complex.

Bear’s Kiss (2002)

Girl loves bear, bears loves honey; a relationship doomed from the beginning to be syrupy.

A mixed grill of Bambi and Prince turned into frog set in a circus.

Arcos de la Frontera appears when the circus travels to Spain. We see them approach, with a stunning aerial view of the town perched on its spectacular rocky crag.

The castle is the home of the Marqués de Tamarón. His son, Diego de Mora-Figueroa kindly informed us about the history of his home.

The castle, like so many in the area, is of Arab origin and was conquered in 1253 by Enrique, the brother of King Alfonso X. In 1264, after a revolt, the remaining Arab inhabitants were expelled.

In the XV century the powerful Ponce de León family took control of the castle, whose importance waned once Granada was conquered by the Catholic Monarchs.

The castle was affected by the great earthquake of 1755, which destroyed Lisbon.

Between 1809 and 1811 the castle was occupied by French troops during the Napoleonic War. From the castle they controlled guerrilla activity in the mountains of Ronda.

As a parting gift, they blew up part of the castle.

In 1922 the castle was auctioned as a ruin and Violeta Buck, daughter of British wine maker Walter J. Buck (1843-1917), bought it.

Buck ran the Sandeman & Buck distilleries and was a pioneer in protecting natural spaces such as Doñana.

Violeta moved in and began the restoration of the castle.

Jerez de la Frontera, Sanlúcar de Barrameda, similarly in the province of Cádiz, were locations and Spanish actress Ariadna Gil participates.

Arcos de la Frontera

The film was written in English by a non-native speaker, with other languages having their say.

Angel of Death (2002)

Mira Sorvino stars as a Spanish detective trying to catch a serial killer in Sevilla during Holy Week, with caped, hooded penitents adding a touch of colour and the city inevitably providing its architecturally sublime backdrop.

At the beginning we see some Easter religious parades and then a girl drives past the Maestranza bullring.

She arrives at a cheap guest house and goes up on the roof for a view of the city, including the cathedral, and then the murders begin.

Mystics (2003)

Ghosts, gangsters and Guinness; what more could you ask for in an Irish film that doesn’t begin with ‘g?’

Although mostly shot in Ireland, there is a window for Sitges, Barcelona at one point, where our séance con-men David Kelly and Milo O’Shea can be seen on the beach in front of the emblematic San Bartolomé y Santa Tecla church. Our thanks to Paco Griñán again for identification.

The Galindez File (2003)

A student researching the disappearance of a Basque Nationalist FBI collaborator is searching for clues as to his fate, continually thwarted by FBI agent Harvey Keitel.

She visits Madrid and the Basque Country as part of her investigations.

Early on in the film she discusses her quest with two men in the painted forest of Oma at Kortezubi in Vizcaya.

The Emperor’s Wife (2003)

Starring heart-throb Jonathan Rhys Meyers, this fantasy was partly filmed in La Peza in Granada province.

The Emperor’s fairy tale castle is none other than La Calahorra Castle, scene of so many films.

Face of Terror (2003)

A wholly believable plot in which an American police officer travels to Barcelona looking for his lost sister, who may have become a victim of a terrorist cell using girls as bombs.

This is another collaboration between the Catalan producer (Drimtim) and American actors, using the streets and monuments of Barcelona as a backdrop.

At various stages the scenes are interspersed with views of the city, the first one including the Sagrada Familia Cathedral and La Rambla. After a brief interlude in Los Angeles to meet our star, we are back to aerial views of the port and our hero checking into the Hotel Colon. He visits his missing sister’s flat, which we are supposed to believe is in Gaudí’s famous Pedrera building, and then we meet the villains, who hold their rendezvous in Montjuïc Castle, overlooking the city. There are really two sets of villains, or rather one group and one lone wolf terrorist, who likes to enjoy his villainy at Montjuïc Castle.

Montjuic Castle

After enjoying the view and the artillery, the lone wolf shoots two thugs to emphasise his disagreement with the deal, and then follows their boss into the castle moat to discuss terms of disagreement with a further bullet.

Another location is Plaça Palau, where the Barcelona Nautical School (posing as the American National Bank) is cleverly blown up behind our hero.

The city’s Gothic quarter is used for many scenes, and the police woman’s flat (in reality the Hotel Colon) is located right in front of the Gothic Cathedral.

After a night of passion, our hero and his heroine are machine gunned and begin a car chase round the wide avenues of the city, passing through the Arc de Triomf, a favourite car chase scenario for Catalan film makers, before continuing in the nearby Parc de la Ciutadella, where the zoo is located, and ending up in a lake.

For the second visit, after a spectacularly unbelievable car chase, we return, by cable car this time, to Montjuïc Castle for another meeting between villains, where agreement is reached; the usual thing, plastic explosives in exchange for “taking care of the girl.”

The climax takes place in front of and around a seaside hotel, the Gran Meliá, at the nearby tourist resort of Sitges just south of Barcelona; a point that is made clear when the ambulance drives away with the town’s name on its rear.

Hotel Gran Meliá

It is on the steps of the hotel that the villain (who has his misunderstood side), is foiled in his plan to blow up the hotel using a suitcase bomb, before being pursued and vanquished down at the beach.

It is appropriate that the hotel should appear in a film, because it is here that the Sitges International Film Festival is held every year in October.

If you are not so lucky, you might bump into a zombie, as one of the highlights of the festival is the Zombie Walk, which actually starts at the hotel before moving off into town to scare the locals.

The Life of David Gale (2003)

An American film with a European finish; specifically in the Plaza Real, Barcelona, where Dusty (Matt Craven) is seen walking through a square with the briefcase at the end.

The rest of it is a will he, won’t he be executed thriller with Kevin Spacey and Kate Winslett.

Also seen briefly in Barcelona is the Gran Teatre del Liceu, where the public watch a performance of Turandot.

David Gale’s wife has left him and taken their son to Barcelona after he rapes and murders someone and is sentenced to death. After a lot of did he or didn’t he; save yourself some anxiety; he didn’t, and Kate doesn’t get there on time to save him.

Winslett’s meeting with Gale’s wife takes place in Casa Ramos, located in Plaza Lesseps. The same modernist flat was used by Pedro Almodóvar for a scene from Todo Sobre Mi Madre.

The Visual Bible: The Gospel of John (2003)

Apart from Jesus Christ, the big star here is narrator Christopher Plummer. Jesus is Henry Ian Cusick, better known for his role in the TV hit show ‘Lost,’ but now he is found!

Although the studio work was done in Canada, you can’t find a better, more peaceful Galilee these days than Almería.

The cave scene was shot at Tabernas and other scenes were filmed around San José for the sermon on the mount, and around the Sierra Alhamilla for the scenes of the death and resurrection of Christ.

Málaga also added some locations, specifically at the castle of Gibralfaro, which became Jerusalem.

Gibralfaro

Beyond Re-Animator (2003)

Another Spanish production made in Spain, but in English and with a mixture of foreign and Spanish actors.

Practically all of the action takes place inside Arkham State Penitentiary, although the film was made in Valencia’s old Modelo Prison, during its closure and before its conversion into an administrative complex.

It is here that Doctor West, a modern-day Frankenstein, as you can guess from the title, is incarcerated and where he continues to carry out his experiments with horrific effect. Or at least the effect would be horrific if it weren’t so amusing.

On a couple of occasions the camera gives us an aerial view of the prison and we can see behind it the green swathe of the Turia Park, built in the old river bed of Valencia’s river, which was rerouted around the city after the disastrous flood of 1957.

It is now the city’s green lung, brimming over with cyclists, joggers and sports facilities.

Spanish comedy actor and director Santiago Segura participated in typically manic style, while less restrained was Simón Andreu as Warden Brando.

Also participating is Elsa Pataky, real life wife of super hero Chris Hemsworth (Thor).

The Tulse Luper Suitcases (2003)

The film has three, or possibly four distinct parts, and is probably what some people would call ‘artistic’ cinema.

In the section ‘From Vaux to the Sea,’ the Benedictine Monastery of Sant Benet de Bages near Manresa in Barcelona province was used. Founded in 960 AD, it is now a leisure and educational complex.

We were helped by Montse and shown around by Bernat, who helped Greenaway with his props, including 70 cabbages provided for a scene filmed in a patio. Fortunately for Greenaway, Bernat tends the vegetable gardens at the monastery.

Greenaway also required some baths to be placed in the chapel.

Use was also made of a garden terrace, where some women were sewing. As Bernat pointed out, Greenaway’s films are largely incomprehensible, but he was a very nice man.

In another part of the series director Peter Greenaway took advantage of the Franca railway station, Barcelona, which he transformed into the station at Anvers during the 30s.

Another emblematic jewel of Modernist architecture featured was the Hospital de la Santa Creu i Sant Pau, designed by Lluís Domènech i Montaner.

In the first part ‘The Moab Story’, he also filmed in Almería, taking advantage of the terrace of the Balneario (Spa) de Sierra Alhamilla among other locations.

Imagining Argentina (2003)

This distressing film about the ‘missing’ during the Argentinian dictatorship, with Spanish actor Antonio Banderas and Emma Thompson, was filmed largely in Argentina, although the scene where Banderas dives to the bottom of the sea contemplating suicide was shot at the marvellously unspoilt beaches of San José in Almería, including the coves of Mónsul, Carbón and Borronal.

Some filming also took place at the Puerto Deportivo de San José and in the Hotel Don Ignacio.

Interiors were shot in Madrid at Estudios el Alamo, and the hospital scenes at Hospital Clinico San Carlos.

Kombi Nation (2003)

Some young New Zealanders ‘do’ Spain, and various other bits of Europe, in a camper van with a film crew, and doesn’t this sound like ‘Big Brother?’

As they try to prove their lack of redeeming anything, they drive into the Basque Country, heading for Pamplona, Navarra to run with the bulls at San Fermín, then on to Buñol, Valencia, to discover they are a month early for the Tomatina festival.

After some time on the Costa del Sol, and Sevilla, for an argument in front of the cathedral, they make for Barcelona to discover that one of them has drugs in the van in front of the Sagrada Familia.

The relationships continue to deteriorate in Parc Güell.

Jericho Mansions (2003)

An interesting story exploring the bowels of a building and those who dwell within, with veteran actor James Caan and Spanish star Maribel Verdu; made mostly in Canada, but with Spain and particularly Almería threading through the story as a series of flashbacks finally reveal the truth.

A younger version of Caan finds himself in the middle of a gunfight at Fort Bravo and then makes his way through a village to his hotel, the Esperanza, situated in Tabernas.

Fort Bravo

According to local expert José Enrique Martinez, the locations were Las Salinillas, Lanújar and El Cautivo.

Rambla Salinillas

The director Alberto Sciamma lends a tasteful eccentricity to the film, especially the opening scenes, as he did in ‘The Killer Tongue’ in 1996.

Oh Marbella! (2003)

You won’t be surprised to discover that this comedy about time-share scams, mob murders, prostrate problems and animal rights was made in Marbella, Málaga, a place where even the rich and famous sit around pointing at the rich and famous.

The film starts and ends at Málaga airport as the various characters arrive. Their paths finally cross at Silks by the Sea restaurant, situated on the Rio Real Playa estate on the Cádiz road.

The goat that is not hurled from a steeple scenes were shot in the village of Montejaque with the help of angry locals charging through the streets and olive groves. The young couple meet up on a terrace in front of the 17th century Hotel Palacete de Mañara. The village is located in the Sierra Grazalema mountains north of Ronda.

The assassin and his prey meet up at the Don Miguel Hotel, while the nudists cavort at The Caché Club.

Seeing Double (2003)

Perhaps the irony is too subtle for some, but in this film the youthful members of a pop group are cloned.

This happens while they are on holiday in Spain, where we see them in various emblematic Barcelona locations in a film that reaches its climax at Cardona, with its Parador Hotel Castle.

Cardona represents Victor’s castle in the film and includes the dining room scene where they sing ‘Who Do You Think You Are’ just before preventing an explosion. Long shots of Cardona are a prelude to taking us inside the castle where Victor Gaghan, an evil scientist, creates and trains his S Club clones among others.

Cardona. Photo Courtesy Mark Yareham

The climax of the film also takes place there, with Victor’s failed attempt to escape by helicopter giving us some good shots of Cardona.

Are We There Yet? (2003)

An American comedy set in Barcelona and employing every child’s favourite car back seat expression.

An embarrassing travel agent father attempts to bond with his embarrassed family on a trip to Barcelona, including a ham negotiation in the Boqueria market, leather negotiations in La Rambla and various locations in the Gothic Quarter.

Cambridge Spies (2003)

This four hour series tells the story of Maclean, Burgess, Philby and Blunt, four Cambridge University students who worked for the Soviet Union.

The BBC chose the village of Granyena de les Garrigues in Lleida province to take the place of Gernika for the scenes showing the Civil War bombing of the town in the Basque Country, although the budget only seems to have allowed for a solitary biplane instead of the Condor hordes.

The town of Vic, Barcelona, portrays Vienna in the 1930s as the film’s producers pay their own particular homage to ‘The Third Man;’ ironical considering that Philby would acquire that sobriquet.

A Talking Picture (2003)

John Malkovich plays the captain of a cruise ship travelling from Lisbon to Bombay.

Portuguese director Manoel de Oliveira collects a multi-national cast speaking five different languages and all of whom, being civilised, cultivated people, understand each other perfectly. Really only Malkovich speaks English, when not showing off his French.

The only Spanish site seen, and from a distance at sea, is Ceuta (a Spanish enclave on the North African coast), whose Portuguese connection is explained by a mother to her daughter.

The Reckoning (2004)

Rodalquilar in Almería saw its goldrush in the 20th century, not in the 12th when this film is set. Its scenery bears little comparison with England either, so the landscapes were shot in Wales and, after a long search, an abandoned gold mine at Rodalquilar, frequently used in films, was chosen to build a 12th century castle and village in Northern England, blanketed in cyber-snow.

If you visit the gold mine today there is no sign of the sets built for the film, only the ruined buildings of the mine on the face of the cliff. At the foot of the cliff there is however a pleasant botanic garden to spend an hour enjoying the scents of flowers and trying not to recall the scenes of murdered (and worse) children in the film.

If medieval England was a prison for the poor, oppressed by French-speaking nobles and Latin-speaking priests, it is perhaps appropriate that the castle, which in the film is covered in scaffolding, was constructed for the movie by inmates of the nearby El Acebuche prison.

The villain, a Norman paedophile noble plotting against good King Richard the Lionheart (not exactly a gentleman himself by all accounts) helps identify himself by speaking with a French accent and dressing diabolically. The good Normans of course speak perfect English, although no English king would again speak something approaching English after the Conquest in 1066 until the reign of a Welshman, Henry IV.

The Bridge of San Luis Rey (2004)

This film, based on the Pulitzer Prize winning novel by Thornton Wilder, was a remake of a remake (1929, 1944), and its promotion campaign was not harmed when Tony Blair quoted from the book in a speech following the September 11th terrorist attack.

Filming started in Madrid in April 2003, using medieval locations such as Talamanca de Jarama and also the Monastery at Úcles in Cuenca.

This time the Monastery is the Convent where Geraldine Chaplin attempts to instil a little moral rectitude in an epoch that didn’t really want it too much. A lot of her shots were taken in the cloister.

La Granja palace in Segovia was used as it was in the Musketeer Trilogy. Among its lush gardens, ponds and fountains we see F Murray Abraham twirling his curls and enjoying the benefits of absolute power.

Together with American medieval stars such as Robert De Niro and Harvey Keitel, Spanish actress Pilar Lopez de Ayala played a key role in a story, which was set in Peru, but was filmed entirely in Spain.

Many of the religious scenes (including a burning at the stake) were done in Málaga’s Cathedral and Plaza Mayor (where they still grumble in the bars with a fantastic view of the portal about all the custom they lost), and for the theatre scenes they used the Cervantes Theatre.

The Palacio Episcopal, built in the 1760s and now a museum, also appears.

Where a bit of genuine, lush Peruvian ‘tropicality’ was called for, the cast drove north from Málaga city to the botanic garden of La Concepción, Carretera de las Pedrizas (a garden in the ‘English style’ according to the guide book).

The crew stayed at the Hotel AC Málaga Palacio and the Hotel Byblos (Guadalpín), and Robert de Niro dined among other places in the Café de París.

The Real Colegiata de Santa María of Antequera, also in Málaga, was used for some interior scenes and provided many period manuscripts from its own library for the film. The scene in the bullring was also shot here, and Harvey Keitel enjoyed himself dining in the well-known Plaza de Toros restaurant.

The mountains of El Torcal, a local nature reserve, served as the Andes, with a small leap of the imagination and some nifty camera work.

In Toledo we visit the often used Hospital de Tavera and find the Marquesa, played by Kathy Bates, praying for her daughter’s love in a church. As she leaves she passes a sarcophagus, which belongs to Cardinal Juan Pardo de Tavera, who commissioned the building and ran the Inquisition; probably not a coincidence considering the role of the Inquisition in the film.

The scene where the five victims of fate tumble from the broken bridge into a ravine was shot at El Chorro canyon, Málaga province.

The Machinist (2004)

Filmed in Barcelona, and featuring Spanish actress Aitana Sánchez-Gijón, the port of Barcelona and the old fairground at the top of the mountain, El Tibidabo, are featured, as is a ghoulish Christian Bale in his very own slimming movie.

The film was set in Los Angeles, which meant that they had to create all kinds of American cars, signs and traffic signals.

The plot concerns a lathe operator who has suffered from insomnia for a year.

In Barcelona the extravagant Montjuïc cemetery appears, as does the refurbished port area, now an entertainment centre called Port Vell.

Can Tunis, a poor area of the city, is also used as is Clavegueram, a museum dedicated to the city’s sewers. Barcelona airport is briefly seen too, and some scenes were shot in the neighbourhood of Sant Cosme.

Old industrial estates in Sabadell and Sant Adrià de Besòs added their gloom to the general melancholy, and the final scene was shot at the beach between Badalona and Sant Adrià.

It’s all Gone Pete Tong (2004)

A famous DJ in Ibiza begins to lose his hearing and, he fears, his way of life.

Ibiza locations used in the movie include the classic discothèques Pacha, Amnesia, Privilege and DC10, as well as the historic Pike’s Hotel.

The hotel is a bit of a legend; named after a globe trotting adventurer who decided to build his home there, it has become a favourite place among rock stars.

Astonishingly this is a movie with a message…..wait for it…..money can’t buy you happiness and taking drugs is bad for you.

Thank God somebody told me!

In fact I have time for any film that ends with ‘Good Vibrations,’ and the unexpected redemption of the main character and his moral stand surprise and revindicate his initially unpleasant character.

When Frankie begins his lip reading exercises at a beach bar, he is, as the signs tell us, at the Cala Llonga restaurant on the south eastern corner of the island, ordering scotch by the bottleload.

After losing his hearing completely, Frankie runs to the cliffs and stands screaming at the magical islet of Es Vedra of ‘South Pacific’ fame.

We also catch glimpses of the fortress walls of the old town of Eivissa.

Ae Fond Kiss (2004)

A bit of a ‘Romeo and Juliet’ of a film, except that it’s set in Scotland, so maybe it’s a bit more like Macbeth. In fact it’s not much like either as there’s only one family raising objections to the relationship and nobody murders anybody else, although an irate Pakistani father does tear a strip out of a house extension, which is not unfunny.

With the incompatibility (according to some) of a Pakistani boy and a Scottish girl it could almost be Othello, except that Othello and Desdemona didn’t grab a package holiday in Nerja, Málaga, halfway through the story to get away from rainy Scotland in order make the beast of two backs and then have a major row when the boy mentions, as one does afterwards, the trivial detail of his engagement to somebody else.

Rebecca O’Brien of Sixteen Films, who participated in the filming, informed us that they shot in Nerja for two days; 4th and 5th July 2003. 

They filmed at the Portofino Hotel (Calle Puerta del Mar, 2), Cafe Cavanna, on both beaches and on the Balcón d’Europa.

Rottweiller (2004)

The film is actually set in Spain, or it least we are told at the beginning that we are in South Spain and that the date is 2018.

This is however a dark, futuristic version of that fine country, with a robotic dog that has an excessively faithful bent and a desire for revenge more Sicilian than Spanish.

It should be made clear that this is a film with a message, with a hero called Dante and a villain called Rott, which means we can be forgiven for thinking that this will be a story of paradise lost and damnation found.

It is certainly a warning to actors who take on the no-win scenario of sharing screen space with small animals.

The philosophical depth of the film is revealed in highly quotable phrases such as “I don’t believe in destiny;” this briefly before the first of a long run of victims is eaten alive by the true star of the film.

“Sometimes you win and sometimes you lose” and “what’s real?” are two more breathtaking examples of the scriptwriter’s subtlety and finesse.

When the dog conveniently helps our handcuffed hero escape by eating his partner, he finds himself wandering around some magical mountains, which are in fact one of Catalonia’s holiest of places; Montserrat, a 1,236 metre high jagged mountain near Barcelona with a Benedictine Abbey at the top (not seen in the film), which can be reached by cable car.

In his flight from Rover, Dante inevitable finds himself in a foggy cemetery with a ghost. The cemetery, the first to be built in Barcelona, in 1775, is the Cementeri de Poblenou.

The action returns from time to time to an industrial area with a power station, which is in reality the Central Tèrmica FECSA at Sant Adrià de Besòs.

An alley behind a warehouse in Calle Valencia was used to create the impression of a forbidding urban landscape teeming with prostitutes, pimps and pushers.

I think that, philosophy aside, my favourite part is when Dante asks the little girl, who has just seen Rott eating her mother, “are you ok?” Such empathy certainly won me over.

Art Heist (2004)

A very valuable El Greco painting is stolen from a Spanish gallery, specifically the Museo Nacional de Arte Contemporáneo of Barcelona, and a New York art expert Sandra Walker (Ellen Pompeo) is called in. Sandra is divorced from Bruce (William Baldwin), an NYPD detective, and she persuades him to look after their daughter while she’s away. When several people connected to the case are killed, Bruce flies to Spain to help with the investigation.

William Baldwin is the star, although it is Barcelona that shines, with scenes shot in Parc Güell, particularly in the colonnaded Sala Hipóstila,

as well as Montjuïc, Tibidabo amusement park, Pedralbes, Raval and La Rambla, where the spectacular car chase was filmed near the market of Boquería, as well as MNAC (Museu Nacional d’Art de Catalunya) and Barcelona port.

A further robbery takes place inside Barcelona’s gothic cathedral.

Simón Andreu expands his international cachet by playing a Russian art collector under suspicion.

Blueberry (2004)

‘Easy Rider’ meets ‘2001’ with actors from ‘Reservoir Dogs’ (Michael Madsen) and ‘Joan of Arc’ (Vincent Cassel) in a cowboy film where nothing is what it seems, especially if you sit around a camp fire with the Indians, who are mostly too stoned to scalp, apart from one or two not terribly effective exceptions.

Although mostly shot in Mexico and produced in France, the township scenes were filmed in old favourite Texas Hollywood western town near Tabernas, Almería, where sheriff Ernest Borgnine rules from his wheelchair with a sawn off shotgun.

There’s a lot of falling over sand dunes too, which suggests they paid a visit to the spectacular and often filmed dunes of Cabo de Gata.

Fakers (2004)

The film is set in present day London and the Sicily of 1911. Consequently, as Italy looks nothing like 1911, they chose Girona for the Italian job, as Spain can look like any epoch or scenery type that you like.

The opening sequence took place in a remote Catalan village, Pau, east of Figueres, which doubled as a remote Sicilian village, where a tale of art and violence begins.

Children play in the cobbled streets, a solitary fruit vendor takes care of his wares, stone and cast iron railings speak of centuries of permanence, an artist tries to sketch a nude but is distracted by her lasciviousness, and her father just happens to be the local Mafia boss. Oops!

The Birthday (2004)

Despite being set in a hotel in Baltimore, USA, the ‘set’ was built and the whole film made in the Ciudad Audiovisual de Terrassa, in Barcelona.

An entirely Spanish movie made in English with a number of international actors, this film could be an attempt to create a whole new genre, somewhere between ‘Twin Peaks’ and ‘The Shining’ but without the nice mountain scenery. In fact the entire film gives the impression of being an extended avant garde drama class, where everybody is allowed to ‘express themselves’ without the inconvenience of a script or a plot.

Crusader (2004)

A thriller featuring Michael York and Bo Derek and exploring, as if we didn’t already know it, the corrupt, decadent world of the media.  The message is made clear by Michael York, a seedy media Mogul: “the Internet is dangerous” and must be controlled by Big Business.

Filming took place around La Maquinista shopping centre, with a shoot out and pursuit involving the deaths of millions of pieces of popcorn in the installations of Barcelona Football Club, Camp Nou (including some shots of a game where players Etoo and Iniesta stand out) and at various locations in the city of Barcelona.

The connecting shot between the different sections of the film is an aerial view of the city, although in general there is no outstanding use of famous monuments, except in the scene where our hero meets the policeman who turns out to be a villain, at a garden party with a maze, the Parc del Laberint d’Horta.

The film studios of the Antena 3 TV station at Sant Just provide the media backdrop.

Glitterati (2004)

Another story of a young American whose ‘find myself before I accept that job at the corporation’ European trip includes an obligatory visit to Hemingway’s Pamplona, Navarra, as well as Barcelona and Cadaques (Girona).

Cadaques

Romasanta: The Werewolf Hunt (2004)

It’s not easy believing that Julian Sands is Spanish, especially if you’ve seen ‘A Room With a View,’ but in this film he plays a Spanish travelling salesman serial killer werewolf with an original approach to liposuction and environmentally-friendly soap manufacture; which is far more credible I suppose.

In his defence he claims that he was born the 9th son of his father, and therefore the Devil has a claim on him; an alibi that would strengthen the arguments of many a legal aid lawyer or social worker today I suppose, although his many victims would no doubt have begged to differ.

Based on a true story from 19th century Spain, and filmed in Lugo, in Galicia, and in Barcelona, most of the filming takes place in rural Galicia, with its mysterious misty woods, moss-cladden trees and semi-permanent drizzle. Among the Galician scenery we can find Folgoso do Courel, O incio, Seceda, Samos, A Fonsagrada, Esgos, Sierra de San Mamede and Allariz.

We are told that it is 1851, which may explain why the local people’s best form of entertainment is a Punch and Judy show that the village children happily watch before being devoured by the werewolf.

The tiny, rustic church with twin bells that we see after the market scene with happy, frolicking villagers, is the church of Cereixido in the province of Lugo. The tiny, rustic church with twin bells that we see after the market scene with happy, frolicking villagers, is the church of Cereixido in the province of Lugo. Here Romasanta, Teresa and Maria are seen praying in front of the church.

The waterfall scene, which is also when we first see Sands transformed, leading to the deaths of Teresa and Maria, was filmed at Cascada de Vilagocende (A Fonsagrada), in Lugo province.

In Barcelona province, some of the filming took place in the mountain range of the Parc Natural de Montseny as well as the Parque de Collserola, and the hospital where Doctor Phillips attempts to introduce enlightened methods of medicine such as acupuncture and hypnotism, is the 12th century Monastery of Sant Benet de Bages near Manresa.

We see the cloister when the police inspector and Pataky visit the hospital to speak to Antonio, Romasanta’s sidekick.

The wine cellars (an essential feature for any group of monks) were used for the scene where the doctor and policeman examine the victims of Romasanta, whose existence has been concealed.

Our thanks to Montse and Bernat for showing us around the monastery and identifying the locations.

People (2004)

People as in Beautiful People.

Suave Englishman Rupert Everett adds a touch of class as the jet set seek out the matching sunset for their Guccis in all the best places, including Ibiza.

The film moves among the white villas, colourful streets and especially the vibrant nightclubs such as Privilege in four languages including English.

Merlin (2004)

This opera by the Spanish composer Isaac Albénitz was written with an English libretto and this filmed performance was given in Madrid’s Teatro Real.

Teatro Real

Visions of Europe (2004)

25 directors from the 25 nations of the old continent each made a five minute statement about Europeanism.

Spain’s contribution came from Miguel Hermoso and was called ‘Our Kids.’ It consisted of images of a school in Mijas, Málaga, where north European immigration has brought a lot of fair haired kids to the deep south.

Within the Way Without (2004)

The way referred to is the Camino de Santiago, narrated by Richard Attenborough and directed by Laurence Boulting.

Three pilgrims find their way to Santiago in three different seasons and for three different reasons; which pretty much sums up what the Camino is all about.

It’s certainly not about cycling or sending your rucksack on by taxi or just doing the last 100 kilometres, but a personal quest with or without rewards, and always a journey both within and without (a much better title than the Spanish ‘Tres en el Camino’).

There are scenes shot at Roncesvalles in Navarra, where most Spanish pilgrims begin; and at Arleta, Eunate and Puente de la Reina.

Roncesvalles

At the end of the Camino, in the province of A Coruña, we of course visit the Cathedral of Santiago, Monte de Gozo, where pilgrims first catch sight of the Cathedral, and Fisterra, the end of the Camino for those of Pagan persuasion and the end of the world in olden times.

Kingdom of Heaven (2005)

Ridley Scott discovered the 12th century Castle of Loarre (Huesca) while he had been searching for locations to film his ‘1492: Conquest of Paradise.’ The scene showing the castle was originally to be shot in France and is supposed to be France in the story, but the French castles available were not authentic enough to portray France, and Loarre is supposed to be the best preserved castle of the epoch in Europe. This magnificent castle can be seen at the beginning and end of the film, looming over Orlando Bloom’s humble blacksmith’s abode with some humbler mud huts added by the production team.

Loarre: Photo Courtesy Mark Yareham

Scott said of Loarre that the sunsets there were the most beautiful in the world (Spielberg said the same about Trebujena in Cádiz when filming ‘Empire of the Sun,’ so perhaps film directors are prone to exaggerate). Orlando Bloom described the castle itself as “breathtaking,” while Liam Neeson, whose participation supposed his first trip to the Spanish mainland, said that he found the country “mind-blowingly beautiful.”

Built between the XI and XII centuries, Loarre castle was for a long time on the border between hostile Christian and Muslim forces.

In 1020, Sancho el Mayor (1063–94) re-conquered the area from the Muslims and started serious building. In 1073, King Sancho introduced a community of Augustinian monks, and used Loarre as his base for the conquest of Huesca in 1094.

The outermost walls of the castle and their eight towers were built between the XIII and XIV centuries.

Extensive restoration work took place in 1913 and later in the 1970s. Today it is fortunate to have an association of friends to protect its interests and a campaign to have it declared a UNESCO site.

The stars and director of the film spent their free time in the Hotel Villa de Ayerbe, seven kilometres from Loarre, where visitors today can find ample evidence of their stay.

The attic rooms occupied by Scott and Bloom each have a collage of images and press cuttings related to the movie, while Neeson’s room has a similar one outside in the corridor, and two more are to be found in the small bar next to reception.

The owner Antonio proudly shows the guestbook with the thanks given by all who stayed there.

Loarre castle appears twice in Kingdom of Heaven and so it is appropriate that it should have two ghosts; Count Julián and Doña Violante de Luna.

At the battle of the Guadalate River in 711 Julian supposedly betrayed the Visigoth king Don Rodrigo. Julian probably had good cause, as the King had impregnated his daughter, Florinda.

After the defeat the Count and his daughter retreated to Loarre. She committed suicide by throwing herself from one of the towers and the count, after dying, was buried at the entrance to the church of San Pedro so that anyone who entered would step on the traitor.

Since then Julián’s ghost wanders around the castle’s outbuildings weeping disconsolately on nights with a full moon, lamenting his betrayal, which enabled the Arab conquest of Spain.

Some years later in 1410 the King of Aragon, Martín el Humano, died without descendants, and Fernando de Antequera became the new sovereign, with the support of Benedict XIII, better known as Pope Luna. Some nobles, such as the Count of Urgel, Jaime de Aragón, and the Infante Antón de Luna, refused to accept him.

When the Pope learnt that his niece Violante de Luna, abbess of the convent of Trasobares, was having an affair with Antón and supporting the rebellion, he ordered the burning of the convent and the scattering of the nuns.

Violante took refuge in Loarre, which after two months of siege was conquered by Fernando’s men. Violante was arrested and imprisoned, and since then appears on the night of San Juan upon a balcony looking for the reinforcements that her lover would bring to free her. When the moon is full, she can be seen, all in white.

It must get a little crowded on the battlements some nights.

The film was shot during six weeks all over Spain. The Cathedral of Ávila was transformed into a temple of Jerusalem, where both coronation ceremonies were held.

The Catholic Church forbade filming inside the famous Mosque in Córdoba, alleging it would be too disruptive. Perhaps the anti-religion message of the film also had something to do with it.  Lacking Córdoba, the crew went to Sevilla in order to film in the Casa de Pilatos for scenes of the court at Jerusalem. The Jerusalem interiors are a fusion with the exquisitely decorated Real Alcázar of Sevilla.

One of the curiosities of the film is that while Orlando is in the Holy Land, trying to find forgiveness because his wife committed suicide and he killed a priest, his home is at the Palacio de Portocarrero, situated in Palma del Río, halfway between Córdoba and Sevilla, where he teaches the Arabs how to irrigate; curious considering that it was precisely the Arabs who taught Europe this clever trick. His home is attached to the cheap and pleasant Santa Clara hotel and is signposted as a film location with guided tours.

The Celtic castle of Las Cogotas, ten kilometres from Ávila is employed in the scene where Godfrey’s followers are en route to Messina and come across a ranting pilgrim who informs them that killing Muslims is a not only a good thing, but also the road to Heaven. It is here that Bloom first meets his enemy Guy, with Los Cogotas reservoir in the background representing the Med.

Las Cogotas: Photo Courtesy Mark Yareham

The Segovian Boca del Asno forest in the mountains of Valsaín was used for the ambush scene where Liam Neeson is mortally wounded. The exact location is known locally as Los Asientos.

The butchery on the field of battle is only comparable with Scott’s butchery of history, and the film really should carry a History Health Warning. Orlando’s character Balian was not from France, was not an enemy of Guy, did not steal Sabina from Guy and was present at the Battle of Hattin. He was allowed to return to Jerusalem to collect his family and leave, but broke his promise. Whatever, whoever, however; who cares about accuracy?

Sahara (2005)

Although the film was made mostly in Morocco, with emerging Spanish star Penelope Cruz in the line up, it was hardly surprising that some scenes should be filmed across the cradle of civilisation in Spain.

In fact the crew spent a month, mainly in Catalonia’s 320 square kilometre wetland and rice growing zone the Delta del Ebro, Tarragona, specifically in the Peninsular de Fangar, which is famous for its dunes of white sand and mirages. The area is very popular with bird watchers due to the presence of almost 100 species of breeding birds.

It is at the Fangar lighthouse that Cruz is attacked and rescued by Matthew McConaughey, supposedly in Nigeria.

Fangar

While filming there the crew made good use of the Restaurant Figueres, situated on the road to Fangar. Here they did all the make up for the actors and carted food (paella, local mussels and salad) and drink down to the isolated beach for filming.

Two hundred African immigrants from Barcelona were employed in making the film, which ends with a lesson in practical morality. The old dilemma of how to achieve anything in a world where diplomats abort any effort by intelligence agencies to use their means to bring about the ends of the baddies is overcome during one of the final scenes shot in the Hotel Claris in Barcelona, where the baddy in question is given a glass of the very same lethal water that he’d been polluting in Africa.

The film itself is about as believable as an American Civil War ironclad turning up in the middle of the Sahara; but the main thing is that Penelope, as always, got her leading man; for a bit.

Fragile (2005)

Barcelona is the main location, with Clarissa Flockhart as the star. Clarissa’s presence in the city did not go unnoticed, especially when her partner Harrison Ford popped in to say ‘Hola.’

The old Hospital del Torax in Terrassa was used in this thriller, in which things go bump in the night shift, although the interior scenes of the hospital were shot in studios in Barcelona. The Residencia Infantil Emmanuel of Sant Just Desvern, a children’s shelter in Barcelona, allowed the film makers to record children’s voices in their hospital to be used in the film.

The old Torax hospital was an appropriate place to seek help from beyond, as it is beset by rumours of haunting and paranormal activity according to local people. It is now the Parc Audiovisual de Cataluña, where films are made and promoted, although its many ghosts, many of them patients who committed suicide by jumping from the ninth floor, continue to haunt the wards and play with the equipment.

Filming also took place in Sabadell near Barcelona, although most of the exteriors were filmed on the Isle of Wight, including a genuine IOW ferry.

The Hitch-hiker’s Guide to the Galaxy (2005)

Definitely one of the greatest books of all time, although the film probably had too much to live up to for fanatic adherents to the world as perceived by the late, lamented Douglas Adams.

The pre-title sequence about dolphins (narrated by Stephen Fry) was filmed at Tenerife’s Loro Parque. The dolphins, and even the humans, seem to be having a whale of a time despite the impending end of the world.

Loro Parque

The beautiful moon, against which they flip and dive, is of course false, as is the part of the scene where they fly off into space, although the claim that they are more intelligent than humans is an open question.

Soldier of God (2005)

A very politically correct film about Muslims and Crusaders, made in California, where everyone gets on so well because of the nice weather, but with some scenes shot in Spain, which is also a very friendly country, where there have been no religious wars for a very long time.

The Spanish scenes were shot in Málaga province, notably in the Alcázar Moorish Castle, which takes on the role of Syria in the 12th century. The scenes shot here on the 14th June 2004, and seen at the beginning of the film, narrate the arrival of a Templar Knight, Tim Abell, in 1187, to announce the coming war with Saladin.

We see the same castle in some flashbacks, such as when the Templar Knight arrives at an Arab woman’s tent. The castle should look pretty new in the film, as it was actually built in the 11th century.

The Alcázar has a fairly modern ancient ghost, who started throwing stones at a group of women who had taken refuge there during the early days of the Civil War in 1936. Many believe the ghost may have been a Muslim misogynist who had occupied the castle during the Muslim occupation.

The beach at Peñon del Cuevo also appears.

Americano (2005)

From the very beginning we are plunged into the wild exuberance of the San Fermín festival of Pamplona, which takes place every July, as the film opens in front of Pamplona’s Town Hall with the opening ceremony.

This is Hemingway country, and an American travelling around Europe inevitably Hemings his Way to Pamplona, where he meets some people who will change his life; at least until the end of the film, as the festival of bulls, red scarves and white shirts, fireworks, wine and giant twirling cardboard heads unfolds.

Unfortunately a grinning youth steals our hero’s rucksack and the chase is on, although Ryan loses him at the Caballo Blanco restaurant crashing into some tables.

Adela captivates Ryan and leads him on a trail of sensuality, stopping first for a lunch of bull’s tongue and testicles in the legendary Bar Iruña in Plaza del Castillo, whose décor remains as it was during Hemingway’s time, and which has a separate bar filled with Hemingway photos and a bronze statue of the man himself leaning appropriately against the bar, erected in 2006.

Ryan also spends a drunken moment embracing Hemingway’s other statue, next to the bullring that the great man felt so at home in.

Dennis Hopper, eccentric owner of a nightclub called ‘Americano,’ which is in reality the Boulevard Jazz Club, Plaza Félix Huarte, 6, plays alongside his daughter Rhuthanna in this story, with some very Hemingway fly fishing filmed among the mountains of Navarra.

Our group of friends leave the city on bicycles, passing through the city gate and past the city wall, and before they know it have reached the village of Zubieta, where Adela has her country house and swimming pool.

Here we see simple village pleasures as the natives consume the local cheese, ham and wine of Navarra and emanate rural bliss.

There are various scenes involving fishing and swimming, filmed in places such as Indurain, Dantxarinea and Muskitz, as well as the natural parks of Urbasa and Andia, until the sojourn ends with the group emerging from the Foz de Lumbier canyon, with its tunnels carved through rock and its colony of vultures, which is actually quite far away from the other locations.

While absorbing nature, they also catch a glimpse of the Camino de Santiago (Saint James’ Way), which passes through Pamplona, and the seed of an idea is planted, as Ryan will finally follow that trail, which we see him beginning up on a ridge, which is actually the Sierra de Urbasa, which separates Navarra from the Basque Country, and dry from green Spain.

Beneath Still Waters (2005)

The film tells the story of a ghost town in northern Spain, one of many in Spain that have been flooded to build a reservoir. An American journalist played by Michael McKell joins in the investigation, hampered by corrupt officialdom. The flooded town is called Marienbad, which shows that either somebody likes 1960s French films or that nothing good can be expected.

The filming took place around Madrid at Boadilla del Monte, Navas del Rey, San Martín de Valdiglesias, Pelayos de la Presa (which as the name suggests is where the reservoir is located) and Villanueva de la Cañada, with studio work at Estudios Telson, Madrid.

The Casa de Campo, Madrid’s massive park was also used, as were the villages of Buitrago de Lozoya and Villaviciosa de Odón.

Contributions were also made by the Central Hydroelectrica de San Juan, where hopefully the cracks in the dam have since been repaired

Spanish swimming star David Meca participated in the film and demonstrated that as far as acting is concerned, he is an excellent swimmer.

If you like pints of blood with your severed limbs then this is the film for you, although you might hesitate before drinking tap water near Madrid in future.

The common problem of why everybody speaks perfect English all the time is resolved by giving the Spanish actors an accent.

The Business (2005)

What is it about criminals and sunshine? Why do they all dream about lying around on a sun bed under a palm tree in Spain. In this case Almuñécar in Granada province.

Writer director Nick Love spent four weeks sweating over a keyboard in Marbella writing the story.

They spent 8 weeks in Almuñecar, which was chosen because it looked like a village from the 80s.

Some filming also took place in La Línea de la Concepción in Cádiz, including the opening scene filmed there in calle Apodaca.

The Secret Life of Words (2005)

A story of people with wounds; on the inside and on the outside.

Tim Robbins plays the American patient who has an accident on an oil rig, where he is cared for by a mysterious nurse with a soap fetish.

This Spanish production, which takes place mostly on the rig, used three different sites to recreate it, including Bilbao, Vizcaya. The rest of the rig used images from Belfast and studio work done at Navalcarnero, Madrid.

The hospital where Robbins completes his recovery is in fact the Hospital Universitario de Getafe, Madrid.

Julie Christie makes an appearance as a Danish psychologist; I imagine she took up medicine after Doctor Zhivago’s death.

I still haven’t worked out what the goose is supposed to signify.

The Nun (2005)

Another tale from Barcelona based Filmax, specialising in English language films.

In this case a nun has been murdered by her own students in a boarding school, and quite rightly sets out to get her revenge. If only education were always so conclusive!

It only takes a few minutes to realise that the schoolgirls in question are fairly repulsive, their English rarely going beyond four letter words.

There are views of the city of Barcelona, especially the port area as the plot thickens, and a brief view of La Rambla as the heroine goes off in a taxi.

The Parc de Collserola is used for the grounds of the boarding school where the nightmare begins.

Wannabe (2005)

A comedy about a Boy Band singer trying to make it in California, with some footage from Spain.

Deuce Bigalow: European Gigolo (2005)

Cala Sardina (Sardine Cove), aka Playa El Cabrero or Cala Taraje, a beach with dark sand near Torreguadiaro, San Roque, Cádiz, was one of the locations for the film, as was Estepona in Málaga province.

A Midsummer Night’s Dream (2005)

This theatrical performance of Shakespeare’s play with music by Benjamin Britten was acted out and filmed on the stage of the Gran Teatre del Liceu in Barcelona.

A Sound of Thunder (2005)

Once again we have to thank cinema expert José Enrique Martínez for tracking down the brief scene from this film shot in Almería, starring Ben Kingsley and Edward Burns.

When Burns travels back in time alone, he finds himself in arid scenery and on the point of being run over by Native Americans on horseback. He is in fact in the Rambla de Búho, under attack from employees of the nearby Fort Bravo western theme park.

One Day in Europe (2005)

One Day in Europe is a film about football and about the Camino de Santiago.

Various people are in some way affected by the transmission of a football match between the Turkish team Galatasaray and the Galician team Deportivo La Coruña.

One of them is Gabor, a Hungarian photographer on the Camino who is robbed in the Plaza de la Quintana, just next to Santiago’s Cathedral.

The Kovak Box (2006)

A writer, played by Timothy Hutton, whose life starts to take on some of the ‘thrills’ of his books, arrives at a conference in Mallorca.

The conference centre is in reality Son Marroig, the estate that belonged to the 19th-century Archduke Luis Salvador of Austria. Good use is made of the emblematic, cliff-top temple, built with Italian Carrara marble.

The film was written and directed by Majorcan native Daniel Monzón, who spent eight weeks filming on the island, as well as another three weeks in Madrid.

Among the locations used was Palma’s Son Sant Joan airport, one of the busiest in the world, where the central fountain is the scene of one of the many suicides of the film. The site of the fountain is now an unattractive sand pit; perhaps to dissuade further high divers.

Next to the airport is the AC Ciudad de Palma Hotel, where Hutton and co-star Lucia Jimenez stay while trying to sort out the plot, and where the planes taking off and landing almost touch their balcony.

Lucia spends a night with a local DJ before her nightmare begins and we see them picking each other up at a famous local disco called Tito’s.

The seaside promenade in the island’s capital of Palma and the district of Sa Calatrava in the capital also feature, as do various island roads, including the winding mountain roads around Sóller and the motorway near the Son Rossinyol industrial estate, which was closed down during three successive mornings for filming, much to the annoyance of local workers. It was on this stretch of road that Lucia attempts her second suicide in a taxi.

The clinic where Lucia ends up twice, and where Hutton’s wife dies, is in reality the Clinica Palma Planas, which is no secret as all the actors had it written on their lab coats, and the marina where they are taken on their way to meet Kovak after the morgue doctor’s suicide, is the Cala Nova Port Eportiu.

When Hutton goes by boat to visit the villain, he disembarks at a stone jetty, goes up some stairs and then enters Kovak’s lair, a spectacular clinic which is in reality the Hotel Formentor, an icon of the island with previous guests such as Winston Churchill and Charlie Chaplin.

To reach Kovak he walks along a corridor with a blue carpet, which is still there just opposite reception.

The climax of the film takes place at some caves, called the ‘Caves of Hell’ in the film, but which were actually a composite of two important tourist attractions on Mallorca; the caves of Drach and those of Artà. The lake belongs to Drach; it is called Lake Martel and is one of the largest subterranean lakes in the world, which you can take a boat ride on while listening to relaxing classical music, although in the film it is the location where a hundred American tourists commit suicide; not the best kind of public relations, but there you are; at least they paid the entrance fee beforehand.

Incidentally, the ticket seller, whose performance of a man who has recently been shot in the head is very convincing, really is the ticket seller at the Artà caves; so don’t complain if he’s a bit slow in serving you.

The Catalan word ‘drac’ actually means ‘dragon,’ and according to legend, a dragon used to live there guarding a treasure.

On his way to the cave, Hutton stops and looks down upon a headland with a small island just off it; this is the Formentor peninsula, location of the lighthouse where he finally shoots Kovak.

The song that triggers off the victims’ suicides is ‘Gloomy Sunday,’ composed by Hungarian pianist and composer Rezső Seress in 1933 to a Hungarian poem written by László Jávor, in which the singer mourns the untimely death of a lover and contemplates suicide.

The version in the film is sung by Billie Holiday, and the song is supposed to have inspired hundreds of suicides. Seress himself committed suicide in 1968, and the song was banned by the BBC during World War II.

Thanks to Harald and Inge Weissling for their help visiting these locations; and for lunch.

Goya’s Ghosts (2006)

In the 1980s, a visit to El Prado museum in Madrid while publicising his film ‘Amadeus’ (set in Vienna and filmed in much more authentic Prague) gave writer-director Milos Forman an idea for a movie about the painter Goya, but it was 20 years before he was able to return to Madrid to turn the idea into reality.

Goya’s Ghosts stars Natalie Portman, who was cast for the part because Forman noticed her likeness to the girl in Goya’s painting ‘Milkmaid of Bordeaux,’ and Javier Bardem, who looks really Spanish.

The film features scenes at the city’s Parque El Retiro, where we see Natalie Portman cleverly playing her own daughter, now a prostitute, as well as at a residence of the Spanish Royal Family, the Palacio Real de El Pardo, on the outskirts of the city.

There were also some scenes in Madrid’s Ermita de San Antonio de la Florida, where Goya is actually buried.

Photo Courtesy Mark Yareham

Also featured is the 12th century Monasterio de Veruela in Zaragoza province, which since 1994 contains a museum dedicated to wine.

On our visit in August 2011 we were accompanied by Luis, who told us all about the filming in November 2005.

Apparently Natalie Portman spoke good Spanish, as did director Milos Forman, who surprised all and sundry by turning up dressed as a Madrid dustman!

The monastery church is used for the scene where a French soldier on a white horse (Javier Bardem’s brother Carlos) enters to inform of the abolition of the Inquisition.

In the refectory they shot the scene with the monks analysing Goya’s sketches on the look out for heretical content and for some of the trial scenes.

In the room once used to embalm dead (hopefully) monks, Bardem has his ‘tete a tete’ with a still very much alive Natalie Portman in an asylum run by none other than Simón Andreu.

Another scene featuring French Cavalry made use of the tree-lined entrance to the main buildings.

In Segovia filming took place in Calle Real, Calle José Canalejas, the Plaza de San Esteban and inside the Casa de la Moneda (the Mint), which French troops enter shooting in one scene. The filming in Segovia took place on 29th and 30th September 2005, and represented the French troops sacking and looting in Madrid.

In Segovia’s Plaza de San Martin, the entrance to the Bilbatúa’s house was located, and at the church of the same name and location, French troops show their viciousness by hurling a patriot from the tower.

Just north of Madrid in the Palacio Real de El Pardo, the King receives the news of the French King’s execution in the presence of Goya. In the same royal palace they filmed the scenes where Napoleon consults with his ministers and where Ines’s parents beseech the King on behalf of their daughter.

In the nearby Palace of La Quinta, various scenes with Lorenzo (Bardem) were shot, including the one where Goya confronts him with Ines after her suffering at the hands of the Inquisition.

In Boadilla del Monte near Madrid the crew spent 6 weeks filming, mostly in and around the Palacio del Infante Don Luis. The production team had to restore the façade, spending 300,000 euros in the process. Here they filmed scenes of the interior of the Bilbatúa mansion and some scenes representing the Plaza Mayor of Madrid, where an execution takes place.

The 13th century castle of Viñuelas, built by King Sancho IV near Madrid was used for the scene where Goya paints the Queen and for the King’s hunting episode, as was the rocky nature reserve at La Pedriza. Here, in the Parque Natural Cuenca Alta de Manzanares we see Wellington’s army liberating two wagon loads of prostitutes from the French. Great work boys!

The episode in the tavern where French troops carry away the whores leaving a baby under a table was shot in the Cartuja de Talamanca de Jarama, Madrid.

In Alcala de Henares, Madrid, the trial scenes were shot in the Paraninfo of the Universidad Cisneriana.

According to Susana Redondo at the Ocaña Tourism Office, at Huerta de Valdecarabanos, on the road towards Cabañas de Yepes, Toledo, we see Wellington’s army advancing through Spain, and in the nearby mountains they filmed a scene with a French commander addressing his troops before invading Spain.

In San Martín de la Vega near Madrid, Goya’s studio was created in an abandoned 16th century farm building.

In the same building, in the cellars, the dungeons where Ines was held were built.

In the final scene we see Goya, following the executed corpse of Bardem, along a street, Calle Compañia, in the University city of Salamanca, reminiscent of Oxford with its sandstone buildings. Salamanca also provided the Plaza Concilio de Trento.

Calle Compania

That most English of Englishmen, Wellington, was played by Spanish aristocrat Cayetano Martínez de Irujo y Fitz-James Stuart.

Perfume: the Story of a Murderer (2006)

Women’s perfume has always baffled me; I can’t understand why anyone would want to smell like a fruit, unless of course it’s their wish to attract the attention of bears, simians or the entire insect population.

A book, and now a film, about a perfume maker with no body odour doesn’t sound too promising at first; nor does the fact that it turns out to have been Kurt Cobain’s favourite book and the inspiration of Nirvana’s song ‘Scentless Apprentice’.

The film is ostensibly set in France, although Paris in the film is largely the medieval Gothic Quarter of Barcelona and the scenes in Grasse (the French perfume city) were mostly shot in Figueres and Girona.

In the summer of 2005, 350 crew members spent 29 days in Barcelona, mainly in Calle Ferran, where mass murderer Jean-Baptiste first awakens to the full possibilities of all the scents on his first excursion into central Paris.

Although it was well disguised during filming, the opening scene with the birth (and also the final death) of Grenouille took place in the Plaza de Mercé, which is meant to represent the Rue aux Fers of 18th century Paris, appropriately deluged by large quantities of fish and meat. The baroque church of La Mercé, which houses the gothic sculpture of the patron saint of Barcelona, can be seen.

La Mercé

Grenouille locates a perfume shop by following his nose; today you can do the same and find it in the Calle del Vidre 1, although it sells herbs rather than perfume, and is called Herboristería del Rey, founded in 1823.

The shop is at the corner of Plaza Reial, an impressive arcaded square which was built in 1848 by architect Francesc Daniel Molina; before that it had housed a religious convent. You can still see the lamps there by architect Antoni Gaudí and a fountain with Zeus’ daughters Thalia, Eufrosina and Aglae.

Grenouille meets a fruit seller by the Cathedral wall and follows her to Plaça de Sant Felip Neri, where he inexcusably wastes both a beautiful girl and some delicious fruit by killing one and spilling the other after having followed her around Carrer del Bisbe, Carrer Sant Sever and Carrer de la Pietat for a while.

Plaça de Sant Felip Neri

In October the crew moved to Girona, where they spent 8 days. Madame Arnulfi’s home and perfume factory was filmed at Castell de San Ferran, as were Grimalfi’s tannery and the Paris city gates. Its dungeon was used for the prison scenes.

In the Jewish Quarter (El Call) of Girona we can find the little alley, which is really a tunnel through houses built on the rock of the town centre, where Jean Baptiste awaits in order to kill Laura, only to be foiled by the last minute arrival of her overprotective father, Alan Rickman. (Don’t worry; he gets her in the end).

At another moment in the film, Grasse’s Bishop is celebrating a funeral for a murdered nun’s soul, and we can see the gothic church of Sant Just i Pastor in Barcelona’s Placa San Just, where the nun’s body was also found, although the façade was Girona’s Cathedral.

One of Girona’s most popular places is in fact some steps that appear several times during the film, (such as when Jean Baptiste contracts a prostitute whom he later murders) and which are in reality today a sprawling terrace for a bar with dangerously perched tables where locals and tourists come for a pre-supper drink to admire the church portal above.

The staircase, called the Pujada de Sant Domènec, is surrounded by historical monuments such as the 16th century renaissance Palacio de Caramany, the gothic Palau dels Agullana and the church of Sant Martí Sacosta.

The medieval town of Besalú in Girona province provides the impressively long bridge across which Jean Baptiste runs into the Provenze town of Grasse in pursuit of Laura after he first sees her, although he then keeps running rather cleverly up the steps of the Pujada de Sant Domènec in Girona. Surprisingly the director chose to only show half of this magnificent stone bridge, at the other end of which is the Hotel Els Jardins de la Martana, where the filming crew stayed while in Besalú.

The bridge, which dates from the 11th century, has a tower and portcullis in the middle, unseen in the film.

The mountains across which Jean Baptiste treks can be found on the borderlands between Girona and France, and include the mountain range known as the Montgrí Massif. The inn to which Laura flees to escape Jean Baptiste is in reality a rocky peninsular on the Costa Brava, with the villa super-imposed by digital technology.

Poor old Alan Rickman went to incredible lengths to save his daughter from the murderer, and all to no avail as they are tracked down to the inn, where they spend their last night on this side of eternity.

When they arrive, and are greeted by the innkeeper and his wife, they are in fact inside the castle of Requesens, in front of one of the inner gates.

She had fled there with her fussy father after leaving the family mansion, to which Grenouille had tracked her and stalked her as she celebrated her 15th birthday. The celebration is held in the Parc del Laberint d’Horta, Barcelona’s oldest existing park, situated on the north eastern outskirts of Barcelona in Passeig Castanyers.

The façade and terrace in these scenes belong to the Palau Desvalls, situated in the park. The two gardens are the garden of the ‘insane’ (dels boixos), next to the Palau Desvalls, and the maze, which lends its name to the park.

Another part of Catalonia used in the film was Tortosa in Tarragona, where the wide, meandering River Ebro fulfilled its role as the River Seine in Paris. Specifically, the scenes there were shot at the playa del río Ebro (Ebro River beach), situated in front of the Puente (Bridge) del Estado and the railway bridge, near the Roser Church on the right bank, with the cameras located in the Ferreries district in the Paseo del Ebro. The local rowing club collaborated in the filming according to the organisers of the annual Renaissance Festival.

The failed execution of Jean-Baptiste Grenouille, the perfume-making serial assassin, was shot in Barcelona’s Poble Espanyol, a tourist attraction on Montjuïc mountain built in 1929 for the International Exhibition, recreating typical architecture and neighbourhoods featuring 117 buildings, streets and squares from all over Spain.

The opening scene of the film, where Grenouille is led onto a balcony to confront the angry crowd was also shot here; the room and balcony being the replica of Vall-de-Roures Town Hall.

The famous special effects and dance company, La Fura del Baus, helped to choreograph the crowd scenes and subsequent orgy with 5,000 extras. Volunteers were apparently not lacking.

Cargo (2006)

A young German gets himself into a ‘situation’ in Africa and stows away on a cargo ship. The action takes place aboard the ship, which was in fact moored in Barcelona port for most of the filming.

The ship, called ‘Ira’, which means ‘rage’ in Spanish, had been abandoned in the port at the Moll de Contradic (Port de Mercaderies) for three years, making deterioration decorative work unnecessary.

The ship has now sunk, and as such visits by cinema tourists could be a bit awkward.

Tirant Lo Blanc (2006)

Although it is essentially a Spanish film, and one based on one of the most important literary works in the Catalan language- Tirant Lo Blanc by Joanot Martorell- written in the 15th century, the film was made in English with an international cast and actors such as Jane Asher, who plays the Empress, and the lead actor Casper Zafer.

Among the locations used was El Muelle (dock) de las Carabelas in Palos de la Frontera (Huelva), specifically in the Nao Santa Mar, as well as Barcelona, (where some scenes were shot from the balcony of the Palau de la Generalitat in the Plaza San Jaume).

In Madrid the scene, supposedly set in Constantinople, where Leonor Watling and Esther Nubiola whisper to each other over the latter’s bed while she seems to levitate, was in fact filmed in an industrial estate at Fuente el Saz, just outside the capital.

The 18th century castle of Sant Ferran in Figueres, Girona was used between 20th and the 23rd of June 2005.

Tirant’s soldiers’ camp was set up in the moat there, whereas the castle where Tirant rides out (twice) to defeat the Turkish foe, is the oft used castle of Calahorra in Granada province. On the second occasion, the snowy peaks on the Sierra Nevada are clearly visible.

Tirant’s death occurs returning from his strange victory in the Rambla de Búho, Tabernas, Almería.

The whole film is a bit unusual; while the men fillet each other on the battlefield, the women come and go in their palaces, whispering and conspiring during the breaks in the fighting. Nothing ever changes!

Backwoods (2006)

This film will almost certainly do for rural tourism in northern Spain what ‘Straw Dogs’ did for Cornwall, or what ‘Deliverance’ did for White Water sports.

The backwoods in question are in northern Navarra, where two holidaying couples discover the dark side of human nature amongst the extensive beech forests.

The story begins however in the Basque Country near Hendaya, where the two couples are to be found bickering, as couples do on holiday, during a drive along the beautiful coastline of Guipúzcoa province.

Filming took place around Artikutxa and Arantzeta in Guipúzcoa. The former claims to be the rainiest place in the Iberian Peninsula, and certainly there are bucketloads being thrown about, especially at the end of the film.

Artikutxa is a private estate owned, curiously, by San Sebastian city council. Apparently, in order to visit you have to call 943 48 10 00.

If you visit, you will find the farmhouse which, in the film, is the bar where the Englishmen stop for some wine and meet their future enemies among the locals.

In Navarra they filmed near Itxaso, just south of Lekunberri and Erasun to the north of the province near the French border.

But the real stars are the beech forests of Navarra, which initially attract and later trap the two couples, led by ‘Dracula’ himself, Gary Oldham.

In Navarra you can lose yourself, with or without shotguns, in the Irati Forest, the second largest and best preserved beech and fir forest in Europe, consisting of 17,000 hectares spread over hills and mountains.

Unlike the film, in real life the people are friendly and welcoming and there are plenty of nice hotels and guest houses or reconverted farmhouses known as Caserios, where they don’t actually lock their children up in coal cellars like in the film.

Mysterious Creatures (2006)

A story about a couple with a daughter suffering from Asberger’s syndrome. Unable to cope they enter into a suicide pact, which only half succeeds.

The place they choose to end their lives is the popular Los Cristianos beach, Tenerife.

The Deal (2006)

An American living in Sitges, near Barcelona, loses her wine making husband and her daughter in a fire. What Oscar Wilde would call ‘clumsy.’

She decides to investigate and uncovers the usual conspiracy involving Interpol and the Colombian underworld.

According to local cinema expert Francesc Borderia, the film includes a car chase that reaches the San Sebastià beach promenade at Sitges and continues through the narrow streets of the historic centre, including the Town Hall square, climaxing in the square in front of the church.

The Augustus Cavas vineyard, owned by the unhappy couple, is the scene of the explosion that destroys its idyllic main building. The vineyard is situated at Carretera Sant Vicenç El Vendrell, Tarragona.

The cemetery where Laura thinks she is burying her family is in Poble Nou, Barcelona. The gallery where Laura meets the Colombian mafia is an antique gallery in Barcelona’s Eixample, and the FBI raid in Miami was in fact filmed at the marina in Puerto de Llaverneres.

The park, which I think is supposed to suggest the Retiro in Madrid with its boating lake, was in reality a park in Cornellà.

The Escoles Pies in Barcelona is supposed to be the school in Madrid where the wife goes to investigate her husband’s past and talks, while children play behind them in the playground, to the director, who like all Spanish headmasters (and Police Captains and Colombian Mafia) is fluent in English.

During her visit to Madrid, we see some of the landmarks such as the Puerta del Sol and the Santiago Bernabeu Stadium, home of Real Madrid. The emblematic leaning towers of Kia also get a brief cameo.

This may be what they call a spoiler in the business, but personally I find it difficult to suspend disbelief when a man who has been shot four times, makes an upbeat speech to his wife and daughter and then dies with apparent satisfaction and a smile on his lips.

Moscow Zero (2006)

Although set in Moscow, and largely underground at that, the Spanish production team took advantage of the tunnels being built for Sevilla’s underground system for some scenes. They also shot some scenes at nearby Carmona, where the Roman Necropolis was used.

The church of San Luis de los Franceses of Sevilla, an 18th century ornate building which passed into the hands of the state when the Jesuits were expelled from Spain, was used for filming the scenes inside the church.

A snazzy website enables you to explore the church with its ornate interiors, although don’t expect to see panels sliding away and refugees emerging from the walls!

It’s a claustrophobic film, during which we barely see the light of day, and when we do it’s the frozen wastes of Moscow in winter.

Down underground everybody is worried about the Gates of Hell being opened, which is a pity because Sevilla is a happy city with amazing architecture and glorious sunlight most of the time.

Although nearly all the actors are Spanish, everybody speaks English or Russian (I’m guessing) fluently. The exception is Val Kilmer making a cameo appearance and looking in need of a nice shave and shower.

José Manuel Lara from Villanueva de las Minas told us that he was an extra in the film, and that on the 13th and 14th of December 2005 he shivered along with other extras in the galleries of mine number seven in the abandoned Minas de la Reunión playing one of Kilmer’s cohorts.

Find Her, Keep Her (2006)

We know that it was filmed partly in Spain and in the UK, but very little else.

The Stoning (2006)

This German film about Iran was shot largely in Spain and Malta, and has a surprise reappearance of Suzannah (is she still alive?) York.

The Cheetah Girls 2 (2006)

You’ll be surprised to know that this is the follow up to The Cheetah Girls 1. It is also known as ‘When In Spain,’ and is set in Barcelona.

The all girl pop group sing and dance their way around Barcelona and during the song ‘Strut,’ which starts in a bar that is the gothic patio of the Palau Dalmases, we see some rather nice views of the Plaza Born with the Santa María del Mar church in the background, the ceramic terrace of Gaudí’s Parc Güell and the Plaza España with the gardens, fountains and Palau Nacional behind them.

Another song, ‘Performance’ is performed in the Plaza Reial.

Thanks to Margarida Araya for her help on this one.

The Fall (2006)

Tarsem Singh normally makes ads and pop videos, one of which was REM’s ‘Losing My Religion.’ He took advantage of his travels to knock together this film, which was shot over a period of four years and includes footage from over 20 countries, including India, Indonesia, Italy, France, Namibia, China and Spain.

The Spanish contribution was filmed in Toledo province, next to the famous Don Quijote style windmills which continue to draw tourists.

The windmills stand on the slopes outside Consuegra near the 12th century castle, which was a stronghold when Consuegra was the seat and priory of the Knights of San Juan, the Spanish branch of the Knight’s Hospitallers of the Order of St. John of Jerusalem.

The windmills are seen ever so briefly during the witch doctor dance scene when the corpse turns into a map (it makes more sense when you see it).

A suicidal stunt man tells a fantastic adventure story to a little girl with a broken arm and a serious attitude problem, interweaving real and fantasy characters.

The aesthetics make viewing worthwhile, as does the inclusion of Beethoven’s less commercial 7th Symphony.

The heroes are flawed and the villain, Governor Odious, is Spanish. Charles Darwin makes an appearance and gets shot dead for his troubles.

This must, therefore, I’m guessing, be fiction.

Ride Around the World (2006)

The horses are definitely the stars in this film, which Hitchcock would have loved as he once described actors as ‘cattle’.

The film takes us to locations in Morocco, all over the American continent, and to Badajoz.

Xavier (2006)

Liam Neeson narrates the story of 16th-century Jesuit missionary Francis Xavier, who was born in the family castle at Javier, Navarra.

The film is a documentary-style reproduction of the Saint’s life using actors.

The castle’s history is one of defaulting on a loan. It was collateral on money borrowed by a noble from the King of Navarra, Sancho VII el Fuerte in 1223, which was never repaid.

In 1516 the castle was badly damaged in an assault by Castilian troops, seeking revenge because Xavier’s brothers bore arms against the King. It is at the moment of the telling of this tale, at the beginning of the story, that we see the castle and its ‘beautiful tower’, as described by an interviewee.

The 9/11 Commission Report (2006)

This dramatization of the report raises questions about whether the Twin Towers attack could have been prevented, and features among the locations Algeciras, Cádiz, which represents Pakistan, where two terrorists are planning their evil deeds until one sells out the other.

Karol: the Pope, the Man (2006)

This dramatization of the story of Pope John Paul II includes the assassination of Oscar Romero, Archbishop of San Salvador and the Pope’s later visit to pay him homage.

In both cases the cathedral of Guadix, Granada was used.

We see the assassins walking up to the cathedral, on the way to do their dastardly deed, and as the Pope arrives, he is driven into the arcaded main square.

Nobody’s Hero (2006)

This Canadian film about a soldier returning from Iraq used some 19th and early 20th century buildings in Málaga.

One of them was the old tobacco factory, La Tabacalera, built in the first half of the 19th century, and the other was La Térmica, now a cultural centre, but previously a hospital and orphanage, built at the beginning of the 20th century.

Filming also took place in the historic centre around calle Carretería.

Savage Grace (2007)

Many film producers assure their audiences that no animals were hurt in the making of the film, although they rarely mention babies.

In Savage Grace, the baby in question spends a lot of his time in his parents’ smoke shroud as they lean over his cot, ash-dangling fags in mouths. It may explain why he ends up as a dope-smoking hippy in Mallorca.

It’s good to have a film with a message, and the message here is that you shouldn’t introduce your attractive Spanish girlfriend to your bored but still not unattractive father, otherwise you’ll end up alone; or with your deranged mother and her Bertolucci lunar complex.

Although set in New York, Paris, Mallorca and London, the entire film was in fact shot in Spain, and mostly around Barcelona. Spanish habitual Simón Andreu this time tries his hand at playing a Frenchman, Jean Pierre Souvestre.

The platja de les Assutzenes, which belongs to the village of Colera, Llancà, in Girona province represents Cadaqués in 1967, the genuine summer holiday Costa Brava location for the rich family, in a film based upon the true story of the American dynasty of the ‘Bakelite’ fortune. It is here that Tony first meets Blanca.

Sitges, just south of Barcelona, was also used as a location; it is here that we see father Brooks seated with his son Tony and then Julianne Moore with Spanish actress Belen Rueda in flashbacks on the terrace of a restaurant with large windows overlooking the sea. The restaurant in question is El Viver, located above the San Sebastià beach just to the north of Sitges’ historic centre, just below the cemetery.

Owner Margarita Sanchez informed us that the filming actually took place on the roof of the restaurant on a single day’s shooting in August 2006.

Margarita had to feed between 50 and 60 actors and crew from 5 am onwards. The restaurant is very popular, and rightly so, with the stars, who frequently eat here during the Sitges Film Festival. Among the special guests that have dined here are Ralph Fiennes, Anthony Perkins and Anthony Hopkins.

Unfortunately the restaurant has now become a beach bar.

El Greco (2007)

Those were simpler days, when a Greek artist living in Spain was referred to simply as ‘The Greek’ (El Greco), although presumably there weren’t many of his compatriots about, otherwise it could have got confusing.

Visitors to one of Spain’s most monumental cities, Toledo, can visit El Greco’s famous paintings there, particularly in his house, now the El Greco House Museum where, among his furniture and artefacts you can see some of his paintings such as ‘Apostolate,’ ‘San Bernardino,’ the famous ‘View and Map of Toledo,’ ‘The Tears of San Pedro’ and ‘The Redeemer,’ although his most famous painting in Toledo is probably ‘The Burial of Count Orgaz,’ in the church of Santo Tomé.

Mostly shot in Greece and Rhodes, the film also used some exteriors in Manresa, Barcelona and the 12th century Santa María de Santes Creus Monastery (Tarragona) and Solsona (Lleida).

The monastery was founded on murder. Legend tells us that in January 1194 the Archbishop of Tarragona was murdered by Guillém Ramón de Moncada, who was ordered by the Pope to pay for this sin by building the monastery; hence the expression: business is business.

So popular with tourists is Toledo that the film makers didn’t use it, and had to use the Cathedral of Manresa (Basilica de la Seu) to represent both the cathedrals of Toledo and Madrid. Filming took place inside the cathedral, with El Greco praying, and outside.

Forty extras from local theatre groups were employed in Manresa, where the scene in which Francesca appeals for clemency for El Greco from the Inquisition was filmed.

Queen Sophia of Spain, who was born in Greece, attended one filming session in Manresa.

El Greco, or Domenico Theotocopoulos, as his parents preferred to call him, was born in Crete in 1541.

Body Armour (2007)

The film opens in LA and closes in NY, but all the interesting bits were filmed around the city of Barcelona, where an assassin must be protected from other assassins.

There are plenty of good opportunities to see the sights, such as the cemetery of Montjuïc, at the beginning of our visit to the city, where the villains meet to plot dastardly deeds among the gothic tombs, just to let us know that they are indeed villainous.

Before that the plane lands at Barcelona airport and we can see the Barcelona skyline with the impressive Sagrada Familia Cathedral designed by Antoní Gaudí

The assassin turned informer, played by Chazz Palminteri, is holed up in the Hotel Rey Juan Carlos I, Avenida Diagonal 661, and, like all authentic gangsters, is listening to Opera when we meet him.

The plot is so shaky that it would register on the Richter Scale. The US government would hardly cut a deal with someone who’d killed a US Presidential candidate (at least not a Republican one!) and the buses in Barcelona don’t normally drive around town with their doors open.

The streets of Barcelona are used for some nice car chases, and the Barcelona version of the Arc de Triumph is the location for a chase and crash, which sends flower sellers fleeing in all directions. The arch was built by Josep Vilaseca i Casanovas for the 1888 Universal exhibition, to which it was the main access.

During this sequence we can hear some authentic Spanish taxi driver insults: “¡Capullo!” to be exact (it actually means ‘bud’; possibly an oblique reference to Citizen Kane).

The next in a series of fluffed attempts to kill the killer takes place at the Pacha Disco with its famous cherry logo, situated in Avenida del Doctor Mariñon 17.

Here they finally kill the obligatory Vampire bitch killer, who arrives late at all the shoot outs because she has to pose for ten minutes each time.

Next we go up to the Tibidabo amusement park on one of the hills overlooking Barcelona for more shooting and a chance to enjoy the quaint attractions of this popular park, especially the red aeroplane that has continued to fly in small circles over the city since 1901.

Still alive, our heroes escape to a country house that is a tribute to bad taste and which is located near Cardedeu.

With all the baddies dead, it only remains to have a final murder on the steps of the NY courthouse in great American tradition, and for everyone to exclaim “but didn’t he fall to his death in the previous scene?”

Four Last Songs (2007)

‘Four Last Songs’ is a piece of music by Richard Strauss, and these songs form part of the soundtrack in a comedy all about music and the beautiful lifestyle of beautiful people in Mallorca.

Filming took place around the idyllic locations of Deia and Sóller, on the northern coast of the island, with Stanley Tucci, Rhys Ifans and Hugh Bonneville as the stars

Velocity (2007)

A thriller set in the world of professional car racing and featuring the Russian mafia as well as location shots in  Hungary, Czech Republic, Germany, Italy, Russia, Netherlands, Portugal and Spain.

Intergalactic Combat (2007)

The usual ‘beat the Aliens at martial arts or lose your planet’ scenario, with location shots in Barbados, UK, Japan, Korea, Portugal and Spain.

Blackout (2007)

A film that will either give you a lift or ensure that you never get into one again.

Set in the USA but filmed largely in Barcelona, and particularly using the facade of Casa Burés in Carrer Girona 12; three people who urgently need to be somewhere else end up trapped together with horrific consequences.

Irina Palm (2007)

Marianne Faithful survived the sixties, in which she was a sexual icon, to play a grandmother in this film. Unfortunately her grandson doesn’t look like he’ll survive and so Marianne decides to lend a hand.

She looks for employment until she finds an apparently sleazy entrepreneur from the gentlemen’s pleasure industry, whose vocabulary extends to the word ‘euphemism.’

Crafty camerawork means that we never get to see the object of her handicraft, although it becomes pretty clear why she is given the pseudonym ‘Irina Palm;’ and it’s nothing to do with swaying trees on balmy beaches.

In fact the only sight we catch of Spain is a photograph of the entrepreneur’s dream house, which he is having built for his well earned retirement in Mallorca. And this in spite of the fact that, according to the credits, a complete Spanish crew participated in the film, which was also shot in the UK, Luxembourg and Germany.

Despite some sordidness, contrasted with large doses of utter boredom, the film is a surprising celebration of the power of love, and will bring a tear to your callous heart and a re-evaluation of the usefulness of OAPs.

The Heart of the Earth (2007)

Evil British mine owners pit their wits against Spanish miners in the Rio Tinto mines of Andalucía. And when that doesn’t work there’s always bullets!

The film is based on a book that is based on the true story, known in Spain as ‘el año de los tiros,’ ‘the year of the shots,’ in which 14 miners were officially killed, although the real number is believed to be greater.

In Huelva the British influence, from the days when the mines of Rio Tinto were exploited, can still be seen. There is a whole neighbourhood called ‘Barrio de Reina Victoria’ that looks just like a little bit of Brighton or Westward Ho transplanted in the middle of this otherwise not very attractive city, which was destroyed by the same earthquake that devastated Lisbon in 1755.

There is also the Rio Tinto pier, now an attractive venue for young couples hoping to see the same splendid sunsets that attracted Stephen Spielberg to the nearby village of Trebujena, where he filmed the prison camp scenes of Empire of the Sun.

The pier appears in the film, with a superimposed train on top of it. It is from the pier that the bodies of the victims of the massacre are dumped into the sea.

The film was made mainly at the Rio Tinto mines of what is now called Linares de la Sierra. Among the locations is the Barrio (neighbourhood) de Bella Vista which was where British staff, who worked for the Rio Tinto Company and lived a lifestyle more reminiscent of India or Borneo, were accommodated. They had their own Protestant church and the kind of club that would have banned Lawrence of Arabia.

Over 5,000 local people participated as extras and were duly massacred for their trouble.

One of the houses is now the Mining Museum with British colonial furniture to be lounged about in.

Rio Tinto mine was founded by British venture capitalists in the late 19th Century and exploited mainly for its copper. This is the main reason why Huelva is one of several Spanish towns that has a British cemetery. Today the mine has been converted into a theme park, and also a filming location.

The train station used was that of Los Frailes at El Campillo.

Some of the beach scenes were shot at Playa Mazagón, near Palos de la Frontera.

Trigueros is the hometown of the film’s Spanish director Antonio Cuadri, many of whose friends participated as extras in the tavern scenes shot there.

The house of Blanca Bosco (Catalina Sandino) was also filmed there, although it was digitally transferred to the beach of Mazagón.

Hidden Camera (2007)

Yet another thriller from the Barcelona production company ‘Drimtim’

A famous journalist is killed in Barcelona, and his brother trashes this very beautiful city to avenge him.

As the credits roll we see an aerial view of some of the city’s landmarks: the Torre Agbar, the Sagrada Familia cathedral, the National Art Museum, the port, Montjuïc castle and Parc Güell among them.

Somehow North Korea gets involved, but let’s not worry about how.

Among the Barcelona locations were Edificio Principal de Correos (Post Office), Mercado (Market) de la Boquería, La Rambla, Plaza España, Hotel Ritz, the Francia railway station and Palau de Pedralbes.

Goal 2 (2007)

The cunningly titled follow up to ‘Goal 1.’ The film’s story involves a David Beckham style move to Real Madrid, where real Real players like goalkeeper Iker Casillas, Raul, Zidane and Beckham make cameo appearances as the action moves between Newcastle, London and Madrid.

When the move takes place, the Spanish capital gets its cameo with shots of the Puerta de Alcalá and an aerial view of the stadium.

Never Sleeps (2007)

A man delivers parcels to Berlin, London, New York, Reykjavík and Barcelona, but his life consists of hotels and airports. Mustn’t grumble.

The Matador’s Mistress (2008)

The distance between Spain and the Anglo-American world of the cinema has become almost non-existent as Spanish and foreign actors, technicians and directors participate in increasingly international projects.

That most Spanish of New York actors, Adrien Brody, plays that most Spanish of macho men, the bullfighter Manolete.

The director is Dutchman Menno Meyjes, who had previously contributed to scripts for two famous films made partially in Spain, Stephen Spielberg’s ‘The Empire of the Sun’ and ‘Indiana Jones and the Last Crusade.’

Along for the ride is that most international of Spanish actresses, Oscar winner Penelope Cruz.

The first day’s filming took place at a tiny bullring in the town of Matilla de los Caños del Río in Salamanca province, where Brody is seen with his cape doing some passes. In reality he was coached through the film by two famous Spanish bullfighters, Espartaco and Cayetano Rivera Ordóñez.

Bullfighting scenes were shot in Alicante’s bullring, and the streets of Alcoy, also in Alicante province and home of Spain’s most famous Moors and Christians celebrations, can be seen too when the streets around the San Mateo market, such as Calle San Francisco, become the streets around the Linares bullring in Jaén for Manolete’s entrance there.

Some scenes showing Manolete’s early days were filmed in Matarrubia in Guadalajara province, supposedly Cordoba.

Many of the interior scenes were shot in the City of Light studios in Alicante, and also used was the Puerto de Santa María in Cádiz, for Manolete’s visit to Mexico, and filming also took place at the Balneario La Palma at La Caleta beach, which had previously represented Cuba in the James Bond film ‘Die Another Day’. The couple find solace in Mexico, walking on the beaches and talking about having a family, and at the far end of the beach, we can see the castle of Santa Catalina.

In Carmona in Sevilla province, the matador’s funeral was filmed below the battlements of the Alcázar de la Puerta de Sevilla and the mansion of the Marques de San Martín was both Manolete’s patron’s office and the guesthouse where Manolete stayed.

The Alcázar has a lot of history, with a construction started by the Carthaginians between 237 and 206 B.C. Then the Romans arrived as usual.

When they conquered Málaga, the Catholic Monarchs imprisoned the Muslim mayor Amet-el Zegrí there.

A major restoration took place between 1973 and 1975.

Ex-British cabinet member and train enthusiast Michael Portillo has been known to hang around the main square.

Alcázar de la Puerta de Sevilla

The prison scene was shot at the Molino de Marruecos on the edge of town.

At Sanlúcar de Barrameda in Cádiz, where El Palacio de Orleáns, currently the Town Hall, was transformed into the Hotel Sur, Manolete sets off on his last journey, to meet with death in the Linares bullring.

Calle Santiago in Sanlúcar was also used for a scene where Manolete is searching for Penelope Cruz.

Vantage Point (2008)

If you’re going to assassinate the President of the United States, then Dallas seems a rather tacky place, lacking in history. Much better Salamanca, the Oxford of Spain, where the great minds of Europe have gathered for centuries among the sandstone monumental buildings, and where their faces adorn the arcaded Plaza Mayor, including the only non-Spaniard to be found there, the Duke of Wellington, who won the Battle of Salamanca on July 22nd 1812 against Napoleon’s army at the nearby village of Arapiles.

This time it is the leader of the free world who attends a summit on terrorism and addresses the crowds in the very same square, only to be rudely interrupted by shots and explosions.

The aerial view of the car chase that follows was unfortunately the only real opportunity to see Salamanca in all its glory as the Town Hall wasn’t prepared to close down the square for three months’ shooting, which would have deprived the tourists of the free world of the opportunity to sip their sangria around the many terraced bars that make up the square today.

In the rest of the film, that which purports to be Salamanca is Mexico City, and the famous square is a mock up, which is fortunate seeing as how this famous, arcaded tourist attraction is blown up during the film.

William Hurt, Dennis Quaid, Sigourney Weaver and Spaniard Eduardo Noriega star in this film about terrorism. And just to make sure that we understand the subject matter, an ETA graffiti can be seen during the car chase; something that wouldn’t last ten seconds in Salamanca.

This variation on ‘Groundhog Day,’ in which we are condemned to relive the same twenty minutes again and again, with its unrealistic plot, in which a single terrorist can saunter through the President of the United States’ security detachment, is plagued by numerous errors, such as the infiltrated hotel receptionist greeting people in Catalan (“Bon Dia”) instead of in Spanish.

The Bourne Ultimatum (2008)

In true Bond tradition Jason Bourne travels around the world as both predator and prey and is worryingly successful at outwitting the CIA with all its agents and all its expensive paraphernalia.

Madrid was luckier than Moscow, as when Bourne is supposed to be in Madrid he is in Madrid. When he’s supposed to be in Moscow, some of the time he’s actually in Berlin because Moscow got just too damned cold.

In Madrid Bourne foils his pursuers by ringing the police and warning them of the presence of armed Americans. The rapid intervention of the Spanish police and their disarming of the CIA’s agents is gratifying; in real life you’d spend a half hour arguing with some cynical switchboard operator.

The action in Madrid begins at the Atocha railway station before moving to Daniels’ office for Bourne’s encounter with Nicky at a location to be found in Calle de la Virgen de los Peligros. 

Atocha

The meeting between Simon Ross and Neal Daniels takes place in Plaza Santa Cruz, next to the Plaza Mayor.

Matt Damon was so enamoured by Madrid that he stayed on a few extra days with his wife Luciana Barroso to see the sights.

Che: Part 2 (2008)

The second part of Benicio de Toro’s adaptation of Che’s diaries was filmed largely in southern Spain.

The village of Los Navalucillos in Toledo province was taken over by the film makers and turned into the military camp from which Che’s capture was organised.

Among the locations used were the holm oak forests of Huelva province, which served as the backwoods of Bolivia, where the guerrillas trekked from place to place in search of a revolution, as well as El Buitrón, (Muyupampa in the film), where director Steven Soderberg covered up street lights and electricity lines for authenticity’s sake. Specifically footage was shot at Piedras Blancas, El alto de los Barreros and La Fuente de la Picota.

Che’s execution was shot in El Corchado, part of San Pablo de Buceite in Cádiz province, referred to as ‘Villa Los Gálvez’ in the film.

The electric substation in El Corchado belonging to the Endesa electricity company was transformed into the interrogation room where Guevara was shot. A local maize field and several ruins in the area were also used.

Alcornocales Natural Park, which covers 167,767 hectares between Tarifa in the south and Sierra de Grazalema Natural Park in the north, extends across the border between the provinces of Cádiz and Málaga, it is the largest cork forest in the Iberian Peninsula and among the most important in the world.

Here filming took place at the Molino (mill) de Felipe Gómez, la Ruta de Gaucín, where various houses were blown up for the scene when the guerrillas are bombarded by the Bolivian air force, and El Dorado, besides the River Guadiaro, where Che is finally wounded and captured.

Another place used was the Plaza Villa de París in Madrid, which became the seat of the Bolivian government, in which Americans and Bolivians plotted Che’s demise. The building used for this purpose is actually the Tribunal Supremo.

Vicky, Cristina Barcelona (2008)

Unsurprisingly this film was largely made in Barcelona and uses many of the city’s landmarks.

But, to begin at the beginning, Rebecca Hall (Vicky) and Scarlett Johansson (Cristina) arrive at Barcelona’s international airport, El Prat. Actors and crew moved into the 1992 Olympic village area, where they put up at the Hotel Arts, situated in one of the two towers that were built to house the Olympic teams. Many of the crew also stayed there, including the Allen family, who had a whole floor to themselves.

In the nearby Port Olímpic there is a scene where Mark and Judy walk along the Moll de Xaloc.

Filming began on the 9th of July 2007 and ended on the 24th of August, using some of Barcelona’s most emblematic locations such as Passeig de Gracia, where some of Gaudí’s incomparable architectural works can be seen. At Casa Milà – ‘La Pedrera’, Vicky, Cristina and Judy admire the views of Barcelona from the rooftop with its amazing chimneys, from where the Sagrada Familia cathedral can be seen.

The façade of La Pedrera in the Passeig de Gràcia appears again when Vicky and Doug meet with two American friends, Sally and Adam.

All the Pedrera scenes were filmed on July 13th.

When Vicky and Juan Antonio (Javier Bardem) meet again after their trip to Asturias, the scene features the famous ceramic dragon on the steps of Parque Güell, which Gaudí designed to be a housing estate for the rich in the English style.

The famous ceramic dragon can be seen although the water streaming from its mouth had to be slowed down as it was too loud for the microphones. The gatehouse and Bugaderia viaduct also feature.

Vicky is attending Spanish classes, but her ‘school’ is in reality the Hospital de Sant Pau, whose wrought-iron gate with its floral motifs is seen.

Gaudí’s Finca Güell at the end of Avenida Pedralba, also makes a brief appearance when Vicky is waiting for Juan Antonio (Javier Bardem) to arrive in his sports car outside its famous dragon gate.

The visit to a church takes place in Santa María Del Mar, which is the church featured in the famous novel ‘Cathedral of the Sea’ by Ildefonso Falcones.

We also see Vicky and Cristina taking photographs of the Nativity façade of Gaudí’s unfinished Sagrada Familia Cathedral from the Plaça de la Sagrada Família.

The scene with a parade of Devils tossing firecrackers, a typically Catalan festival, was shot in Via Laietana.

The opening scene was filmed on 9th July 2007 in La Barceloneta restaurant in an area near the port of the same name, famous for its seafood cuisine.

One other popular restaurant used was the legendary ‘Els Quatre Gats,’ for the scene of the first meeting with Juan Antonio and the two American girls. It was once frequented by artists like Picasso, although Allen replaced pictures by the old masters with those by modern Catalan painters such as Agustí Puig and Rosa Mujal.

Here Bardem first speaks to his future lovers as the typical Catalan dish, bread with tomato paste and olive oil (pa amb tomàquet) is visible on their table.

The scene was filmed in the main dining room of the restaurant, situated in Carrer Monsió 3, and originally opened in 1897.

The restaurant has been run by the Ferré family for the last quarter of a century, and Silvia Ferré informed us on our visit that the only day the restaurant has ever closed was to allow filming of the scene.

The name, which means ‘4 Cats,’ derives from the fact that it was originally opened by four Bohemians, and that when Spanish people want to say there are very few people present, they say that there are only ‘four cats.’

Picasso was responsible for several posters advertising his favourite eating place, copies of which can be seen on the walls.

Many famous people visit this surprisingly inexpensive restaurant, as can be seen by the photographs on the walls of such eminent diners as ex-US President Jimmy Carter. Many people ask for the table where Scarlett Johansson sat.

Art features heavily in the film, hardly surprising in a city with such an important artistic tradition; one famous artist, Catalonia’s own Joan Miró is honoured when Vicky, Cristina and Judy look at a sculpture by Miró called ‘Girl Escaping,’ a painted bronze created in 1967, on the terrace at the Miró Foundation.

Miró’s work can also be seen at the beginning of the film. When the girls arrive at Barcelona Airport, we see Miró’s ceramic mural outside Terminal B, which was commissioned by Barcelona City Council in 1967.

Furthermore, at what is in reality the Fundació Tàpies the American couple, the Nashes, invite Vicky and Cristina to a private viewing of an exhibition, where we see Javier Bardem for the first time.

In another scene at Plaça del Àngels, where Catalonia’s Contemporary Art Museum (MACBA) is located, Cristina, Vicky and Doug sit chatting at a pavement café and we can see one of the Basque artist Chillida’s sculptures.

Moreover, at the Museu Nacional d’Art de Catalunya (MNAC) Vicky and Judy chat on the steps leading up to the museum.

In the Plaça Sant Felip Neri, Cristina and Juan Antonio invite Vicky and Doug to join them for lunch, and after lunch, which was actually on the terrace of the Hotel Neri, an 18th century palace, the four of them visit the old-fashioned Tibidabo amusement park, perched on a hilltop above the city. This scene was shot on 27th July.

In another moment we can see the luxurious Hotel Casa Fuster (at the top of Passeig de Gràcia-Els Jardinets) where Judy and Vicky have a chat while having tea. This modernist building was constructed in 1908 and restored in 2004, having originally been designed by the Catalan architect Lluís Domenech i Montaner.

Two members of the hotel staff, director Ferrán Rojo and assistant director Cesar Royo participated in the film as extras in the scenes where the hotel was used as a set.

While filming, Allen played several times in the hotel’s Café Vienés Jazz Club with Eddy Davis and Conal Fowkes, members of the band with which he often plays in the Hotel Carlyle in New York.

In the Parc de la Ciutadella María Elena (Penélope Cruz) teaches Cristina photographic techniques; scenes that were filmed on August 13th.

In the internationally famous ‘La Rambla’ Cristina has a stroll while she takes photos of the flower stalls.

Allen actually took over a section of La Rambla between the Belén church and the entrance to the Boquería market for this purpose on the morning of the 10th of July.

In one of the final scenes, Vicky and Cristina are seen sitting at a pavement café in the centre of La Rambla between Carrer Aragó and Carrer Consell de Cent.

At the end of the Rambla, at the entrance to the old port area, now a leisure centre, Allen shows us the sixty metre high statue of Columbus, exiled like Nelson to the top of a column, looking cross and pointing out to sea.

The prostitutes of the red light district of Raval get their own cameo and also in Raval we visit the Bar Marsella in Carrer San Pau 65, whose previous customers included Dali, Picasso, Gaudí and Hemingway. The bar, opened in 1820, is thought to be Barcelona’s oldest.

In this district we see the argument between Bardem and Cruz , which was in Carrer de Sant Ramon.

Barcelona Tourist Office has now prepared itineraries to allow tourists to visit these locations and those of other films made in Barcelona.

While filming in Asturias, with its green rolling hills and spectacular coastline, Allen and his stars stayed at Oviedo’s 18th century Hotel de la Reconquista, which is where we see them arriving in the first scene.

The hotel lobby also appears in the film, as do other locations in Oviedo such as the Plaza de la Catedral, the Tránsito de Santa Bárbara, Plaza de Trascorrales, Fontán market, the Confitería Camilo de Blas, where they taste some chocolates, and the Corrada del Obispo restaurant, where Bardem eats with Vicky while Christina is ill.

Bardem takes us to two churches; first he takes both girls to San Julián de los Prados, also known as Santullano, a 9th century church.

Later he takes Vicky to the similarly 9th century Santa María del Naranco, and then they chat by the lighthouse in Áviles.

Santa María del Naranco

In Avilés we can also see el Jardín Francés (the French Garden) of the Palacio de los Marqueses de Ferrera where they attend a night time guitar concert.

In one scene, supposedly in the hills outside Barcelona, when Penelope Cruz gives Javier Bardem a massage, they are in fact in Asturias, on the Naranco mountain.

The Garden of Eden (2008)

Director John Irvin found Valencia’s historic centre irresistible for the authentic feel of 1920s France, impregnated with that certain ‘je ne sais quois’ that is not only Paris but also the Cote D’Azur in the 1920s

The film, based on Hemingway’s unfinished novel of the same name, stars Mena Suvari, Jack Huston and Caterina Murino. When Huston and Murino make a brief visit to Madrid, the facade of the hotel where they meet Richard E Grant is in fact Valencia’s Notary Association in Calle Pasqual y Genis 21, a building that used to house Valencia’s Stock Exchange. Some of the typical French sidewalk bars of Nice are easily disguised bars and cafés in Valencia’s medieval district, the Barrio del Carmen.

Calle Pasqual y Genis 21

Those locals who like their night life to exude a little ‘joie de vivre’ will easily recognise typical Carmen District landmarks that appear, although somewhat disguised in the film, such as the Plaza del Tossal, El Café de Sant Jaume, el Cafetín, el Estanco, el Marrasquino or la Relojería Grau (the watch shop), all of which are bunched together in a very small area. The Café San Jaume with its little, tree-shaded square is a very popular spot for Valencians to sit outside and read a novel or newspaper, or dream of Parisian life in the 1920s.

Various locations in Alicante province were used, including Alcoy (in and around Calle José), Altea (in whose port five old fashioned boats and their owners were brought up the coast from Torrevieja), Playa Racó del Conill, Ibi and Novelda (where the Modernist museum of Novelda provided a sought after 1920s bourgeois house).

Merche, who is in charge of the museum, informed us that filming took place in the cloister, the ballroom and the dining room, and that furniture was brought in from Paris.

In Villajoyosa a Valencian tiling company, Tejas Borja, was contracted to provide authentic roof tiles for the house where actors Carmen Maura, Jack Huston, Mena Suvary and Caterina Murino played out some of their scenes.

In the city of Alicante itself, filming took place around the Patronato de Cultura (which was converted into a liquor factory), and the Plaza Santa Faz, which purports to be a square in Cannes.

Further south in Murcia province, Archena also offered its delights as did Los Alcazares, where the historic Hotel Encarnacion was transformed into a 1920s French Riviera hotel, ‘Des Voyageurs.’

The hotel maintains its period charm, and when we stayed there in November 2023 we were told that the film was shot in some of the bedrooms, all of which, like the rest of the hotel, contain attractive antiques and furnishings.

Hotel Encarnación

The beachside terrace is an excellent place to eat and at twilight the internal courtyard’s foilage is alive with birdsong.

Deception (2008)

This thriller with Hugh Jackman and Ewan McGregor uses Madrid for some sections, including the Plaza Mayor (the last scene with the crane’s-eye view), the Circulo de Bellas Artes and the Cibeles square, with its famous fountain, in which Real Madrid supporters traditionally celebrate their triumphs.

In the film the colour and architectural curves of Madrid offer a positive contrast to ‘impersonal’ New York, (all straight lines and dark colours), although the researchers must have been distracted when they shot a scene in a bank called Banco Nacional de San Sebastián.

When the would-be bank thieves enter the bank, they are in fact entering the Instituto Cervantes in Calle Alcalá 49, and behind them can be seen (ironically?) the underground stop of Banco de España. The inside of the bank however is not only a different building, but on a different continent; in New York in fact.

The shooting of Hugh Jackman takes place in the Paseo de Recoletos, designed at the end of the 18th century by architect José de Hermosilla on the orders of King Carlos III, most well-known in Spain for his appearance on the label of a very fine brandy.

The name ‘Recoletos’ comes from an old convent of Augustinian Recoleto friars built in 1592 in the area.

Recoletos

If we’re going to be strictly honest, the last scene with Ewan McGregor crossing the Plaza Mayor is a sham; not only is the character in it a stand-in, but the stand-in wasn’t really there either, replaced by a digital insert.

Little Ashes (2008)

The 1920s were one of the highlights of Spanish culture, and in this Spanish version of ‘Brideshead Revisited’ we are told the story of three of its most significant protagonists; painter Salvador Dalí, poet Federico García Lorca and filmmaker Luis Buñuel.

It was made largely in Cadaqués, Girona, and in various locations in Barcelona, such as Paseig Circunvalació, Calle St. Pere Mitjà, Teatre Llantiol, Escola Sant Lluc, Calle Marquesa and Calle Duana, Barcelona’s bullring (where Lorca chats with his would-be girlfriend), Poble Espanyol and Parc de la Ciutadella.

Dalí and Lorca spend an idyllic summer at Cadaqués, and we see the naughty students stealing bicycles from hard-working flat-capped peasants outside the village church and riding them past the strange, rock formations down to the beach around Cap de Creus.

Cap de Creus
Cadaqués

There are also brief interludes when Lorca visits his native Granada, and we can see the pastoral tranquillity of the area and a brief twilight shot of the Alhambra Palace.

The twilight tranquillity is of course briefly ruffled when Lorca is taken out and shot.

Speaking of ‘twilight,’ Dalí is played by none other than blood-sucking Robert Pattison, the only Briton in a completely Spanish cast.

Although located in Barcelona, Casa Burés was used in the film as the student residence where the three great figures lived in Madrid. It is situated on the corner of Calle Ausiàs March and Calle Girona.

Simón Andreu plays Fernando de Valle this time.

The film is named after a Dalí painting: ‘Cenicitas.’

Unnatural Causes (2008)

An American couple who work in advertising get involved in deception (subtle eh?)

We see them in the first scene making an ad in front of the impressive facade of Barcelona’s Palacio Nacional, now the MNAC art museum, on the Montjuïc mountain.

The meetings between Colm Meaney and his accomplice, a corrupt policeman, take place at a viewpoint also on Montjuïc overlooking the port of Barcelona.

The climax, where Meaney and his man get their comeuppance and Julia escapes death on a clifftop, was shot at the impressive meseta, known as El Puig de les Baumes, at Tavaret, 100 kilometres from Barcelona.

The film stars Tara Reid as Julia and Angus Macfadyen as her talented but doomed husband, drinking his way in and out of the snake pit.

Black Forest Gateau (2008)

A bunch of British expatriates decide to pull the perfect crime (no doubt after one too many gin and tonics) in a home made product starring local people and filmed around Fuengirola and Mijas in Málaga province.

The opening scene in a post-office was shot at El Coto, Mijas, despite the bad weather.

The Twisted Tale of Bloody Mary (2008)

A low budget film telling the story of Queen Mary with a documentary flavour. Mostly filmed in Britain, but with an exotic Spanish location, the famous Alcázar Castle of Segovia, which we see in a long shot once Mary has decided to marry Prince Felipe, while he has his doubts, unhappily debating the question with an advisor in the Throne Room.

Ser o Estar (2008)

A young American tries to resolve his mental problems in Spain, where people are merely quixotic.

Filming took place in Alcalá de Henares, Madrid, where Andy arrives looking for solace in the home town of Cervantes, as well as Barcelona, Dos Hermanas, Sevilla and Toledo.

The title loses a lot in translation.

Donkey Punch (2008)

Although this boating version of ‘I Know what you did Last Summer’ is set in Mallorca, the sequence when the girls are in the cab was filmed on the Costa del Sol, as illustrated by the road sign for Belamadena and Torremuel in Málaga, province.

The El Escorial Conspiracy (2008)

Despite being a Spanish production, the film was made in English, with some obvious dubbing of some of the Spanish actors.

As the title suggests, many interiors and exteriors were filmed in the royal Escorial palace, just outside Madrid, including the library and throne room.

Also near Madrid, the old Monastery of Talamanca de Jarama, now privately owned and used in many films, is the scenario of the assassination at the beginning.

Filming also took place in Segovia, at the Alcázar Castle and La Granja royal summer palace, as well as the forest of Valsaín, where the Constable meets the Moorish girl, who is washing clothes in the stream.

In the square outside Toledo cathedral we see the execution of the Moorish servant girl and the Tavera Hospital is also used there, for the scenes where Julia Ormonde practises her fencing skills in the cloister, as were the Puerta de Bisagra (the emblematic town gate, where the King’s Treasurer is assassinated), and the Town Hall Square (Plaza del Ayuntamiento).

Bisagra Gate

The province of Jaén also lent some architecture to the film, including Jaén’s Arab baths, the Sierra de Cazorla mountain range (whose lake features in the picnic between the Constable and the Moorish girl), and the Plaza Vázquez de Molina of Úbeda, where the Princess of Eboli, played by Julia Ormond, is arrested.

In Baeza the area around the Cathedral and the Palacio de Jabalquinto appear.

Some scenes were shot in Ciudad Real province at the Alvaro de Bazan Palace and in the streets of Viso de Marqués.

In Guadalajara the Monastery of Lupiana was used.

The Crew (2008)

Stephen Salter of Benchmark Films informed us that the section of the film made in Spain was shot at Comares near Málaga, although most of the action takes place in Liverpool, where the crew execute their robberies.

The leader of the crew is ripped off by a smooth-talking couple who take his money and flee to a luxurious villa called Villa Tesoro (Treasure), which is also available for rent to non-criminals, infinity edge swimming pool included.

In the last scene the Crew leader arrives at the villa to exact his revenge as the honey sunlight of Spain contrasts with the grim atmosphere of Liverpool. The spectacular views of olive groves do not seem to distract him as he ambles towards the unsuspecting smoothies.

The owners assure us that in fact an insignificant number of their tenants get whacked in a good year.

Reflections (2008)

Timothy Hutton stars in another Barcelona-based thriller by director Brian Goeres. This time a serial killer called ‘Pygmalion’ brings police officer Hutton to the Catalan capital.

Among the locations used were Edificio Fira (Trade Fair) of Barcelona, Forum Barcelona and the Port D’aiguadolç marina in Sitges, where Hutton is informed of Marco’s abduction.

The building with the cloister where Elena works is in fact the Universidad de Barcelona situated in the Plaça Universitat.

There were also various aerial shots both of Barcelona and Ibiza.

Stevie (2008)

Stevie is that ‘imaginary friend’ that most girls grow out of in time, although sometimes he won’t go away without a fight.

All the special effects are there to confuse us as the truth emerges through a series of flashbacks. Before that we can enjoy a haunted sink, a talking fridge and rebellious taps, not to mention a moody doll’s house where Barbie and Ken don’t always get on.

This is one of a number of films shot by American director Bryan Goeres in and around Barcelona.

According to Francesca Ibáñez of Drimtim Entertainment most of the film was shot inside and outside a house in Begues, Barcelona, with other scenes in Valldoreix, in the Port Olimpic de Barcelona, in the Torre Mapfre of Barcelona, in Sant Just Desvern, in the Hotel Hesperia Tower in Barcelona, the Hotel AC Diplomàtic de Pau Clarís in Barcelona, the Hospital de Sant Pau in Barcelona, which represents the orphanage where the mother finds out some of her daughter’s past, and in Can Cabanelles (Mataró).

Other scenes were filmed in boring old LA.

Sing For Darfur (2008)

Shot during October and November 2007 in Barcelona in black and white, the film tries to send a message about the human disaster in Darfur, relating it to the lives of ordinary people.

Plaza Catalunya is one of the locations.

Goodnight Irene (2008)

This Portuguese film was made mostly in Lisbon, but becomes a road movie when widowed Welsh ex-pat Alex, played by Robert Pugh, sets off with a friend to find Irene.

Their travels take them across the border to Cáceres and the old Roman ruins of Baelo Claudia, built in the second century BC on the coast of Cádiz.

Telstar: the Joe Meek Story (2008)

Telstar was a massive hit in the 60s, although the story behind it is far from glamorous.

Con O’Neill and Kevin Spacey star in a film made mostly in London but with a Spanish cameo when Joe escapes to Mallorca (or at least that’s what he says in the meeting afterwards) to cavort on a beach to the music of one of his hits, ‘Have I the Right’ by The Honeycombs.

My Life in Ruins (2009)

The Plaza Adolfo Suárez in Jávea, Alicante became a Greek market for this light comedy, the (sort of) follow up to ‘My Fat Greek Wedding,’ but only in the sense that it’s the same female lead, this time playing a discontented tour guide.

Although the whole film is supposed to be set in Greece, and some of the country’s best attractions, such as Olympia, Delphi and the Parthenon are used, most of the more interesting scenes, such as coach crashes and ice cream stains, take place in Spain.

The Plaza de España in Alicante had to be closed to traffic for three days, and for two days the production team were to be found in Calle Óscar Esplá, where they took over Bar Michelle, in front of the El Piripi restaurant, and calle de Calderón de la Barca became Katia Neokaeovz.

At one point where the tourists can be seen looking down from a beautiful viewpoint, they are in fact at the village of Guadalest, situated just inland from Benidorm. It is here that Nia attempts an ice cream reconciliation with Richard Dreyfus, who is looking down at the reservoir while two tourists act macho in and around a fountain.

Unfortunately, as Guadalest is supposed to be Greece, we don’t get to see any of its eight museums (the one with the medieval torture instruments is my personal favourite) or its startling 13th century hilltop castle, which has been destroyed by earthquakes and artillery fire during its lively past. Not bad for a village with just over 200 inhabitants!

The tour bus traffic accident was actually shot in the mountains of Sierra Gelada, near Alfás del Pí, and as the driver stands on the cliffs by a ruined watchtower, which is the Torre de les Caletes, waiting for the tow truck and talking philosophy to Nia, we can see the landmark, Peacock Island, in the background, situated in the Bay of Benidorm, and named for its shape.

The promenade of Altea, where a nocturnal scene in an idyllic ‘Greek’ port was filmed, is another popular resort on the Costa Blanca with a delightful medieval hilltop square filled with restaurants and bars with impressive views of the sea. As it is the port that is used for the purposes of the film, we only get to see the hilltop in the background in the last scene when Nia finally kisses the now beardless bus driver, which is apparently the whole point of the film, despite the incursions into culture.

Altea Port seen from hilltop

When Nia and her tourists steal Nico’s keys and air conditioning, the coaches are parked in front of the seafront Hotel Miramar in the port of Javea.

The hospital where Richard Dreyfus recovers from his heart attack is the Hospital Clinica of Benidorm, although it is not usually included in most tours.

1,300 local extras were employed on the project, as well as one ghost. Richard Dreyfus’s dead wife was played glowingly by the film’s producer Rita Wilson, who is Tom Hanks’ real life wife.

Green Zone (2009)

No doubt their favourable impressions of Spain while making ‘The Bourne Ultimatum’ led Matt Damon and director Paul Greengrass back here in January 2008.

Some scenes were filmed at Fuente Álamo, Murcia, in an area where a new motorway was being built. The exact location was at a section of the new Alhama to Cartagena motorway near the Venta El Campo.

It was here that the scene of an American convoy driving under an overpass comes across crowds fleeing Baghdad in a panic.

Also in Murcia Las Alcázares offered its old military airbase for shooting. The base, situated to the south of the town, also allowed the film crew to use the local football stadium to store their material and set up their canteen.

Here the scenes representing the exterior of the Republican Guard and Mukhabarat intelligence headquarters were filmed, although the interiors of the palace were done at Freemason’s Hall, Covent Garden.

San Javier military base, academy and airport in Murcia were similarly used to represent the relative security of the Green Zone of post-war Baghdad. Many of the extras were in fact Spanish soldiers, who attended a casting held at the Hotel Los Narejos in Los Alcázares. The Spanish army also lent a large number of military vehicles to the production team.

During the months of January, February and March 2008 Matt Damon and his family stayed in the Royal Suite of La Manga Club Hotel, enjoying the views of El Mar Menor, a 22 kilometre long lagoon next to the coast.

To bid farewell, Matt held a party for all the crew in a hotel bar and signed the visitors’ book in appreciation of the treatment received by the hotel staff.

The Limits of Control (2009)

The Limits of Control by Jim Jarmusch, with Bill Murray, Tilda Swinton and John Hurt was filmed in Almería, Madrid, Toledo and Sevilla.

The story begins in Paris, where the film’s hit man Isaach De Bankolé takes a plane to Madrid, and for his hideout there uses architect Francisco Javier Sáenz de Oíza’s ‘Torres Blancas,’ a bizarre apartment building that had fascinated Jarmusch for decades.

Madrid’s Reina Sofia Museum was another scenario for the film; in fact our cultured hit man visits it several times, seemingly being fond of the Picassos, although we don’t get to see Picasso’s ‘Guernica,’ which is there.

The museum used to be a hospital for tuberculosis patients, and before that, a hospital built generously by King Felipe II as a place where beggars could go to expire.

 From 1965 the building underwent 20 years of abandon until the Ministry of Culture took it over.

In 1990 the mummified remains of three nuns were found during reforms, and many spectres have been seen or sensed, such as an old grey haired bearded man who sits on a bench in the garden, or voices on the staircase, although it is in the basement that most underworld phenomena are detected.

It is there that many poor souls were buried and soldiers tortured during the Civil War, and today it is avoided by security staff.

Bill Murray took advantage of a ten day break in filming to tour Sevilla on a bicycle, while staying at the luxurious Hotel Imperial in Calle Homónima. The Sevillian districts of Santa Cruz, La Judería and the Triana bridge offered their traditional atmospheres as locations.

Seville’s Torre de Oro (Tower of Gold) plays a special role, appearing several times in the background, and also being reproduced as a souvenir lamp in the hit man’s bedroom. It is a dodecagonal military watchtower built in the early 13th century by the Berbers to control access to Sevilla via the Guadalquivir River.

Torre de Oro. Photo Courtesy Mage

The Moorish Alcázar Palace can also be seen, or at least its battlements, behind the square where John Hurt has his meeting with the hit man.

Filming took place in Sevilla in March 2008, and some interiors were shot in buildings used for Sevilla’s Expo 1992. The hit man helps plug the Spanish High Speed Rail system (AVE) by travelling on its first line, built from Madrid to Sevilla.

Spain’s extensive wind farms also get plenty of plugging, no doubt as an oblique reference to Don Quixote, who our Bohemian guerrillas might be imitating in fighting corporate giants.

One Sevilla bar used for the film was El Faro de Triana. The riverside Muelle de la Sal and the Santa Justa railway station also appear briefly.

From Sevilla our message-eating hit man heads by train for Doña María Ocaña station in Almería, but just across the border from Granada province, to meet a cowboy and hand over a guitar.

The strange white house with the vertical garden inhabited briefly by Bill Murray, and where the bloody helicopter finally lands, is in fact on the outskirts of San José in Almería. Its use was recommended by Jarmusch’s friend, the late Joe Strummer of The Clash rock group, who used to pass by the house and think what a good location it would be for a film.

Triage (2009)

Colin Farrell stars as a war reporter, and Spanish star Paz Vega plays his girlfriend.

Christopher Lee returned to Alicante, where he had made two Dracula films previously.

Lee plays Vega’s Spanish grandfather, who collaborated with the Franco dictatorship after the Civil War, a period with its fair share of summary executions.

Apart from the studio scenes filmed at the City of Light Studios of Alicante, location shots were filmed at Xixona, famous for its almond trees and derivatives thereof, where a desert battle scene was filmed, and at Elche, a town famous for its palm trees. The producers went to Elche taking advantage of its rich verdant foliage to shoot the jungle scenes of Africa, while the beaches of Alicante recreated the decadence of old Beirut.

The Palmeral of Elche, a UNESCO World Heritage Site, is the largest palm grove in Europe and one of the largest in the world.

It is believed that the palms were originally planted as early as the 5th century BC by Carthaginians who settled in south-east Spain.

Another area of Alicante province used in the shooting was Sabinar Valley in Sant Vicent del Raspeig, which became the site of a hospital in Kurdistan.

Tetro (2009)

Shot mainly on location in Argentina, ‘Apocalypse Now’ director Francis Ford Coppola’s family drama also used the City of Light studio complex in Alicante, where the world famous director finished off the final scenes, particularly the ballet scenes during two weeks from September 8th.

Many Spanish actors participated, such as ‘Pan’s Labyrinth’ star Maribel Verdu, and Carmen Maura.

Open Graves (2009)

Shot in and around the Basque Country surfing areas of Getxo, Mundaka and Sopelana in Vizcaya, and in Madrid. This horror version of ‘Jumanji’ stands out mostly because of the spectacular Basque coastline.

The port where the skinned corpse is found at the beginning is Bilbao, and the lumberyard where the massive Mamba attack takes place is at Álava Maderas.

One romantic scene takes place between horrific murders at the seaside church of San Juan de Gaztelugatxe, just west of Bermeo, with its winding path reaching up to the church perched on a promontory, just like the one in the wedding scene of ‘Mama Mia.’ It later became a popular screen tourism site after representing ‘Dragonstone’ in Game of Thrones.

The Santa Catalina church above the rocks at Mundaka can also be seen during some surfing scenes.

The Frost (2009)

A joint Spanish-Norwegian effort based on an Ibsen play, ‘Little Eyolf,’ and filmed in Norway and in Norwegian conditions in the Pyrenees, specifically at the spectacular Aigüestortes Natural Park in Lleida province.

Linguistically the film is quite interesting and informative; the Norwegians speak to each other in Norwegian (or at least I suppose that’s what all that noise was), the Spanish and Norwegians speak English to each other and the Spanish speak to each other in Spanish.

Norway is the main setting, although for the mountain scenes involving individuals wandering around and discovering naked bodies in the snow, Aigüestortes was used during a week of filming.

Filming also took place at Gijón in Asturias, for the brief scene at the end when Raúl receives the package and opens it on the seaside prom there.

Ibsen is not the most cheerful of writers and this version hardly radiates joy and well-being. If the cinema is pure escapism, then where can we go to escape from this?

Paintball (2009)

Spain has produced some great painters; Dalí, Picasso, Velázquez, to name but three. None of them appear in this film however.

Those of you who like strolling under a wide canopy of tall trees, enjoying the swishing sway of the branches, could do worse than to visit Collselora in Barcelona province, where they are no longer shooting this film, and where nobody is shooting anybody else anymore.

You could also enjoy Can Catà in the wild forested mountains of Cerdanyola del Valles, without the inconvenience of being hunted down and shot any longer.

Fresh air, flora, fauna, shooting people; the perfect weekend really.

The Damned United (2009)

Is it Tony Blair? Is it David Frost? No, this time Michael Sheen is playing somebody interesting; none other than Brian Clough, described in the film and many places north of Watford as the best manager England never had.

The film concentrates on his brief love affair with Leeds (as in ‘Damned’) United, and he can be seen in the film, as in real life, arguing with Peter Taylor with the crystalline waters of Mallorca as the background, on the Palma Nova beach in front of the Santa Lucia Hotel.

The real argument actually took place there, and in fact Taylor would die on the island years later (although most tourists have a jolly nice time and fatalities are rare).

The Third Testament: The Antichrist and the Harlot (2009)

See the world and change the world! A globe trotting film with stop offs at Menorca, where filming took place at sea, whereas the resort of Torremolinos (Málaga), was used for the scene where Felix encounters Asuka.

Information provided by writer/director Ali Paterson.

Nothing Personal (2009)

Although set mostly on the west coast of Ireland, the film ends up at Vejer de la Frontera, Cádiz, where the film’s enigmatic heroine goes for no apparent reason after sulking through the film to no apparent purpose.

If you thought existential angst died out in the seventies, here it is again in all its excruciating splendour.

Vejer is probably a nice place, although all we get to see is a beach, a typical winding uphill, downhill street and a hotel reception and bedroom.

Watching this with the sound off might make it bearable as the Irish scenery is quite nice.

My Last Five Girlfriends (2009)

A bit like ‘Hi-Fidelity’ plot-wise with a cameo appearance by Michael (how did he get so famous so fast?) Sheen.

When the narrator commits suicide in the first scene, you can be sure of two things; that there won’t be a happy ending, and that there will be quite a few flashbacks.

Actually only one of those certainties is true.

The two scenes in Mallorca, where our hero spends brief, sunsetting, Spanish getaways with both Wendy and Jemma, were apparently shot at Producer David Willing’s villa, proving that making a film isn’t such an unprofitable business if you’re a producer.

An interesting use of toys and dream sequences; although that might have been thrift too.

The Lost (2009)

Nothing to do with planes crashing on desert islands with polar bears, but a Spanish production in English set and shot in Barcelona and directed once again by the city’s greatest fan Bryan Goeres.

A woman misdiagnosed, or not, a desperate sister, or not, and a blackmailed doctor who flies into Barcelona airport to save his reputation.

Among the patient’s nightmare flashbacks is the maze of Parc del Laberint d’Horta, where a house burns down.

Other locations were the salt caves of Cardona, the Barceloneta district near the port and the docks of Barcelona, Montjuïc, Capellades, the Museu d’Història de Catalunya and the secondary school IES Vall D’Hebrón.

Original (2009)

A Scandinavian film in which two characters from the cold north descend upon Barcelona to open a restaurant, looking for sun, sand, sangria and tapas.

English is one of various languages employed.

Just Shy of Being (2009)

Romeo and Juliet in the Holy Land with a Jewish girl and Arab boy trying to make the famous ‘it’ work.

Some of the filming took place in Spain.

Beautiful Blue Eyes/ Iron Cross (2009)

Roy Scheider’s last film was mainly shot in Poland, but with a couple of minor scenes, involving an orchard of medlars and a donkey farm located at Tàrbena, Alicante, although supposedly in South America, where Nazis habitually hide from their vengeance seeking victims.

Categories
Period

1990-1999

THE NINETIES

Bethune The Making of a Hero (1990)

Angel at My Table (1990)

Dr. M (1990)

Navy Seals (1990)

Honeymoon Academy (1990)

Cthulhu Mansion (1990)

Arrivederci Millwall (1990)

The Rift (1990)

The Monk (1990)

City Slickers (1991)

Immortal Sins (1991)

Born to Ride (1991)

Operation Condor (1991)

José Carreras: My Barcelona (1991)

Eye of the Widow (1991)

The Hours and Times (1991)

Under the Sun (1992)

Shooting Elizabeth (1992)

1492: The Conquest of Paradise (1992)

Christopher Columbus: The Discovery (1992)

Revolver (1992)

The Sands of Time (1992)

Inferno (1992)

Don Quijote by Orson Welles (1992)

Fool’s Gold: The Story of the Brink’s Mat Robbery (1992)

Remember (1993)

Death and the Maiden (1994)

Uncovered (1994)

Barcelona (1994)

A Business Affair (1994)

Doomsday Gun (1994)

Land and Freedom (1995)

Two Much (1995)

Vendetta (1995)

Costa Brava (1995)

Sons of Trinity (1995)

Blue Juice (1995)

ID (1995)

The Disappearance of Garcia Lorca (1996)

Evita (1996)

Killer Tongue (1996)

Eye for an Eye (1996)

Wilde (1997)

In Praise of Older Women (1997)

Gaston’s War (1997)

Talk of Angels (1998)

Spanish Fly (1998)

Dollar for the Dead (1998)

Three Businessmen (1998)

Diana: A Tribute to the People’s Princess (1998)

The Sea Change (1998)

Amazing Women by the Sea (1998)

Middleton’s Changeling (1998)

Presence of Mind (1999)

The Ninth Gate (1999)

The World is Not Enough (1999)

Outlaw Justice (1999)

Plunkett & Macleane (1999)

The Last Seduction II (1999)

All The King’s Men (1999)

The Adventures of Young Indiana Jones: Spring Break Adventure (1999)

Camino de Santiago (1999)

The Strange Case of Delphina Potocka or The Mystery of Chopin (1999)

The Delivery (1999)

1990s

Bethune The Making of a Hero (1990)

This film, starring Donald Sutherland and Helen Mirren, was made mostly in China, and tells the true story of a Canadian doctor.

Real footage of Madrid during the Civil War appears in a news broadcast in a cinema, and then Sutherland visits the Spanish capital, walking and running through anonymous streets as the bombs fall.

His arrival there by train takes place at the frequently employed Delicias Railway Museum.

Angel at My Table (1990)

Although most of the film takes place in New Zealand, there is a brief respite in the small village of Puerto de la Selva on the Cabo (Cape) Creus peninsular on Girona’s Costa Brava, and just inland at Selve de Mar, where the children’s funeral scene was shot.

We see a new variation on the coitus interruptus theme, as a woman brings breakfast to an American writer at a rocky cove at Puerto de la Selva, which inevitably inspires him to make love to her to the accompaniment of Flamenco music. Unfortunately (for her) he pauses halfway through to read his latest scribblings, not to her greatest pleasure.

On returning to her house, black-scarfed washerwomen tut tut over their buckets and over her morality.

Dr. M (1990)

Although directed by Frenchman Claude Chabrol, and a remake of a film by Fritz Lang, Alan Bates is the villainous star of this version, in which the action moves effortlessly from suicide-sodden Berlin to the placid sand dunes of Maspalomas on Gran Canaria island.

All over Berlin people are merrily meeting their makers before their sell by dates and thereby causing others to take a well earned holiday.

The last resort in question is called Theratos, which may sound like Greek to you, but which turns out to be situated among the endless sand dunes of Maspalomas.

The spacious hotel that Sonia and Inspector Hartmann visit and learn about Bates’ brain washing programme is in reality the Hotel Riu Maspalomas.

Navy Seals (1990)

The film, starring Charlie Sheen, took advantage of the naval base at Rota and impressive shipping around Algeciras and Tarifa, all in the province of Cádiz, with Almería substituting for Beirut in the last action sequences, when the team complete their mission and save the world from weapons of mass destruction, but in the nicest possible way.

An old sugar factory called El Ingenio, now no longer with us, was used for the purpose.

Cartagena, an important Spanish naval base in the province of Murcia was also used in a film that shows how real men drink hard, play golf badly and kill with moderation. In the scene where an important Arab is kidnapped by the Seals, we see in his bedroom some of the typical green and white ceramic tiles of Almería.

Honeymoon Academy (1990)

A couple honeymooning in Spain cannot avoid getting involved in a counterfeit ring, in a film with Christopher Lee and Kim Cattrall from ‘Sex and the City,’ and footage shot in the medieval village of Pedraza, in Segovia province; and it is there that he is miraculously shot by the otherwise totally incompetent villains.

Pedraza. Photo Courtesy Mark Yareham

Previously they had forsaken Washington and arrived at Madrid’s Barajas airport.

The chase continues with a motorbike pursuit that ends up among the waterfalls and streams of the Monasterio de Piedra spa in Zaragoza.

Later we see them enter a cathedral, where the printing plates used to make perfect forgeries of American currency are found in a confession box. The cathedral in question is that of Segovia.

Denia in Alicante province was another of the locations, as it was here that a car chase began in the pine forests around Jávea on the Les Planes road, and finished at the Marineta Casiana beach, at the southern end of Denia. A ramp was specially built so that the bus involved in the chase could soar into the air and land in the sea.

Our thanks to Toni Reig and Romu Soler of Denia for this information, and for guiding us to the location.

Cthulhu Mansion (1990)

A tongue in cheek (hopefully) horror film by the Valencian director Juan Piquer. Starring Frank Finlay and filmed in Madrid, using Piquer’s studios in Calle Padrillo, and a house in Torrelodones.

Domingo Lizcano, who worked on this and many other films, identified the mansion as Palacio de Panarras.

The cast included William Shatner’s daughter Melanie.

Arrivederci Millwall (1990)

A group of British tourists posing successfully as football hooligans prepare their invasion of Spain for the 1982 World Cup.

Simultaneously the British army is involved in its own excursion to the Falkland Islands.

The title may be explained by the typical football hooligan’s knowledge of geography or modern languages as taught in our finest schools.

Filming took place in Canet de Mar, Barcelona. However, the hooligans seem to be a bit lost; they allegedly land at Santander on the ferry and then start walking and asking for a lift to Bilbao, although the weather and scenery are clearly Mediterranean.

In fact England’s finest don’t seem too fond of Spain (or life) remarking that: “this Spain is a right hole, innit? It’s all countryside!”

As for Canet, only the church (Sant Pere) stands out, along with the Bar Los Pinchos, which quite naturally gets trashed, and, thankfully, the prison cells.

The Rift (1990)

The Rift, also known as ‘Endless Descent,’ was shot mostly in the Estudios Verona de Tres Cantos, Madrid, by the Valencian director and writer Juan Piquer Simón, and tells the story of a submarine attempting to rescue another off the coast of Norway, and finding subterranean homesick monsters.

Some sea scenes were filmed at El Ferrol, La Coruña.

The Monk (1990)

Also known as The Final Temptation, Spanish director Francisco Lara Polop brought to life the novel by Matthew Gregory Lewis, with a cast that included Simon Ward’s daughter Sophie.

The film tells the story of a monk who strays from the path of righteousness in a convent in Madrid in 1767.

In fact, according to Stuart Sutherland of Celtic Films, whose father produced the movie, the monastery used was San Juan de Reyes in Toledo, also used in El Greco, 1966.

The streets around the Plaza Mayor of Madrid and the Alcázar castle of Segovia were also employed according to Stuart.

City Slickers (1991)

During a midlife crisis not even running with the bulls at the San Fermín festival of Pamplona in Navarra can elevate the spirit as much as driving a herd of cows and a swarm of flies across what’s left of the great open prairies of the Wild West, but that’s what Billy Crystal attempts at the beginning of this film.

Actually the whole thing was digitally mastered so that the actors needn’t be gored.

Immortal Sins (1991)

The sins of the fathers transcend generations, and it’s always a good idea to know if any of your ancestors have burnt any witches (or wise Earth Mothers if you prefer) before accepting a castle as an inheritance.

Two Spanish castles: San Paio de Narla in Friol in the province of  Lugo, Galicia, and the Madrid Castle of San Martin de Valdeiglesias are combined to recreate this haunted castle, supposedly located in the Galician village of Baamonde, also in Lugo province.

San Paio de Narla

An American woman arrives at the castle which her husband has inherited, and from then on it’s meaningful cats, spooky dolmens, succubus sex and broken mirrors as the curse of Joaquin is visited upon the heirs of the castle.

The castle appears several times in Hervé Hachuel’s film, usually in fog, and the green Galician countryside can be seen from its battlements.

San Paio de Narla, also known asthe Torre de Xiá is situated on a small hill just outside Friol (and mysteriously poorly signposted). It is eventually burnt to the ground in the film, although it still stands today and is open to visitors.

It was once a fort, and has been a museum since 1983. The original 14th century fortress was rebuilt in the 16th century, with additional works being carried out until the 19th.

In the 15th century it was one of 150 castles destroyed during the Irmandiños revolt against the feudal nobility.

The contents of the museum cover aspects of farming and regional domestic activities as well as local history.

The castle was saved from demolition in 1939 when the provincial government acquired it.

The castle’s ghost is called Berta. In a typical Romeo and Juliet/West Side Story story, the local Lord’s daughter escaped with her peasant lover and hid in the nearby ‘Serpent’s Cave’. Both the serpent and her lover were killed fighting each other, much to the relief of her peeved father no doubt.

Born to Ride (1991)

Definitely a case of if you can’t beat them…..join the US army and invade Spain on a motorbike.

The mission is to rescue an American nuclear scientist and his daughter from a castle near Bilbao, Vizcaya, while pretending to participate in a motor cycle festival.

Some of the racing takes place beside the river in the old part of Bilbao.

All highly believable!

Operation Condor (1991)

Set in the Sahara but filmed near Madrid, Jackie Chan does his Oriental Indiana Jones bit in his search for Nazi gold.

Oscar, who has a web dedicated to La Granja de San Idelfonso in Segovia, informed me that part of the filming took place there.

La Granja is the palace where Jackie has his new mission explained to him following his Indiana stunt (filmed in the Philippines).

We have a grand tour of the palace, both inside and out, and then Jackie is pursued, first in the municipal market and then all over the streets of La Granja village. As he begins his journey, leaving La Granja palace again, we catch a few glimpses of Madrid, including the Cibeles fountain

José Carreras: My Barcelona (1991)

Almost a documentary except that his youth is dramatised by another actor.

As the title suggests, the famous Catalan tenor (part of the famous Three Tenors along with Placido Domingo and Pavarotti) reveals his love for Barcelona.

As he tells his life story we see images of Gaudí’s La Pedrera and Parc Güell, as well as the port, the statue of Columbus, La Rambla, the Teatre del Liceo, the Gothic Cathedral and the stadiums of Barcelona Football Club and Montjuïc, where the 1992 Olympic Games were held.

When he talks of the cancer he overcame we see him in the Hospital Clinic and musing around the Sagrada Familia Cathedral.

We also see him eating with friends in Els Pescadors restaurant in Plaça Prim, Poblenou.

Eye of the Widow (1991)

An interesting cast, including F Murray Abraham and an angry Ben Cross, and some nice locations in Austria and in Marbella, Málaga, where Abraham holds his party in his villa.

Local journalist Paco Griñán identified the villa, which belonged to the notorious Kashoggi family. The mansion, called Al Baraka, is located in the luxurious zone of  La Zagaleta.

When Malko first arrives in Marbella, we see him stepping out of the Toni Dalli restaurant, now called Do Mar, at the exclusive Oasis Club. Dalli was a close friend of another Marbella stalwart, Sean Connery.

Also in the province of Málaga, at Ronda we observe a bullfight in the Plaza de Toros de la Real Maestranza de Caballería, in the same bullring that Orson Welles frequented, with a ‘corrida’ featuring Antonio Ordoñez and the meeting with Avenger Patrick MacNee, playing a merry Englishman abroad.

The Hours and Times (1991)

American director Chris Munch tells the story, as he imagines it, of a holiday in Barcelona for John Lennon and Brian Epstein.

A lot of shooting took place in the Art Nouveau surroundings of the Avenida Palais Hotel, and the Plaza Cataluña, the port with its cable cars and the Ciutadela Park are all seen.

View from the Cable Car

In the latter, Lennon takes photos of Epstein in front of the Cascada Monumental fountain.

Under the Sun (1992)

We all know that there’s nothing new under the sun, but Michael Winterbottom went there anyway, directing a couple of girls from Manchester en route to Africa.

However, one of them goes off with a local boy and the other has to look after herself at Costa del Sol locations such as Nerja and Maro in Málaga province.

Shooting Elizabeth (1992)

Jeff Goldblum stars in a film that would be difficult to make today, a comedy about an American executive hoist by his own petard when he ponders the possibility of murdering his wife while on a second honeymoon staying at the Hotel Eden Roc, situated on the coast at Sant Feliu de Guixols.

 Filming also took place at the nearby Sa Conca beach, along which Goldblum walks after his wife disappears.

The second honeymoon starts at the Girona-Costa Brava airport, as Goldblum dreams his demented dreams and struggles to finish his sentences against the agate waters of the Costa Brava, becoming the typical difficult hotel guest that you never want to have in the next room; one who can’t decide whether to shoot his wife or his pillow, and who makes a lot of noise while doubting. In a word; Hamlet.

The police finally catch up with Goldblum as he catches up with his wife when she is supposedly camping at Montseny in the Catalan Pyrenees, although the filming actually took place in the Parque Regional Cuenca Alta del Manzanares, near Madrid.

Here we can see some of the park’s characteristic rocks, including a rock balancing precariously on another one, which is called ‘El Caliz’ (the Chalice), although the one seen in the film is from Pedralta, in the mountains near Sant Feliu de Guixols. It has been known for centuries as the biggest rocking stone in the Iberian Peninsula, and the second largest in Europe. The upper rock weighs 1,000 tons and used to rock naturally until a violent storm in 1966 sent it tumbling down. It was replaced in 1999, but without its rocking capability.

Goldblum finds his wife with the help of a mountain-walking Catalan, Chinese priest, who is none other than Inspector Closseau’s faithful manservant Burt Kwouk.

Golblum and wife actually live in Madrid, where he is an executive in a mineral water company, where stalwart Spanish actor Simón Andreu also works, and at the beginning we see a brief shot from Goldblum’s taxi of the Fuente de Neptuno, situated in Plaza de Cánovas del Castillo, traditionally the place where Atletico de Madrid FC fans celebrate their triumphs. El Prado museum also appears, when Goldblum goes jogging after he thinks he is free of his wife.

1492: The Conquest of Paradise (1992)

There has been much debate as to whether Christopher Columbus, as we know him, was in fact Genovese, Portuguese, Catalan, Majorcan or even Galician. At the end of his lifetime nobody claimed him; later, when it was decided he had ‘discovered’ America, much to the surprise of the indigenous population, everyone wanted a piece of the action.

Ridley Scott solved the problem by making him a corpulent Frenchman bearing a passable resemblance to Obelix the Gaul, the idea perhaps being to give him a foreign accent.

Scott does get the country right, filming the scenes of Spain in Spain and capturing the wide, open empty spaces of Extremadura from which many of the Conquistadores came, with scenery from Cáceres and Trujillo, home of Pizarro, where they shot the scenes of Columbus arriving in what was supposed to be recently conquered Granada.

In Trujillo Columbus is accompanied by his benefactor Luis de Santangel on their way to see the Queen, passing by the Puerta del Triunfo, the Palacio de Orellana and the Alcázar de los Bejarano.

The scene with the auto de fé used the stairway and church of San Francisco in Cáceres, and Cáceres also portrays Salamanca when Columbus seeks recognition from a tribunal of cosmologists with scenes filmed in the Cathedral of Santa María and the Plaza de San Jorge.

The film begins with the Christian conquest of Granada and the victors trampling through what is supposed to be the Alhambra Palace as Queen Isabel, played by Sigourney Weaver, who also appeared in Scott’s ‘Alien,’ is seen preparing her new kingdom with various documents and giggling ladies in waiting.

In fact the Alhambra is the Reales Alcázares and Casa de Pilatos of Sevilla, where Scott would film the scenes of Jerusalem years later for ‘Kingdom of Heaven.’

Although he flirts with Queen Isabel, Columbus’s wife is played by the far more beautiful Spanish actress Angela Molina, whose appearances during the film mostly consist of staring at Depardieu as if he were transporting her to ecstasy every night instead of turning up every seven years or so with scurvy and a burning idea.

When he finally returns home to her, the interior of her house is in reality the exquisitely decorated Arab interior of Sevilla’s Alcázar Palace.

Spanish actor Fernando Rey is also hanging around, this time as a monk who helps Columbus, despite the fact that he’s quite clearly a dangerous heretic. His home is the Quinta de la Enjarada of Cáceres.

The new cathedral of Salamanca also appears at the end of the film, as do the façade of the University and the church La Clerecía.

The New Cathedral
La Clerecía

The Spanish finally see through Depardieu/Columbus and sling him in the nick, which is described as the Prison of Castille, but which from the outside is a home from home for Columbus, being the Alcázar of Segovia.

Another location chosen by Scott was the Parador Nacionál de Sigüenza (in the throne room and the parade ground) in Guadalajara.

The Parade Ground no longer trembles to the sound of marching feet, but to the chinking of ice in gin tonics, having been transformed into a patio-bar, and the throne room is a gloomy, palatial suite where Parador guests can sit around feeling regal.

Filming took place while the Parador was being reformed. Photographs in the reception area show that the hotel has in fact been converted from a ruin into a very pleasant building.

The exterior appears but briefly, hardly three seconds, as a torchlight procession marches out of the castle, presumably towards Columbus’s ships, for immediately we are in Palos, embarking for the New World, or ‘India’ as Columbus craftily called it.

The film was a stunning failure, despite the fantastic music by Vangelis, the liberal political message, and despite the scenes of stomach-churning violence; or maybe because of all three.

Christopher Columbus: The Discovery (1992)

This film by ‘Bond’ director John Glen competed with Ridley Scott’s version for Spanish government funds and audiences to take advantage of the 500th anniversary of the ‘discovery’ of America.

Both Glen and Scott filmed in Sigüenza in Guadalajara, at the Parador hotel, a historical monument which began its life as an Arab castle built upon a Roman one in the year 1123. Glen used it to portray the Spanish royal court of King Ferdinand and Queen Isabel, for scenes in the courtyard where Marlon Brando made his only film in Spain, portraying the Inquisitor Torquemada.

Sigüenza Parador Parade Ground

Guests at the Sigüenza Parador (since 1976) often report hearing sobbing.

If local legend is to be believed (or exploited), we are dealing with Doña Blanca de Borbón, ditched on the third night of her honeymoon by her husband, appropriately named Pedro I the Cruel, in the 14th century, who then ran off with his lover.

The King imprisoned her in the castle for four years and later in Jerez and Medina Sidonia, where she died, probably poisoned.

Her cell can only be visited once a day on a guided tour, although the rattling of her chains and her eerie white presence have no specific timetable, even though night time is preferable.

Glen also filmed in the main square, the cathedral and the 13th century house of ‘Doncel de Sigüenza’.

Scenes were also shot in the Canary Islands, Talamanca de Jarama near Madrid, and Segovia.

The copies of two of Columbus’s ships were lent to the filmmakers and were sailed from Huelva (whose port at Mazagón was used as Columbus’s point of departure in the film) to Costa Rica in commemoration, and so that the film crew might get a feeling of what the original enterprise involved.

Revolver (1992)

Shot in Barcelona during its Olympic year, with none of the original Beatles participating but with views of the city’s wide avenues and including a glimpse of the emblematic Picasso Museum, Robert Ulrich wheelchairs his way to victory against a Spanish Mafia boss.

Among the Spanish actresses present are Assumpta Serna and Ariadna Gil.

The Sands of Time (1992)

A curious film, supposedly set in Spain but mixing up the Civil War with ETA and not getting either right.

Some ‘revolutionaries’ travel across Spain, with stops supposedly at Ávila, Logroño (which none of the supposed Spanish characters can pronounce) and San Sebastián.

However, the only recognisable location is Pamplona in Navarra, where we see the bullring and Hemingway’s statue outside.

The rest coincides with the American vision of Spain: “go to Europe and turn right.”

Inferno (1992)

A writer tries to overcome his block, without the help of super models like Kate Moss.

Mostly shot in Italy, but with a little help from Barcelona.

Don Quijote by Orson Welles (1992)

Orson Welles’ unfinished masterpiece had a troubled time, being put together over various decades before being tattily finished by a Spanish director.

Sancho Panza leads a delirious Quijote back home after his imprisonment in Pamplona, Navarra and as they arrive and then leave again we see the imposing walls and battlements of the castle of Maqueda, Toledo.

On more than one occasion we see our Quixotic pair travelling through open country with the castle-topped village of Zahara de la Sierra, Cádiz, in the background.

In the same province, Pancho’s promised island reward is in fact the castle of Fatetar, above the village of Espera.

Like Terry Gilliam, Welles had serious problems transferring Cervantes’ masterpiece to celluloid, and unlike Gilliam he never finished it. It was Spanish director Jesus Franco who finally interpreted what the master wanted, and Franco did after all work with Welles.

Like Gilliam, Welles played with the idea of modernising the story. Just before Sancho first sees a telescope, we are treated to a view of a castle. The Alcazaba dominates Guadix, looming over the town but in its centre.

The Romans were the first to build here, although the present castle was built during the X and XI centuries by the Moors.

In 1489 it was surrendered peacefully to the Catholic Monarchs.

During the 19th century Napoleonic invasion, it was used as a cemetery and after the Spanish Civil War it became a seminary, which explains the classrooms and tennis courts.

Fool’s Gold: The Story of the Brink’s Mat Robbery (1992)

Although most of the action takes place in London, there is a scene where some of the ones who got away, namely Clarke, Coles and Kimpton, enjoy a villa, and later a beach bar, somewhere on the Costa del Sol, possibly Marbella, Málaga.

Remember (1993)

It’s a very good advertisement for Amsterdam, but the fiancé who appeared to have committed suicide in fact turns up with some terrorists in Barcelona. Probably did not count on much support from the local tourist information authorities.

Death and the Maiden (1994)

Meirás in A Coruña, Galicia, was used for this psychological thriller, set in Chile and starring Sigourney Weaver and Ben Kingsley.

Roman Polanski used the cliffs of Valdoviño and the sandy beach at Punta da Frouxeira nearby. Polanski considered the cliffs of Galicia, over which Weaver, (playing a variation on Charlotte Rampling from the ‘Night Porter’ to Kingsley’s Dirk Bogarde), pushes her ex-torturer’s car, to be similar to the scenery of Chile where the story is set, with studio scenes shot in Paris.

The wooden house at the beach was built for the film and removed afterwards to preserve the natural beauty of the unspoilt shoreline, whose emerald glory is unfortunately not seen at its best in stormy weather.

The actors and director stayed at the Ferrol Parador, enjoying the unwelcome sunny weather; Polanski had wanted rain for the film but had to resort to the Ferrol fire brigade to water his actors.

The original story was written by an exiled member of assassinated Chilean President Salvador Allende’s cabinet, and the title takes its name from a Schubert quartet, which is played at the beginning and end of the film in a theatre.

Uncovered (1994)

Based upon a book written by Spanish novelist Arturo Pérez-Reverte, the film is a thriller whose storyline centres on the game of chess and an old painting, which reveals its secrets, (hence the title), when being restored.

As the opening credits slip downscreen, we see some of the classic vistas of Barcelona: Gaudí’s Sagrada Familia Cathedral, the aerial view of the port from a cable car that crosses the city, with the statue of Columbus at the bottom of La Rambla.

Kate Beckinsale plays the restorer who sneezes any time a man tries to get serious with her, and who will see the human chess pieces dying off just when they begin to be suspected of the crime: ‘who killed the Knight?’

In order to find a chess expert, Kate visits Gaudí’s Parc Güell, where on the terrace overlooking the city she finds her gypsy making mincemeat out of a Salvador Dalí lookalike.

Helping her is her gay mentor, whose shop and home is situated in Gaudí’s Casa Batlló in the Paseo de Gracia.

She also visits the Torres de Ávila, nightclub, Marqués de Comillas, 25, situated in Montjuïc, and the Sant Antoni market in Barcelona’s Gothic Quarter (after some torrid sex in which she finally cures her allergy) as the chess game unfolds.

The modernist Hospital de Sant Pau is the backdrop to the scene where Kate’s wallet is stolen by some children and recovered by her gypsy.

The Black Queen, who redeems her reputation when she is murdered, lives in the Castillo de Santa Florentina, which in the real world is situated in Canet de Mar, also in Barcelona province.

We visit the castle several times, first to meet the soon to be dead owner of the painting, in wheelchair and with oxygen mask.

The second visit is Kate’s nightmare about the murder of the original medieval knight.

Next, the first of two funerals on a hill conveniently overlooking the castle and what seems to be a motorway in the making.

After Max is arrested, Kate and her gypsy visit the castle at night as the plot unfolds towards its climax.

Finally, the second funeral, and time to catch the last bus home.

Barcelona (1994)

In the summer of 1983 director Whit Stillman was in Spain, playing the role of the American director of a psychiatric institute in a Spanish film called ‘Sal Gorda.’ It was then that he started thinking about the story that would later become ‘Barcelona’, the city from where his wife Irene hails.

A story of two brothers and a coma; when Fred visits Ted in Barcelona, they tour the floodlit city in a car as Ted points out the sights; the Cathedral, “u-huh,” the Roman Walls, “u-huh” the Columbus Monument, “u-huh,” and Passeig de Gràcia, before going for a drink.

At one moment, as Ted goes to work on the Avenida María Cristina, we see the dominating, fountain-fronted Palacio Nacional on Montjuïc mountain.

Although Ted appears a bit dreary, his apartment isn’t; being the modernist building Casa Burés, Ausiàs Marc 30-32, designed by Gaudí contemporary Francesc Berenguer.

The glorious modernist building where Ted is waiting for a woman is the  Palau de la Musica Catalana, Carrer Palau de la Musica 4-6, and the bar they visit is the trendy El Born, Passeig del Born 26.

After the terrorist attack, Fred is taken to the Hospital de Sant Pau. Before that the brothers walk past the cloister of the Catedral de la Santa Creu i Santa Eulàlia, Carrer del Bisbe. The bridge over the street where Ted meets an official from the Consulate is in the Gothic district, also Carrer del Bisbe. The bridge connects the Casa de los Canónigos and the Generalitat palace.

A Business Affair (1994)

A story about a female writer and the men who want to possess her and yet feel threatened by her talent. That’s right; a chick-flick.

In fact all the characters are pretty flawed and when the girl takes off to Spain to stay with friends, Tom Wilkinson (the friend’s husband) meets up with Jonathan Pryce (the husband) in a restaurant that still exists, near Montellano, Sevilla, called La Venta el Potaje, to plot her recapture.

Pryce contracts a bullfighter in the middle of Ronda’s bullring to sleep with his wife in order to win her back.

As I said, a chick flick, but her only true love is her monkey, and no, that’s not a metaphor.

The film makers took advantage of the Easter procession in Ronda, province of Málaga, for Christopher (her editor, her husband’s editor and her lover) Walken’s pursuit of the wife, especially in Calle Real del Barrio. This scene was shot on the 26th March 1993, and the producers paid 18,000 euros for the privilege; a sum that was later donated to the unemployed.

Doomsday Gun (1994)

Predating Desert Storm, the Iraqis are trying to build a weapon of mass destruction and hiding out in the desert of Almería to do so. A prophetic conspiracy theory.

The hideout used was the Cueva de la Molineta.

The Alcazaba castle and the city airport were used to simulate Baghdad, while the doomsday cannons were set up in the Rambla El Cautivo. The Spanish army once again provided the troops.

The Alcazaba castle was used for the scenes where Doctor Bull (Frank Langella) twice meets the Iraqi intelligence people to explain his plans.

After the first meeting he makes his pitch to the Iraqis, some ten minutes into the film, while walking on the battlements, and in the second, at about 55 minutes, he is starting to get a bit nervous about Iraqi ethics as he justifies himself in the patio by the pool of the Baños Privados de la Reina.

A fascinating cast includes Alan Arkin, Kevin Spacey, James Fox and Clive Owen.

Land and Freedom (1995)

It is logical that a film about Spain should be shot in Spain, and in the area where one of the Civil War’s biggest battles took place, Aragón.

The story is about a young working class man from Liverpool who comes to Spain to fight for freedom and finds himself in the middle of the Popular Front’s suicidal in-fighting.

Loach took full advantage of the “spectacular” landscape, as he described it, and of sleepy unchanged places such as the walled village of Mirambel, and Cantavieja, perched on a hilltop, in whose Hotel Balfagon Ken Loach stayed; and also Villafranca del Cid, both of which are in the province of Teruel. He claimed to have been looking for an area that was not spoilt by telephone lines, and he certainly found it.

Rebecca O’Brien of Sixteen Films, who worked on the film, said that they mostly shot between Mirambel and Morella (Castellón).  They filmed the train sequence on the line just north of Teruel, while the trenches were in the hills behind Morella. 

Some street fighting on Barcelona’s rooftops also takes place as the Popular Front scores a hat trick of own goals to the probable amusement of the Nationalist rebels.

Two Much (1995)

Although made by a Spanish director, Fernando Trueba, and with Spaniard Antonio Banderas as the star, the film was in fact mostly shot in Florida. The exception, which took up a mere 5 seconds of the film, was when Danny Aiello tries to impress his two times ex-wife Melanie Griffiths with a firework display and a yacht bearing a trio of Mexican musicians. This scene was shot in the port of Campello in the province of Alicante, just north west of the capital.

Vendetta (1995)

Carl Hamilton is Sweden’s James Bond and he travels to Sicily when the Mafia kidnap two Swedish businessmen, although some of the filming took place on Mallorca.

Costa Brava (1995)

Platja Castell and Cala S’Alguer beaches in Girona province, as well as the emblematic lake of Banyoles, and the city of Barcelona are the backdrop for this Spanish film made in English.

It tells the story of Anna, a tour guide who meets Montserrat, an Israeli teacher in Barcelona, and their relationship, involving occasional trips to the Costa Brava, with additional locations at Sant Antoni, Campellas, Vall de Ribes and Ribes de Freser.

The main activity is centred in Barcelona, and especially on a privileged rooftop with the spectacular towers of Gaudí’s Sagrada Familia Cathedral as a backdrop to Anna’s theatrical monologues.

At various points, and probably to show that Anna really is a tour guide, we see some amateur video shots of the city’s tourist attractions, including Gaudí’s La Pedrera and Parc Güell, plus La Rambla and the Arc de Triomphe.

Monserrat and Anna’s first serious problem and potential breakup takes place in Avinguda Gaudí, with the Sagrada Familia in the background, where the Hospital de la Santa Creu I Sant Pau is Montserrat’s University.

When Montserrat makes a trip by herself to the city of Girona, we see her examining the Hebrew carvings on stones inside the city’s Jewish Museum.

Sons of Trinity (1995)

The successful Terence Hill and Bud Spencer films are exploited here as their ‘sons’ take over their roles and deal with villains in a similar manner.

Tabernas in Almería once again provides the desert and cowboy townships, specifically Fort Bravo.

Fort Bravo

Other scenes were shot at El Búho, Cabeza de El Águila and Benavides.

Blue Juice (1995)

Although this surfer movie is set in Cornwall, there is some time to catch a wave in Lanzarote too. Specifically the large wave that climaxes the action was filmed at Famara.

Christina Zeta Jones and Ewan McGregor appear before fame ruined them.

I.D. (1995)

A story of football hooligans and undercover cops with some filming in Spain, although I don’t know where yet.

The Disappearance of Garcia Lorca (1996)

Joint Anglo-Spanish ventures have become very common in the film world, and this detective story based on British historian Ian Gibson’s research into the murder of the poet García Lorca during the Spanish Civil War includes Spanish sounding American participants such as Andy García and Edward James Olmos.

Inevitably the film is largely shot in Lorca’s native city of Granada, as well as Aranjuez and Madrid.

One location from Granada that stands out is the Biblioteca (Library) de Salón, built in 1917 and situated in the Jardines del Salón y Bomba by the River Genil.

Simón Andreu plays General Velez.

Evita (1996)

Mainly filmed in Argentina and Hungary, although some scenes were also shot in Spain.

In the section where Eva Perón visits Madrid, we see newsreel shots of her in the capital’s streets and her attending a bullfight in the Las Ventas bullring.

Antonio Banderas plays the narrator, Che Guevara.

Killer Tongue (1996)

The four pink poodles are clearly the stars in a film about a gas station in the desert shot in Almería and Madrid, where the Cartuja de Talamanca provided some backdrops.

José Enrique Martínez informed us that filming started on 19th October 1995 around Tabernas and near Níjar at the Cortijo el Fraile as well as Rodalquilar. The Cortijo (exterior) was fused with the spa (cloister) at Alhamilla to create the convent.

Cloister of the spa at Alhamilla

I’m sure that Jonathan Rhys Meyers wishes he’d never accepted a fistful of pesetas to play one of the poodles, who all become human (sort of).

Eye for an Eye (1996)

Although shot in California, this Sally Field, Ed Harris and Keifer Sutherland film, directed by John Schlesinger, contains a video clip by The Cranes, which shows images from Tabernas, Almería and La Calahorra, Granada, and which gets killer Keifer all excited.

Wilde (1997)

This version of Oscar Wilde’s story begins (where else?) in the Wild West, when Wilde visits a silver mine in Leadville Colorado in 1882 and charms the miners with a dash of philosophy. The sparse brown hills are in fact however the hills of Alicante, where the shacks and tents of the miners are today the multiple villas of this popular area for ex-patriates of all nations.

The rest of the film is all about chaps getting into bed with other chaps against a background of nice clothes, elegant furnishings and the leisured classes who seem to live life in slow motion.

Orlando Bloom makes his debut appearance, but bloom he does not as a rent boy, and Jude Law and Vanessa Redgrave co-star.

When Bosie (Jude Law) and Robbie Ross are talking about the future, supposedly in Italy, they are in fact in Granada, in the cloister of what was the Convento De Santa Paula, now a hotel situated in Gran Vía de Colón.

The cemetery where Wilde visits his wife’s grave was also in Granada, in the Cementerio Municipal, where her grave, which is in reality in Genoa, Italy, was recreated in patio number 3.

Wilde and Robbie (played by Michael Sheen) drink wine and talk about Wilde’s plans in at a café, which was situated on the corner of Calles Escuelas and Málaga. Behind them we can see a park, which is the University Botanical Gardens.

 Oscar and Bosie meet up again in front of Granada’s cathedral, in the Plaza de las Pasiegas, a meeting that in reality took place in Rouen, France.

The city’s Hospital Universitario Virgen de las Nieves was also used.

In Praise of Older Women (1997)

The woman concerned is none other than Faye Dunaway, a Countess who has been caught up in the Spanish Civil War, and has to talk her way out of trouble in English.

Among the many Spanish locations are: Alella and Esparraguera in the province of Barcelona, as well as Barcelona itself, particularly the Palau de la Música theatre, or la Plaza de las Ollas, where the bus arrives in the city.

We can also witness the delights of Calella de Palafrugell and Torroella de Montgrí and Fontanilles in Girona province, as well as Girona itself.

At Estación de Canfranc, Huesca, Bobi, an Italian violinist and Andrés meet up when she is on her way to Vichy France for a concert.

La Iglesuela del Cid and Mirambel in Teruel province and Villafranca del Cid, Castellón also feature.

Gaston’s War (1997)

This Belgian film tells the story of a resistance fighter helping pilots to escape to Spain.

He helps two RAF pilots reach Barcelona, passing through the Pyrenees mountains into Girona province.

Simón Andreu as Pépe also lends a hand.

Talk of Angels (1998)

Filmed in the north of Spain, it is the story of an Irish woman who comes to Spain to escape the political turmoil of Ireland, arriving ironically just in time for the eve of the Spanish Civil War.

Frances McDormand stars and a young Penelope Cruz participates among lots of the best Spanish actors.

A mansion featured in the film is the Palacio de Los Altares just outside Pancar near Llanes, Asturias, although the building was practically destroyed by a fire in 2003.

The scenes in the town were shot in the capital of Asturias, Oviedo, whose historic centre preserves its old world character, including the iconic Cafetería Peñalba, which had long since been demolished when the film was made.

A lot of the action, including the dance where Mary and Francisco get intimate, takes place in the Plaza de la Catedral.

However, in one instance, when Mary meets the first of the group of Irish women, who helps her escape from a riot, we see them exiting the Basilica de San Miguel, in calle San Justo, Madrid.

The beautiful coastal scenery was shot around Llanes, including the scene at the beach with a large rock just off the shore, which is Ballota beach, where Doctor Vicente’s family go on an outing.

There is also a scene at the sailors’ church and amazing cemetery of Niembro, near Llanes, built at the end of the 18th century, where Frances McDormand confesses her love for Mary.

The chapel in the mountains visited by Francisco and Mary is the Ermita de San Frutos in the Hoces de Duratón Natural Park, Segovia. The idea of them driving there from Madrid in a 1936 car is quite absurd; even today it’s quite a task, especially the last 5 kilometres on a dirt rack, although well worth the visit; at least the multiple vultures seemed to think so!

In Oviedo we can find the cloister where the priest, the great, late Spanish actor Paco Rabal threatens Franco Nero, which today is part of the Museo Arqueológico de Oviedo.

Our thanks to Javier Bouzas of the Asturias Film Commission for his help in identifying locations.

There is also a brief visit to Madrid, where the fountain of Cibeles can be seen.

Spanish Fly (1998)

This is the story of a female journalist investigating the Spanish macho male, using scenery in and around Mojácar, Almería and especially the coves around the El Cantal Camp Site.

The crew lodged at the Hotel Moresco in Mojácar, and filming took place at Macenas and El Cantal beaches; at the latter they shot the scenes of the Hotel El Sol.

The seaside village of Garrucha also features, especially its promenade, while in Madrid filming took place at the Teatro María Guerrero, C/ Tamayo y Baus, 4.

The story begins in Madrid, where writer, director and actress Daphna gets a bit lost. A taxi, where a recording of James Brown singing ‘It’s a Man’s World’ very significantly, leaves her at the Plaza Mayor, where she chats to some French girls. She then makes her way to the Paradox bookshop (now closed) in Calle de Sta. Teresa, 2, where she meets a professor.

Another taxi ride past the Cibeles fountain and then we see her jogging by the lake in El Retiro park.

She also finds time for a bullfight at Las Ventas bullring, and then it’s off to Mojácar with Antonio, played by Toni Cantó, an actor now better known as a politician, notorious for swapping parties like others swap shirts after a match.

Dollar for the Dead (1998)

Emilio Esteve takes on Clint Eastwood’s spaghetti persona for a film made in the locations of the good old days when giants like Sergio Leone walked the gulleys and corrals of Tabernas in Almería and the wastelands around Madrid to bring death and glory to the screen.

One example from Almería is the El Condor fort, built for a film of the same name and used in many movies.

La Cartuja de Talamanca del Jarama near Madrid once again lent its entrance for one scene of this film when Estevez and compadre approach the prison and see the execution stake, as well as the church crypt scenes, when the gold is finally found.

The film is a self-confessed tribute to Leone, including cheroots, slo-mo shooting, a touch of opera and even a three way shoot out at the end as in ‘The Good, the Bad and the Ugly.’

Esteve would years later return to Spain with his father Martin Sheen to make ‘The Way’, a film in which Spanish actor Simón Andreu, a gunslinger in this film, reappears as a pilgrims’ hosteller.

Three Businessmen (1998)

According to director Alex Cox, it’s the story of Three Wise Men who search the Earth (Liverpool, Paris, Rotterdam, Hong Kong, Tokyo) for their dinner and end up finding the re-born Messiah in Los Albaricoques, Almería.

Cox also made ‘Straight to Hell’ in Almería.

Diana: A Tribute to the People’s Princess (1998)

Bosnia, Angola, Sardinia, Greece, the French Riviera and Pakistan; Lady Di’s life was a frenetic series of trips all over the world. However, the director and co-producer of this film, Gabrielle Beaumont, lives in Mallorca, and so that delightful island had to fill in for all those other places; perhaps so that she wouldn’t have to get someone in to feed the cat.

Puerto de Sóller was one of the locations used to tell the tale of Di before she died. It represents Greece as she strolls through the fish market and then has lunch with a friend in the restaurant with the treacherous waiter.

In the opening scene Diana is chased through the streets of Palma around the Plaza Mayor by paparazzi.

The Sea Change (1998)

One of the settings for the film is Barcelona airport, which has the unfortunate name of El Prat (which means ‘the meadow’).

Actor Ray Winstone adds a touch of class to the film, working class actually.

A stuffy English businessman finds himself during a business trip to Barcelona, when his flight home is diverted to Madrid.

A lot of the action, including the obligatory lobster race, takes place in the Hotel Aeropuerto; in reality the AS Hotel Bellaterra near Barcelona, although there they don’t have a pool in which to find redemption fully clothed.

During ‘Rupert’s’ taxi ride around Barcelona we get brief glimpses of the port area and the bullring.

Spanish director Bigas Luna directed.

Amazing Women by the Sea (1998)

This Finnish film shot mostly around Helsinki, also contains footage from Mallorca.

Even though they are amazing, this doesn’t stop one of the women poaching the other’s husband.

Middleton’s Changeling (1998)

A rare film with Ian Drury, as well as Billy Connolly, in which a modern version of a 17th century tale involves jealousy and murder, shot in the province of Alicante, specifically in the castle of Santa Bárbara, where the original story was actually set.

Director Marcus Thompson pointed out: “Shot at Pinewood Studios, but Spanish locations included the Palmeral de Elche, the Plaza Santa María and interior of the Basilica Santa Maria, Alicante, Rambla Méndez Núñez, and in and around the castle of Santa Bárbara. We also shot on the road that runs alongside San Juan Playa.”

Palmeral de Elche

Presence of Mind (1999)

Filmed almost entirely at the Raixa Estate, Serra de Tramuntana, Bunyola, Mallorca, where some of ‘Evil Under the Sun’ had been made back in 1982, this ghost story is an adaptation of Henry James’s novel ‘The Turn of the Screw’ starring Lauren Bacall, Sadie Frost and Harvey Keitel, and directed by local boy Antoni Aloy.

Most of the action takes place at Raixa, which goes under its real name and is situated “abroad” in the film. The fountains, pond and stone staircases all add a touch of Mediterranean decadence.

It is at the pond that the boy fakes his own drowning, and on the stone staircase that he meets the mysterious man who lives in the tower above the estate.

All of these locations are there just as they were in the film, as is the entrance gate and the courtyard.

The estate was undergoing reforms and was not open to the public in the summer of 2011 on our visit, although we were fortunate enough to get a personal tour by geographer Toni Colom, who was overseeing the works.

The stars were lodged in the luxurious, peaceful, hilltop hotel, Son Net in the village of Puigpunyent.

The Ninth Gate (1999)

Johnny Depp was obviously chasing the Oscar for the most politically incorrect performance in this film. Apart from the trivial matter of cheating the greedy relatives of deceased valuable book owners out of their money, what is surely far worse is that not only does he light up before getting into a lift, but he never examines a single, invaluable antique book without dropping burning ash onto it.

It is a nice little pun therefore when the bookshop he visits in Toledo is owned by the Ceniza brothers (‘ceniza’ meaning ‘ash’ in Spanish). The brothers quite naturally speak excellent, idiomatic English, as booksellers in remote bookshops in the back streets of Toledo usually do.

In fact the two actors are one and the same. They are both José López Rodero, who is not even an actor but was an assistant director and production manager on the film.

Toledo is one of Spain’s most beautiful cities, with an architectural heritage spanning many centuries, and although we are treated to some fine Arab brickwork, we really only see a narrow street, which is Calle Buzones if you really want to go there, with scaffolding, which is only there to fall on Johnny Depp as a warning, and should not be seen as a habitual occurrence in the Spanish construction industry which, unlike the tobacco industry, probably refused to subsidise the film.

At Depp’s Toledo hotel he has a reencounter, fag in hand, with Emmanuelle Seigner (‘the girl’ in the credits) and then receives a call from the evil Frank Langella, in scenes filmed in the Hotel Carlos V, where John Wayne stayed while filming ‘Circus World’.

The town’s railway station also appears, but after Depp leaves Toledo. The station was designed by architect Narciso Clavería y de Palacios in the Neo-Mudéjar style, and opened in 1920.

The Mayor of Toledo was delighted to have Roman Polanski filming in the city and asked why such a famous international film director should choose Toledo.

Polanski, who actually worked on the script in Ibiza, had to inform him that the book on which the film was based, ‘El Club Dumas,’ by top Spanish writer Arturo Pérez Reverte, did actually set those scenes in Toledo.

Murder and Devil worshipping aside, Depp further appals us by travelling at high speed in a car without fastening his seat belt.

The World is not Enough (1999)

The film opens in Bilbao, playing itself, with views of the impressive Guggenheim Museum, which according to director Michael Apted they were unable to show in its best light due to rain (the building undergoes transformation as sunlight moves around it).

The Guggenheim

Iparraguirre and Lersundi Streets are used as Bond escapes from an office building the hard way, pursued by Basque police officers recruited from Bilbao’s municipal police force.

 ‘Los Callejones de las Majadas,’ fascinating rock formations carved by wind and water, are used in the scenes of the pipeline construction site, supposedly in Azerbaijan, although the oilfield installations are the real thing at Baku.

The chapel carved into the rock, which protestors are intent on conserving in the film, was also there, although the interior was a Pinewood Studio set.

While on location, Brosnan stayed at the impressive Parador in Cuenca, an amazing city built on a hill at the confluence of two rivers, where one of the main attractions are the famous ‘Hanging Houses’, which seem to be always on the point of tumbling into the precipice.

Cuenca Parador

Another area of Spain used for filming was ‘Las Bardenas Reales,’ a desert-like area in the south east corner of Navarra, near Tudela, which was supposed to be Kazakhstan in the film, where the atomic centre is situated, and where Bond meets the scientist Doctor Christmas Jones. The inside of the centre is also a set.

Robert Carlyle of ‘Full Monty’ fame stretches our credibility even further by playing the villain Renard, who is insensitive to pain due to having a bullet lodged in his brain; not a bad price to pay you would think.

Outlaw Justice (1999)

This film was part of a revival of Almería as a scenario for filming westerns, which were considered dated by this time, but adding interest by using Country Music stars as cowboys.

Kris Kristofferson, Waylon Jennings and Willie Nelson made their way to the ‘western’ town of Fort Bravo, Texas Hollywood at Tabernas in Almería to bring the old west alive again in south eastern Spain.

Fort Bravo

Simón Andreu appears yet again, this time as Colonel Lupo.

Other exteriors were Cañon Negro, Rambla Moreno and Valle de Búho.

Plunkett & Macleane (1999)

For the scenes shot in Spain, two companies, Animales Y Carruajes S.A, Madrid, and TAF Helicopters, Barcelona provided horses and aerial shots.

Barcelona based production company Voodoo was the film’s main collaborator in Spain for scenes that were shot in the wild, empty expanse of the Bardenas Reales, an arid, desert-like area near Tudela in Navarra.

The Last Seduction II (1999)

A woman called Bridget kills her husband, frames somebody else and flees to Barcelona. But this is no Bridget Jones, it is the ruthless Bridget Gregory, who will stop at nothing to get her man and take him to the cleaners.

Her trip begins and ends at Barcelona airport, and the hotel she stays at is the Regencia Colon, just around the corner from Barcelona’s gothic cathedral, as can be seen in the scene when she walks out of the hotel and around the corner to the square in front of the facade, also the location for the non-existent Banco del Sol.

Barcelona’s other, more famous cathedral, the Sagrada Familia is seen briefly during the opening credits.

 Regencia Colon actually exists at Carrer dels Sagristans, 13, although guests are discouraged from shooting visitors like Bridget, who makes short work of poor old ‘only doing me job’ Gabriel, the ageing thug with principles.

In the scene where Bridget and her mark Troy eat on the arcaded terrace of a restaurant, some snazzy camera work manages to place the restaurant simultaneously in Port Vell and Plaza Reial.

It’s the follow up to a quite successful film, whose name I can’t quite remember.

All The King’s Men (1999)

‘Upstairs, Downstairs’ on the playing fields of Gallipoli, as the true story of what happened to a bunch of gardeners and footmen from the Sandringham estate is revealed fictitiously.

The killing fields of Gallipoli were really the pleasant hillsides of Almería, and the Turkish beach was supplanted by the Playa de Los Genoveses.

David Jason and Maggie Smith starred in a TV film directed by Julian Jarrold.

The Adventures of Young Indiana Jones: Spring Break Adventure (1999)

George Lucas is no fool, and what was originally intended as a series was later turned into a series of feature films by pairing off the episodes.

In this one young Indie goes to Mexico, which turns out to be Almería, where his older self would later film parts of the ‘Last Crusade’ movie ten years before!

Looking for a bit of fun in a brothel, he ends up in the war between General Pershing and Pancho Villa.

The Fort Bravo Cinema Studios/Texas Hollywood film set at Tabernas was used for the bank robbery scene, when Indy is recruited for the revolution.

Fort Bravo

Camino de Santiago (1999)

This Spanish production, produced by the Antena 3 TV company, was in fact a mini series starring Anthony Quinn, Charlton Heston (who opens the film in the Plaza de Obradeiro, A Coruña, to explain the story we are about to see,) and British actress Anne Archer, who played Michael Douglas’s wife in ‘Fatal Attraction,’ as well as her ex Robert Wagner.

Filmed all over Spain and with many Spanish actors, and with a script by Arturo Pérez-Reverte and Robert Young as director, the film is a murder mystery with, at the centre of the plot, a medieval game ‘El Juego de la Oca (goose),’ a more complicated version of Snakes and Ladders, popular among medieval pilgrims.

A murder takes place at Zubiri, usually the first stopping place for pilgrims who start at Roncesvalles in Navarra, and the victim is found by the medieval bridge there.

The 12th century bridge, over the Arga River, is known as the Rabies Bridge, as animals were supposedly cured or immunised by walking under the arches. Modern medicine took a while to catch up.

Also in Navarra, there is a lot of action around the Cathedral of Pamplona during the bull running festival of San Fermín, where a second murder takes place.

Our old favourite Simón Andreu appears in Pontevedra to express his opinions about abstract art with the help of a knife, while two delinquents pursue a third from Hemingway’s favourite hotel, La Perla, through the streets of Pamplona.

At Pamplona’s Noáin airport some people from the world of fashion arrive.

The action follows the Camino into Puente de la Reina, where Paco, the pursued delinquent and painting thief, runs across the medieval bridge.

Later, in front of the Parador of Santo Domingo de la Calzada, La Rioja, a fashion shoot takes place, and in the church, the thief turned guide explains the legend of the cockerel in presence of the poultry itself.

Isabelle joins the pilgrims at San Juan de Ortega, and at León we see the Parador with its glorious façade illuminated, where Miguel and the photographer have a drink and the Belgian pilgrim delinquents vandalise her motorbike.

Another murder takes place while there is another photo shoot in front of the spectacular stained glass windows of the cathedral.

After León we go backwards to Burgos (perhaps some problems in the cutting room!) and we see Isabelle on the bridge in front of the main city gate.

Immediately afterwards Robert Wagner drives past the castle of Ponferrada (León), although how he got there from Bayonne is a mystery.

Wagner is searching for his ex-wife Isabelle, and he finally catches up with her on the 12th century bridge, the ‘Puente Romano’ at Molinaseca, León.

In the church of the Virgin of Villasirga in Villalcazar de Sirga, Palencia, the delinquents finally catch up with Paco but run into some trouble with a traffic policeman. The town is on the Camino but once again going backwards between León and Burgos.

Then suddenly Paco is in Astorga, confessing to a woman about the robbery of the painting under the town walls.

In the province of León there are incidents at Astorga (the fourth murder takes place in the square in front of the Cathedral), and also in Lugo, whose cathedral is the scene of a fashion show, although the city is not on the Camino.

The famous city wall is seen on various occasions.

The town of  Portomarín on the banks of the River Miño and the Puerta de Perdón church at Villafranca del Bierzo (León) also appear.

At O Cebreiro the fashion team catches up with Lisa and offers her a modelling job.

Finally in the province of A Coruña we reach Santiago de Compostela as all good pilgrims who haven’t been murdered on the way should do, with the Pórtico de la Gloria and the flying smokeball of the botafumeiro.

The Cathedral of Santiago

The Strange Case of Delphina Potocka or The Mystery of Chopin (1999)

The film explores the relationship between Chopin and a mysterious woman, including his unhappy stay with George Sand on Mallorca, where they lived in a monastery, hated by and hating the locals.

The Delivery (1999)

This Dutch road movie sees our heroes smuggling drugs from Holland to Spain, specifically to the province of Barcelona, where the last 20 minutes take place and the climax occurs in an abandoned monastery, as yet unidentified.

        The border crossing into Spain is especially anachronic.

Categories
Period

1980-1989

THE EIGHTIES

Rough Cut (1980)

Black Jack (1980)

City of the Walking Dead/ Nightmare City (1980)

The Martian Chronicles (1980)

Reborn (1980)

Reds (1981)

Mystery on Monster Island (1981)

Clash of the Titans (1981)

Coming at Ya (1981)

Evil Under the Sun (1982)

Conan the Barbarian (1982)

Triumphs of a Man Called Horse (1982)

Black Commando (1982)

Pieces (1982)

Dragon Blood (1982)

Never Say Never Again (1983)

Krull (1983)

The Curse of the Pink Panther (1983)

The Treasure of the Four Crowns (1983)

Escape from El Diablo (1983)

Exterminators in the Year 3000 (1983)

The Keep (1983)

Scalps (1983)

Scarab (1983)

Hundra (1983)

Best Revenge (1984)

Bolero (1984)

The Hit (1984)

Yellow Hair and the Fortress of Gold (1984)

Eleni (1984)

Neverending Story (1984)

The Ibiza Connection (1984)

Lace (1984)

The Sun also Rises (1984)

Meals on Wheels (1984)

Monster Dog (1984)

Killing Machine (1984)

Black Arrow (1985)

Hydra-Monster of the Deep (1985)

Flesh and Blood (1985)

Rustlers’ Rhapsody (1985)

Bad Medicine (1985)

Enemy Mine (1985)

Dust (1985)

Lace 2 (1985)

Star Knight (1985)

Christopher Columbus (1985)

Alien Predator (1985)

Solarbabies (1986)

Gunbus/ Sky Pirates (1986)

Crystal Heart (1986)

Instant Justice (1986)

Eliminators (1986)

Harem (1986)

Strong Medicine (1986)

Scorpion (1986)

Banter (1986)

The Empire of the Sun (1987)

Monsignor Quixote (1987)

Siesta (1987)

Good Morning Babylon (1987)

Straight to Hell (1987)

Dark Tower (1987)

The Trouble with Spies (1987)

Crystalstone (1987)

The Living Daylights (1987)

Neat and Tidy (1987)

Beaks (The Movie) (1987)

Anguish (1987)

Rest in Pieces (1987)

Scalps (1987)

The Adventures of Baron Von Munchausen (1988)

Rowing in the Wind (1988)

Slugs (1988)

A Time of Destiny (1988)

Counterforce (1988)

Iguana (1988)

The Most dangerous Man in the World (1988)

Onassis: The Richest Man in the World (1988)

Indiana Jones and the Last Crusade (1989)

The Return of the Musketeers (1989)

Fine Gold (1989)

Blood and Sand (1989)

Time to Kill (1989)

The Man in the Brown Suit (1989)

Twisted Obsession (1989)

The White Room (1989)

Countdown to Esmeralda Bay (1989)

A Man of Passion (1989)

The Shell Seekers (1989)

Hot Blood (1989)

1980s

Rough Cut (1980)

Burt Reynolds and David Niven star in a heist film, with Niven this time as the policeman rather than the sophisticated thief; or is he?

The inevitable happy ending, when all is revealed, takes place on a yacht in unspecified, sunny Spanish waters. The drearier planning and robbery were shot in the UK and the Netherlands.

Black Jack (1980)

Since its inauguration in 1916 the Gran Casino Sardinero in Santander, Cantabria has had its ups and downs, with the authorities closing it down and opening it up according to the political climate of the time.

One of the highlights of its existence was the making of ‘Black Jack’ starring Peter Cushing.

The action begins with a phone call in Marbella, Málaga, and a particularly violent armed robbery of a van.

We then move to London, where debonair thief Peter Cushing explains why he prefers to rob the casino at Santander and not Marbella: “Marbella is all costume jewellery, fake Arabs and washed out playboys.”

Then on to a street scene of Madrid to meet Inspector Cardenas before we see Santander airport where singer and stooge Dynamite Duck arrives.

Next a police roadblock on a country road, supposedly in Sevilla, but it could be anywhere, where a thief is detained.

The thief is released and followed to Santander, where the police officer arrives and is taken to the casino.

The rest of the action takes place between the casino and the Gran Hotel Sardinero nearby.

The story ends with some scenes at the port and with Cushing’s yacht escaping past the Faro De La Isla De Mouro.

City of the Walking Dead/ Nightmare City (1980)

Yet another Italian production, briefly saved from eternal oblivion by Mel Ferrer, playing a General trying not too successfully to defeat an army of zombies.

Among the locations are the district of Chamartín, Madrid and Parque de Atracciones (Fairground) of Madrid, as it looked back in the 80s with the quaint old Mississippi riverboat.

After a while the throat cutting and blood drinking becomes so tiresome that you find yourself wishing they’d just finish off the human race and be done with it.

An anti-nuclear message thinly disguised as an excuse to de-robe nubile beauties before stabbing them.

The Martian Chronicles (1980)

Ray Bradbury’s classic was filmed on the island of Lanzarote in the Canary Islands, where the Martian landscape, a relic of its volcanic past, has served as a location for many films in search of barren beauty.

Rock Hudson was one of the stars.

Reborn (1980)

A collaboration between TV evangelist Dennis Hopper and Spanish director Bigas Luna about a girl with a stigmata, filmed in the US and in Barcelona.

Character actor (ugly) Francisco Rabal plays second villain in a film where not much is clear until the end of the film, and then some.

Reds (1981)

Carlos Jiménez worked in the transport business when Reds arrived at the village of Villacañas, Toledo to shoot some scenes, and Carlos was responsible for ferrying the equipment from the station to the filming locations back in the USSR.

Carlos showed me where some of the train scenes were shot on an old line, which is now a cycle path, halfway between Villacañas and Don Fadrique on the CM 410 road opposite a sign for Viveros Rodelgo.

Gaudix also played an important part, for the scenes of Reed’s train journey to the Caucasus with a group of Bolsheviks, fighting off White Army ambushes and burning effigies of American capitalists, all filmed on the tracks between Guadix-Baza and La Calahorra stations, Granada.

The main purpose of the train journey is to take Communism to the east, and we see Trotsky lecturing the eastern masses in Los Reales Alcázares in Sevilla.

The triumphant return, after wear and tear, to Moscow and into the arms of Diane Keaton, took place at the Delicias station/museum in Madrid.

In Segovia province the royal palace at Riofrio, a big favourite with film makers, was employed, according to palace employee Miguel Angel Sancristan, who helped us with our enquiries.

The train used was once again the Babwil 140.

Mystery on Monster Island (1981)

It wasn’t such a small island considering they travelled all over Spain to make this film starring Peter Cushing (replacing the original choice of James Stewart, who fell ill) and Terence Stamp.

The Canary Islands for the volcano and jungle scenes, Madrid for elegant San Francisco, and the beaches of Otur, Cadavedo and Queruas for all the comings and goings on the island, all near Luarca in Asturias, were some of the locations for a Jules Verne story of giant slugs and monsters. Verne even gets an oral cameo when the professor mentions him.

Otur Beach, Asturias

Also used were the waterfalls at the spa known as the Monastery of Stone (Monasterio de Piedra) in Zaragoza province, where Stamp would return in the Stephen Frears thriller ‘The Hit’ in 1984.

The waterfalls serve to connect the scenes when Jeff and the professor arrive at the island after their wholly believable ship is attacked by wholly believable monsters; they then move away from the beach and inland.

As they settle in to life with the monkey, they return there to bathe. Later, after rescuing their very own Man Friday, they walk past again, as they do once more after escaping from the cave of slugs, and then again after meeting the French girl, and then as the turban-headed natives (as opposed to the cannibal natives) head towards her cave as they dance, and then as they escape from them, and just after sighting the uncle’s ship.

The writer and co-director for this film was the Valencian Juan Piquer Simón.

Clash of the Titans (1981)

A strange film to find Sir Laurence Olivier in; perhaps he believed the title referred to thespian disputes, or perhaps he couldn’t resist the opportunity to play Zeus.

The film begins on the coast of Cornwall with some good, old fashioned parenting of the ‘cast the naughty daughter and her child adrift in a coffin’ variety.

 The Spanish section was shot at El Torcal de Antequera, Málaga, a natural area of soaring rock formations which was the location for the scenes of the journey across the desert to the Stygian Witches’ cave.

Perseus visits the cave not to lend them a hand with the cooking (the pot already has a hand in it) but to discover how to defeat the Kraken. The simple solution offered is to visit the Medusa for a takeaway.

La Calahorra and Guadix in Granada province also got a brief look in, representing the scenes at the ‘Wells of the Moon,’ where Perseus goes to capture the winged horse Pegasus. This takes place in the Rambla de Paulencia with the Sierra Nevada clearly visible in the background.

The film confirms that the Gods were a petty, vindictive rabble, as if we didn’t know.

Coming at Ya (1981)

Forget ‘Avatar’ and other Smurf derivatives; this 3D spaghetti western was spilling the beans in your hand when James Cameron was dreaming of being the King of the world. And not only beans…..everything on hand is tossed at the camera just so that you don’t forget this is 3D, and you don’t realise that this is a really bad film, despite the glorious presence of Victoria Abril.

Beans, coins, cards, nuts, knives, a yo yo, darts, spears, bats, rats and even a baby’s bottom; all are shoved into the camera in slo mo as the action unfolds.

Filmed at the Daganzo Studios and the multi-purpose River Alberche site at Aldea del Fresno, as well as Nuevo Baztán and Talamanca de Jarama (where the fatter of the two evil brothers meets his end), all near Madrid, and also, and this is very weird, the castle of Manzanares El Real, supposedly typical of Mexican architecture perhaps, where the captured girls are to be auctioned off during a banquet.

Manzanares El Real. Photo Courtesy Mark Yareham

In Almería, there are some nice scenes of the beach at Mónsul, with petticoated girls being chased through the surf by the baddies.

Monsúl Beach

Victoria gets dragged through the surf; she is after all the hero’s wife, and he was dragged from the altar, although merely shot in an arm and a leg and then left to live to ensure that the film didn’t end after only five minutes.

The town scenes were shot at Fort Bravo, Almería.

Fort Bravo

Evil Under the Sun (1982)

The film was shot at Lee International Studios in Wembley, London, and on location in Mallorca, where director Guy Hamilton was living.

The actual island used was Sa Dragonera, but only for aerial shots; five of them in fact throughout the film, in which we are supposed to believe that we are in the country of Tyrania, and that the hotel was a present to Maggie Smith for ‘services’ rendered to its Prince.

 Specific locations used were the Formentor Beach and headland, which stands in for the South of France, and Cala d’en Monjo for Daphne’s Cove and beach. Cala d’en Monjo can be reached by going to Cala Fornells and then walking a kilometre along a well marked forest path. It is remarkably unspoilt, in contrast to the intensely developed coves nearby. In fact, when we went we were alone except for a German lady and her dog.

Cala d’en Monjo

The cove where they embark in order to sail for the island was in reality Cala de Deía, a very popular location in Mallorca. Indeed, when we were there in August 2012, Sir Bob Geldorf was to be found admiring an unusually rough sea in one of the two classic beach bars.

Gull Cove was a cove on the Formentor Peninsula and Ladder Bay was filmed near Camp De Mar, three kilometres south of Port d’Andratx.

The other hotel exterior shots were filmed at the Raixa Estate, north of Palma.

The estate’s staircase is put to good use, and the pond is the scenario of Poirot’s interrogation of Roddy McDowell in his convincing sailor outfit.

Despite the pleasant scenery, the film is a standard Agatha Christie story in which we know that whoever has the best alibi must be the killer.

Conan the Barbarian (1982)

‘Barbaric’ is a word that many would associate with Arnold Schwarzenegger, mostly because of his mutilation of the English language, endearing him to those who connive to supplant English as an international language.

Conan was filmed all over Spain by director John Milius, who had already filmed here with Sean Connery and Candice Bergen in ‘The Wind and the Lion.’

The filming was originally intended for Yugoslavia, but the political situation there caused them to shut down after a few months work.

Victor Matellano, author of various books about the history of the cinema in Spain, among them ‘Espartaco’ (Spartacus), pointed out that Colmenar Viejo was the location of Schwarzenegger’s first day’s filming and specifically the scene where Conan enters a cave pursued by wolves and emerges with a sword, cutting his chains at a nearby rock, which can be found near the road between Colmenar Viejo and Cerceda, close to a medieval bridge.

Although Schwarzenegger’s contribution began at Colmenar Viejo, Madrid in December 1980, the film itself opens in the snow in the Valsaín mountains near Segovia, where Conan’s village was built in a zone known locally as El Puente (‘Bridge’) del Minguete. As director Milius commented: “there’s nothing like a village being wiped out to open a movie.”

However, the local foresters were more concerned about their forests being wiped out and raised objections until they discovered that special effects man Ron Cobb had also done the effects for ‘Alien,’ which for some bizarre reason quietened their fears.

The actor who played Conan as a child was in fact Jorge Sanz, who is now a well-known actor in Spain. Apparently Arnold and Jorge used the upstairs room of Valsaín’s Restaurante Hilaria as their changing room.

When we stayed there in July 2022 we were informed by Conchi that the original ‘pensión’ was now the restaurant across the street from the current hotel, and that the owner, Jesús, was an expert on the shootings there, although unfortunately we didn’t get a chance to talk to him.

Hilaria

The scenes where Arnold grows to manhood while turning the ‘wheel of pain’ were filmed in Ávila province, specifically near the village of Hija de Dios (a great name, if somewhat heretical, meaning ‘The Daughter of God’.

I stopped in this tiny, sleepy village one early summer’s morning, but only the dogs ran up to greet me and so I’ll probably never know if their ancestors smelt Arnold’s hand.

The most striking use of Spanish scenery must surely be that of ‘La Cuidad Encantada,’ an eerie natural rock formation in the province of Cuenca.

This is the part of the film where Arnold makes love to a Wolf-Witch, who tells him he must go to ‘Zamora’ to resolve his quest, before he tosses her casually onto a fire.

The Alcazaba of Almería appears the day (or so it seems) after Conan meets and unchains Subotai in the Ciudad Encantada.

After running through the deserts of Almería, with not a cowboy in sight, they enter the Alcazaba and stumble across a market with elephants, pigs and donkeys.

Conan, a country boy at heart, asks of his first city: “does it always smell like this?” and they run back into the desert, arriving at another, similar town (perhaps because it is also the Alcazaba, but from another angle), where we encounter a llama, and a camel, which Conan decides to punch, possibly going off script just a bit.

At Navacerrada, currently a skiing resort near Madrid, Conan’s sword was forged in one of the first scenes shot, at night and at below zero temperatures, while the tavern scene took place in the attic of La Cartuja de Talamanca del Jarama, also near Madrid. Nearby, the scene where he is dragged behind a cart with oxen was shot at Manzanares El Real.

In Almería, Schwarzenegger is crucified among the sand dunes of Cabo de Gata, and also meets a travelling family there, while his ride along the coast was filmed at the Punta Entinas-Sabinar Nature Reserve.

The Thulsa Doom palace, where Conan’s revenge is finally enacted, was built in the sierra de Gádor near El Ejido on the slope of a mountain called Peñon de Bernal in a zone known as Santa María del Águila.

To get there you have to drive through the famous ‘sea of plastic,’ an endless area of greenhouses producing much of Europe’s food.

The script was probably adapted to Arnold’s vocal range (he practically never speaks) although he does use a wide range of gestures while cutting limbs from enemies who, in the time-honoured tradition of Hollywood, approach him one at a time for his, and our, convenience.

Triumphs of a Man Called Horse (1982)

Richard Harris milks this pony dry in the last of the series in which it is his son who takes up arms against the thieving white man.

According to local expert Julián de la Llana del Río filming took place in Soria province, one specific location being the bridge over the River Ebrillos near the Cuerda del Pozo reservoir.

Black Commando (1982)

Tony Curtis wasn’t needed for the scenes of ‘Spartacus’ shot in Spain, but he made it over for this modern version of ‘Othello,’ in which he plays a villain in a ridiculous black Stetson.

The action takes place in Africa, although Madrid was the main Spanish location.

Pieces (1982)

Long before it became trendy for Spanish directors to make English language films in Spain, Valencian Juan Piquer was doing just that.

This ‘so bad that it’s good’ movie was set in Boston and shot both there and around Madrid, proving the point that it is dangerous to come between a boy and his jigsaw.

Nothing good can be expected of a cutting edge college campus that only ever has one unsuspecting young lady using its ample facilities at a time.

Dragon Blood (1982)

Martial arts expert John Liu from Hawaii directed and starred in this film set in Mexico but shot on the island of Tenerife, whose snow-capped Teide mountain is the highest in Spain, although the action begins among the rolling sand dunes of Maspalomas on Gran Canaria.

It may or may not be coincidence that Dragon’s Blood is also the name given to the sap of the Draco tree, indigenous to Tenerife, because it turns red on contact with the air.

During the film Liu is blinded, which gives him the opportunity to go beyond over-acting into the ‘footballer in the penalty area’ realm of ham.

Despite the lack of a plot and the fact that Liu has to fight the same four thugs over and over again, the sculptured lava fields of the Parque Nacional de Las Cañadas del Teide and the black, sandy beaches more than compensate.

Never Say Never Again (1983)

Connery returns ever ever again to the Bond role in a parody of the Bond of before, clinging to the standard formula.

Foreign politicians flap their arms in panic and practise their heavily accented English while the immovable British call for Bond and return to resolving the Times Crossword. When will Europe learn?

Randy beauty parlour receptionists and health clinic nurses lust after Bond, whose confident conquests have a touch of paedophilia about them given the age difference, as Bond continues to waltz his way into his enemies’ grasp so that he can gadget his way out again.

In the video game battle for world domination, Bond loses Spain to the villain, but fortunately its value is only set at 9,000 dollars.

When Bond rescues Bassinger and they fall from the castle walls into the sea, they make their splash near Los Palmerales in Cabo de Gata.

The original plan was to film in the Bahamas, but technical problems and bad weather forced them to settle for Almería.

The underwater sequences were filmed at Los Escullos at Palmer Beach, and the Arab well, into which Bond dives, was at nearby San José.

The oasis above Blofeld’s underground HQ was located at Las Salinas, Cabo de Gata.

The scene where Bond and Leiter don wetsuits was filmed near the 18th century Castillo of San Felipe, built by King Carlos III at the fossil beach at Punta del Esparto near Los Escullos.     

My thanks to Bond expert and author “Palau, Jaume Palau” for his help here.

Krull (1983)

A film that had to compete with ‘The Return of the Jedi’ on its release and which now is mainly remembered for the participation of a young Liam Neesen, who helps the King help the inhabitants of Krull to free themselves from the Beast and his beastly followers, the Slayers.

The Slayers are basically slugs dressed in armour who fight with laser guns that double up as swords. Unfortunately their master only gave them a shot apiece, and after they shoot their single shot they have to fight on less even terms, proving to be rather slow and clumsy (or dare I say sluggish?), which is fortunate for our heroes, who are thus able to die one at a time throughout their epic travels, instead of all in the first five minutes, as is the case of the previous King and his court, who are slaughtered like sardines in a tin can.

The Beast is a restless traveller, whose rocky castle changes places daily so as to make all that conquest and oppression less tiresome for him.

Most of the impressive scenery is from Abruzzi in Italy (the green bits mainly), although the Iron Desert features the spectacular volcanic scenery of Lanzarote, specifically the Parque Nacional de Timanfaya.

The Curse of the Pink Panther (1983)

Ted Wass was Inspector Clouseau’s substitute, more or less, and inevitably he ‘wass’ awful, confusing ‘deadpan,’ at which Peter Sellers was a genius, with ‘still life.’

Filming took place in the city of Valencia, where we see the traditional Hotel Astoria, from which heroes and villains exit together. The quaint square in front of it with its fountain and shady trees, Plaza Rodrigo Botet, is the scene of some partying during the city’s world famous Fallas festival, held every year in mid-March to celebrate the beginning of spring or Saint Joseph and the carpenters if you prefer.

Hotel Astoria, Plaza Rodrigo Botet,

The heart of the Fallas is the Town Hall Square (Plaza del Ayuntamiento), which also appears in the film with crowds celebrating as one of the three rockets that are launched to mark the beginning of the daily firework display called the ‘Mascletá’ explodes.

Unfortunately the Fallas celebrations are confused with Carnival, as far as the costumes are concerned, and the traditional dancing seems more like post-modernist Punk pogo stick jumping.

Fallas is a noisy festival, and as one of the villains points out, it is an excellent place to assassinate somebody, as with all the fireworks nobody will notice a few extra shots.

The crew was received by Valencia’s Council, who collaborated with the project, and among the cast was Patricia Davis, daughter of President Reagan.

Filming also took place in Ibiza, where we see a villa among the mountains and a swimming pool full of naked people taking a mud bath.

Here we meet David Niven in his last film, and among his last words on screen were: “he took off for Valencia. It’s in Spain.” Not a classic quote but at least geographically accurate.

This scene was shot at one of Niven’s favourite places, the Hacienda Na Xamena hotel.

The Treasure of the Four Crowns (1983)

Set in Spain and with references to Spain’s history, the film is an attempt to take advantage of what was then the passing phase of 3D films.

It’s a film like Rembrandt without the art; it’s dark. In the opening scene, as the credits roll, a man stands before a castle, armed only with a cigarette and a pair of gloves.

The eerie music informs us that we are in the presence of evil, as our hero spends the next 20 minutes fighting off more fauna than Indiana Jones would have put up with, in the castle of Belmonte, Cuenca, which gets blown to pieces in the film.

Escape from El Diablo (1983)

El Diablo is a prison in Mexico, although it is in fact the Papa Luna castle of Peñiscola, Castellón. When two American boys go swimming, we see the town as El Cid (sorry, Charlton Heston) saw it from the beach.

The two young Americans visit a bar and get into a fight with some wardens. Frankly most people would probably side with the wardens as the boys are pretty repulsive. From then on it’s ‘Midnight Express’ all over as some trendy Californian stereotypes outwit some nasty, Mexican stereotypes in a film that will persuade nobody to visit Mexico, or even Peñiscola.

However, Peñiscola looks pretty good, despite the change of name, and there is a lovely moment when Jimmy meets Sundance (played by John Wayne’s son Ethan) on a terrace with a great view, and as he leaves we see that the bar specialises in that typical Mexican drink, Horchata.

Exterminators in the Year 3000 (1983)

Some researchers were duped into believing that one of the ‘Mad Max’ films was partly shot in Almería, and this movie was the reason.

It was an Italian production with filming all over the Almerian desert, including the mines of Rodalquilar, HQ of the last surviving representatives of decency and civilisation (the bores in other words) and at La Calahorra, Granada, where Crazy Bull, who occasionally quotes Shakespeare just to show that this is not completely mindless pap, and his men ambush a lorry convoy.

At Rambla El Búho the secret water plant is located.

The Keep (1983)

Nazis and Jews work together to fight a common enemy, a demon in a castle.

Some secondary scenes of Greece were filmed in Spain, and most of the rest in Wales.

Michael Mann directed Ian McKellan and Gabriel Byrne, as well as Scott Glen, who gives a glowing performance, aided and abetted by the Tangerine Dream soundtrack.

Scalps (1983)

A group of archaeological students go digging in the desert and unwittingly release some angry ghosts, whose revenge can be guessed from the title.

Almería was the inevitable provider of desert scenery.

Scarab (1983)

Nazis raising Egyptian Gods from the dead? The kind of thing Spielberg might have thought of if he’d been faster, with locations including Madrid, Burgo de Osma and Gormaz, in the province of Soria.

The film begins with a mad professor raising an Egyptian God, and then, as the credits roll, we are treated to a drone-like visit to the Ciudad Encantada rock formations in Cuenca.

There follows a speech by some sort of priest promising to free man from tyranny by bringing back the dark ages, and then suddenly we see the royal palace of La Granja, Segovia, supposedly the summer home of the French PM.

After being attacked eccentrically on the streets of Madrid, the journalist crawls into a taxi, then we follow another car, which arrives in Gormaz, whose castle towers above the village, to deliver gold to the mad priest.

When the reporter finally teams up with the nurse, they find a couple of corpses in a car and then ride into the monumental, arcaded town of Burgo de Osma, littered with dead bodies. They ride past the fountain in front of the cathedral.

The climax takes place in the castle lair of Gormaz, which we see in an aerial view as the credits roll.

In Madrid the locations include the Casino, the offices of El Pais newspaper and Banco de Bilbao.

Hundra (1983)

Only two years after Conan, this self-confessed follow up offers a female version with almost identical plot and locations.

The forests of Valsaín, Segovia provide the initial massacre of Hundra’s family, like Conan’s, and then there is a lot of slaughter at La Pedriza, Manzanares, Madrid, as well as Texas Hollywood-Fort Bravo and the Condor fortress, both in Almeria.

Fort Bravo

Best Revenge (1984)

American tourists never seem to learn their lesson and cannot ‘do’ Europe without being kidnapped by drug smuggling rings.

The film is set in Spain and Morocco and the locations include the beach and port at Tarifa and Algeciras in the province of Cádiz, as well as Málaga and the town of Casares in the same province.

Casares

The Moroccan mountains of Ketama were substituted by the mountains of Pelayo between Algeciras and Tarifa.

The scene where a car flies into the water with someone inside was shot in Algeciras port, although it was supposed to be Tanger, and the elegant Hotel Reina Cristina of Algeciras was also used.

The film features Michael Ironside, and Levon Helm of ‘The Band’ and a soundtrack by Keith Emerson of ELP.

Bolero (1984)

Bolero is some typical 80s soft porn with a storyline tagged on, taking advantage of Bo Derek’s success in ‘10’ with Dudley Moore, where she is turned on by Ravel’s classic tune ‘Bolero’.

The film avoids clichés as Bo leaps into bed with unusual, original characters such as an Arab Sheik and a Spanish…..wait for it….bullfighter!

It is set in the roaring twenties and Bo, directed by her obviously unpossessive husband John, spent several weeks installed in Sevilla’s Alfonso XIII hotel, where part of ‘Lawrence of Arabia’ was filmed and, according to a reporter of the newspaper El Pais, spent her time walking in the gardens of Los Alcázares, suppering in La Barraca restaurant, dancing in El Coto discothèque, and chatting with locals in the emblematic Santa Cruz neighbourhood with its cobblestoned inhabitants.

Bo plays a rich tourist, determined to lose her virginity to somebody exotic, taking us on a journey around Sevilla, visiting such jewels as Triana, with its sherry bars, Archivo de Indias and Plaza Nueva.

In Puerto de Santa María in the Peralta family stables she learnt advanced riding techniques. Her riding technique in fact brought a whole new meaning to the concept of bareback riding.

In one scene she can be found riding along a beach at Oyambre near Comillas in Cantabria.

The main square of Pedraza, Segovia was used for the first of various scenes with horses and bulls, where Bo first catches sight of Angel, who sells wine and bulls but not horses, astride his horse before he ends up astride someone else.

Pedraza: Photo Courtesy Mark Yareham

Before that, when Bo enters an exotic nightclub in the Kasbah, the portal is in fact the main entrance to Pedraza castle. As Bo enters, a pianist plays ‘As Time Goes By,’ just to remind us that this is a quality movie.

Spanish actress Ana Obregon co-stars and chauffeur Burt Kennedy looks so bored most of the time that you keep expecting him to fall off his chair, until he does.

The Hit (1984)

A gangster turned informer, who thinks that he can enjoy his early retirement in Spain, is kidnapped and ‘escorted’ towards Paris to face his ex-colleagues.

The village where he is abducted is Almodóvar del Río in Córdoba, and the first thing we see when the action moves to Spain is its impressive castle and the music of Paco de Lucía. The castle would later feature in Game of Thrones as High Garden.

John Hurt and Tim Roth play the villains and Terence Stamp the East End informer-gangster now turned philosopher. In his house we see books by Hemingway and a poster of John Lennon.

Fernando Rey startles as a Spanish police officer who always arrives just in time to mutter over the dead bodies.

Stamp is kidnapped by four Spanish youths, one of whom, the one who survives an explosion, is Enrique San Francisco, who would later become a famous character (ugly) actor.

On the way to France, after an obligatory stop at the windmills of Consuegra, Toledo, maintained mainly for Don Quijote enthusiasts,

the kidnappers divert to Madrid and we see them enter the underground car park of Plaza de España, and from a flat above, they take a breather to bump off an inconvenient Australian.

From the balcony we get a good view of Madrid, especially the royal palace of Oriente.

On the way north it is often not very clear if they have reached the Pyrenees or are still on the dusty plains of central Spain, although the philosophical waterfall scene was filmed at the frequently-used Monasterio de Piedra, a spa located in the wilds of Zaragoza province.

The climax takes place at the abandoned Customs post on the Spanish-French border at Dancharinea, Navarra, in the days when people used to shop there.

The excellent music is by flamenco guitarist Paco de Lucia, with an opening blues track by Eric Clapton.

The film begins and ends with John Hurt standing beside a makeshift cross on a hill at Roncesvalles, where the Spanish part of the Saint James’s Way (Camino de Santiago) pilgrim route begins, and where in a famous battle in 778 AD, one of the Emperor Charlemagne’s Captains, Roldan, died heroically blowing his horn. The significance of this place as a journey’s end and beginning wouldn’t be lost on director Stephen Frears, or on Terence Stamp as he muses upon his own death during his final pilgrimage.

Yellow Hair and the Fortress of Gold (1984)

A film that really needn’t be put on your list of ‘things to do before I die’, especially as you are liable to expire from boredom while watching it.

Shot in and around Fort Bravo, Texas Hollywood at Tabernas, Almería, it’s just another story of cowboys, Indians and lost treasure, highlighting the antics of its lead couple Yellow Hair and the Pecos Kid.

Fort Bravo

Typical Almerian locations used were Cabo de Gata and the Mónsul Beach, the Rodalquilar mines and the Molineta cave.

Eleni (1984)

A true story about communist atrocities in Greece after World War II. Among the Spanish locations posing as Greece was Tarifa in Cádiz province, where the popular street known as La Calzada in the old town became a typical Greek street.

An old bakery called La Moderna in calle San Roque, Estepona, Málaga, was used for the scene where John Malkovich talks to an old childhood friend, trying to find his mother’s killer.

The mountain village was built at Algatocín, Málaga, among whose inhabitants was a young Linda Hunt.

Neverending Story (1984)

Scenery from Almería and Huelva was used, noticeably in the scenes where Atreyu gallops into action on his horse before…sob…the quicksand….sob, sob…swallows him…….triple sob.

In Almería, some galloping took place at Cautivo, El Búho and on the beach at Mónsul, although with a lot of special effects. Some aerial views of the Cabo de Gata dunes also appear.

Wolfgang Petersen directed just after making his ‘Das Boot’ classic, which also had scenes shot in Spain.

The Ibiza Connection (1984)

An action film within a film with lots of shooting, driving and the beautiful backdrop of Ibiza’s idyllic scenery, including the island of Es Vedra, which provides background to some ridiculous shooting and rocket firing.

Lace (1984)

An interesting cast, including Angela Lansbury, Brooke Adams, Anthony Quayle, Honor Blackman and arch-villain Herbert Lom.

The story is supposed to be about a girl trying to find out who her mother is, and among the locations is Granada, whose La Calahorra castle is once again the star as the Prince’s palace, with some odds and sods of the Alhambra thrown in.

La Calahorra

The Sun Also Rises (1984)

A remake of the 1950s classic based on Hemingway’s book, which starred Tyrone Power, Ava Gardner and Errol Flynn, only this time they actually made it in Pamplona, Navarra, instead of Mexico.

Filming also took place in Segovia and a little provincial town known as Paris, France.

This version features Leonard Nimoy as the aptly named Count Mippipopolous.

Meals on Wheels (1984)

When everybody else was obsessing about George Orwell, and before he became world famous, Jackie Chan made the first of two films that he shot in Barcelona.

The opening credits make it clear where we are with the image of Gaudí’s emblematic Sagrada Familia cathedral. We return there later among the cathedral’s towers for the scene where the English gentleman in his bowler hat finally meets the girl and is held upside down over the edge by Jackie and his cohort.

Sagrada Familia

Jackie and his friend sell food on the streets of the city, although the city is in reality the Poble Espanyol theme park on Montjuïc, where they sort out some villainous motorbike hoods, and where the girl is kidnapped for the first time.

Poble Espanyol

When we see Jackie skateboarding in a wide open space just after the girl starts working with him, we are in Parc Joan Miró with its statue Dona i Ocell (woman and bird) in clear evidence. The 22 metre high statue was one of three supposed to welcome visitors to Barcelona.

The mental asylum where Jackie’s uncle is lodged is the Finca Güell, also designed by Gaudí.

During a car chase we can see Plaza de España, the bullring of Barcelona, the Colon monument and the Arc de Triomphe, while on a more romantic note for a musical number, the fountains and greenery of the Cuitadella park predominate.

The climax of the film takes place at the Castillo de La Roca des Vallès, where they finally face the evil villain. The castle dates back to 1030.

Roca des Vallès

Monster Dog (1984)

None other than Alice Cooper, the man with the snake who sang the classic hit ‘School’s Out,’ appears here in an Italian horror film with a touch of werewolfism, scantily disguised as a rather long video clip.

Torrelodones in Madrid was the main location, and the Casino Gran Madrid was used for interiors while an estate called La Trenca was the house on the hill where our merry young group of video makers are slaughtered.

Alice apparently spent his free time playing golf on a nearby American Airforce base.

Killing Machine (1984)

Lee Van Cleef and Margaux Hemingway star in a film about conflicts among lorry drivers, where a man seeks revenge for the murder of his wife.

Filmed on the border between Spain and France, where lorry burning has a history.

Black Arrow (1985)

Based on a story by Robert Louis Stevenson, and with a cast including Oliver Reed, Donald Pleasance and the inevitable Fernando Rey as the Earl of Warwick, Spanish monuments such as the cathedral of Ávila, and the city walls representing York, transport us back to the bloody Wars of the Roses. The cathedral is used for the wedding scene and also the cloister scene where Pleasance betrays Reed to Rey.

The castle at Guadamur in Toledo province becomes the hangout of Oliver Reed. The castle is today owned by a Madrid businessman and is currently surrounded by a rather ugly wall to keep out the peasantry, who are only allowed in if they are conveying tithes, victuals or virgins.

Guadamur

Being a Disney film, the complexities of history are dealt with in a convincing way, which can be summarised as ‘red good, white bad’.

The story of Guadamur is a curious parallel to the Wars of the Roses in that it was built because of a conflict between two local noble families as a refuge when the other side was in power.

I was informed of the castle’s history by Pedro A Alonso, one of many local people who acted as extras in the film. (Pedro can be seen guarding the castle when one of Reed’s men returns peacocked to death with arrows.

Pedro recalled that the director got infuriated with the extras, who couldn’t help looking at the camera and waving to their friends.

Pedro

La Cartuja de Talamanca del Jarama near Madrid, scene of many films, has an old ‘bodega’ full of large earthenware urns that provide the ideal setting for tavern scenes, and this film took full advantage.

The forest of Valsaín in Segovia provided some necessary vegetation for the river scenes, and as a haven for Black Arrow himself, a kind of Robin Hood but without the tights, who builds up an appetite for breakfast by picking off Reed’s men.

Hydra-Monster of the Deep (1985)

Timothy Bottoms attempts to thwart the designs of a sea monster fed on radioactivity from a dumped nuclear bomb that threatens a Spanish coastal town in Galicia.

Ray Milland’s last film, directed by Galician Amando de Ossorio. Taryn Power, daughter of Tyrone, was one of the stars.

Flesh and Blood (1985)

At the beginning of the film we are told that this is Western Europe 1501, and indeed it could not be more westerly, as the whole film by Dutch director Paul Verhoeven was shot in Spain.

The opening scene shows a siege, and the familiar wall of Ávila is easily recognised as the mercenary troops imbibe religion and alcohol in preparation for the assault on the city gate called the Puerta del Carmen, named after the convent that used to stand there. It is in fact exactly the same spot where Cary Grant’s guerrillas would storm the walls in The Pride and the Passion.

Once inside the castle however, they transfer to the long and winding stone streets of Cáceres in Extremadura.

As they celebrate their victory, we can see Plaza San Mateo and the Cuesta de la Compañia. The partying moves fast, but we can still recognise the Arco de Santa Ana, the Casa del Sol, calle Orellana the Palacio del Sol and Callejón de la Monja.

Meanwhile the treacherous Lord (aren’t they all?) aims his cannons at them from the Torre de Sande. The mercenaries surrender and, after passing by the walls of Ávila again, take refuge in the ruins of the Convento de San Antonio de Padua de Garrovillas de Alconétar, away to the north of the city, which is where they recover after their expulsion, and where they discover the buried statue of Saint Martin, while a camp follower gives birth to a still-born child.

The mercenaries attack a wagon train carrying Princess Agnes, the betrothed of Steven, son of the treacherous Lord.

Steven pursues them and runs into a procession carrying a plague victim at the abandoned village of El Merino near the town of El Fresno in Ávila province.

After attacking the wagon train, in good old western European style, and kidnapping the rather slutty heroine, as it turns out, they move into the ever popular castle of Belmonte in Cuenca, used for the joust scene in ‘El Cid.’

The rest of the film takes place here, including all the castle interiors.

Locals are still a bit angry with Verhoeven, who in his quest for authenticity actually set fire to the keep.

The castle was built in 1546 by Don Juan Pacheco (Marqués de Villena) and stands on a hilltop known as Cerro de San Cristóbal. It currently belongs to ancestors of the Duchess of Alba.

Tattooed mercenaries, plague, revenge, costumes straight out of ‘Sergeant Pepper’ and a complicated love-hate triangle; it could almost be a contemporary film instead of one set in medieval times.

Multifaceted Spanish actor Simón Andreu plays a mercenary called Miel (Honey).

Rustlers’ Rhapsody (1985)

Tom Berenger, looking like he just stepped offstage from a Flying Burrito Brothers concert, stars in this spoof on Spaghetti westerns, filmed largely where the spaghetti westerns were shot, around Tabernas (including the Fort Bravo, Texas Hollywood cowboy town) in Almería province and using the oft used railway station at Calahorra-Ferreira, Granada with its old Babwil engine.

Fort Bravo
La Calahorra Station

Familiar old locations such as La Pedriza near Madrid also featured for the scenes where Tom makes his camp site.

Fernando Rey surprises nobody by appearing as an evil range boss in this film full of Sergio Leone leftovers and extras.

Bad Medicine (1985)

Starring Alan Arkin, and Steve Guttenberg as a would-be doctor who can’t get the grades to study medicine in the USA.

The film is similar to Guttenberg’s Police Academy films, and takes place in Mexico, although the whole film was shot in and around Lorca and La Paca in the province of Murcia.

One scene, when the trainee doctors fill their stolen prescriptions at a Farmacia, was shot in Calle Musso Valiente in Lorca.

Simon Andreu plays the medicine school owner’s doctor.

Enemy Mine (1985)

The Timanfaya Volcano Park on Lanzarote Island in the Canaries and the well-known green lagoon at El Golfo, an unusual phenomenon where sea water has become trapped to form a lake, which has turned a striking green due to algae, feature in this Sci-Fi movie with Dennis Quaid, although with some serious digital work to transform a languid location into a hostile planet surface.

Space is the new battleground we’re cheerfully informed at the start of this version of Robinson Crusoe.

Once again the Dracs turn out to be far nicer than the Americans, although Quaid shows that people can change once they realise that the species they are trying to exterminate is superior to their own.

The lunar-like lava fields of Lanzarote are in fact far more hospitable than the film would have us believe; and the food is better too.

Dust (1985)

Trevor Howard and Jane Birkin star in the psychological drama set in South Africa and based on a book by Nobel Prize winner J.M. Coetzee.

The city of Almería is used for Cape Town, according to the Almería Tourist Office, as were nearby Níjar, Los Albaricoques and the Cortijo del Cura.

Some scenes were shot in the Cortijo Romero, now a cinema and John Lennon museum.

Lace 2 (1985)

If Lace 1 gave us the classic line “which one of you bitches is my mother?” Lace 2 shows a definite maturity of dialogue: “which one of you bastards is my father?”

Among the locations was Granada, where the castle of La Calahorra is Lili’s destination when the Prince takes her there in his helicopter and whines about the poverty of his people while apparently doing nothing to resolve it apart from demonstrating his wide range of transportation.

La Calahorra

Star Knight (1985)

A Spanish production filmed in English with international stars Harvey Keitel and Klaus Kinski, two characters filled with angst among an angst-filled cast contrasting with the solid, sturdy presence of a castle, around which all the action takes place.

Medieval knights, dragons, spacemen; the only player missing is David Bowie, but Spain’s equivalent, singer Miguel Bosé, puts that right with an ethereal performance.

Kinski is an alchemist searching for the secret of eternal youth, while Keitel merely wishes to be made a knight, to slay a dragon and claim the Count’s daughter as his rightful prize. Spanish actor Fernando Rey plays the priest, opposed to everything except tithes and anxious that nobody else achieves their goals.

This is a film that has everything, even a Green Knight defending a bridge incompetently.

Filming locations include La Junquera, Girona, the last town on the Mediterranean border before France, where the Castle of Requesens gave some authenticity, perched upon Monte Neulós, along with the castle of Manzanares El Real near Madrid.

Requesens castle dates back to the IX century. In the XIX century it was rebuilt in a neo-medieval style. After the Spanish Civil War some modern constructions were added to the original structure.

The castle has had the privilege of having its own war, the War of Requesens. (1047-1072), which began when Count Ponce II of Ampurias took the castle, annoyed by his own cousin, Count Gausfredo II, who appeared to be getting too big for his boots.

The castle was unsuccessfully besieged by the French King Felip l’Ardit (the bold) as part of a Papal Crusade in 1285, and then conquered in 1288 by King Jaime II of Mallorca.

The reconstruction of the ruined castle was undertaken by the Earl of Peralada, Tomas de Rocaberti in 1893, but then seemed to fall victim to a jinx, as Tomás died.

On June 24th, 1899, Requesens Castle reopened with a big party, but five days later the Countess Joana Adelaida Rocaberti also died, also childless.

In the Civil War it was attacked by Republicans and after the war was a military post, set up to try to control the guerrillas operating in the mountains after the defeat of the Republic.

Salvador Dalí failed in his attempt to acquire the castle.

The castle then changed owners repeatedly in 1913, 1924, 1942 and 1955, when the current owners, the Pijoan and Esteba families bought it.

After further years of neglect, in 2014, renovation of the castle took place and it is now open to visitors who are prepared to drive along the torturous track and brave the horseflies.

Requesens

Christopher Columbus (1985)

This six hour mini series starred Oliver Reed, Gabriel Byrne, Eli Wallach and Faye Dunaway among others.

Columbus goes to Granada to lay his plan before the Spanish monarchs as they conquer the city, and the Alhambra chalks up another cameo appearance as they negotiate the terms of the New World deal with him.

Scenes were also filmed in Trujillo in Cáceres province, Extremadura, where Ridley Scott would also film part of his 1492 a decade later.

Trujillo

Alien Predator (1985)

Usually when people go on holiday to Spain, the last thing they want is to be pursued by alien predators; much better to take advantage of all the exciting adventure sports that Spain has to offer. Unless that is you actually like being eaten alive, in which case specialist travel agencies are available.

The cause of all the trouble is a Skylab craft which has crashed near a small Spanish village, although a nearby castle is a secret NASA base, as is often the case.

Possibly the worst film ever made with dashes of ‘Alien’ and just about every film where humans are possessed by aliens and turned into mincemeat.

They arrive at the village of Duarte, played, mostly in darkness, by Chinchón, Madrid, whose beautiful circular main square is not shown to its best advantage during unimpressive car chases.

Chinchón castle, just to the south of the town centre represents the NASA base, where Michael has to go to find an anti-alien serum. The impressive bridge over the moat appears various times, and a good shot of the whole castle is seen three minutes into the film among grazing cows and the ominous words ‘Five Years Later’.

Chinchón

Solar Babies (1986)

As the Earth is running dry, it seemed logical to make the film among the arid, sandy landscapes of Almería, although considering that the characters in the film all move on skates, maybe that wasn’t such a good idea!

The impressive mines of Rodalquilar were one of the main attractions of this film, with their decadent industrial landscapes. In the film the orphanage was situated there.

Also used is the Cueva de la Molineta, while the city of the cars was situated in Llano Trujillo and the power station at Carboneras was also employed.

Gunbus/ Sky Pirates (1986)

A wholly believable story about gunslingers who become World War One pilots intent on shooting down a Zeppelin.

Needless to say, the western scenes were shot in Almería. Among the locations were Texas-Hollywood and Mini Hollywood western townships and Las Salinillas and Cañon Negro, as well as transitional scenes at the Tabernas Aerodrome.

Crystal Heart (1986)

Based on a Spanish script, a rock star meets a boy in a bubble and it’s a question of how long before something bursts. Fortunately it isn’t the baby with the baboon heart.

The story is set in California and Spanish actor Simón Andreu plays the sleazy manager.

Instant Justice (1986)

A US Marine roots out the men who killed his sister in Spain, stirring up the Spanish capital, Madrid, in the process.

You would need to find a very deep forest in order to see such a superficial, wooden performance as this.

The only saving graces are a few shots (not including the ones with the Marine’s toy machine gun) at the lakeside of El Retiro park, when our hero is chased by a villain in a taxi, and at Las Ventas bullring, which is of course left open and deserted at night so that all kinds of people can resolve their conflicts; and when that’s not possible, a sidekick can always release the bulls!

Eliminators (1986)

A Sci-Fi semi-spoof shot at locations around Madrid from July until October 1985.

Neanderthals, Romans, Kung Fu fighters and Robocop all fight it out, swapping clichés and cheap special effects with casual abandon.

Bing Crosby’s granddaughter Denise participates, and perhaps it would not be too tasteless to remember that Bing actually died in Spain, while playing golf.

A lot of the action takes place along a river, which would appear to be the Alberche, and the radar that is supposed to be in Reeve’s compound belongs to the NASA/INTA installation at Robledo de Chavela.

Harem (1986)

Most famous for being the last film in which Ava Gardner participated, this TV movie tells the story of the fading days of the Ottoman Empire, which could be knocked down either by a feather or by Nancy Travis, a young English girl in love.

Nancy ends up in a harem and Julian Sands, her fiancé (not unexpectedly) would prefer to get her out.

Omar Sharif returns to a Middle Eastern role, leaving his Russian roots behind in Soria, where he made ‘Doctor Zhivago’ to play the Sultan, a man whose vision of Empire is clouded by poor judgement and the attractions of his harem, (hence the subtle title).

When the British party arrive in what is supposed to be Constantinople, we find them staying at a luxurious hotel with ornate Arabic decoration, which is none other than the Alfonso XIII hotel in Sevilla, also used in ‘Lawrence of Arabia.’

Later, when Sands’ fiancée goes off on an adventure, during which she will be kidnapped while visiting some ruins, which were in fact the Bolonia ruins near Tarifa in the province of Cádiz, Sands searches for her and comes across Sarah Miles having tea in front of a palace, the Palacio Mudejar in the Plaza de America, another landmark of Sevilla.

In Granada province the attack on the train was filmed around Guadix, specifically at the Puente del Grao, Rambla del Agua and Hoya de Guadix according to cinema expert Juan José Carrasco.

When the Sultan visits the Dervishes to find out if he should rely on his conscience or his army, their home is the castle of La Calahorra, also in Granada province.

Filming took place at Almodovar del Rio, Córdoba, where the local 8th century castle served as the Sultan’s palace, and the River Guadalquivir, represented the Bosphorus, separating Europe from Asia, although the interiors and gardens were mostly shot at the Casa de Pilatos and Reales Alcázares in Sevilla.

Almodovar del Rio

It was the Arabs who in 740 built the fort on the site of a previous Roman one, as these things are generally done. They called it Al-Mudawwar, meaning both ‘round’ and ‘safe’.

In 1240 the castle became Christian, during Fernando III’s reign.

Both the Order of Calatrava and the Order of Santiago have been previous owners and landlords.

King Pedro I of Castilla, known affectionately in his family as ‘Pedro the Cruel,’ would sometimes keep his treasure there, and also kept his step brother’s wife, Doña Juana de Lara, there under lock and key.

The castle was restored between 1901 and 1936 by the 12th Count of Torravala.

The castle also represents High Garden in the 7th series of Game of Thrones, when Jamie Lannister sacks and loots the place.

The use as a location of ‘Game of Thrones’ has breathed new life into the castle, which opened to the public in 2001 and now organises all kinds of costumed visits and events.

Assistant Manager Teresa Moreno showed us around in July 2019, explaining how the castle now has a complete catalogue of school visits, medieval banquets, re-enactments, weddings, congresses and advertising shoots.

The Netflix Manga series Warrior Nun was also filmed there.

In nearby Palma del Rio you can visit the Palacio de Portocarrero, where Ridley Scott shot scenes from Kingdom of Heaven. The palace is part of the Convento de Santa Clara complex, which includes an extraordinary but very economical hotel run by a very loquacious Pedro.

Alfonso Luna, tour guide at the Almodovar castle, told us that he worked as an electrician’s mate during the filming. He especially remembers a tiger that was brought to the town, and escaped. Fortunately it didn’t eat anyone, and sat on a rock waiting for the dart to send it to a well-earned sleep. The tiger is shown in a cage as a contemplative Omar Sharif walks past the first time we see his castle.

The production team spent seven days in Córdoba province and Gardner stayed at the Parador La Arruzafa.

Strong Medicine (1986)

This four hour film, or two part series if you prefer, was directed by Guy Green and featured Pamela Sue Martin, Patrick Duffy, Dick Van Dyke, Ben Cross, Sam Neill, Douglas Fairbanks Jr. and Gayle Hunnicutt.

It tells the story of a woman fighting her way to the top in the pharmaceutical industry, and includes some moments in Mallorca.

Scorpion (1986)

This martial arts story with the inevitable one man taking on hordes of armed villains with only his feet, has a scene where we clearly see the town walls of Ávila as a red car drives by.

The action begins in fact with a bar fight in Spain before moving on to boring places like Hawaii.

Banter (1986)

Also known as The Last of Philip Banter, a psychological (or perhaps ‘psychotic’) thriller in which Tony Curtis returned to Spain to play a nasty father who loves his daughter but not so much his son in law.

As well as the interiors filmed at studio Barajas, various locations in Madrid were used.

After Curtis and his daughter visit the doctor, they have lunch at his hotel, which is in fact the ornate Madrid Casino, where the cameraman seems to be somewhat obsessed by the décor.

The same location, with its baroque staircase is used when he conspires with Bobby/Robert, and we begin to see that a conspiracy is afoot.

Before that Robert has walked in the park with Brent, and the park in question is El Retiro, where we see the large greenhouse known as the Palacio de Cristal.

After his escape from the clinic, Philip drives around Madrid in a taxi, with sights including the Puerta de Alcalá.

He meets up with Robert, who has betrayed him to the doctor and his orderlies, but he escapes and emerges from El Retiro through the Puerta de Felipe IV.

The Mayte restaurant appears twice, when Philip lunches with and then attacks his wife, and then when he sees her with Robert.

The Empire of the Sun (1987)

J G Ballard wrote a book based on his own experiences as a child prisoner of the Japanese in World War II, one of 30,000 Europeans who were incarcerated by the Japanese in Shanghai.

For the prisoner of war camp in the film, Steven Spielberg turned to Spain, and built the set at Trebujena, near Cádiz, close to where Columbus began his third voyage to ‘India’ and Magellan his circumnavigation of the world.

The camp was set up on an estate known as Cortijo Alventus, near the left bank of the Guadalquivir River, a location noted for its spectacular sunsets, (Spielberg himself described them as the most beautiful in the world, and he’s probably seen a few). It was therefore perfect for the scenario of the sun setting on the British Empire and briefly rising on the Japanese one.

Spielberg set up shop in an open air cinema called Terraza Tempul in Jeréz de la Frontera.

Young Welsh actor Christian Bale plays Jim, the character based on Ballard, and Ballard himself has a cameo scene at a masquerade party.

One of the best scenes from the film takes place at the prison camp near the end of the war when the last Kamikaze pilots take off, with limited success in one case, and then American Mustang fighters attack the camp.

One of the special effects technicians, John Baker, still lives in the village, having fallen for a local girl.

Spielberg too always leaves an impression wherever he goes, and at Trebujena he also left a small mountain of his props, and for a while the camp attracted tourists, until it was short sightedly demolished.

Apart from the camp, in the same area he built a hospital, a pagoda and the stadium where the Japanese kept their loot. Today nothing remains, except the memories of the locals, and the knowledge that it was the chance viewing of a documentary about olive oil that brought Spielberg here in search of a metaphorical sunset.

The music haunting Jim during the film, reminding him of his mother, is Chopin’s Mazurka Opus 17 No. 4.

Monsignor Quixote (1987)

Monsignor Quixote is a novel by Graham Greene, based on ‘Don Quijote,’ which was made into a television film in 1987, with a screenplay written in part by Greene and starring Alec Guinness as Father Quixote, a ‘genuine’ ancestor of the fictional character created by Cervantes.

The story is updated and is set in the village of El Toboso, Toledo, with Quixote a non-conformist priest at loggerheads with his Bishop, and Sancho (Leo McKern), a Communist who has just been voted out of his job as Mayor in the early years of post Franco Spain.

We see the Mayor leaving the Town Hall mumbling about betrayal, and the building he steps out of is in fact El Toboso’s Town Hall today.

Town Hall

The house where Monseñor Quixote lives was actually two different houses during filming. The exteriors were shot in a house in the main square opposite the church. The eave over the ground floor window was added by film-makers to facilitate Alec Guinness’s escape, when he climbs down from his bedroom. The interiors however were shot at Calle Adolfo Lorenzo 14.

The Priest’s House

Monseñor Quixote becomes a Monseñor because of a favour he does for an Italian cleric, whose car runs out of petrol. The car is taken to a garage, a real one as it happens, situated in Calle Los Bancos 2.

Quixote and Sancho head off in a battered old Seat 600 car, called, inevitably, ‘Rocinante,’ and although there is no damsel in distress, their story runs parallel to the original Quijote. However, as is so often the case with Greene, the real story is one of faith and an attempt to see Catholicism in a modern context.

The arguments between the priest and the communist cannot hide the fact that their common humanity and decency, as well as a few well chosen bottles of wine, bring them closer together than can the trappings of belief.

The wine was picked up from the local Co-operative on the edge of town, which continues to perform this vital function decades later.

The Co-operative

The actors and crew spent 15 days filming in El Toboso, taking all their meals in what was then the Posada de La Tuna in Calle García Lorca 12, and on my visit was an original art gallery run by Juan Alfonso García Donas.

Posada de la Tuna

El Toboso retains its historical charm but offers a wide range of attractions, including a Cervantes museum with copies of El Quijote translated into 59 languages and signed by famous people from all over the world, including Ronald Reagan, Fidel Castro, Nelson Mandela, and, Alec Guinness, on the 24th April 1985.

My thanks for the exemplary assistance during my stay from Councillor María del Pilar Arinero Gómez, Mayor Marciano Ortega Molina and Head of Police José Antonio Adan, who in turn facilitated all the requirements of the production crew during their time in El Toboso.

El Toboso Authorities

In the film the journey takes them from El Toboso to Madrid, where we can see glimpses of El Prado Museum and la Puerta de Alcalá.

They visit the Valle de Los Caídos (the Valley of the Fallen), built by Republican prisoners after the Spanish Civil War; Franco’s very own pyramid for his corpse, and then have a picnic with the Escorial in the background.

Next we see them in Salamanca (Greene’s favourite Spanish city) observing the statue of Miguel Unamuno and then visiting his tomb in the cemetery.

There is a visit to Valladolid with its arcaded, columnated main square, off which Guinness hears confession in a public toilet, after which they visit León’s Cathedral, which we also see the interior of.

This part of the journey ends when they fall asleep at the roadside under the massive rocks of the Cordillera Cantabrica.

After returning to El Toboso, they escape the clutches of the Bishop and head off again, this time to Galicia. They end up at the Monastery of Oseira in the province of Orense, where Monsignor Quixote finally dies in a scene that would curiously be repeated in Greene’s own final days, when he expired with his hand being held by Father Leopoldo Durán from Vigo, who was a friend of Greene’s in real life, and whose figure receives homage through the monk in the film, also a Father Leopoldo.

Oseira Monastery, Ourense

The crew filmed in Galicia from 18th to 27th of May 1985, although curiously the film was shown in Spain for the first time as late as 2008.

During their stay, they were based in O Carballiño, at the Hotel Arenteiro, and did some filming in the historic centre, as well as in As Regadas, municipality of Beade.

Alec Guinness’s fatal car crash into a wall outside the monastery produced laughter around the area, as the wall was especially constructed, and a local man was paid to cause the damage to the car with his excavator.

Siesta (1987)

Filmed on the streets of Madrid, the story involves a woman who wakes up battered and bruised on a runway, and then tries to find out what happened; and it’s not just a case of finding those damned car keys.

The woman, Ellen Barkin, makes her living jumping out of planes, which is just one metaphor in a film plagued with symbolism and flashback.

Once awake Ellen makes her way to a village with the help of Spanish taxi driver, Alexei Sayle. The village is none other than Nuevo Baztán, where Yul Brynner recruited some of the other six in ‘Return of The Seven.’

It is here that she finds trapeze artist Gabriel Bryne practising in the middle of the Plaza de Fiestas.

All through the film she keeps returning to the village, where we can see many of its historical monuments around the Palacio Goyeneche.

Plaza de Fiestas.

It is at the farm called Cuarto Lote just outside town that Ellen meets her fate in Gabriel Bryne’s house.

The flashbacks mainly take place in Madrid, starting with her escape from Alex in El Retiro park, a fast drive with sirens blaring past the Puerta de Alcalá and a night of hard drinking and an encounter with Julian Sands and Jodie Foster (who doesn’t meet the ‘taxi driver’).

When Sands is in a singing mood, we find him draped around a statue of Don Quijote and Sancho Panza, situated in the Plaza de España.

Photo Courtesy Mark Yareham

Constant trips to the airport are unsuccessful, but returning from one of them Sands, Barkin and Foster pass by the statue of the ‘Angel Caído,’ Lucifer himself, which is located at the southern end of El Retiro park.

The Fallen Angel. Photo Courtesy Mark Yareham

When they visit Grace Jones’ house, Barkin shows she is barking mad by jumping from a window onto a bus, without anyone noticing, which then transports her inside Las Ventas bullring

A sublime soundtrack by Miles Davis makes it all worth watching.

Good Morning Babylon (1987)

Although a story of Italian immigrants in America, scenes with an old steam train were shot, like so many needy steam train films, in Guadix and La Calahorra, Granada.

La Calahorra Station

In the version I saw, when the brothers reach America they start talking in English in the scenes shot in Spain, but on arrival in Hollywood, suddenly everyone and their grandfather is speaking Italian.

Straight to Hell (1987)

A cult film shot in Almería and featuring Joe Strummer and the Pogues, as well as Elvis Costello, Grace Jones, Dennis Hopper and director Jim Jarmusch, although Alex Cox actually directed.

Strummer spent a lot of his time around San José in Almería as urban punk idols tend to do when they’ve made a few bob.

They used the Cueva de la Molineta and the Gran Hotel Almería (Avenida Reine Regenta, 8), from whose swimming pool on the roof we see El Cable Inglés, the old pier.

Also the soon to disappear Tecisa western township and Benahadux, whose Unicaja savings bank donned the name ‘Banco de Almería’ for the obligatory robbery scene.

In 2010 a director’s cut called Return to Straight to Hell was released.

Dark Tower (1987)

All you really need to know here is that the skyscraper dun it! This horror movie is set in a high rise building in Barcelona, and among the attractions of the city that we are allowed to see when people are not plunging to their deaths are Plaça Espanya, Barceloneta and Las Ramblas.

Jenny Agutter is among those taking part, and the tower in question is in reality one of the Trade Towers designed by the Catalan arquitect José Antonio Coderch and situated in Avda. Carlos III, 92-98.

The Trouble with Spies (1987)

Donald Sutherland stars as an inept spy sent to Ibiza to discover what happened to another spy.

Arriving by ferry we get to see some of the harbour scenery of Eivissa, as well as the narrow, white painted village street houses of the capital.

There is a legend, that the castle was built with stones taken from the ruins of Atlantis, situated near the magnetically magical islet of Es Vedra.

Photo Courtesy James Yareham

Crystalstone (1987)

A curious Spanish (writer/director) film in the Disney style (evil aunts, orphan kids, nasty pirates etc), set in Spain in 1908, but with British actors.

Filming of the steam train scenes took place near Llanes in Asturias, with the night time scenes in the station using that of Posada, where the children escape on a train and meet the mysterious old man.

The actors stayed in the Hotel Don Paco in Llanes.

A chase scene through a market takes place in Santillana de Mar, Cantabria, offering a full frontal view of the Colegiata de Santa Juliana.

The Living Daylights (1987)

Is it British? Is it Spanish? Does it matter?

The Rock of Gibraltar continues to be a rock in the boot of the relationship between Spain and Britain, and so maybe we shouldn’t mention the fact that this film begins in Gibraltar with the usual action pre-credits scene showing a Land Rover screeching down the Rock.

M is watching this from what at first appears to be his office, but then turns out to be a plane.

The plane was Spanish, even if the Rock wasn’t, and was used again for the Afghanistan sequence.

At various points the Spanish coastline of the province of Cádiz can clearly be seen and appreciated.

Neat and Tidy (1987)

Our friend from Guadix, Roberto Balboa, introduced us to this film, shot in Granada and Almería provinces, and also known as ‘Adventures Beyond Belief.’

Filming began on 13th September 1986 at La Calahorra and then carried on in Almería province until mid-October, with scenes taking place at the Mónsul beach, the sand dunes at Cabo de Gata and the port of Almería, which portrays both Calais and Bombay ports.

At La Calahorra once again the steam train scenes were shot and the multi-purpose castle appears briefly as the headquarters of the fat, video game fanatic villain, supposedly in India.

Filming also took place at the Hotel San José in San José and at the old tuberculosis sanatorium, which is now the Centro de Arte Museo de Almería, situated in Plaza Barcelona. The museum represents the Hotel Roma in Rome when Neat and Tidy arrive there at the beginning of their adventure.

Director Marcus Thompson pointed out “we started shooting near Guadix then went to the Castillo de La Calahorra and then onto Almeria where we shot in and around what was then called ‘Mini Hollywood’, the cowboy town.

Mini Hollywood

We then moved to nearby San Jose to finish. We also used the same vintage steam train that I believe had been previously used in ‘Lawrence of Arabia’, but I can’t remember where exactly. We then shot at the docks in Almeria – great locations. The shooting then continued at Pinewood Studios.”

The docks represented Benghazi.

Beaks (The Movie) (1987)

An attempt to follow Hitchcock’s ‘The Birds’ with a downmarket pigeon version.

The action begins at the Majahonda shooting club (Club de Tiro), where we discover that some men kill animals “for pleasure.” From then on the birds win by a walkover, beginning at an OAP residence located at Villanueva de Pardillo, Madrid, where an elderly man loses an argument, and an eye, with an owl.

The scene at Quintanar de la Orden, Toledo, is the one where a man confesses to the press that some doves are stalking him, and to prove the point he’s bitch slapped by a canary.

A family, supposedly in Puerto Rico, confronts the birds on a beach and a lake, with scenes shot in the Doñana National park in Huelva province.

Hitchcock was more economical with his birds; here the flapping gets to be more annoying than frightening.

Nice scenery nevertheless.

Anguish (1987)

Top Spanish director Bigas Luna delved into the horror film within a horror film genre for this movie shot in Barcelona and Madrid, (the latter where the clinic and hospital scenes were filmed).

Los Angeles, where the film was originally supposed to be made, was recreated in Mercabarna, in the ‘Zona Franca’ of Barcelona, Bigas Luna’s hometown. There he created the two cinemas, Roxy and Rex, where the two murderers interweave their handiwork.

The eye collector and his mother live in a modernist mansion, which in reality is the Casa Vicens, designed by Gaudí, and the interior with its snails, pigeons and assassin show the full decorative extent of Gaudí’s artisanship.

The film is not quite a homage to maternal love, although it is a homage to Hitchcock.

Rest in Pieces (1987)

An inherited mansion, devil worshipping and a 62 year old Dorothy Malone as a corpse that won’t lie down.

Sex and gore, like the White House under Clinton, and settings provided by Madrid for this Spanish product directed by José Ramón Larraz.

Scalps (1987)

An Italian production but with an English language version, this may well be the worst western ever, but the locations are pretty good.

The action begins with a Confederate patrol leaving Fort Condor in Almería for a little bit of slaughter against Indian women and children. A very attractive squaw escapes and makes her way to a ranch, none other than the McBain ranch, now part of the Western Leone township.

From there the action moves between Almería’s ramblas and the boulders of La Pedriza, Madrid.

Dark Mission (1988)

Christopher Lee and Robert’s son Christopher Mitchum star in this spy story set in Cuba.

In fact the film was made much closer to director Jesse Franco’s home, at Alicante’s airport at Altet, Villajoyosa, Benidorm and Elche and Murcia.

The cemetery scene near the end was filmed at the Cementerio Parroquial Nuestra Señora del Rosario La Alberca, Murcia.

The Adventures of Baron Munchausen (1988)

It was George Harrison of the Beatles who started the ball rolling on this film. Harrison always maintained that the Beatles’ muse passed to Monty Python, and he was a financial backer of the team in their film efforts.

In 1979 he showed Terry Gilliam his collection of Munchausen stories, about the real live Baron, who was an 18th century tall tale telling German Cavalry officer.

Gilliam, the Monty Python artist and perfect actor for any part involving serious ugliness, loved the clash between the Baroque and the Newtonian world view.

A film with a surrealistic attitude to the world could be filmed nowhere better than in Spain; apart from the interiors, shot in the Cinecitta studios in Rome.

In the film, a town that seems to be on the Mediterranean coast and run by cynical French revolutionaries, is besieged by a Turkish army. The town used was in fact Belchite in the province of Zaragoza.

Belchite was destroyed during fighting in the Spanish Civil War and left that way as a reminder, (although it is unsure whether as to the folly of war or as to what would happen if the peasants dared to stand up to Franco again).

A new town was built alongside it by prisoners of war in a nearby concentration camp, and the old town had become a home to grazing sheep and the occasional tourist or film-maker.

The beach scenes, which merge cleverly into the scenes at Belchite, were filmed at Mónsul beach in Almería, and the Turkish army seen on the beach were in fact 400 local people with their heads partially shaved to make them look like Turks. The haircut did cause a fleeting fad among locals for a short time.

Rowing in the Wind (1988)

Hugh Grant attempted to capture the romanticism of Lord Byron, without dying of dysentery in Greece in this pan-European epic, set at Lake Geneva, but with a Spanish director who inevitably brought as much of it all back home as possible.

Although Geneva gets a look in, so does Asturias, where filming (and the characters’ target practice with pistols) took place at the beach at Borizu, a beach about 400 metres in length located near Celoriu.

Shelley’s funeral pyre was also filmed on the beach.

The Town Hall of nearby Llanes has created a Cinema Route, enabling visitors to visit the sites of many productions made there. In these areas you will find boards with stills and information about the films. Where possible the boards have been placed where the cameras were when the shots were taken, to give the greatest realism possible to the observer.

The 14th century Monastery at Lupiana, Guadalajara was used as Mr Williams’ house in Italy, from which Shelley sets sail and is drowned, and the Monastery at El Paular, Madrid was used as the façade of Byron’s house on Lake Geneva.

Slugs (1988)

Directed by Valencian Juan Piquer, this horror film (if you find slugs eating people rather than lettuce horrific) was shot in Madrid, although the slugs themselves were brought in crispy fresh from Asturias each day.

A Time of Destiny (1988)

Starring William Hurt, Timothy Button and Stockard Channing, and also featuring Spanish actor Paco Rabal, the film tells the story of a Basque family from California.

A story of war within and without the family, filmed in Yugoslavia and in Vizcaya, based on an opera by Verdi and with a soundtrack by Morricone.

Counterforce (1988)

A peculiar film made by Spanish director José Antonio de la Loma, and shot in Ibiza and in Barcelona province, particularly at Badalona, Vilanova i La Geltru, Castelldefels and Arenys de Munt.

Among the international cast were George Kennedy and musician Isaac Hayes, most famous for having composed the theme music for the movie ‘Shaft.’

As a curiosity, Nancy Venables, daughter of footballer Terry Venables, who at that time was the manager of Barcelona Football Club, also acted.

Three weeks were spent filming in Ibiza, posing as the fictitous Arab Republic of North Africa, where the Counterforce group were sent to protect a deposed Arab leader from his deposer.

Ibiza also represents the Balearic Islands, and there they filmed at Santa Eulalia del Rio, whose profile appears more than once, Hotel Hacienda na Xamena (the luxurious HQ of the dictator’s nephew with its distinctive watchtower beside the swimming pool) and Calo d’en Real.

When the exiled leader gives a speech and is shot in a theatre, it is in the Teatro de España.

The magical island of Es Vedra appears quite a lot, especially when Kassar’s wife is rescued from a yacht.

Andreu Simón notched up another appearance as the Commissioner of a police force totally unable to take any kind of action in its own backyard.

This may possibly be the film with more clichés per square metre ever made.

Iguana (1988)

A cross between ‘Moby Dick’ and ‘The Beauty and the Beast,’ although the director claimed he was inspired by ‘The Phantom of the Opera’.

Like ‘Moby Dick,’ it was filmed in The Canary Islands, but this time on and around Lanzarote.

The story itself was written by a Canary Island author, who also worked with Jacques Costeau; Alberto Vasquez-Figueroa, who has a cameo role in the style of Hitchcock during a funeral scene.

In one scene Oberlus and the ship’s clerk discuss literacy after catching lobster with the spectacular rock at the beach of Playa del Charco de los Clicos as a backdrop. The rock appears various times during the film.

Director Monte Hellman also directed the classic Road Movie, ‘Two Lane Blacktop’ with pop star James Taylor and Beach Boy Dennis Wilson.

The Most Dangerous Man in the World (1988)

The BBC took up the story of Ali Agka’s attempt to assassinate Pope John Paul II in Rome, although it was largely filmed in Almería.

Among the many locations were the El Acebuche prison, El Peineta Guardia Civil barracks, the Mónsul beach in Cabo de Gata, the Nicolás Salmerón park and many streets around Almería like Plazas Vieja and Pavia.

The Alhambra palace, Granada, was used to represent the eastern delights of Turkey.

Onassis: The Richest Man in the World (1988)

Gil Parrondo, who worked on Doctor Zhivago, was largely responsible for locating part of the film in Spain.

Onassis had to abandon his native Ismar after the Turkish invasión, and various locations from Cádiz brought it back to life, including the Alameda Apodaca, the barracks at Parque Genovés and the Casino Gaditano.

Raúl Juliá, Anthony Quinn, Jane Seymour, and of course, Spanish stalwart Simón Andreu make up the cast.

There was also shooting at Vejer de la Frontera, Palma de Mallorca and Madrid.

Indiana Jones and the Last Crusade (1989)

Stephen Spielberg was influenced as a student by David Lean, who directed most of ‘Doctor Zhivago’ and a great part of ‘Lawrence of Arabia’ in Spain.

In fact, one of Spielberg’s unrequited wishes was to make a James Bond film, and he has said that making Indiana Jones was a kind of next best thing.

Spielberg selected his locations on a helicopter trip over the desert scenery of Almería, after which he and the crew landed at the Parador Nacional de Mojacar for lunch.

They began shooting Last Crusade in May 1988, in Almería, and among the scenes from there was the Palace of the Sultan of the Republic of Hatay, which was in fact Almería’s ‘Escuela de Artes,’ which used to be the convent of Santo Domingo. Among the school’s claims to fame was having once had Federico García Lorca as a student there.

The scene where a Rolls Royce is enough to seal the Sultan’s collaboration with the Nazis was at first intended to be filmed in the famous Patio de los Leones in Granada’s Alhambra Palace, but the high cost resulted in the use of the Escuela de Artes.

Spielberg, his wife and son stayed at the Parador Nacional in Granada, while in Almería they rented a villa at the resort of Aguadulce, just west of Almería city.

There actually was a Republic of Hatay from 1938 to 1939, after the region was granted independence from French Syria and before it became a province of Turkey. The capital of Hatay was Alexandretta before 1939, when the city’s name was changed to Iskenderun.

In the film, the Andalusian town of Guadix, near Granada, was Iskenderun, and made its railway station available so that Denholm Elliott could be mobbed by beggars before being kidnapped by Nazis.

The local council installed directors’ chairs at different locations around the town with information about the films; unfortunately most of them are now in a lamentable state.

One Almería street that appeared in the film was Calle Almanzor, which had to shed its modern street lights for Indie, his father and Fez-wearing ally to wind their way up towards the Alcazaba castle; or at least they would have done had they gone further.

However, there is a fleeting moment, just before Indie takes on the tanks, when he is driving through Almeria with Sean Connery and John Rhys-Davies, and we catch a glimpse of the battlements of the Alcazaba castle.

The Tabernas Desert, with the Ramblas de Trujillo, Búho, Benavides, Lanujar and Indalecio were used for Indie’s single-handed battle against German tanks (although to be fair, the Germans didn’t have whips), as were Las Salinillas and the Finca las Lomillas. It is in the Búho (owl) ravine that Indie shoves a rock into the tank’s barrel, next to a famous pile of red rocks known locally as La Tortuga (the tortoise).

The old road between Rodalquilar and Aguamarga was also used, particularly for the tunnel scene where Indie and father are followed into the tunnel by a gulping German pilot in his flaming plane (the road tunnel was in fact part of the abandoned Rodalquilar mines).

The scene where Indie’s car was attacked by a German plane was filmed in Los Escullos, Nijar, as well as at Turre and Sierra Cabrera, and at Punta del Esparto, just south of Los Escullos, their car hit a bomb crater.

Other places in Almería that appear in the film are Ramblas Viciana and Lanos and the Baños de Alfaro. It is the Alfaro hill from which the tank goes over a cliff, apparently with Indie inside, which leads his father to briefly mourn him. In reality the drop is only five metres, but nifty camera work disguises that inconvenient and undramatic fact.

This time around it’s not snakes that rattle Indiana Jones but rats (in Venice) and seagulls. When Dr Jones Senior scares the ‘seagulls’, making them fly up to provoke the plane crash, they are in fact pigeons. If you look closely you can see that there are a number of ‘cut out’ seagulls in the sand, which do not move. It was filmed at the beach of Mónsul.

When Indiana is earlier seen heading towards Berlin on his sidecar, the crew had moved away from arid Almería, but not too far away. In fact they went to the adjacent province of Granada, and the greener mountains of the Sierra de Huetor, on the track that goes to Prado Negro (Black Meadow!) among others.

The crossroad where they have to decide whether to go to Berlin or Venice is situated in the Sierra de la Alfaguara, at the crossroads between Las Mimbres and Prado Negro. The airfield used for the zeppelin scenes was at Turre near Mojácar, and the crash landing in the Sierra de Cabrera, nearby.

The Return of the Musketeers (1989)

The film begins at a tavern, where Roy Kinnear is attempting to steal his lunch. The tavern, as usual, was in the Cartuja at Talamanca de Jarama in the province of Madrid.

Looked at from another angle, Frank Finlay (Porthos’s) palace, looks remarkably similar to Versailles in ‘The Three Musketeers,’ and it is in fact once again La Granja palace near Segovia, this time with Finlay amusing himself on a small merry go round.

The same location is used for the scene where the Queen, Geraldine Chaplin, is playing around in a small chariot drawn by goats.

At the beginning, when Aramis is rescued from a windmill, where he has been caught with his trousers down again, El Escorial palace near Madrid is easily recognisable in the background as he makes his escape.

At another point the city of Toledo is clearly recognisable in the background with its dominating Alcázar castle, as the Musketeers ride off to righten wrong.

Manzanares el Real castle (Madrid) was modified for the film with the digging of a moat. The discovery of a bone during the digging halted the filming for a while until it was confirmed to be merely that of a dog. It is from this castle that the Duke of Beaufort is rescued.

The castle is also the scene of the film’s climax, with the musketeers hi-jacking a hot air balloon and using it to enter the castle for the final showdown, with swordfights all over and around the battlements and cloisters.

Other locations are Pedraza, where a hanging takes place, and the Valsaín forest, both in Segovia. In the forest the executioner is executed by Lady de Winter’s daughter.

She first comes up against the Musketeers, ironically, in the same location where they first get together and duel in The Three Musketeers, before they are four, in the Hospital de Tavera in Toledo, with its conspicuous double cloister.

The film is dedicated to Roy Kinnear, who on 19th September 1988, fell from a horse on the Alcantara bridge in Toledo, sustaining a broken pelvis. He was taken to hospital in Madrid, and died from a heart attack the following day. Richard Lester was greatly affected and gave up his own film career as a direct result of Kinnear’s death.

Fine Gold (1989)

A strange film, and one aimed at showcasing Rioja wine more than anything else, although it does include a 74 year old Stewart Granger and that nasty lizard Diana from the TV series ‘V’, Jane Badler in human form.

Stewart was in fact returning to the country where, many years previously he had worked in the construction industry in Marbella, from which he could still remember how to swear a little in Spanish.

Filmed around the vineyards of La Rioja, locations include the bodegas of Casa de la Reina and the castle at the lovely sandstone village of Sajazarra, which belongs in reality to the vineyard.

During one scene, filmed at the entrance of the Bodegas Franco Españolas in Logroño, we can clearly see the city bridge ‘Puente de Hierro’ in the background. The Sociedad Hípica Deportiva Militar was used for some horse riding scenes.

Bodegas Paternina at Haro and Ollauri, the Cooperativa de San Asensio, Casalarreina and the Hotel Los Bracos in Logroño were all locations, as were Torremontalbo and San Asensio.

It’s Falcon Crest but with a lower budget for décor as we follow the rivalry between a Rioja bodega and a southern competitor from Jerez, Cádiz. Locations there include Bodegas Internacionales and the Museo de Relojes (clock museum)

Spanish director José Antonio de la Loma directed and habitual Spanish actor Simón Andreu also appears.

Blood and Sand (1989)

Sharon Stone and Chris Rydell made this film around Jerez de la Frontera in Cádiz province (the word ‘sherry’ is in fact a mispronunciation of ‘Jeréz’, where the drink is mainly made) before Stone became a superstar.

One location employed was the beautiful Palacio de Benavente in the old centre, which belongs to Spanish aristocrat Manuel Alfonso de Domecq-Zurita, Viscount of Almocadén, and is available for private functions but is not open to the general public (riff raff).

Stone plays the half-American daughter (don’t ask me which half!) of an American land owner in the area, where she is known as Doña Sol. Rydell plays the bullfighter Juan Gallardo. All the other characters are Spanish actors who speak to each other in English, but occasionally use Spanish expressions; a bit weird.

The film is a remake of a remake of a remake. The book was written by Valencian writer and politician Blasco Ibañez, who made his own film version in 1916. Rudolph Valentino and Tyrone Power stayed on their own side of the Atlantic to make versions in 1922 and 1941 respectively.

The film overcame a number of obstacles, including an attack of appendicitis suffered on the first day’s shooting by Chris Rydell.

Some filming also took place in Madrid’s Colmenar de Oreja, where the circular square was and is used for bullfights, and the facade of the Madrid bullring, Las Ventas also appears. It is in Colmenar where Juan’s friend gets himself killed by a bull, trying to save Juan, starting off the young bullfighter’s tragedy.

Juan lives in Sevilla and we see street scenes of the city with its river, the Giralda tower and the Plaza de España briefly, where George Lucas filmed ‘Attack of the Clones’ and Lean some scenes from ‘Lawrence of Arabia.’ We also see the Maestranza bullring in Sevilla where Juan fights.

La Giralda. Photo Courtesy of Mage

In the end, like all good Romans, Juan cannot live with his shame and resolves his dilemma by throwing himself on the horns of his bull.

Simón Andreu plays Juan’s self-seeking step father.

Time to Kill (1989)

A film that Nicholas Cage will want to forget having made. As in ‘Captain Correlli’s Mandolin,’ Cage plays an Italian army officer occupying someone’s else’s country, only this time it’s Ethiopia, and this time he isn’t exactly an opera loving anti-fascist.

Although some of the film was made in Africa, the wooden bridge is in fact a steel bridge covered with wood for the film, which can be found in the Espinava Ravine, near Pechina, just north of Almería city.

The Man in the Brown Suit (1989)

Although set in Cairo, this Agatha Christie thriller was actually shot in Madrid and in Cádiz, where the brief port scenes were filmed, and starred Tony Randall, Edward Woodward and Stephanie Zimbalist.

For a little bit of genuine Egyptian authenticity, the producers were delighted to discover that Britain was not the only Empire to have ‘borrowed’ architectural treasures from the Middle East.

Some use was made of the Temple of Debod, an ancient Egyptian temple which was rebuilt in Madrid’s Parque de Rosales, near the royal palace, and opened to the public in 1972. It is here that Stephanie goes looking for clues after leaving the police station, in the company of some similarly authentic camels.

Temple of Debod: Photo Courtesy Mark Yareham

The temple was originally built in the 2nd century BC, 15 km south of Aswan in southern Egypt and dedicated to the goddess Isis,

In 1960, due to the construction of the Great Dam of Aswan, UNESCO made an international appeal to save the Temple and other important sites, and, as a sign of gratitude for helping to save the temples of Abu Simbel, the Egyptians donated the temple to Spain in 1968.

Edward Woodward’s villa, where Anita is murdered and where Woodward finally gets his comeuppance and Stephanie finally lands the man in the brown suit, is in fact Viñuelas castle near Madrid.

Photo Courtesy Mark Yareham

Twisted Obsession (1989)

Spanish director Fernando Trueba’s film ‘El Sueño del Mono Loco’ (The Mad Monkey’s Dream), which somehow was translated into English as ‘Twisted Obsession,’ starred Jeff Goldblum and was filmed in Madrid, although set in Paris.

The gardens of Aranjuez appear in the scene where Goldblum chases the girl on the motorbike and then crashes his car.

The White Room (1989)

This appears to be a rather long video clip from a group called KLF. They spend a long time driving around London and then some more time driving around the Sierra Nevada mountain range in Granada, finding time to visit the cave dwellings of Guadix and La Calahorra castle.

Their trip to La Calahorra begins down at the Plaza del Ayuntamiento and then one member of the duo, socks tucked into his trousers, walks up to the castle for suitably ambiguous purposes.

Near the end of the film they trudge through the snow, accompanied by a Country and Western Talking Blues version of Born Free up to the radar station perched upon the summit of the Sierra Nevada mountains.

They also pass through the deserts of Almería around Tabernas and Gérgal.

People say they are legendary, but what seems to be an old American police car is the real star.

Countdown to Esmeralda Bay (1989)

Another Jess (or Jesús) Franco film, this time starring Fernando Rey, George Kennedy and Ramon Estevez (son of Martin and brother of Charlie Sheen, although here he is credited as Ramon Sheen).

Tales of Central American revolution filmed in Barcelona at the town of Sitges, home of a film festival, which represents the capital, with three long shots during the film in which its emblematic church looming over the beach is clearly visible.

The attack on the castle was filmed at Castelldefels, just south of Sitges. My thanks to Andreu Salillas for identifying it.

The castle originated in the XVI century, although the church inside dates back to the X century and was built on Iberian and Roman remains. For years it defended the area against the Moors and between the XVI and XVII centuries, against Barbary pirates. Today, pirates are the main theme when visiting the castle, as they are in other parts of the town.

In 1897, a banker called Manuel Girona bought and renovated it. It was later acquired by the Castelldefels Town Hall in 1988. Unfortunately, the main gate is the only part we see of this spectacular castle in the film.

Guided tours to the castle often point out the graffiti of members of the International Brigades who were imprisoned there during the Spanish Civil War. They were not prisoners of the Nationalists but of the Republicans. Many were considered deserters or dissenters, and some were tortured and executed.

A Man of Passion (1989)

Anthony Quinn returns to the role of a forceful, eccentric painter that served him so well in ‘Lust for Life’,’ where he played Gauguin.

Spanish director José Antonio de la Loma used the studio of Catalan painter Modest Cuixart in the village of Palafrugell, Girona for the painting scenes, as well as Modest’s paintings.

Ramon Sheen also appeared in this one, as grown up grandson George. When George as a child journeys to meet his grandfather, we see a view of the marina at L’Estartit, and beyond, the Illes Medes islands.

At one point Quinn takes his grandson to the Dalí Museum in Figueres, where they study the 1945 painting ‘La Cesta de Pan’. On leaving the museum Quinn sees and chases the mystery woman, ending up on the steps between calle de la Jonquera and la plaza de Gala, where Dalí’s Homage to Newton statue is to be found.

Other scenes were shot on an estate at Mont-ras.

The Shell Seekers (1989)

Based on the successful novel by Rosamund Pilcher, starring Angela Lansbury and Sam Wanamaker. To escape stuffy old England and her stuffy old daughter, Angela escapes to dreamy Ibiza after a heart attack has her questioning her life, staying with another daughter who has found paradise with Cosmo in a white villa with an amazing view and amazing quotes such as “heart attack was the best thing that ever happened to me,” or, referring to the wine he makes “God makes it, I merely supervise.”

Cosmo’s daughter spends a day with her and they chat in the harbour as we see the town of Eivissa with its castle behind them.

Another Ibizan location is the church of Sant Llorenç.

Hot Blood (1989)

Sylvia Kristel stars in this Finnish film about robbery and rape filmed around Torrelaguna, Colmenar Viejo and Manzanares El Real, Madrid.

Categories
Period

1970-1979

THE SEVENTIES

Count Dracula (1970)

Dracula Versus Frankenstein (1970)

When Dinosaurs Ruled the Earth (1970)

Julius Caesar (1970)

Patton (1970)

Cromwell (1970)

The Last Grenade (1970)

The Great White Hope (1970)

Four Rode Out (1970)

A Man Called Sledge (1970)

Figures in a Landscape (1970)

The Condor (1970)

Cannon for Cordoba (1970)

The Buttercup Chain (1970)

Road To Salina (1970)

The Phynx (1970)

Umbracle (1970)

The Kashmiri Run (1970)

Man in the Wilderness (1971)

Nicholas and Alexandra (1971)

The Light at the Edge of the World (1971)

Blindman (1971)

F for Fake (1971)

The Horsemen (1971)

The Trojan Women (1971)

Hannie Caulder (1971)

Red Sun (1971)

Catlow (1971)

Duck You Sucker/ A Fistful of Dynamite (1971)

Valdez is Coming (1971)

The Deserter (1971)

The Hunting Party (1971)

Doc (1971)

Murders in the Rue Morgue (1971)

A Town called Hell (1971)

Kill (1971)

The Last Run (1971)

Hunt the Man Down/ Bad Man’s River (1971)

Deathwork/ The Guns of April Morning (1971)

Black Beauty (1971)

Rain for a dusty summer (1971)

A Gunfight (1971)

The Call of the Wild (1972)

Anthony and Cleopatra (1972)

Treasure Island (1972)

Travels with my aunt (1972)

Pancho Villa (1972)

Horror Express (1972)

Chato’s Land (1972)

The Strange Vengeance of Rosalie (1972)

Doctor Phibes Rises Again (1972)

What the Peeper Saw/ Night Child (1972)

Innocent Bystanders (1972)

Summertime Killer (1972)

A Reason to Live, A Reason to Die (1972)

A Touch of Class (1973)

Love and Pain and the Whole Damn Thing (1973)

Papillon (1973)

The Three Musketeers (1973)

The Deadly Trackers (1973)

The Man Called Noon (1973)

Chino (1973)

Charley One Eye (1973)

The Final Programme (1973)

Shaft in Africa (1973)

The Adventures of Don Quijote (1973)

The Night of the Sorcerers (1973)

The Corruption of Chris Miller (1973)

My Name is Nobody (1973)

Charge (1973)

The Legend of Blood Castle (1973)

Crypt of the Living Dead (1973)

Murder in a Blue World (1973)

The Four Musketeers (1974)

What Changed Charley Farthing? (1974)

Stardust (1974)

The Golden Voyage of Sinbad (1974)

The Spikes gang (1974)

And then there were None (1974)

Blood Money/ The Stranger and the Gunfighter (1974)

Touch Me Not (1974)

Watch Out, We’re Mad (1974)

The Living Dead at Manchester Morgue (1974)

The House of the Damned (1974)

B Must Die (1974)

Open Season (1974)

Get Mean (1975)

The Land that Time Forgot (1975)

Three for All (1975)

The Passenger (1975)

The Wind and the Lion (1975)

Once is not Enough (1975)

Take a Hard Ride (1975)

Breakout (1975)

The Adolescents (1975)

Zorro (1975)

Cry Onion! (1975)

Robin and Marian (1976)

Voyage of the Damned (1976)

Journey to the Centre of the Earth (1976)

Spanish Fly (1976)

The Story of David (1976)

Island of the Damned (1976)

Blue Jeans and Dynamite (1976)

The Four Feathers (1977)

Valentino (1977)

Sinbad and the Eye of the Tiger (1977)

The Last Remake of Beau Geste (1977)

March or Die (1977)

The People that Time Forgot (1977)

Widows’ Nest (1977)

The Black Pearl (1977)

Battleflag (1977)

Impossible Love (1977)

The Lord of the Rings (1978)

Clayton Drumm (1978)

The Thief of Baghdad (1978)

The Nativity (1978)

The Greatest Battle (1978)

Cuba (1979)

Bloodbath (1979)

Jaguar Lives! (1979)

The House on Garibaldi Street (1979)

Tehran Incident (1979)

La Sabina (1979)

1970s

Count Dracula (1970)

Christopher Lee, tired of playing Dracula, didn’t quite manage to say “never again” and took part in this German production with Herbert Lom and Klaus Kinski.

Spanish director Jesus Franco took the crew to Alicante, where they used Santa Bárbara Castle for the scene in which Count Dracula suffers a fatal case of sun burn, and to Barcelona for the studio work at Estudios Cinematográficos Balcázar, Esplugues de Llobregat.

The scene at Santa Bárbara occurs at the end of the film when our heroes throw some very light looking boulders down upon a group of gypsies transporting Dracula’s coffin and then set fire to him, which to be honest, he rather seems to enjoy.

Santa Bárbara Castle

My favourite scene from this film, apart from the bat on a stick that we imagine is Dracula, is the one where a room full of stuffed animals threaten to attack our heroes by moving three inches to left and right. Unfortunately they don’t make films like this anymore.

Dracula Versus Frankenstein (1970)

Apart from a brief spell in spooky Bavaria, this two for the price of one bargain was chiefly made in different Spanish locations such as Barcelona, the Casa de Campo park in Madrid, the Ermita de San Frutos and Sepúlveda, Segovia, built in 1100 AD and perched on an outcrop of rock above the River Duratón. It is here that the Werewolf and his blonde saviour-killer take a breather after escaping the clutches of the aliens, before going back to face their destiny. None of the aforementioned is invented!

San Frutos

According to neighbours of Sepúlveda, the castle of Castilnovo, ten kilometres south of the town was also used. It portrayed the Monastery bought by alien Michael Rennie to carry out his dastardly experiments; experiments that lead one to wonder why it is that an alien civilisation capable of travelling 40,000 light years to conquer Earth is unable to manufacture a decent TV screen!

Castilnovo: Photo Courtesy Mark Yareham

Santa Bárbara Castle in Alicante and San Martín de Valdeiglesias, Madrid, similarly contributed some authentic Transilvanianism, and the sand dunes at Cabo de Gata in Almería featured when Rennie flew off to Egypt to recruit the Mummy, who is about as frightening as mine.

Also in the city of Alicante we can see the Panteón de Quijano in the park of the same name.

When Dinosaurs Ruled the Earth (1970)

A 27-word ‘caveman language’ was created for this film, purportedly inspired by Phoenician, Latin, and Sanskrit sources.

The filming took place on the Canary Islands of Fuerteventura, and Gran Canaria.

Among the Gran Canaria locations were Maspalomas beach with its frequently used Saharan-like sand dunes, Ansite Mountain, Amurga and Caldera de Tejeda, an area of volcanic landscape.

There’s plenty of eroticism, suggesting that there is something horny about dinosaurs and giant reptiles gobbling up scantily-clad, large-breasted wenches.

Val Guest directed. Be mine!

Julius Caesar (1970)

Although largely a studio made film, the battle scenes were shot at El Jaralón de La Pedriza, Madrid in May 1969 and at Manzanares El Real, specifically at Canto del Berrueco.

Among the boulders, Caesar’s murderers throw themselves upon their swords with all the stiff upper lippery that noble Romans were wont to demonstrate in Shakespeare’s time; once their large armies seemed to have been defeated of course.

The thirty kilometre long Santillana reservoir can clearly be seen in the background in several shots, no doubt representing the Aegean Sea (which I’m told is a little bit longer) at Philippili, where the final battle was fought between those loyal to Julius Caesar and those who partook of the unkindest cut of all.

Santillana Reservoir

John Geilgud plays Caesar, while Charlton Heston is Mark Anthony; not for the last time.

Patton (1970)

Patton is a very special film, one that is admired by hawks and doves alike. According to Oliver Stone, it is the only film to have caused a war. Stone cites the effect that the film had on US President Nixon, who would apparently watch it over and over again, and whose decision to bomb neutral Cambodia during the Vietnam War was probably influenced as much by the film as by geo-political strategy.

There is a reason why the extras seem so happy as they march into war: this is not a film where actors pretend to be soldiers, but a film where soldiers pretend to be actors. In fact the Spanish army, with its out of date World War II equipment, was made available for the film, which was largely shot in Spain.

Even the opening speech in front of an enormous American flag was filmed at the Sevilla Studios in Madrid.

During the epoch when Patton was being made at the end of the Sixties, the Spanish army was very keen to collaborate and bring some sorely needed dollars into the economy; so much so that they even had an office whose job was to liaise with film makers. There is a Spanish army officer, Luis Martin Pozuelo, cited in the credits as military advisor.

Inevitably Almería was used; the Battle of El Guettar takes place there instead of in North Africa, specifically in the Rambla del Buho, whereas the Rambla de Benavides was the scene of the disastrous Battle of the Kasserine Pass. This battle opens the film (immediately after Patton’s speech in front of the stars and stripes) and the ruins are those of Tabernas castle.

Apparently, when the film was being made, one of the doors to the castle was destroyed and at the bottom of the castle an old Arab graveyard was found.

Swings and roundabouts!

The castle at Tabernas had a second role, as the German bastion in Sicily, from where artillery plastered General Bradley’s troops as they were sacrificed for Patton’s glory. Bradley’s jeep is destroyed during this scene, as fire rains down from the castle.

Tabernas Castle. Photo Courtesy James Yareham

Ironically, the filming in Almería was the most complicated due to unexpected rainy weather, and the Battle of El Guettar, with over 50 tanks, took 13 weeks.  

The aerodrome, where Rommel takes a worried look at US prisoners is also at Tabernas.

The allied entry into Messina (Sicily) depicted Almería’s Plaza del Catedral, whereas Palermo was filmed around Almería’s Alcazaba, as was Malta.

Almería’s Plaza del Catedral

Almería’s Plaza Quemadero was also employed for some street scenes and the local government Education and Science building became the military HQ, supposedly located in Algiers.

The location where Patton halts on his way to Messina is located just below the village of Turillas, and another stop takes place at Felix, in the mountains of the Gádor range, when Scott drives into a village square to talk to Karl Malden.

In the background we can make out the village castle. Work on the castle was started in 955, and it was owned by Zugayba, great grandfather of King Adb Allah of Granada.

It also witnessed some significant moments during the revolt of the Moriscos of the Kingdom of Granada in 1569.

Felix

At the estate known as Caserio del Campillo de Doña Francesca, Patton presides over the funeral of his aide de camp, whereas the American cemetery is to be found at the Dunas de las Amoladeras.

The aide de camp was killed during a German air raid, which was filmed at San Miguel de Cabo de Gata.

This top war film employed over 600 local residents for some of its tumultuous scenes such as the American General’s entry into Palermo. The setting used was the Nicolás Salmerón Park, Almería.

Also in the capital, the scene where Patton greets the ‘Italian’ Bishop and kisses his ring was filmed on the steps called Escalera de la Reina, near the port.

Two of Patton’s headquarters, as far apart as Sicily and Tunisia are both in fact located at Las Salinas, in Cabo de Gata, with its emblematic church, Iglesia de La Almadraba de Monteleva or Iglesia de Las Salinas.

Most of the other scenes, whether the Battle of the Bulge in Belgium (which was filmed in the mountains around Segovia, 80 miles north west of Madrid) or the advance across France after Normandy, (which was filmed on the Urbasa mountain range near Pamplona, Navarra) used Spanish scenery to add a touch of ‘realism’.

Spain contributed to the interior shots too. After the Battle of El Guettar where the smiling ‘Spanish’ Afrika Corps are obliterated in an ambush laid by Patton’s ‘Spanish’ Americans, Patton meets his new aide de camp at his headquarters, which is in reality the Governor’s Palace of Almería, (Casa Fischer, today the Women’s Institute), and when Patton marches down a long corridor after a ticking off from Eisenhower, he is in fact in the Tapestry Room of La Granja Palace, a Spanish royal residence in the mountains near Segovia. The tapestries, by the way, were genuine; they were much too expensive to be taken down for the filming. In fact this corridor was also used in Richard Lester’s version of ‘The Three Musketeers,’ another film that used a lot of Spanish locations to recreate ‘France.’

Patton’s apology to the assembled troops from a terrace for slapping a coward took place on a terrace at the same location, and the scene where he prays was filmed there also, in the chapel.

La Granja

Slapping soldiers and telling your men to kill as many Germans as possible would probably go down well with many spectators, but what most of us find hardest to swallow is the scene in which Patton shoots a brace of donkeys that are holding up his troops, and then has them thrown off a bridge. This was filmed at the village of Uleila del Campo in the Filabres mountain range back in Almería, and no, unlike Patton himself, they didn’t really kill the donkeys; so stop fretting.

Near the end of the film we see Patton having his portrait painted in Germany, although he is in fact inside Riofrio Royal Palace near Segovia, another location used for ‘The Three Musketeers.’ We see him outside the same palace talking to Karl Malden, just after he has been relieved of his command. The palace is a large pink affair with a massive empty courtyard in front, swarming with swallows in summertime.

 ‘Patton’ won a fistful of Oscars and the music by Jerry Goldsmith was later used by the American army to boost the morale of their own troops during Desert Storm, although it would be undiplomatic to ask if they also used Spanish troops!

Cromwell (1970)

There is a wonderful anecdote that describes the scene in which English Civil War soldiers file past World War II soldiers on the sprawling green mountain range of Urbasa in Navarra, where ‘Patton’ and ‘Cromwell’ were being made at the same time.

The unspoilt scenery of this green meseta was ideal to depict the rolling meadows of 17th century England, and all the battles of Cromwell took place here with the inestimable (but paid) help of the Spanish army, which had shown its drilling excellence in the battle scenes of ‘Spartacus’, and once more manoeuvred on the battlefield like true professionals.

Urbasa

Two thousand extras from all over Spain made up the cavalry during six weeks filming, with the centre of operations being the village of Alsasua.

Today Urbasa is a popular area for trekking with extensive views to the dry south and the green north of the Basque Country, and the local tourist board has put up signs saying that the film was made there.

The Last Grenade (1970)

Filmed in Málaga province, which was supposed to be on the border between Hong Kong and China, the film features Stanley Baker, Richard Attenborough and some very nifty scenery, and a story about super powers fighting their wars through mercenaries; just like in the good old days.

Kip Thompson, ex-colleague, now a psychopath, has his HQ at a lake (Las Tortugas) and Baker goes there twice trying to eliminate him.

The Great White Hope (1970)

Martin Ritt directed James Earl Jones in this biographical film about the boxer Jack Jefferson, and his problems occasioned by having a white girlfriend; almost a parallel story to the saga of John and Yoko, which was happening at about the same time.

His fights in Reno, Paris and Havana were all reconstructed in Barcelona during filming in 1968.

When Jefferson is supposed to be in Paris, whiling away his time arm-wrestling with German soldiers (who obviously got to Paris a bit early) he is in fact in the Parque de la Ciudadela in Barcelona, the city’s first park, with fountains, steps, statues and bandstand, having been modelled on the Luxembourg gardens of Paris.

The park was built on the site of a fort built under the orders of King Felipe V who, after besieging and occupying Barcelona at the end of the War of Spanish Succession in 1714, needed to control his rebellious subjects.

The final fight, supposedly in Havana, in which Jefferson is unsure whether or not to take a dive in order to regain his freedom, was filmed in the Montjuïc Stadium, built in 1922 and then remodelled for the 1992 Barcelona Olympics, and finally converted into the home venue of Spanish first division team RD Espanyol.

The Francia railway station was emptied of passengers for a scene in which it portrays Budapest station in the film.

Four Rode Out (1970)

Once more into the Almería western dear friends with Tabernas locations such as Cautivo, Alfaro Canyon

Rambla Alfaro

and Indalecio and the endless (if you get the right camera angle) sand dunes of Cabo de Gata, with the village of San Miguel de Cabo Gata, which also appeared in ‘Patton’.

Pernell Roberts plays the US Marshall tracking down his girlfriend’s father’s killer. Outstanding mainly for the appearance of Leslie Nielsen de-spoofed or spoofless as a Pinkerton agent.

A Man Called Sledge (1970)

The film starts with a stagecoach rather than a sledge, and a robbery that shows our heroes to be villains. The scene is shot in the snow around Sierra Nevada, Granada.

A later shot, in which Sledge rides away from a town called 3Ws (whisky, women and water; the latter for the horses mind you) clearly shows the majestic snowfields of Sierra Nevada too.

James Garner is Sledge (not the most romantic name but I suppose it’s kind of rugged). It’s another western made in southern Spain with Dennis Weaver, Claude Akins (a dependable secondary actor of Cherokee descent with a face like a pile of rubble) and a host of Italians (the ones who hardly speak, or whose lip movements challenge the dialogue).

Director Vic Morrow is in reality Giorgio Gentili, and the film has all the idiosyncrasies and overt symbolism of Leone and Fellini’s successors: banjo playing deputies, gunslingers strapped onto their horses, a whore choir with an organist who crashes through the floorboards and a heroine who doesn’t care what her man does as long as he’s her man and only does it to her.

It was shot mostly in Almería, although another part of Granada, near the village of Víznar, was used for the scenes when Sledge’s gang are holed up (I think that’s English) at the cabin, drinking whisky, dancing and deciding whether or not to steal the gold.

In Almería the fatal card game played out in the sands (of time?) was shot (along with the cheat) at Cabo de Gata, scene of many classic movies.

The weird manoeuvres of the Gold Riders and their Buffalo Bill-like, horn-blowing leader, took place in the dry, grey, rocky valley of Rambla Buhó (Big Rock Canyon in the film), and the climax, with strange processions, whose participants completely ignore the carnage as the gang members resolve their differences, and Sledge makes himself a sling out of a crucifix (Italians, you see!), were filmed among the white-washed houses in the village of Polopos, using Calles Real and Almazara and Plazas de la Fuente and San Juan.

The township scenes were shot at Mini Hollywood, Tabernas.

Figures in a Landscape (1970)

The figures in question are Robert Shaw and Malcolm MacDowell, escaping from a prison and eluding a pursuing helicopter, although we never know who they are, or where, or why they are wherever they are.

The austere beauty of the landscape is the real star of the story, with wild horses, olive groves, cane fields, gulleys, ravines, mountain streams, forests and flocks of birds, all of which breathtaking scenery is the Sierra Nevada mountains of Granada, where there is always some snow all year, despite the summer heat of Andalusia.

In Granada some street shooting took place in the district of Fargue, while the stars stayed at the Hotel Luz.

Director Joseph Losey once said that some of the filming was done in Córdoba province, and the opening scene on a beach may have been shot in Almería.

Almerian film expert and writer José Enriquez Martínez Moya informed us that Laujar and Fuente Victoria in the Almerian Alpujarra mountains were two locations from the film.

The great escape and the death of Shaw take place at the end of the film at the ski station of Pradollano in the Sierra Nevada.

The Condor (1970)

Shot largely at what is now a tourist attraction, Texas Hollywood-Fort Bravo, Almería, the Condor fort was so meticulously built that it was also used for other films such as ‘March or Die’.

Fort Bravo

The story, in which villains and Apaches storm a fort full of gold is set in Mexico and stars regulars Lee Van Cleef and Jim Brown.

Cannon for Cordoba (1970)

Set in Mexico, looking like Almería, but according to Almerian experts Antonio J Sánchez and José Enrique Martínez, it was actually filmed in Navalcarnero, Madrid.

In the film you can see the facade of what is now the elegant Aurora Residence for the elderly, and is indeed situated in Navalcarnero, south west of the capital.

Also in Madrid province, the ruins of the monastery of Santa María La Real de Valdeiglesia at Pelayos de la Presa were used.

A famous sculptor, Rafael de León, murdered his wife Elvira’s servant in a jealous rage and it is said that Elvira’s ghost haunts the monastery today, although no sighting of the servant’s phantom has yet been spotted.

In the film Mexican revolutionaries dare to invade the US, and so General Pershing sends in the marines (or rather a desperate crew led by George Peppard) to bring back his cannons.

The revolutionaries’ town is in fact Villamanta, just west of Navalcarnero. The Hotel Madera in the film is the Town Hall today.

The Buttercup Chain (1970)

A story of love and family and trying to work out what the difference is as the sexual liberation of the sixties stumbles into the seventies with English countryside, Swedish lakes and sunny southern beaches of Spain, specifically the Costa del Sol and Sierra Blanca in Málaga province, providing the backdrop to a character confusingly called ‘France’ and his cousin Margaret (Jane Asher).

During their two week stay in a villa in the mountains the relationships become ever more confusing as they ride along a beach and visit the local, white-washed village for supplies and arguments.

Max Kite identified some of the locations: for the horse riding scene they are at Fuengirola, where the river meets the sea. The Castillo Sohail can be seen in the background. 

The white-washed village seems to actually be a combination of Mijas and Ojén. José María Burgos identified Mijas’s calle del Pilar, down which the group descends to the station. He also identified the train station, which was that of Fuengirola, which is currently the town’s tourist information office, while the church and market belonged to Ojén.

Whatever happened to Hywel Bennett?

Road To Salina (1970)

Who wouldn’t want to stumble across a bar run by Rita Hayworth?

One of her last works before Alzheimer’s disease took its toll; this French production filmed mostly in English and with some Spanish, was shot in Lanzarote.

The roadside bar, presumably in Mexico and run by Rita, is now a wine producing centre called Bodega Stratus located on the road from La Geria-Uga to Yaiza.

The holes surrounding the bar, which appear to be craters in the film, are actually for growing grape vines.

The dunes, lava fields and spectacular beaches are a great attraction in what is otherwise a bit of a depressing film, full of the existential angst appropriate to the epoch.

A Jethro Tull song is included on the soundtrack, which largely undermines the bleak but beautiful scenery.

The word ‘salina’ actually means salt lake, and in the film we glimpse the now abandoned salt works of Janubio at the south west corner of the island, with the salt workers earning their salaries.

The backdrop to the film is spectacular Timanfaya National Park in the south western part of the island with its moonscape scenery, geysers and active volcano.

The Phynx (1970)

A regular candidate for the worst film ever made awards, even Warner Brothers were embarrassed by this story in which a surrogate Monkees group are sent to Albania to secure the release of some American icons such as Busby Berkeley, Dick Clark, Andy Devine, Joe Louis, Pat O’Brien, Maureen O’Sullivan, Ed Sullivan, James Brown, Dorothy Lamour, Trini Lopez, Richard Pryor, Colonel Sanders, Rudy Vallee, Clint Walker and Johnny Weissmuller.

Its only saving grace was the use of Ávila, whose walls, as in ‘The Pride and the Passion’, are brought down, this time to the sound of electric guitars.

Umbracle (1970)

Umbracle is the name of a botanic hothouse in Barcelona, and in this surrealistic film, a young Christopher Lee wanders Barcelona’s streets, popping into shops and museums, interspersed with Spanish directors cursing Franco and Lee singing opera.

Umbracle

Classic.

The film opens within the confines of an antiquated Natural History Museum, located in the Ciutadella Park.

The Kashmiri Run (1970)

The mountains and plains just north of Madrid, and in particular the Dehesa de Navalvillar near Colmenar Viejo, provided the Tibetan scenery for this film with Bonanza star Pernell Roberts.

Other locations in the area were the Sierras of Guadarrama and Gredos.

Man in the Wilderness (1971)

Although supposedly suffering his trials and tribulations in north west Canada, a man not called Horse this time is actually most of the time strung out, but not strung up by his pectorals, in Soria.

Richard Harris portrays Zachary Bass in a truish story in which the hunter becomes the hunted and ends up earning a close run draw with a grizzly bear. The plot of ‘The Revenant’ is suspiciously similar.

Leaving Harris for dead without a bottle of whisky is a risky enterprise as his erstwhile friends find out. Despite his bottlessness, Harris spends half the film on his hands and knees crawling through the mud while the rest of us enjoy the winter scenery of Soria.

There isn’t enough water in Soria to pass as a believable Missouri River, and so the scenes where, after the men haul a boat across the mountains, they reach an expanse of frozen water, were actually filmed in Soria province at the enormous Cuerda del Pozo reservoir, which also features in ‘Doctor Zhivago’.

The dam was built using Republican prisoners as slave labour and inaugurated in 1941.

John Huston plays Captain Henry, the man with the curious hat.

Nicholas and Alexandra (1971)

After winning his seven Oscars for ‘Patton’, also filmed in Spain, director Franklin J Schaffner returned to the Iberian Peninsular for another epic film.

They were able to capture some of the decadent opulence of Czarist Russia on the Costa Brava, Girona.

 On their holiday in the Crimea, the royals occupy the Senya Blanca mansion, (built overlooking the beach in 1924) and belonging to a Catalan businessman Josep Encesa, wherein the splendid ‘Russian’ summers on the Black Sea coast were pleasantly spent while the peasantry went without. The mansion is part of the Gavina Hotel complex, but is not open to the public. However, by walking along the coast path, the ‘pagoda’ as they call it, is largely visible.

It is here that the Czar’s son sings about not being able to run and play in the garden with the arcade, while the following beach scene was filmed at nearby Sa Conca.

The Czar’s summer residence, when pine forests were required, was filmed in the Valsian forest, Segovia. Here the daughters have a paint fight with their French tutor.

At the nearby mountain pass of Cotos, the scenery lent itself to images of Siberia during the Czar’s capture, whereas the city of Soria, not to be outdone, provided its brass band where required, in the uniforms of the Imperial Guard, as well as a few shots of the Moncayo mountain, which could be passed off as the Ural Mountains here, just as in ‘Doctor Zhivago.’

Most of the interiors were filmed in the Sevilla Studios in Madrid, although the presentation of the troops took place at the Palacio de Oriente in Madrid.

Palacio de Oriente. Photo Courtesy Mark Yareham

The Winter Palace at Saint Petersburg was represented by the Palacio Real de Aranjuez, while the revolutionary assemblies were shot in the Hospital San Carlos.

Palacio Real Aranjuez

The opera scenes took place in Madrid’s Teatro Español, while the scenes with Tom Baker as Rasputin rollocking with some not so oppressed peasant girls were filmed at Uceda in Guadalajara.

Once again the old Delicias railway station, now a museum, was employed, this time as Moscow, where the troops are seen off to the front and Lenin arrives after the success of the revolution.

With the film being made during the Cold War, the Czars are shown in a fairly favourable light, with Nicholas celebrating his son’s birth by declaring his conviction that he would crush the Japanese to win Korea for his boy; just like any decent daddy would really.

Some of the props from the film were later incorporated into set designer Eddie Fowlie’s El Dorado Hotel in Carboneras, Almería.

The Light at the Edge of the World (1971)

The Light at the Edge of the World is a lighthouse according to author Jules Verne, and a group of unscrupulous pirates (is there any other kind?) wish to extinguish it in order to ransack wrecked ships.

The lighthouse referred to was built at the southernmost tip of the American continent by the Argentinian government in 1884 and was curiously called San Juan de Salvamento.

The lighthouse in the film was built at Cabo de Creus, the most easterly point of the Iberian Peninsular, near Cadaqués, Girona, a beautiful Costa Brava village.

The lighthouse has since been demolished, but a plaque marks the spot. There are also two restaurants for those who make the long journey and like views with their meal.

In the Casino L’Amistat, in the old part of Cadaqués, many of the interior scenes were shot.

Kirk Douglas and Yul Brynner were the stars, as well as inextinguishable Spanish actor Fernando Rey as the Captain of the lighthouse, who is bumped off early on.

Douglas, unlike Brynner, seems to have socialised quite a bit during his stay, including having a supper with Catalan singer-songwriter Joan Manuel Serrat at Chez Tomàs in Llafranc.

Other locations used were Jávea in Alicante province, La Manga del Mar Menor, Murcia, and La Pedriza and Manzanares el Real, Madrid.

Blindman (1971)

A blind, but deadly, gunman is hired to escort fifty mail order brides to their miner husbands. His business partners double cross him and he sets off to look for them with the help of a very intelligent horse.

Ringo Starr returned to Almería to make this spaghetti western 5 years after hanging out with John Lennon there during the making of ‘How I Won the War.’

Ringo is the slightly less demonic of two evil brothers and spends most of the film pining for Pilar. The search for Pilar takes place in Rambla de Lanujar, and her hiding place is in the old mines of Rodalquilar, whereas her house is to be found at Ruescas on Cabo de Gata.

When blindman Tony Anthony is in search of his foes in one scene the camera is located inside a shepherd’s cabin as he approaches, and behind him we can clearly see the beach of Mónsul with its emblematic rock, ‘La Peineta,’ buried on the shoreline as Anthony asks for directions to Mexico, pointing out to the shepherd that he should explain them to the horse. Classic stuff!

The hostage exchange takes place at La Calahorra railway station in Granada province, and the road to Mexico was filmed near the Mónsul beach, while the sand dunes of Amoladeras are the setting for the recapture of the women that Anthony has helped to escape.

La Calahorra

The plateau in the film is in reality at Aguadulce in the Sierra de Gador.

The film’s final showdown occurs in Rambla de Tabernas. The ghost town is located in Camino de la Rellana. Two existing sets were used: Texas Hollywood, where Blindman blows up the hotel, and El Condor Fort, which is Domingo’s headquarters.

Also used was the Cueva de la Molineta, before its destruction.

F for Fake (1971),

This was not exactly a film but more of a dishonest documentary, written and directed by Orson Welles, and filmed on Ibiza, where we catch glimpses of the port, winding narrow streets and white houses, and the Bohemian lifestyle of its foreign residents.

The film deals with the painter and art forger Elmyr de Hory, as well as Welles’s own deceptions, such as the radio programme with the ‘War of the Worlds’ hoax.

Some scenes, interiors in his own villa, were also shot at Puerto Rey in Vera, Almería.

The Horsemen (1971)

Omar Sharif returned to Spain for this John Frankenheimer story of real men and their horses.

Actually they started filming in Afghanistan itself until fevers and dehydration set them scurrying back to locations in Almería and around Madrid with comfortable hotels and excellent mineral water.

The Santillana Reservoir was one of the ‘Afghan’ locations as was an old airstrip, both located at Manzanares el Real, Madrid.

After leaving Kabul, passing in fact through a gate in the walls of Jairán, part of the Alcazaba castle of the city of Almería, Omar Sharif stops to break off his unmanly plaster cast with a rock; a decision he would have later regretted were he not so manly. This pause takes place in the ruins of Tabernas Castle.

Jairán Wall

Built in the XI century by the Arabs, Tabernas castle had its moment of glory when the Catholic Monarchs, Isabel and Fernando used it as a temporary residence while besieging Almeria, with its much more serious fortress.

It had been handed over to the Christians in 1489, and it is believed that its ruined state can be attributed to the Moriscos (Muslims who converted to Christianity to avoid expulsion from Spain but were later expelled anyway) who blew up the castle on seeing that all was lost.

Tabernas Castle: Photo Courtesy James Yareham

Llanos de Senés was another Almería location.

Also used was Guadix in Granada province, where filming once more permitted the Sierra Nevada mountain range to double up as the Himalayas at no extra cost.

Animal lovers will no doubt have a collective fit when they see this film; most of what passes for Afghan culture consists of two animals destroying each other for the benefit of gambling tribesmen, and the headless calf race would even make some Spanish villagers think twice about tossing a goat from a church steeple.

Before that delight, we are treated to a bloody camel fight and even two tweetie birds slugging it out. Later we also see two rams going at it, twice, disproving the old adage that two heads are better than one.

Despite all this disgraceful cruelty towards animals, the Afghans do seem to have tremendously intimate relationships with their horses.

The Trojan Women (1971)

An all-star cast of actresses such as Vanessa Redgrave, Katherine Hepburn and Irene Papas descended upon the ruins of Atienza in Guadalajara province, 80 miles north of Madrid, to recreate Greek tragedy.

Local people were shocked by the fact that the film company were willing to pay as much as 100,000 pesetas a month to rent the house for Katherine Hepburn in front of San Salvador church, known as El Chalet.

 Curiously, she was the only member of the crew to stay in the village, getting around on a bicycle; the rest were lodged in the nearby medieval town of Sigüenza. The house in question used to be the old summer casino (not a den of gambling but a kind of social centre). 

When Katherine Hepburn stayed there, it had recently been reformed by its new owners. She furnished the house herself and lived there with a young, uniformed butler, enjoying the two floors and garden.

On our visit to Atienza we were fortunate to be invited into the house by Julián the current owner. As his children played around in the garden, he pointed out that the lower half of the house was as it was when Hepburn had lived there, although the top half had since been reformed.

Hepburn’s House

We also met José María, who like most of the inhabitants of his age was an extra in the film. His job was to stand upon the walls of Troy holding a spear.

Unlike the distant Irene Papas, Katherine Hepburn apparently got on very well with the local people, who found her kind and friendly, especially with the children.

The film company hired two local people, both of whom have since died, to protect her delicate, pale skin from the scorching sun with umbrellas and parasols.

Most of the filming in the village of Atienza took place near Hepburn’s house, around the old town walls, and at the drinking fountain known as ‘Fuente de San Gil.’

The fountain can be seen in early scenes when the Trojan women are herded out of the city, which is mostly seen from the outside as a series of ruined walls, although about five minutes into the film there is a splendid full view of the village at sunset.

Brian Blessed is the ‘good’ Greek, who is constantly bringing news from and sending captives to the ships at the beach, which we are supposed to believe is just down the hill. In reality, it is harder to be further from the coast than at Atienza.

An interesting film if you enjoy much wailing and rending of garments, with Atienza as the true star.

Although the tourist information office doesn’t take much advantage of the film having been made there, in a local hotel called Hotel Antiguo Palacio de Atienza, they had on display in reception a book called ‘Atienza Ayer’ (Yesterday), the last chapter of which is dedicated to The Trojan Women, with photographs of the shooting.

 Like many Spanish towns invaded by American film makers, Atienza benefited from its colonisers. Apart from the welcome money paid to extras, the producers brought electricity and phones to Atienza’s old hospital and helped set up a school in the old Falange building.

Hannie Caulder (1971)

In one of those Hollywood character-building experiences, Raquel Welch’s husband is murdered, she is raped by three scruffy brothers and her house is burnt.

But Hannie gets her gun and goes after the Western genre’s very own Marx Brothers; Jack Elam, Ernest Borgnine and Strother Martin.

Ably assisted by Robert Culp doing a very credible impersonation of Robert Redford, she ignores the option of calling the Police and takes the law into her own hands.

Christopher Lee plays a gunsmith, living with his family on the beautiful, deserted Almería beach of Los Genoveses, where Hannie learns to shoot, and Britain’s own Diana Dors, also known for her complex Shakespearian roles, has a brief slot as a whorehouse Madam.

Filming took place around Tabernas, and particularly at one of the western sets constructed in Almería, in this case Texas Hollywood-Fort Bravo, whereas the final showdown with Ernest Borgnine takes place at the frequently used Fort Condor.

At Fort Bravo the ghost of Agustín Gómez ‘El Titi’, is said to roam. This stunt man died of a heart attack in 2007 during a spectacle and is still awaiting his place on Boot Hill.

Fort Bravo

Red Sun (1971)

Two men from totally different cultures have to learn to work together in order to kill some other men; a not infrequent Hollywood plot.

A truly united nations film, made in Spain with U.S. born Charles Bronson of ‘Magnificent Seven’ fame and Japanese actor Toshirô Mifune from the original ‘Seven Samurai’ film. French actor Alain Delon and Swiss actress Ursula Andress are directed by Briton Terence Young. All of them lodged at the Hotel Meliá in Aguadulce (now Senator Playadulce).

Once again Tabernas in Almería provided most of the authentic Wild West locations, with its terribly beautiful grey and yellow rock and soil and rocks, lots of rocks; in fact, more boulders than Colorado.

Shooting took place specifically at Rambla del Buho, Camino de la Rellana, Mini Hollywood western township at Tabernas (where Maxime’s whorehouse is situated-but don’t bother looking for it anymore!) and at the Cabo de Gata sand dunes.

Cabo de Gata Sand Dunes

Delon’s hideout was the now demolished Cueva de la Molineta, where Bronson finds Ursula Andress, foul of mouth and full of curves, and they head off across the snowy Sierra Nevada mountains, which had also been seen in the distance in the opening scenes with the train.

The railway scenes were once again filmed at La Calahorra railway station in Granada and a section of the Guadix – Hernan Valle railway line. It is in the latter location that the film begins with a classic western train holdup that gets complicated by Alain Delon’s betrayal of fellow robber Bronson.

Delon’s character is called ‘Gauche,’ and he dresses in black so that we don’t get confused about who the baddy is.

The climax takes place at a Mission surrounded by long rushes, in which goodies and baddies combine to fight and exterminate the baddiers, the Comanche Indians, who can only be described as ‘interesting’ as far as realism is concerned.

According to local expert Antonio Jesús Sánchez, the battle took place on the outskirts of Adra at a place known as Venta Nueva, situated on the border between Almería and Granada provinces.

Further information was also supplied by Guadix expert Roberto Balboa Garnica.

Catlow (1971)

Yet another western made in Tabernas, Almería, with Yul Brynner as the goody and a very illogical and nasty Leonard Nimoy as the baddy.

Also used were the dunes of Cabo de Gata, Enix and Poblado Juan García.

The General’s house was none other than the Escuela de Artes in Almería, later used by Spielberg in Indiana Jones and the Last Crusade.

The cave scene was shot in the Cueva de Roque.

The film’s final scene was shot in the Cortijo Romero, situated in the district of Villablanca in the capital of Almería and now a cinema museum.

La Casa del Cine, Almería

Duck You Sucker/ A Fistful of Dynamite (1971)

Sergio Leone’s last western, and one whose two titles emphasise some of the confusion surrounding its making.

Once again Leone indulges in repeated musical themes, slow motion and excessively long close-ups. Fortunately the symbolism is more under control, except in the opening scene with Steiger pissing on an ants’ nest.

James Coburn (Sean), who cleverly plays an IRA explosives expert before the IRA even existed, and Rod Steiger (Juan) star in a film, at all the usual locations and a few less popular locations more.

The ramp next to the Church of Santiago in Guadix, Granada was used for the scene where dissidents are executed against a wall.

Further executions of difficult citizens are performed in a series of pits, which once belonged to the sugar factory of Guadix, known as ‘La Azucarera.’ Curiously, the old sugar factory, San Torcuato, is now the HQ of the Guadix Development Group, which among other things promotes cinema tourism. Sadly the pits are no longer there and mass executions are in need of a new location.

Only one building from the factory has been restored, the others are in a state of glorious abandon.

Guadix cathedral is the most notable building from the outside when Juan arrives in Mesa Verde.

Also employed was the surprisingly rarely used medieval town of Medinaceli, perched on a hilltop in Soria province. Here a few street scenes were shot in and around the Plaza Mayor during the fighting at Mesa Verde. The bank was also in the main square, although it was a set constructed for the film.

There were a few scenes with horses riding up and down that were filmed in the Valle de Arbujuelo. Perhaps they just needed a break from all the executing in Guadix, which does of course take it out of a man.

La Calahorra Railway station is the scene of the derailment of the troop train, and on the Guadix – Hernan Valle railway line Sean jumps from the train; and it is on the same line that we see the train cross a bridge.

At Guadix station Juan kills the Governor and an ambush on the railroad takes place at the old abandoned station at Gor, near Guadix.

Almería Railway Station became Mesa Verde, and the city railway station’s facade appears in a scene where Steiger arrives there and the many windowed front of the station can be clearly seen behind him.

The opening scene takes place in the Rambla del Saltador. In the Valle de Rodalquilar, at the foot of the Cabo de Gata mountain range is the tower (Torre) de los Alumbres, where Sean blows up a church full of soldiers, and at the mines of Rodalquilar Sean and Juan meet on the trail, and we also see the scene with the army column, with a tank, in pursuit.

Built around 1510, Alumbres was one of two towers (the other disappeared in the 18th century) designed to protect nearby miners from the attacks of Berber pirates. In this it was not very successful as in 1520 the pirates burnt the village and took the inhabitants away as slaves, bringing an end to mining for the next 50 years.

From 1736 to 1768 it had its most glorious moments, and even two cannons to protect a nearby pier from which coal and limestone were loaded, but with the building of the castle of San Ramón, it became redundant.

The tower is located on the road leading to the beach called El Playazo.

At Los Albaricoques we can find the old farmhouse known as Caserio del Campillo de Doña Francesca, where Juan faces a firing squad but is rescued by Sean.

The Cervantes Theatre in Almería city was used for the interior scenes of Molly Malone’s saloon. The theatre is situated in Calle Poeta Villaespesa, which is also the location of the Town Hall’s attempts to imitate Hollywood by putting stars on the pavement.

Teatro Cervantes

At the Rambla de Lanujar the armoured coach is ambushed, whereas in Sierra Alhamilla they shot the scenes where Sean blew up the coach, and also where Sean and Juan blew up the bridge. The film was not so named in vain!

Valdez is Coming (1971)

Burt Lancaster finally made it to Almería for this film (well, I think that’s everybody then, don’t you?)

Burt is Valdez, and he’s coming for the rich and powerful who are above the law; unlike in real life!

Rambla Salinillas from above

Valdez is the sheriff of a town which is in reality the oft used Texas Hollywood set.

It’s a rambling film; the opening scene with the stagecoach was filmed at Tabernas, while the scene where rich baddy Tanner’s men hunt for Valdez was filmed in Rambla del Indalecio.

At the beginning of the film, the wanted man’s log cabin is located in the Rambla del Buho.

The scene where Tanner’s men follow Valdez was at nearby Llano de Utrillo, while just above the Rambla we can find Diego’s ranch, and in the same area Valdez meets Tanner’s lookout.

Tanner’s own ranch is located at Camino de la Rellana, while in the Rambla del Carrizalejo Tanner’s men hunt for Valdez.

Some shots were also used from the Sierra de Gredos range in Ávila province. After Valdez takes out five baddies with his buffalo rifle, the scenery changes from the arid greys of Almería to the forests, fog and snow of the Gredos.

Lancaster stayed at the visiting stars favourite hotel in Almería, the Meliá Aguadulce (now Senator Playadulce).

The Deserter (1971)

This film is a genuine spaghetti western, made partly in Italy and partly in Spain. El Torcal de Antequera Nature Reserve, just 30 kilometres north of Málaga, was among the Spanish locations.

El Torcal is famous for its unusual rock formations, and consists of 17 square kilometres of some of the most impressive limestone landscapes in Europe, in an area that was under the sea until only one hundred million years ago. One of its highlights is the 30 varieties of orchids to be found growing in the park.

El Torcal features in the scenes where our heroes cross some mountains and build a bridge in order to attack the Apaches by surprise.

Among the cast are western classics such as Chuck Connors, Woody Strode, Pat (son of John) Wayne, Slim Pickens and John Huston.

This is a western as God intended; the Indians are the baddies and there are no grey moral areas.

In Almería, some scenes were shot in Ramblas Indalecio, Otero, Búho, Cautivo and at Cabo de Gata.

The Hunting Party (1971)

This cheaper version of ‘The Professionals’ stars Oliver Reed, Candice Bergen and Gene Hackman, and includes rooftop sniping scenes in the lazy village of Polopos, in Granada province, just east of Motril. The train scenes also take place in Granada province at the Huéneja-Dólar station.

Filming also took place in Almería (at Tabernas) and Málaga provinces, and the set where Bergen’s school was located can be found among the rocky meadows of the Dehesa de Navalvillar in Colmenar Viejo, near Madrid, overflown by eagles, vultures and storks and trampled by grazing horses and cows.

Doc (1971)

Stacey Keach and Faye Dunnaway star in yet another telling of the Wyatt Earp story, concentrating more on Doc Holiday this time.

Wyatt in fact doesn’t come across as a very nice person at all, driven by personal ambition and the humiliation of losing a fair fist fight. Furthermore, the goodies cheat by taking shotguns to the final shootout instead of honest to God revolvers.

Tabernas and Cabo de Gata in Almería were once again the main locations, with the sand dunes at Gata appearing at the beginning when Doc Holliday rides towards Tombstone with his gal. Filming also took place at Poblado de Fraile (now called Oasys) and Rambla Cautivo. We can still see a version of the schoolhouse at Oasys today.

In 2007 Dunnaway would return to Almería to receive a prize for her participation in the film, commenting that Almería had moved her more than any other place in the world, because of its unspoilt scenery.

The scenery is certainly sparse when ridden through, the only signs of civilisation being Tombstone itself and the Clanton Ranch, which looks like it was dropped onto a dustbowl from a great height.

‘Doc’ is an interesting film, played somewhat woodenly by actors who appear to have spent a bit too much time in the featured Opium Den, and characterised by the sheer resilience of men who like to knock off a bottle of whisky with breakfast and then settle down to some serious drinking for the rest of the day.

Some scenes were also shot at La Pedriza near Madrid.

Murders in the Rue Morgue (1971)

Some American reviewers have referred to this as a typical European arty film, and certainly it uses slow motion and dream sequence type tricks, although mainstream American actor Jason Robards is the star.

Set in Paris, the film was actually made in Toledo. The film’s director Gordon Hessler once explained that Toledo offered cheap crowds, crew and horses, as well as truly Parisian ambience.

According to Rafael del Cerro Malagón, a local expert on the cinema, the theatre used in the film is the Teatro de Rojas.

A scene featuring a small funfair, where Genevre passes a note to a boy, was shot in Plaza de la Constitución, San Lorenzo del Escorial, Madrid.

Madeline’s mother’s house is represented by Palacio de la Alameda in Madrid’s Parque del Capricho, with the fountain Los Delfines in front.

In a dream sequence Pierre takes her to a mausoleum ‘El Abejero’ in Paseo de la Alameda de Osuna, Madrid.

A Town called Hell (1971)

Filmed at the village of Daganzo near Madrid, this western starred Telly Savalas, Martin Landau and Robert Shaw, as well as heavenly Fernando Rey, and explored all the old themes of revenge and an angry widow; and one who sleeps in a coffin at that!

Daganzo is one of many towns near Madrid that have been host to several foreign films thanks to its ‘western’ scenery, and where the 40,000 square metre Estudios 70 Madrid facilities were constructed in the 70s, as the name suggests, including a whole western township, of which little remains. The first owner was the American director Philip Yordan, who apparently ran off with a local girl and consequently sold the studio to Valencian director Juan Piquer in 1979.

The town now organises a yearly film festival to remember past glories.

Kill (1971)

Stephen Boyd and James Mason returned to Spain to make this film about an Interpol investigation of the murder of some drug traffickers in Pakistan, with locations at Alicante and nearby Elche, with its famous palm tree plantations, where Mason is met by a driver with a machine gun before u-turning at a roadblock.

At La Manga del Mar Menor, Murcia, the desert and duck hunting scenes were shot.

The film is also known as ‘Kill, Kill, Kill, Kill’ on occasions; perhaps to appeal to the American market. Any film featuring corpses on trampolines is worth watching, and the cameos by Blues artist Memphis Slim make up for all the other weaknesses.

The Last Run (1971)

George C Scott, who shot ‘Patton’ in Spain, stars as a retired getaway driver living in a delightful Portuguese fishing village, which happens to be Nerja in Málaga province.

The nearby village of Frigiliana, climbing up into the Sierra de Tejeda also appears, and so does Mijas.

José María Burgos informed that the scene in Mijas is when they enter Plaza de la Constitución and go into Bar Culitos, which no longer exists today despite the attractive name. One of them makes a call from the phone box outside, and then enters the bar, where people are watching TV.

The Palacio Episcopal of Málaga, built in the 1760s and now a museum, also appears.

The prison bus escape scene was shot at a bridge over the River Gualdalfeo near Orgiva, Granada, a bridge quaintly named ‘Puente de los 7 Ojos’ (the bridge of the seven eyes), because of its seven arches.

Hunt the Man Down/ Bad Man’s River (1971)

It’s surprising just how many films Lee Van Cleef and James Mason made in Spain,.

This one was a comedy of sorts, featuring bank robberies, female betrayal and revolution, with Gina Lollobrigida to add a bit of aesthetic contrast to sagebrush and saloons, and authentic scenery around Colmenar Viejo and the Daganzo film studio, both situated near Madrid.

Deathwork/ The Guns of April Morning (1971)

Another western made largely at the Madrid 70 Studios at Daganzo near Madrid.

Lee Van Cleef and Stuart Whitman fight it out, but only Van Cleef gets to sing.

The train scenes were shot at Guadix in the province of Granada.

Known as ‘Captain Apache’ in Spain, the plot concerns the attempted assassination of a US President.

Black Beauty (1971)

Starring Mark Lester who, according to most people, made ‘Oliver’ and then sadly grew up.

Fortunately the horse is the star and Mark only makes us squirm with embarrassment for the first few minutes.

After witnessing an Irish gypsy race, Black Beauty is found by a Mister Benjamin, who informs us that he will be taken to ‘the Continent’, and suddenly we are there, and clearly in Spain judging from a couple of signs offering ‘vino’ for sale.

The house where Marie rides looking for the police to break up the battle between two circuses, is La Granja royal palace in Segovia province.

Another part of the story takes place on the Indian border with Afghanistan, where Lieutenant Gervais proves that he is not a coward by getting himself killed while killing a few natives. The Asian landscape is of course to be found at La Pedriza in the province of Madrid.

Rain for a Dusty Summer (1971)

Aka ‘Guns of the Revolution’, Ernest Borgnine stars as the pathological General determined to put an end to the Catholic clergy and the rich in Mexico in 1917. The film, based on a Graham Greene story, recounts the activities of a priest, Miguel Pro, a hero or villain depending on your ideology.

Filming took place at Balcázar studios in Barcelona, with ‘western’ exteriors at Orihuela in Alicante province.

When Brother Miguel talks to a paper seller in the Plaza de Monserrate, we see clearly the façade of the Santuario de Nuestra Señora de Monserrate.

When he visits his jailed brother, the prison is Montjuic castle in Barcelona.

A Gunfight (1971)

Although mainly filmed in New Mexico, the bullfight scenes were apparently shot in Madrid, near Chinchón.

Kirk Douglas and Johnny Cash are the stars with a great politically incorrect beginning with plenty of violence and little regard for bio-diversity.

Cash, as his song fades into the background, shoots a rattler and then pistol whips his own horse (for its own good you understand), while in the next scene, Kirk Douglas gets a tongue lashing from his woman to even things out.

David Carradine makes his brief debut on the fast track to Boot Hill.

A film that deals with a very real problem; how to grow old with dignity and become an entrepreneur. There are also some delightfully Cashilian lines such as “a country isn’t pretty when you’re hungry.”

The Call of the Wild (1972)

The Charlton Heston version of this Jack London classic was shot in Finland, Norway and in Spain; three countries noted for their freezing cold weather!

It is set in California and the Yukon and there’s snow enough for everyone. Charlton is not at his best, playing a man who throughout the film seems to become more and more enamoured of a dog and less and less of people or women. Fortunately the dog clearly prefers its own kind (a wolf actually) so there were no rating problems. In fact the dogs out-act many of the humanoids, most of whom thankfully have their facial expressions obstructed by false beards of a comical nature.

This may be the film where Heston got the idea for his “my cold dead hand speech,” although it’s his cold, dead, underwater face that opens and closes the film.

Nice scenery, even if the exhausted corpses along the gold trail spoil it a bit. The Spanish sections were filmed in the Valsaín forest in Segovia province.

Anthony and Cleopatra (1972)

Charlton Heston directed and starred in a film, which he also co-wrote himself, out in the wilds of Almería.

Rumour has it that when Arnold Schwarzenegger saw the film he insisted on being allowed to play Hamlet. Unfortunately he also insisted on wasting his uncle and most of the rest of the cast early on in the first scene, which left the scriptwriters in a bit of a pickle.

It was the theatre version of Anthony and Cleopatra that gave Chuck his first break on Broadway in 1947, and he’d played Mark Anthony before, opposite Marlon Brando’s corpse in the 1953 version of ‘Julius Caesar.’

The film was an Anglo-Spanish production between Izaro Films of Madrid and Folio Films of London and featured a lot of Spanish actors, such as Fernando Rey as the Roman patrician Lepidus, and Carmen Sevilla.

Almería’s Alcazaba castle was used for some gladiator scenes, and the exteriors feature the desert and coast of Almería, including the cliff that Eric Porter nobly throws himself off.

Tabernas, Cabo de Gata (off whose shores the naval battle was filmed including leftover footage from Ben Hur) and Roquetas de Mar were used.

Heston’s son Fraser participated, as did appropriately named production co-ordinator Barry Romans.

Heston attempts to show his tender side in this film, although some of the early scenes where Anthony shows his decadence by wearing earrings are almost as frightening as Heston’s nude scene early on, where the only thing between Charlton’s member and the audience is a curious kind of curtain doubling as a jockstrap. Anyway, I’m sure it was well researched.

Treasure Island (1972)

One of Orson Welles’s least enthusiastic projects, although he makes an ideal Long John Silver.

La Alberca in Salamanca has medieval streets that were perfect to depict Bristol for the early scenes when the expedition is being prepared.

Also used, but in Almería, was the white, hilltop village of Mojacar, as well as Puerto Rey, Aguas and Bédar, in whose abandoned mine, called La Mulata, Captain Flint’s treasure was to be found.

In one scene we see Jim Hawkins running along some cliffs, and behind him is the peak of Torre del Pirulico or Torre del Peñon. When Silver’s men come ashore at a beach to attack the goodies, we are at the Playa del Sombrerico at Mojacar, called so because a large rock there looks like a hat. This is where Jim meets Ben Gunn.

The old house that the gentry defend against the pirates is now a beach bar called ‘Manaca,’ where an ‘Orson Welles’ salad is apparently served to those willing to descend the track down to the Macenas beach.

Garrucha played the port of Bristol, and the Isla de San Andrés at Carboneras was Treasure Island itself, from the distance at least.

The final scene, showing a market at the island of Española, was filmed at the Colonia beach.

The production headquarters was in Carboneras and Welles himself rested his head in an area of villas called Puerto Rey between Vera and Garrucha in Almería.

Travels with my Aunt (1972)

The aunt in question was Maggie Smith, although director George Cukor had wanted his favourite actress Katherine Hepburn for this film based on a Graham Greene novel.

After meeting his Aunt Augusta at his mother’s funeral, she and Henry (Alec McCowan) travel to Paris, where they book into a hotel. The interior patio with the ornate staircase which supposedly connects the Hotels Albion and Saint George is in fact the Escalera de Honor of the Madrid Casino in Calle Alcalá 15, where they return later to encounter the arduous Monsieur Dambreus, played by the Spanish comic actor Jose Luis López Vázquez.

In a flashback Augusta first meets Dambreuse in a Parisian park when his Rolls scares her horse, although the park in question was in fact the Retiro in Madrid.

They travel to Spain to sell a stolen painting at a beach bar, which is the Bar Mediterráneo at San Miguel de Cabo de Gata. The little church is located in Las Salinas.

They then take a boat to the North African coast, where they hand over the ransom money. 

The Playa de los Genoveses, near Cabo de Gata was also supposedly a deserted North African beach, where they eventually meet the ‘kidnap’ victim.

Finally they drive off and stop for the final scene on the open road at Tabernas, where they toss a coin, with Franco’s head clearly visible.

Pancho Villa (1972)

With a budget of 25 million pesetas ‘Pancho Villa’ was filmed in Aranjuez and Colmenar Viejo near Madrid and around Guadix in Granada province between August and September 1971, using the Madrid 70 western township built at Daganzo.

In the film Pancho Villa takes revenge on a double-crossing arms salesman by invading the USA no less!

According to local expert Roberto Balboa filming took place in Guadix during the first fortnight of September 1971.

That part of the filming consisted mostly of the scenes involving trains, with the station of La Calahorra portraying the American city of Columbus.

There we see Villa (Telly Savalas) and his men near the end of the film, awaiting the train carrying General Goyo, being drawn by the legendary train spotters’ dream train, the Babwil 140-2054 locomotive.

A battle takes place between Villa’s men and the Federal troops, both sides consisting of local gypsy extras, who could change sides at a moment’s notice.

At the same location, in the early stages of the film, there is a scene in which Clint Walker, in his first Spanish film (excluding a self-deprecating cameo in The Phynx), is cheated by arms salesmen and takes refuge in a wagon, which is rammed by another train in a comical scene with Walker being thrown about inside.

Walker plays Villa’s sidekick Scotty, nobly resisting the temptation in moments of danger of asking to be beamed up.

Chuck Connors was also in La Calahorra, playing the manic Colonel Wilcox, who is seen off from the station to the relief of his soldiers.

The royal palace and grounds of Aranjuez can be perceived both in the show jumping scene, where the appropriately named Lieutenant Eager tries to warn Wilcox that Villa and his men have sneaked across the Rio Grande, (although in reality he has entered the Dehesa de Navalvillar near Colmenar Viejo where the prefab fort has been knocked together), and also in a brief glimpse on a film that Villa watches, enjoying the memory of his glory days at the palace in the capital.

Other scenes were shot on the line between La Calahorra and the Alquife mines. In these scenes, Villa’s train, in which he is captive at the beginning of the film and having his hair shorn in a cage to explain why he is bald, is pursued by a train carrying his men.

In the same place they filmed the scenes where Villa’s and Wilcox’s trains play chicken at the end.

Finally, in the scene where Villa acts as a waiter in the presence of General Pershing, we can observe the mountain range known as Sierra de Gor in the background.

Horror Express (1972)

Peter Cushing, Christopher Lee and Telly Savalas return from Manchuria on the Trans-Siberian with a monster as a last minute souvenir.

The monster easily out-acts our famous trio and their accompanying train-load of “peasants,” as Telly refers to those who do not don his Cossack uniform, in one of his less restrained roles.

Nevertheless, practically all of the secondary characters are Spanish in a film that was made almost entirely in the Madrid 70 studios Daganzo.

The monster is a red-eyed, lock-picking Yeti, recently returned from a 2 million year vacation frozen in the perma-frost, which hasn’t affected his survival skills.

The snowy Manchurian scenery was captured around Puerto de Navacerrada; a ski resort near Madrid.

If some of the sets look familiar, especially the train set, it’s because the same production team used them for their previous project: ‘Pancho Villa,’ also with Savalas.

Apart from the monster, the toy train is definitely the other main star, rolling through sparse scenery with a bleakness indicating severe budget problems. In fact there was only one real carriage available, which had to be reconstructed for each change of scene.

The only real trains to be seen were at the Delicias station, now a train museum, in Madrid.

The scenes of somebody having his head sawn off mixed with the elegance of the train’s dining room are enough to put anyone off lunch; it’s just as well that the man was dead at the time.

The climax is perhaps one of the most realistic examples you’re ever likely to see of somebody pushing a toy train over a paper mâché cliff.

Chato’s Land (1972)

Charles Bronson stars in an early version of ‘Rambo,’ with the twist that he’s an Apache, or “Breed” as his pursuers prefer, hounded by the forces of law and order.

Tabernas in Almería again plays host to a vigilante group led by Civil War nostalgic Jack Palance “it was a good war,” Richard Basehart and some mean hombres.

The star however is the subtly varied landscape of the Almería desert, with its touches or grey, brown, yellow and green, and with the sand dunes of Cabo de Gata providing the occasional opportunity to trudge hopelessly in desperate moments.

The scenes in the town at the beginning of the film, the only ones with any sign of ‘civilisation’, were filmed at the Western Leone township near Tabernas.

The Strange Vengeance of Rosalie (1972)

A remake of Stephen King’s ‘Misery’ in all but name, and without good actors; there’s also a touch of ‘Deliverance’ in it, but without the banjo duet to make the rest of the film bearable.

With only three characters, one car, a bear and a shack situated at Tabernas, Almería, although supposedly somewhere in the USA, nobody will have lost their shirt with this film, although some nudity might have helped.

Doctor Phibes Rises Again (1972)

Some of the Egyptian desert scenes, such as the one with the gramophone and false soldiers, were filmed at the famous and frequently used sand dunes at Cabo de Gata, Almería, and the oasis where the archaeological team camp is none other than Lawrence’s oasis at Viciana.

The Cueva de la Molineta was once more used, this time for the kidnapping scene.

Vincent Price and Peter Cushing lent their indubitable talents to this film.

What the Peeper Saw/ Night Child (1972)

Elise has just married an English author and has moved in with him at his villa in Spain, but when his twelve year old son Marcus, recently expelled from his school arrives, things take a turn for better or worse.

When Mark Lester asked for more in ‘Oliver,’ he probably never dreamed that he would get his own striptease from Britt Ekland when he was still only 13.

Madrid was one of the locations, as was Almería, which provided the villa with pool at Mojácar.

Madrid’s contribution was modest; towards the end of the film we see Ekland and distracted husband Hardy Kruger strolling with apparent contentment alongside the lake in the Casa de Campo. Lester’s ‘accident,’ where he seems to think he’s a dog, occurs there.

Before that, Britt had been recuperating in an asylum, the entrance of which is the Hospital Psiquiatrico Doctor R Lafora, situated at Valdelatas on the road to Colmenar Viejo from Madrid.

Innocent Bystanders (1972)

An interesting cast, with Stanley Baker, Donald Pleasence, Geraldine Chaplin, Dana Andrews and ethno-eccentric Warren Mitchell, the film has all the trappings of a James Bond movie, with Baker as the British spy, in Turkey to bring home a Russian scientist living a quiet life as a goatherd, against all odds, naturally.

It was mostly filmed along the Costa del Sol in the province, where Baker would die four years later. Málaga airport for example impersonates that of Ankara.

Summertime Killer (1972)

Christopher Mitchum (son of Robert), Karl Malden, and Olivia Hussey star in this Italian vendetta movie in which a young man tracks down his father’s killers. Co-starring is his motorbike.

As well as Portugal and New York, a range of Spanish locations were used, including Madrid, for Mitchum’s visit to the unusual apartment block Las Torres Blancas in search of Raymond, as well as Las Ventas bullring for the bullfight scenes, L’Ametlla de Mar, Tarragona, Tordera and Roda de Ter, Barcelona,

Buendia, Cuenca and Lagos de Entrepeñas, Guadalajara were used, the latter for the scenes where Mitchum keeps Olivia Hussey in the house he has built in the middle of a reservoir.

A Reason to Live, A Reason to Die (1972)

What the world needs now is love sweet love and another Italian western made in Almería.

Nevertheless, with James Coburn and Telly Savalas in it, it can’t be all bad.

Director Tonino Valerii also signed head thumping Bud Spencer for this tale of American Civil War residue.

The old El Condor Fort was used again, as were the mines at Rodalquilar, where a Confederate camp was set up. In fact the two sets were mixed into one.

Also reused was the farm after the group leave the train, which was previously the McBain ranch in Leone’s Once Upon A Time In The West. Here, in great Henry Fonda tradition they are obliged to wipe out a family, although this time the family deserved it.

Western Leone Theme Park

Most of the filming took place around Tabernas, and it was here at the Oasys Mini Hollywood township that they go for supplies and announce, falsely, that the war is over.

Our thanks to Alfonso Jesús Población, expert on mathematics in the cinema for identifying this film.

A Touch of Class (1973)

The Guadalmina Spa & Golf Resort in San Pedro de Alcántara, Marbella, Málaga was the main location used for this road love story between George Segal and Glenda Jackson. It is here that they have their troubled tryst, ably assisted by a very unSpanish looking hotel receptionist as they come and go to and from Málaga airport, the golf course or the swimming pool.

The curious morality of the film seems to be that adultery is fine and that children are a damned nuisance when one is trying to carry on an affair. In fact the only homage to constancy seems to be Glenda Jackson’s wig.

Love and Pain and the Whole Damn Thing (1973)

Though director Alan J. Pakula is best known for his 70s thrillers such as ‘Klute’ and ‘All the President’s Men,’ and screenwriter Alvin Sargeant is most readily identified for having penned Spider-Man movies, the two headed for Spain in the early 70s to make a different kind of film.

Shot at Madrid’s Estudios Verona and on the road throughout Spain, it is the poignant romance of an asthmatic American youth (Timothy Bottoms) who meets ailing English tourist, (Maggie Smith), while in Spain on a cycle tour, with locations at Aranjuez near Madrid and Pedraza and La Granja royal palace in Segovia province.

Also in Segovia we see Bottoms sitting at the foot of a flag-waving statue, agonising should he stay or should he go, while Maggie hits the bottle and the sleeping pills.

The statue is of Juan Bravo, one of the leaders of the 16th century ‘Comunero’ revolt. Bravo’s head is clearly visible, although he lost it after the Battle of Villalar in 1521. The church next to the statue is that of San Martín.

On two occasions we see Bottoms at La Pedriza with its famous boulders used in so many films, once on a bicycle and once with a caravan, when he exclaims: “You’re a pain in the ass, but I love you!”

As Maggie Smith and Timothy Bottoms frolic among the mountains she trips and is whisked away by a Spanish ‘Duke’ on his horse (played by a genuine Spanish aristocrat Don Jaime de Mora and Aragón).

He takes her to his castle, which he calls the castle of ‘Aragón’, and tries to seduce her with some typical noble pastimes such as whipping balloons. In fact it is the castle of Pedraza.

Pedraza: Photo Courtesy Mark Yareham

They breakfast inside the castle, where a servant appears punctually from a hole in the ground every time the Duke blows his whistle, proving that servitude is alive and well in Spain.

The castle of Pedraza dates back to Roman times and has been reformed and developed throughout history, first by Muslims and then by Christians.

The original castle is believed to have been the birthplace of the Roman emperor Trajan, and the prison of two hostages, the sons of the French king Francois I.

Don Sancho, Lord of the castle, went off to fight at the Battle of Navas de Tolosa one fine day in 1212. On his return he noticed that his wife, Elvira, seemed less than delighted to see him. He found out that she had reignited an old flame with her confessor Roberto.

Don Sancho organised a supper where he placed a specially crafted iron crown on Roberto’s head, mortally wounding him. Elvira ran for her dagger and killed herself while her husband wandered off, never to be seen again while the castle burned.

Today it is said that two luminous figures can be seen together on the battlements; probably not Elvira and Sancho.

Every year a festival takes place in and around the castle called ‘La Noche de las Velas’, (the night of the candles) and various Spanish series and films have been made there, such as ‘Isabel’.

In 1926 it was acquired by a Basque artist, and now houses his work as the ‘Museo Ignacio Zuloaga. They also do weddings.

Medieval Pedraza has been used for many films, and the unspoilt streets, virtually vehicle-less, are usually tranquil, except for weekends when the tourists arrive.

Most days, if you hang around El Soportal Restaurant on the main square, next to the Town Hall, you can run into Julián Maté, enjoying a post-lunch glass of brandy.

Julián knows a lot about the films made in Pedraza, and has participated in many.

Here, according to him, Mister Arkadin, The Immortal Story, (but not Chimes at Midnight he insists) The Return of the Musketeers, Honeymoon Academy and Bolero were all made.

Julián maintains a couple of collages of photos and cuttings on the walls of El Soportal, detailing the films that have been made in Pedraza.

Tim and Maggie wander through a market, set in the main square of Pedraza, which had previously been used as a different location for the first stop of the tour bus after Bottoms boards and buys her a dress, which she will wear to visit the Duke, provoking Bottoms’ jealous rage (again).

After leaving Pedraza, the castle and the Duke, they find resignation among the fountains of La Granja.

Papillon (1973)

“Forget France; put your clothes on!” Words that have served us all well over the decades and which are pronounced to a group of French prisoners, among whom are Steve McQueen and Dustin Hoffman, before transportation to French Guiana by an angry Commander who is in fact the writer Dalton Trumbo, and has possibly forgotten that he is not in fact speaking at a French prison but at a school in Madrid, today called IES San Fernando. Or maybe not!

The prisoners are then marched off to be embarked and exiled, although the streets they parade through are not French streets but the cobbled stones and harbour of Fuenterrabia (also called Hondarribia), Guipúzcoa, just across the border in the Spanish Basque County, which means the prolific berets among the crowds would not have been a problem.

Hondarribia

Local man Félix Senosiain joined us on our visit to Hondarribia as we followed Dustin and Steve into exile and discovered, as is so often the case on the silver screen, that they cheated.

Accompanied by bayonet-waving troops, the march begins descending Calle Muralla, beside the city wall.

As they approach the camera, it turns with them as they then march up Calle Mayor with the church clearly visible at the end of the street.

Next the camera has moved to the top end of the street as they march up to the church and the Plaza de Armas, where the fortress Parador stands today.

It is here that a young lady tries to make contact with Hoffman before returning to her car, parked in the Plaza de Armas.

The next shot (with a giant leap for the camera) takes us out of the city walls to the old fishermen’s district known as La Marina.

Finally we return to the old city, where from the Plaza de las Armas they walk down Calle Iparkalea as far as the Hospital, from where the sea can be seen.

Hondarribia is used again for the dream/delirium sequence when McQueen, being punished in solitary, on the point of expiration, imagines himself in a better world turned upside down. These scenes were shot in the Marina District in Calle San Pedro.

Once at the prison, there is another Spanish touch as a prisoner is guillotined to teach everybody, and especially him, a lesson. As he fights and spits his way towards oblivion he can be clearly heard cursing in Spanish.

There’s good advice for the prisoners while they are rehabilitated. A warden assures them that they should relinquish all hope, masturbating as little as possible.

Perhaps it is because he doesn’t have a motorbike this time that Steve McQueen finally manages to escape.

The Three Musketeers (1973)

Richard Lester is one the directors who has most appreciated the attraction of shooting films in Spain, and this humorous version of the Dumas classic, although intended as a single film, finally became two, with the resulting lawsuits from disgruntled actors.

The royal palace of Aranjuez near Madrid made a believable substitute for Versailles, having been built in 1722 when Spain was just getting used to Frenchified ways under the newly installed Borbon dynasty following the War of Spanish Succession.

Another old favourite, the royal summer retreat, La Granja, Segovia, also served as Versailles, and was also built by the first Borbon monarch Felipe V, while the Alcázar of Segovia was used as the scene of Charlton Heston’s ‘benevolent’ torturing of Spike Milligan.

Talamanca de Jarama, another popular filming location, has a Roman bridge, where Roy Kinnear collides with a tree and falls from his horse. A cruel irony as in ‘The Return of the Musketeers,’ also shot in Spain, a fall from a horse would lead to his death.

Other places where filming took place are the Riofrio Palace and the monastery of Uclés, Cuenca (where we can see Charlton Heston as Cardinal Richlieu scheming in front of the portal and in the cloister.

Uclés

The four Musketeers come together for the first time to fight each other in duels but end up uniting to fight the Cardinal’s men among the washing lines tied to the well in the cloister of the Hospital de Tavera in Toledo.

The Hospital has its own special ghost, as well as a very spooky crypt where the Medinaceli family is interred. The phantom in question is the sculptor Alonso Berruguete, who died in the hospital before finishing the sepulchre of the Cardinal.

The brief port scenes were shot during August and September 1973 in Denia in Alicante province, and in fact, when Michael York calls out that he has at last spotted Dover, he is in front of Cap (Cape) de Sant Antoni.

The Dover port scenes were shot at the dockside, whereas the port of Calais was represented at nearby El Raset, with the black façade of the ‘Cofradía de Pescadores’ (Fishermen’s Building) in the background.

The battle scene takes place on Almería’s Playa del Algarrobico, where Lawrence of Arabia took Aqaba.

In another scene the Musketeers fight with the Cardinal’s men and Oliver Reed has a problem with a windmill in the Cañon de Rios Lobos, a canyon in Soria and Burgos provinces.

The spot where the Musketeers are ambushed in the canyon is in front of the Ermita de San Bartolomé, a 13th century Romanesque church.

The canyon itself is a walker’s paradise, full of life, and vultures!

If you are looking for a place to stay, we strongly recommend the Casa de Adobe in Valdemaluque, a charming little rural hotel run by Steve, from Guildford, and Enca. Must like cats!

www.lacasadeadobe.es

The medieval cobbled streets of Toledo are easily recognisable as the Duke of Buckingham is pursued to a vaulted wash house, where he is defended by the Musketeers against Cardinal Richlieu’s men.

The Deadly Trackers (1973)

Like Chamberlain at Munich, Richard Harris discovers that appeasement doesn’t pay off, although whereas Chamberlain merely lost his job, and almost lost his country, Harris loses his wife and son.

Harris plays an Irish pacifist sheriff, as a way of explaining his Welsh accent no doubt, and Rod Taylor plays his Nemesis, with filming at Colmenar Viejo and La Pedriza.

There is a curious scene during the pursuit when, just after killing the first of Taylor’s eccentric gang of four, Harris ties his horse to a solitary palm tree at the top of a hill. The tree looks recently planted for the purpose and slightly out of place in the great American West.

As Harris catches up with each villain, leaving Taylor until last, as one does, we start getting to know each one a little, and even sympathise with their broken homes and nature versus nurture inner conflicts. This is usually the moment that Harris chooses to dispose of them.

As the film progresses, so Harris’s wardrobe deteriorates as he begins to turn into a horse called Man.

The Man Called Noon (1973)

The excellent photography in this film can be attributed to John Cabrera, and the locations include all the usual suspects.

Richard Crenna is shot and loses his memory and catches a train from the station at La Calahorra in the province of Granada.

He is picked up and taken to Rafter D ranch, now known as Poblado Western Leone at Tabernas, Almería, built for Sergio’s Once Upon a Time in the West as the McBain ranch.

He and Stephen Boyd follow a very sensible horse up into the mountains of the Tabernas desert and come across a mysterious cabin, although we are now at La Pedriza near Madrid and enjoying the greener scenery of the Dehesa de Navalvillar, Colmenar Viejo.

Inside a wardrobe (where else?) in the cabin is a cave, the often used la Molineta or Roqueta.

Another train ride through the plains of Granada takes our duo back to Almería’s El Condor fort, where they are incompetently ambushed by some skilful stuntmen.

The western township Mini Hollywood represents El Paso, and then it’s back to the cabin for the final shootout.

Mini Hollywood on a Busy Day

Chino (1973)

Charles Bronson is the star, although the horses out-act him in another Tabernas, Almería film designed to keep the appetites of American TV companies happy on rainy afternoons when the football is cancelled.

Among the dry gulleys employed were Ramblas de Otero and Salteador, the road to Senés and Poblado Nueva Frontera, while the Indian village was built at Llanos del Duque.

John Sturges directed and Bronson’s wife Jill Ireland co-starred.

Charley One Eye (1973)

Race seems to have been the big theme in the 70s, with black (Richard Rowntree), red and white men slugging it out for a little chunk of the home of the brave.

The famous sand dunes of Cabo de Gata in Almería once more provide the backdrop for some advanced human folly in a film made largely around Tabernas (Tecisa, El Cautivo and Las Salinillas).

Las Salinillas

The Final Programme (1973)

Although largely a London studio picture, this sci-fi comedy based on a Michael Moorcock book included exteriors shot in Tecisa, Carmona, Mojácar, the sand dunes of Cabo de Gata in Almería, where the railway station at Gérgal was used.

Some scenes were shot in the Cortijo Romero, ‘La Casa del Cine,’ Dr Baxter’s hang out. In fact, a shoot out that begins there ends up at Los Escullos beach.

Los Escullos

Shaft in Africa (1973)

Although set in Africa, as the name suggests, Shaft briefly passed through Spain in a desperate attempt to add a bit of glamour to this failed follow up to the follow up.

One of the locations had itself a violent history; it was a bunker from the Spanish Civil War, to be found attached to the non-violently named Palacio de Caprichos, in central Madrid, a location from Doctor Zhivago.

The bunker, known as General Miaja’s bunker, is on the north side of the palace, and was built in 1937.

In the film it is used to store slaves (for their own protection obviously) and is torn apart by explosions.

The Adventures of Don Quijote (1973)

Although not a feature film, this BBC Play for Today had an interesting cast, including Rex Harrison in the title role and Frank Finlay as Sancho.

It was filmed in La Mancha, around Almagro and Carrión de Calatrava, Ciudad Real, and at the famous wetlands of Lagunas de Ruidera, on the border between the provinces of Albacete and Cuidad Real.

Lagunas de Ruidera

Filming also took place at Belmonte, Cuenca, with its impressive castle made famous by the jousting scene from ‘El Cid.’

Much of the filming was apparently done at Cañamares, Cuenca, attractive for the film makers as it lacked electricity at the time; just like the Don’s epoch.

Most of the old women and children participated in the shooting, according to the local media.

Our thanks to English teacher Jesús de Aragón from Cuenca for locating this film.

The Night of the Sorcerers (1973)

If you need deepest Africa, just slip out of Madrid to the deepest west to Aldea del Fresno. What’s more, there’s no lack of wild animals; you can borrow them at the nearby Madrid Safari Park, as Spanish director Amando de Ossorio did for this amusing tale of gore and claw.

Our sturdy team of safari victims includes Spanish actor Simón Andreu, who has appeared in a wide swathe of English language films made in Spain, challenging even Fernando Rey.

The river next to the ‘soon to be vampires’ camp is the Alberche near Aldea de Fresno, also used for scenes from ‘Spartacus’ and ‘A Fistful of Dollars.’

Speaking of camp; why do vampire women always run in slow motion? And is there any significance in the fact that the nearest town in the story is called Bumbasa?

The Corruption of Chris Miller (1973)

The Chris Miller in question is none other than Marisol, a teenage phenomenon in post-war Spain who later cast off her Hayley Mills image to become a politically active adult actress.

Here she shares the screen with Jean Seberg, her mother in a film about the classic ‘man who popped out just to buy a packet of cigarettes,’ while a serial killer prowls the neighbourhood.

Javier, son of the film’s producer, Javier Armet of Anabel Films, said that shooting took place at ‘La Casa de la Baronesa,’ on the road from Comillas to La Rabia in the Parque Natural de Oyambre in Cantabria.

My Name is Nobody (1973)

Sergio Leone’s fetish actor Henry Fonda joins forces with Terence Hill in a western made mostly in the USA, although, as local expert Roberto Balboa informs, the railway scenes were shot in La Calahorra station, Granada, used by Leone in ‘Once Upon a Time in the West.’

Filming took place there in August 1973, and the line going up to the mines was used, as was the western township built next to the station.

It was here that the saloon scene with the drinking contest and whisky glass throwing and shooting scenes were shot.

Charge (1973)

Stephen Boyd stars in a western filmed all over Almería, and especially Tabernas, about stolen arms and whose only touch of originality is the appearance of a Muslim bounty hunter.

Simón Andreu is billed as Simon Andrew. He plays an evil bandit with a penchant for castration.

The film opens with Andreu’s men ambushing a military convoy in the Garganta de Alfaro.

When the doctor foolishly rescues Andreu from the fort, they ride across the dunes of Cabo de Gata.

Afterwards he visits a tavern to enjoy the owner’s wife. The tavern, from the outside anyway, is what is now the Western Leone theme park, built for Once upon a Time in the West.

Mad General Lopez’s HQ is located in the Cuevas de la Molineta.

The Legend of Blood Castle (1973)

This could easily become an advertisement for The Body Shop, as we are told the story of the sixteenth century Hungarian countess Erzsebet Bathory, who saved on gel by bathing in the blood of the 600 or so virgins that she borrowed in order to maintain her good looks.

Among the locations were Nuevo Baztán in the province of Madrid. Here we see people pouring into the Palacio de Goyeneche for a trial with a disinterred body of a vampire.

Palacio de Goyeneche

In the province of Segovia the castle at Castilnovo represented that of the Countess, although the deeds were done in Cajlice, a village in central Europe in 1807, or so we are informed.

Erzsebet’s murderous husband was played by Espartaco Santoni, who in real life had nine wives!

Castilnovo. Photo Courtesy Mark Yareham

Crypt of the Living Dead (1973)

This is a film with a message; if your father is crushed to death by a sarcophagus, leave him there; you never know what you’re going to release.

Set in Turkey, but filmed at La Roca, Barcelona and in Madrid among other places, the film was originally directed by Catalan Julio Salvador, who would die the following year, but finished by New Yorker Ray Danton.

Murder in a Blue World (1973)

Eloy de la Iglesia plays overt homage to Stanley Kubrick (who made part of Spartacus near Madrid) with his version of A Clockwork Orange, starring Chris (son of Robert) Mitchum.

Filming took place around Madrid and a lot of people died.

The Four Musketeers (1974)

They cheated a bit by releasing this as a separate film, although it was made at the same time as The Three Musketeers (Oliver Reed, Frank Finlay and Richard Chamberlain) and used Carboneras, Garrucha and Almería among other locations. The shooting in Almería included the landmark Alcázaba castle.

In Segovia Raquel Welch, D’Artagnan’s bit on the side, is held in the Alcázar castle, or at least we see its façade, and when rescued by the Musketeers, is taken to a convent, which is in fact (at least the façade) the Escorial royal palace, just outside Madrid.

However, when she escapes on stilts with the help of three of the Musketeers, she is in fact crossing the courtyard of the Christian part of the Alcazaba of Almería, quite a way away.

Our thanks to Carlos Martín, historian and cinema fan at the Alcazaba for this information.

Also in Madrid the tavern scenes were once more shot in the Cartuja at Talamanca de Jarama, an old monastery whose grounds have been used in many films.

The brief port scenes, including the assassination of the Duke of Buckingham (Simon Ward) and Milady’s return to France after plotting his demise, were shot at the dockside in Denia, Alicante.

For the scenes of the siege of La Rochelle, the beach scenes were shot at La Raset Beach to the north of the port of Denia. The British soldiers were in fact mostly Spanish soldiers from a regiment based in nearby Alcoy.

The beach scenes were cunningly merged in an early example of digital inserting with the castle and wall representing La Rochelle. When the boys light-heartedly assault La Rochelle, as an excuse for breaking their fast, they are in fact attacking the hilltop castle of Berlanga de Duero in the province of Soria.

Filming took place here in August 1973 and History student Roberto de Pablo showed us around the castle and the southern ramparts where the scenes of the Musketeers were shot in August 2015.

Roberto’s father, Jesús, who runs the Hotel Villa de Berlanga, was one of the extras who earned 150 pesetas a day to counter attack the Musketeers.

The Musketeers have their showdown with Rochefort and Milady at the Monastery of Uclés in Cuenca province, with fighting scenes in the exterior, the courtyard, the staircase and the chapel. The bits they burnt were only a set fortunately.

The staircase at Uclés

The remains of a castle are alongside the monastery, consisting of only a couple of towers.

The castle’s remains are seen twice in the film. After Constance (Raquel Welch) is freed from imprisonment; from what is, at least from the outside, the Alcazar of Segovia, she is galloped to the ‘convent’ of Uclés.

In the climax of the film, the Musketeers pass the castle in pursuit of Milady and Rochefort (Christopher Lee) and after some elementary besieging, put an end to both of them.

This humble IX century ruin has quite a tormented past. During the re-conquest, it was used by Jewish refugees facing expulsion in the 1490s.

In 1025, Muhammed III, briefly Calif of Cordoba, was poisoned here by his enemies as he fled an uprising, having himself done away with his predecessor and cousin Abderramán V.

In 1174 the knights of the Order of Santiago used it to house Arab prisoners.

In 1528 the castle was destroyed to help build the monastery that today dominates the town.

Uclés: Photo Courtesy Mark Yareham

At the end of the film, when the body count is completed and D’Artagnan, achieves a kind of reconciliation with Cardinal Richlieu, he leaves the Cardinal’s quarters and we see him among the arcades in the grounds of the Aranjuez palace.

What Changed Charley Farthing? (1974)

Another ‘man on the run’ film with Doug Maclure as Charley and Hayley Mills as always as herself with a different dress. Warren Mitchell also clocks up another Spanish film to add to his growing portfolio.

Although set in Cuba, Alicante was used to give that Caribbean feeling and the Castle of Santa Bárbara and the Arenales del Sol beach feature prominently.

Some scenes with a boat were shot at the beach and entrance to the harbour of Águilas, Murcia.

Stardust (1974)

Stardust was the follow up to ‘That’ll be the Day,’ which had starred seventies teen-idol David Essex and Beatles drummer Ringo Starr.

It’s more or less the story of John Lennon (he is abandoned by his father and then abandons his wife and son and takes up with a French version of Yoko Ono) and Jim Morrison (drug abuse and haircut) mixed into one working class hero rock star who experiences first the pleasure and then the pain of being a living legend, until the pain wins, in Spain.

Attempting to get away from the downside of the rock and roll industry, Jim Maclaine (Essex) withdraws to his own castle in Spain, which is in fact La Calahorra in the province of Granada, a curious reddish coloured building on a small knoll above the village whose beauty is recognised during the film in different aerial shots.

He turns it into his own isolated paradise, even installing a pinball machine in the impressive cloister, a Renaissance colonnaded courtyard with carved marble features, etching out a carefree existence with the able assistance of some colourful local peasants.

Also featured in the film, although it is supposed to be Bermuda, is the famous Marbella Club Hotel in Málaga home of the international jet-set since its creation in 1946 by Prince Alfonso von Hohenlohe.

The hotel is used in the scenes where David Essex is hanging around poolside listening to his owner/manager Larry Hagman (JR in ‘Dallas’) informing him that he must play endless concerts and write endless songs while Procol Harem’s ‘Whiter Shade of Pale’ is something in the air.

The following dinner party has Essex walking out in a huff, consoled by his friend (Adam Faith stepping in for Ringo) on the wooden beach pier that is such a well known part of the hotel.

There is a giveaway Spanish flag which can be seen at one point during the scene, proving, if you didn’t already know, that it wasn’t Bermuda.

In the end Essex overdoses on live TV and is rushed to hospital, pursued by a Television Española TV crew, dying with the beautiful snow-topped mountains of Sierra Nevada in the background.

The Golden Voyage of Sinbad (1974)

There seems to be no end to the tales of the exotic east featuring Sinbad, and no finer location than exotic Spain. On this occasion the Caves of Artà, Mallorca, where the first scenes were shot on 19th June 1972, were once again employed, as was the Torrent de Pareis.

The caves were used to house the temple of the Oracle, whereas the fight between the dragon and the Cyclops was filmed at Torrent. In this scene Sinbad is pursued through the caves and the fight ends on the Canyamel beach.

The mountain scenes were filmed at La Pedriza, Madrid, and the castle of Koura was that of Manzanares el Real. Many of the boat scenes were also shot using plaster boats in the same mountains when it wasn’t necessary to see the sea; reflecting the tight limits of cash and time (eight weeks for the whole film!)

Manzanares el Real. Photo Courtesy Mark Yareham

The original intention of using the Alhambra Palace in Granada was also changed for financial reasons, and instead the Pueblo Español of Mallorca, which was built in the mid sixties by the architect Fernando Chueca Goitia, was used for many scenes.

Like the one in Barcelona, the Pueblo Español is a kind of theme park where many famous Spanish buildings and monuments have been rebuilt. For this reason the film makers show Sevilla’s Torre de Oro in the opening scene, the city walls of Cáceres, the Torres de Arias Dávila of Segovia, past which Sinbad rides on his horse, the Puerta de Toledo of Ciudad Real, where Koyra tries to enter the city, the steps of the Gothic Palace of Barcelona where the provincial government (Diputación) is housed, the steps of the Town Hall of Vergara, and the main squares (Plazas Mayor) of Templeque, Navalcarnero and Chinchón, all without actually leaving Palma de Mallorca.

Surprisingly; or not, it was his performance in this film that landed Tom Baker his role as Doctor Who.

The Spikes Gang (1974)

A veteran Lee Marvin (well, he always was a veteran, really, wasn’t he?) starred in yet another film shot primarily at Tabernas, Almería, and with township scenes at Fort Bravo-Texas Hollywood cowboy town and the train station at Gérgal.

Fort Bravo

Some of the earlier scenes with darker soil and slightly lusher vegetation were shot in that other home on the range; Colmenar Viejo near Madrid.

Two rising film stars, Ron Howard and Charlie Martin Smith (best known as the ‘Untouchable’ accountant who got touched in the lift) play young kids who dream of becoming bank robbers.

The film has some beautiful, even poetic moments, such as when Lee tempts the boys to a life of crime by informing them that the leather in his boots is as soft as butter. Now who could resist that?

And then there were None (1974)

Although most of the interiors and exteriors were shot at the Shah Abbas Hotel Isfahan in Iran, this adaptation of the Agatha Christie novel had desert scenes provided by Cabo de Gata, Almería, where a model of the hotel was built in the dunes.

The ‘borrowed’ Egyptian ruins of the ‘Templo de Debod,’ were mixed in with the Iranian images using a low placed camera looking upwards so that it was not obvious that the ruins are located in the Parque de la Montaña in central Madrid, and not miles away from civilisation in the desert of Iran.

The temple is not the original donated by President Nasser in 1968 but even so, it has its very own ghost, in this case a black cat that is really the Egyptian God Amun (also known as Amon, Ammon, Amen and Amun-Ra). Well, they are supposed to have at least seven lives!

Debod Temple. Photo Courtesy Mark Yareham

The cast included Oliver Reed, Richard Attenborough and Herbert Lom, plus Orson Welles’ voice.

Blood Money/ The Stranger and the Gunfighter (1974)

Lee Van Cleef is the star of this film made when the TV series ‘Kung Fu’, starring David Carradine was at the height of its success.

One of a series of Chop Suey Westerns, like ‘Red Sun’, also made in Spain, where the producers try to cash in on martial arts in a sort of double whammy hype.

At La Calahorra, Granada, as is so often the case, the station was used, and all the train scenes were shot using the legendary Babwil 140-2054 steam train.

This film has some original moments, mostly involving tattooed female buttocks. Presumably, if hillocks are small hills, buttocks must be small butts!

Another splendid moment, possibly a hiatus in cinema history, occurs when Lee Van Cleef manages to unhorse four virile riders with some bunting…..twice!

The malicious, Bible-quoting preacher with the mobile church is also a triumph of the imagination over the ludicrous.

Filming took place between 8th April and 22nd June 1974 starting at the western township of Daganzo and the nearby Madrid-70 studios.

Filming also took place in Almería (El Cortijo del Fraile, El Condor, Salinillas and Mini Hollywood), whereas the scenes in China were actually filmed in Hong Kong.

Our thanks once again to Roberto Balboa from Guadix for his help with this information.

Touch Me Not (1974)

Lee Remick visited Barcelona to make this thriller, set in an office block, trying to evade the attentions of the serial killer after her blood.

Watch Out, We’re Mad (1974)

Bud Spencer and Terence Hill entertain once more with the usual humorous violence, this time with the action taking place in Madrid.

The Toledo bridge (Puente de Toledo) with its giant statues dating from 1732 can be seen as a background to the site where Bud Spencer has his workshop, and much of the area used for shooting was located near the Vicente Calderón stadium, home to Atletico de Madrid Football Club, which can be seen next to the fairground. Much of the area is now under the new M 30 motorway.

Puente de Toledo. Photo Courtesy Mark Yareham

Donald Pleasance adds a touch of class with a reasonable ‘Doctor Strangelove’ imitation.

The Living Dead at Manchester Morgue (1974)

Although set in northern England, some of the work was done at Estudios Cinearte, Madrid, and Robledo de Chavela, Madrid.

It may be the first film in a new genre; Eco-Horror, seeing as how the return to life of the dead is provoked by nasty pesticides.

The House of the Damned (1974)

An interesting minor horror film made in Asturias at Celoriu (Llanes), and at Niembro with its famous church and sailors’ graveyard on the beach,

Niembro

where Carmen Sevilla lives in the film, as well as San Pedro de Ambás, Tazones and Villaviciosa, where the Monasterio de Santa María de Valdediós represented the psychiatric hospital, while the meadow scenes were shot around the Palacio de Bedriñana.

Monasterio de Santa María de Valdediós

Although a Spanish production, it starred Donald Pleasance as the villain in search of a treasure that only the mute girl knows the whereabouts of.

B Must Die (1974)

Another Spanish film made in English and starring Burgess Meredith and Patricia Neal, directed by José Luis Borau.

Set in a South American country, it tells the story of a plot to assassinate a popular leader, with shooting on the streets of Madrid and the port of Vigo, in the province of Pontevedra.

Open Season (1974)

William Holden and Peter Fonda star in a film about Vietnam veterans who keep in touch by kidnapping and hunting human prey in the woods.

Some studio work was done in Estudios Roma, and exteriors were filmed in Aranjuez, and the motorway at Villalba, and San Martín de Valdeiglesias, all in Madrid,

Some shooting, and some filming, also took place in Segovia.

Simón Andreu appears as a barman.

Get Mean (1975)

This film was made in the same year that its screen writer, Lloyd Battista, who also plays Sombra, appeared in Woody Allen’s Love and Death. The film zig zags between the ridiculous and the comical, but includes some of Spain’s finest locations.

Almería locations included Desierto de Tabernas, La Alcazaba and El Condor Fort, which is Sombra’s brother Diego’s fortress.

In the opening scene a horse drags Tony Anthony along the Rambla Indalecio and into a ghost town, the Poblado del Fraile, now known as Oasys.

Here he has his first tussle with the barbarians, and according to the convenient map flashed across the screen, takes the Princess to Spain, where we see them riding along the Mónsul beach.

They ride past Segovia’s Alcázar, but it is while riding into La Alcazaba of Almería that the Princess explains to Anthony that Rodrigo’s treasure was once kept there.

Almost immediately they are among the boulders of La Pedriza, Madrid; quite a round trip!

They see the barbarian and Moorish armies squaring up for a battle, although it is suddenly transferred to the dunes of Cabo de Gata, Almería.

After the battle the victorious barbarians leave Anthony dangling and retire to the Condor fort to celebrate, while Anthony is rescued and rides through the medieval streets of Pedraza (Segovia) to take refuge in the castle of Manzanares El Real (Madrid).

After doing a deal he rides off to a small country church, but once inside we see a ceremony taking place among the columns of the Synagogue of Santa María la Blanca in the city of Toledo.

Another deal is hatched and Anthony rides off alone to and inside El Escorial Palace in Madrid, where he admires the ceiling frescos. Here things get a bit silly as he fights skeletons and turns into a wolf.

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El Escorial

He enters a cave, where an explosion turns him black, and then suddenly he is facing an angry bull among the rock formations of Cuenca’s Ciudad Encantada.

Back to the cave to collect the treasure and then he returns to the synagogue to face the equally angry barbarians.

Everyone troops back to El Condor for some torch-light parading with multiple extras.

Anthony receives some unexpected help and escapes a roasting and the evil brothers ride into Pedraza again to threaten an old man.

Strapping on the dynamite, Anthony returns to El Condor and takes on the barbarian army. Obviously he wins as Lloyd goes down quoting Shakespeare, and then he rides across the snowy peaks of Navacerrada, Madrid.

Thank God he had a good map.

The House of Exorcism (1975)

Although filmed mostly in Italian studios, there is a lovely shot of Toledo cathedral, where American tourist Elke Sommer sees a fresco depicting the Devil, and then speeds off to a small shop to confirm that it is indeed Telly Savalas.

Toledo Cathedral

She is then possessed and taken to hospital, there to use language unusually graphic for the time, until finally only toads come out of her mouth.

At the same time she, or a version of her, is wandering the streets of Toledo, where, after passing through one of the city’s Arab arches, she is confronted by a man that she accidentally kills, while behind her we can see the battlements of the castle of San Sevrando.

San Sevrando Castle. Photo Courtesy Mark Yareham

The Land that Time Forgot (1975)

The film that out-Juraissiced ‘Jurassic Park’ and brought dinosaurs back to life on the volcanic wastelands of the Canary Islands, amongst scenery where time does indeed stand still.

Most of the filming was done on La Palma island with some additional shots on Tenerife, although the Scottish island of Skye, taking a holiday from all that rain and rain, makes a guest appearance at the beginning and end of the film.

It’s 1916 and the war in Europe reaches the ocean when a ship is torpedoed, and after killing each other off for a bit, the British and Germans band together against the rubber dinosaurs and primitive men with dirty faces.

On discovering the bewildering complexity of life in the land that time forgot, most of which was believed to be extinct, they start to extinguish as much of it as they can before the volcanos have their say and set us up for part two, ‘The People That Time Forgot.’

Secondary characters are eliminated at a steady pace leaving a modern day Adam and Eve to hurl their message in a bottle into the icy waters.

Impressive scenery, although a lot of it is to be found in small boxes in Shepperton Studios.

Three for All (1975)

Clever title, eh? Free for all!

Not the best British film about a rock band and their girlfriends. The boys go on a tour of Spain and their girls follow but never meet up.

They arrive at Málaga airport and are then bussed to PlayaMar, a tourist complex near Torremolinos.

High rise buildings, crowded beaches and lots of shops and bars, only compensated by cameo appearances of some of the best of British secondary actors.

The Passenger (1975)

The film features a youthful Jack Nicholson and a sultry Maria Schneider, just after Marlon Brando got his clutches into her (or whatever it was he got into her and which seemed so painful) in ‘Last Tango In Paris.’

Nicholson plays a journalist who exchanges his identity with a dead man and sets off on a journey to ‘find himself’ or lose himself, or whatever it is you do when in the full thrall of angst.

Many cruel people unfairly claim that very little actually happens in Antonioni films. This is patently untrue. People get up, sit down again and go for lots of long walks. There is also ample staring and waiting.

Antonioni’s original idea was to have Maria Schneider drive Nicholson around Spain to keep the appointments he’d found in the diary of the dead man, who turns out to be an arms salesman. Unfortunately Schneider couldn’t drive

Schneider is supposedly an architecture student in the film, and she takes Nicholson to see some Gaudí architecture. They meet in the Palau Güell lobby, and then visit the roof of La Pedrera in the Paseo de Grácia.

La Pedrera Roof

Nicholson also rambles along Barcelona’s famous La Rambla, when it still sold birds in cages and flowers instead of tacky souvenirs, and before it was infested by mime artists. At one point he runs into a shoe-shine shop; not an institution that exists today in this modern, 21st century city.

He stays in the Hotel Oriente in La Rambla, and the hotel receptionist turns out to be suave, French-speaking Joan Gaspart, ex-President of Barcelona Football Club. Gaspart’s family owned the hotel at the time.

The sprawling Ciudadela Park, where Barcelona’s zoo is located, can also be seen, and inside the park is the botanic garden, the Umbracle, where Nicholson keeps an appointment discovered in the dead man’s diary, and meets an old man, who speaks excellent English and expresses simplistic philosophy.

Umbracle

They leave Barcelona, in theory heading south, although in reality they first head to Girona province, to the fortified city of Hostalric, parking in front of their hotel, which in reality was La Fortelesa restaurant, now closed. The impressive castle, where the scene was shot, is open to visitors, although the part they used was the Caballero building and Patio de Armas (Parade Ground), which can be visited for free.

After Barcelona the film crew travelled for scenes in the streets and orange groves of Almería, where Schneider has her little moment of temperament near the village of Rioja, before moving to Málaga. Further sequences were shot in Sevilla before the unit then crossed the Mediterranean to the Algerian desert, which doubled for the African state of Chad.

Nicholson is finally murdered by agents from an African government in a hotel room in Vera, a village in Almería province. The hotel was a set constructed next to the bullring, and was built to open out so that the final 360 degree shot could be made when Jack Nicholson gets shot.

The bullring is a remarkably subtle symbol of death, and if you visit it today you can chat to Paco, who claims to appear in the film, although he’s much more interested in selling you souvenirs at 5 euros a shot.

The hotel owner makes Basil Fawlty look friendly and the town is one of many bleak-looking places which contrast with the luxurious hotels and restaurants that they had frequented until then, which is probably meant to make a point; that it’s better not to leave the hotel poolside when you go on holiday in Spain if you don’t want to be murdered, or arrested by Spanish policemen who wear crash helmets when they drive a car.

His wife is also chasing Nicholson during the film, although she thinks he’s someone else (as wives tend to do) and she almost catches him at a hotel, from which he speeds away in a car. The hotel in question is the Costa Sol in Almería’s Paseo de Almería. The car can be seen hurtling through Puerta Purchena, El Paseo, Plaza Circular and the Nicolás Salmerón Park.

The scene where they arrive at a church in a strange ‘new’ town (built in the 60s to promote agriculture) was filmed at El Solanillo near Roquetas de Mar.

Today the Town Hall has reformed the area to make it appear as it did when the film was made. Although the bleakness has been replaced by lush vegetation, the church steeple, clock and fountain have all been returned to their original state.

Nicholson and Schneider stayed at the Hotel Meliá Aguadulce (now Senator Playa Dulce), where they were neither shot nor treated especially badly, and Nicholson loved the film so much that he eventually bought the rights.

The hotel has a corridor that is an eerie reminder of another of Nicholson’s films. Now which one was it?

The Wind and the Lion (1975)

Even though a lot of the action, centring around the aggressive foreign policy of President Theodore Roosevelt, takes place supposedly in the USA, only Spanish locations were used in the making of the film.

Even the sacred White House is none other than the elegant games room of the Hotel Palace in Madrid, built in 1912 by order of King Alfonso XIII and situated just across the road from the Spanish Parliament.

The White House? Photo Courtesy Mark Yareham

Furthermore, Yellowstone Park, where Roosevelt shoots a Grizzly Bear and later has it stuffed and displayed in the White House, is in reality Boca del Asno, Segovia.

We see the macho President boxing and practising on the rifle range or shooting the breeze with his bow and arrow, although the shooting was shot on an estate near Aranjuez and the boxing, rowing and archery took place in El Retiro, one of Madrid’s most important parks.

Moreover, the scene where Roosevelt campaigns from the back platform of a train, was filmed in Las Delicias Railway Museum in Madrid.

For the rest of the film, the Moroccan parts used scenery and cities from Andalusia. El Raisuli (Connery) has his headquarters in the austere Moorish castle at La Calahorra in Granada province, while his enemy the Sultan holes up in the Reales Alcazázares Palace in Sevilla amidst the splendour of an Arabic architecture. The polo match too was played in one of its courtyards.

The Alcazaba, representing Tangiers in the film, is usually more associated with war than with chess; however, when Sheik Sean Connery takes on his hostage Candice Bergen at the game, sparks do indeed fly.

Hollywood does its crazy thing in this game as, when we see Connery, the walls of the Alcazaba are looming behind him, whereas when Bergen appears, it is the castle of La Calahorra, Granada, that we see.

In 2022 the local council of La Calahorra inaugurated a series of statues to commemorate the many films made there; among them was one of Sean Connery. Unfortunately he has already lost a hand, which may explain why he looks so angry.

Various deserted Almería beaches are used, such as Mónsul and Genoveses, as well as the dunes of Cabo de Gata, where the battle sequences take place at the 18th century Castillo of San Felipe, built by King Carlos III at the fossil beach at Punta del Esparto near Los Escullos.

The battle between the American forces and the Sultan’s unprepared bodyguards is enacted in front of the façade of the old ‘Museo de las Artes y Costumbres Populares’ in Plaza de las Americas in Sevilla, built for the Latin American Exhibition of 1929 as the Pavilion of Industrial Arts in the Mudejar style.

The film itself borders on the ridiculous, with Connery’s men starting off as the baddies, massacring Candice Bergen’s staff in an orgy of destruction, even murdering a poor, native servant who attempts to serve the wine despite the annoying dagger sticking out of his back.

Ok, so they had to ride a long way uphill to Candice Bergen’s house admittedly, so they were probably peeved; but no more so than the citizens of Almería’s Al Medina district, up through which they fearlessly rode.

The house, when they finally reach it was El Chalet de los Góngora, situated in the north west of Almería in the Rambla de Belén; abandoned at the time and refurbished for the film.

Twenty US Marines were used in the making of this picture, as were a number of Special Forces troops from the Spanish army.

The Marine assault on Tangier was filmed over the course of several weeks. The scenes, where the ‘American’ soldiers run in formation towards the Bashaw’s Palace, scattering frightened locals, were filmed in Almería and Sevilla. Almería was also the location of the American Consulate, which was in fact the city’s Casino, as well as La Casa Rosa at Rioja.

The American Consulate

Almería also provided the German Consulate, in the guise of the Banco Español de Crédito in Paseo Almería.

German Consulate

The final showdown, a curious battle between Connery’s Berbers allied with the Americans who had engineered a coup d’état in Morocco, fighting against a German army, whose presence is never really explained, but who are clearly the genuine baddies, in league with the Sultan’s remaining unmassacred men, took place at the ‘Aqaba’ set, which had been constructed years ago for the film ‘Lawrence of Arabia’ at Algorocibo beach, Almería.

The plot of the film was loosely based on a historical incident; the kidnapping of Ion Perdicaris, an American expatriate living in Tangier. For romantic purposes, Perdicaris was changed into an attractive woman with two children. Director John Milius gave himself a cameo as a machine gun manufacturer in a scene with the Sultan, played by Marc Zuber.

Once is not Enough (1975)

The plot at least was ahead of its time, with adultery and lesbianism to the forefront in a film starring Kirk Douglas 15 years after he’d filmed ‘Spartacus’ in Spain.

In Málaga province the Club Marbella was used simultaneously with the crew of ‘Stardust.’

It is in Málaga that Kirk seduces a rich serial divorcee in order to give himself and his daughter the kind of life he thinks they should be used to.

First we see him walking one half of two dogs in the marina of Puerto Banús, and then they are looking at a postcard of the hilltop village of Casares while the real thing is right behind them.

Casares

Take a Hard Ride (1975)

It could have been just another Spaghetti western, with Lee Van Kleef, Jim Brown and Dana Andrews, except that this one was shot not in Almería, but in the volcanic wastelands of the Canary Islands, with the role of Abilene, Texas taken by the Sioux City western theme park on Gran Canaria island.

As well as Gran Canaria, filming also took place on Lanzarote, where scenes were shot at El Golfo, Laguna Verde (where the first ambush takes place), Guatiza and Timanfaya.

On Tenerife the Parque Nacional del Teide appears, specifically as Van Kleef rides away after a tense meeting with Brown and Williamson, pausing by the iconic Roques de Garcia.

After the woman sacrifices herself, they meet up with the mute Indian on the famous Maspalomas dunes.

Breakout (1975)

Starring Charles Bronson, Randy Quaid, Robert Duvall and John Huston, and inevitably set in Mexico, but filmed in California, France and Spain.

Based on a true story of a prison escape, which is why the Mexican government didn’t allow filming there.

The Adolescents (1975)

A young Spanish girl goes to an English boarding school; an excuse for another of Jess Franco’s soft porn film, shot in English, then dubbed into Spanish and later released in English, redubbing the British actors with Spanish dub artists; a lot of hard work for nothing.

The saving grace is the presence of a young Anthony Andrews before he played Sebastian in ‘Brideshead Revisited.’ In this film he is likewise innocent (sort of) and doomed.

The Spanish location for a film, shot mainly in London, was Lo Pagan, Murcia. It is from here that the young girl heads for London as the tourist season winds up, driving off in a coach along the beach.

Zorro (1975)

Stanley Baker’s last film, although Alain Delon played the leading role in this Italian production. Baker would in fact return to Málaga, where he had a villa, to die in 1976 in the Carlos Haya Hospital.

The beginning of the film was shot in Lanzarote, the middle around Madrid in Aldea del Fresno, for the fishing scenes, Nuevo Baztán (Nueva Aragon in the film), Robledo de Chabela and La Pedriza, and the final scene where Delon says his farewells, in Almería.

Several scenes take place in Nuevo Baztán’s Plaza del Mercado, where we see Zorro interrupting a whipping, and armed with only his own whip, disarming a whole platoon of soldiers. All these scenes with the downtrodden peasants take place around Nuevo Baztán’s Palacio Goyeneche, and it’s curious that they consider Zorro a hero, considering that he destroys half of their hard earned produce while fighting the soldiers.

Plaza del Mercado

His dog later one ups him by dismounting a whole troop of cavalry with just a few barks among the rocky scenery of La Pedriza.

The mine scenes were shot nearby at Canto del Berrueco.

The castle scenes, where Zorro interrupts Hortensia’s unwanted wedding and finally gives villainous Stanley Baker his just desserts, is the frequently employed Viñuelas castle with its chapel, just outside Madrid, which serves as the Governor’s home, with frequent scenes filmed both inside and out.

Viñuelas

Cry Onion! (1975)

Weird title, weird film starring Franco Nero, Sterling Hayden and Martin Balsam.

Nero is called ‘Onion’ in the film and eats a lot of them.

Once again the desert scenery around Tabernas (Almería) was used, including Llano Trujillo, Cautivo, Lanújar and Cortijo Genaro.

The oil rigs were built in Poblado El Fraile (now the Oasys western theme park).

For the Hotel Paradise the Daganzo western township in Madrid was used, and in nearby Nuevo Baztán, the Peacock Inn. The flour factory was at Talamanca.

Thanks to José Enrique Martínez for all this information.

José Enrique

Robin and Marian (1976)

Sherwood Forest’s theme park would today probably detract from the area’s authenticity, and even in the mid seventies Richard Lester chose the unspoilt Orgi wood, an 80-hectare oak grove more than 4,000 years old, now a Recreational Nature Zone, to portray Sherwood Forest.

On our visit to the park we saw a tree that looked suspiciously like the one that Denholm Elliott and Ronnie Barker fall out of onto the Sheriff’s men, but that might just be wishful thinking.

Lester commented that the area looked like everyone’s idea of what England looked like in the twelfth and thirteenth centuries. The glades among the oaks where Robin acts out his second childhood do indeed seem to be as idyllic and halcyon as an English country beer garden.

In Lisazo we met Manolo el Herrero (the Blacksmith), whose father and grandfather had indeed exercised that profession. Manolo was one of many local people who turned up looking for work and glory, and who was chosen to be Sean Connery’s stand-in for when the scenes were being prepared.

Although most of his time was spent with Audrey Hepburn’s stand-in, he did once get to sit down with the lady herself, and witnessed the strange fact that when she washed her hands, it was with bottled mineral water.

Some of the crew stayed at Lisazo’s Posada (Inn), which is now closed.

Sherwood was in fact played by two different forests in Navarra, the mountainous Quinto Real, on the way north to Roncesvalles, was also employed, particularly when Robin and John are watching King Richard’s funeral procession.

The procession passes through an arid area, which is in reality a magnesium quarry five kilometres from Eugui in the Valley of Esteribar.

Nottingham is in fact the Navarra village of Artajona, with a little bit of extra work by the production team to give it a suitably ‘lived in’ feel. Robin and Little John ride there on a stolen cart through a vineyard, which is still there today, in order to rescue some kidnapped nuns, killing an excessive number of the Sheriff’s men on the spectacular battlements.

Artajona

We were escorted around Artajona by Town Hall employees Soco and Daniel, who generously showed us the imposing skyline from inside, outside and in all kinds of light and floodlight.

We were also introduced to some of the local people who participated in the making of the film, such as octogenarian Jerusalen Jurio, who explained to us how she had been one of ‘Nottingham’s’ market vendors, peeling the skin from a rabbit as though taking off a glove.

The castle besieged incompetently by Robin (Sean Connery) at the beginning and then pillaged irrationally by a psychotic King Richard (Richard Harris) was in reality Villalonso Castle in Zamora province.

Villalonso: Photo Courtesy Mark Yareham

Richard pays the price for his blood thirst when an old man ‘throws’ an arrow into his neck, causing his death the following day during a banquet held quite far away in the Palacio de Capitania, which is now the General Archive building of Navarra in Pamplona.

On our visit to the Archive we were shown around by Peio Monteano, who was well aware of the building’s movie use, having himself shown his in-laws from Wisconsin around the various local locations of the film.

I don’t know whether or not director Richard Lester knew that the Palace had originally belonged to Sancho el Sabio (the Wise), Richard Lionheart’s real life father-in-law, and that the display room representing the palace where Richard dies bears Sancho’s name, but it seemed too good a coincidence to be coincidence.

The famous, sensuous Spanish actress Victoria Abril plays Queen Isabella, King John’s child queen who occasionally isn’t thinking about sex, and Audrey Hepburn plays Marian, who gave up the life of the flesh when Robin left her and is willing to give up everything for him, even his life. Hepburn proved her impractical nature by driving a horse and cart laden with nuns into a river during filming, a genuine accident that remained in the film.

The river in question is the one that now surrounds the camp site at Urrobi, just south of Roncesvalles, where we were told by two local people that shooting took place.

Marian’s ‘Abbey’ was constructed especially for the film at the Urbasa mountain range, to the north west of Pamplona, where the final battle scene also took place.

Local expert Balbino García de Albizu informed us of the exact location of Hepburn’s convent, which was built at the Alto de Aranzaduia. This can be reached by taking the road from Zudaire on the southern side of the range, and at the top taking the left turn towards Vitoria for a couple of kilometres. It’s situated on the right.

Connery and Hepburn developed a close friendship during filming, and even attended the bull running at Pamplona’s San Fermín festival in July 1975.

Voyage of the Damned (1976)

Filmed in Barcelona, this was a less adventurous version of ‘Exodus’ with a ship load of refugees trying to escape Nazi Germany.

Orson Welles, Malcolm MacDowell and Faye Dunnaway star in a wetter version of ‘Schindler’s List,’ with the port of Barcelona co-starring as Havana.

Most of the film takes place on the boat, although ashore in Havana (Barcelona) we do get a glimpse of the Plaza Real of Barcelona through a café doorway as Ben Gazarra negotiates a way out for the Jewish passengers.

The cast stayed at the Barcelona Ritz Hotel.

Journey to the Centre of the Earth (1976)

Kenneth More stars in a version of the Jules Verne classic, filmed all over Spain, and especially in Tenerife, where the volcanic scenery lends credence, although not very much, to the idea of entering a volcano, walking to the centre of the Earth and fending off dinosaurs.

Filming also took place in Lanzarote’s Timanfaya National Park, where you can imagine dinosaurs feeling very much at home.

Also included was some footage shot in the spectacular caves known as ‘Gruta de las Maravillas’ (Marvels) at Aracena in the province of Huelva.

Spanish Fly (1976)

A British comedy with some classic comedians such as Leslie Phillips and Terry Thomas. Phillips is sent to Menorca by his wife to perk him up, and discovers an aphrodisiac that does just that; hence the title.

In the opening scene we ride through the streets of old Mahón on our way to Banco Balear, which in reality is the Town Hall. One of the streets we cross on the way is the clearly signposted Calle Hannover, a tribute to the British occupation and the Hannover Kings of the UK.

The Menorca distillery, Destilerías Xoriguer, was the scene of the crime where Terry Thomas (Sir Percy) and his chauffeur try to turn bad wine into something potable.

Some scenes were shot in the Hotel del Almirante, also known as Collingwood House because Nelson’s right hand man once stayed there.

According to the manager Enrique Pons the film crew spent the whole summer lodged at and filming in and around the hotel, and the hotel staff prepared and delivered the crew’s lunches to the sets during the day, while the actors usually had their breakfasts and suppers in the hotel dining room.

The red painted building represents not only Sir Percy’s house, high up on a hill flying the Union Jack, but also the hotel where Phillips is staying for the garden, swimming pool and interior scenes.

The hotel management still have an original script and clapperboard from the film.

The docks of Calas Fonts and Mahón port also appear. Calas Fonts is where Thomas and Phillips meet, at the Bar Trebol on the dockside, and where the final wild party also takes place. The bar, open since 1969, is now one of the area’s most popular seafood restaurants, situated at Moll de Cales Fonts 43 at the harbour of es Castell with views of the port of Mahón.

Current owner Damian Olives Houdret told us: “although I hadn’t been born when the film was made, I’ve heard many amusing stories about it all my life. Probably the best one was that during the shooting, the cast and crew got through so many soft drinks and Gin and Tonics that my parents made enough money to buy the ‘cave’ next door and build a decent kitchen.”

One reason for using Cales Fonts was that Flint Shipman, one of the producers, used to holiday in Menorca and was a regular customer at Bar Trebol.

The cliff caves, where one of the photo shoots takes place above the sea, and where Phillips signs the contract buying the wine, are in fact Cova d’en Xoroi or Caves Xoroi, which are a daytime bar and nighttime disco.

Located on the southern coast of Menorca at Cala’n Porter, this spectacular viewpoint is an especially attractive location to watch the sun set.

Mahón Airport is also briefly seen when Phillips arrives on the island and meets the four girls, including an Australian girl called Bruce, something that may or may not have inspired Monty Python.

The Story of David (1976)

And once again David beats Goliath in injury time. Young David is played by Timothy Bottoms and King Saul by Anthony Quayle. Jane Seymour also takes part.

This two part film shows David as a young and later as an old man. The first part was shot in Israel, while the second was filmed in Almería, where Keith Mitchell played David.

The old El Condor fort was remodelled for its adaptation as a much older castle, and the much older Alcazaba palace in Almería capital became Jerusalem.

We see the Alcazaba as David’s men, all five of them, storm the walls, in a film seriously short of extras, and later he arrives, apparently in his pyjamas, for some Dervish-like swirling celebrations.

Later David starts his decline into sin, starting with a young girl who berates him about her pregnancy as he reclines with soothing views of the walls and battlements.

During the last 50 minutes of the film, as David declines further, events unfold, and are seen from above and below the backdrop of the battlements.

According to film expert Juan José Carrasco, the caves of Guadix in Granada province were also used.

Island of the Damned (1976)

An English couple try to enjoy a pleasant stay in a Spanish seaside resort and find themselves in the middle of Hitchcock’s ‘The Birds,’ except that our feathered friends are children.

At first they visit the imaginary town of Benavis, situated south of Tarragona according to the map they are shown. They are in fact in Sitges, near Barcelona, where they experience the town’s noisy fiestas, including a Chinese style dragon and fireworks, which gets them longing for the ‘peaceful’ island of Almanzora.

In Sitges, local cinema expert Francesc Borderia informed us that scenes were filmed in the charming little streets called San Joan and Bosc in the historic centre.

San Joan

The town scenes of Almanzora were filmed in Ciruelos, Toledo, more than 250 miles from the coast, although the location is supposed to be an island, while the harbour scenes were shot at Almuñécar, Granada.

In the summer of 2012 I visited Ciruelos to find out if the children continued to pursue people in the streets.

The town has modernised somewhat and the original inn where the English couple seek accommodation has been demolished and replaced by a modern house on the corner of Calles Relojero and Moral.

When the couple first arrive on the island they take refuge in a small bar, which still provides much of the social life in the main square, Plaza de España.

At the Town Hall I was introduced to some people who remembered the filming, and particularly Vicente Sanchez Villareal who retains a series of photos that he took.

The film, by Spanish director Narciso Ibáñez Serrador, opens with documentary footage from the Holocaust and other conflicts where children have been ill treated, and was originally intended to star Anthony Hopkins. In Spanish it’s called ‘Who would kill a Child?’

Blue Jeans and Dynamite (1976)

Robert Vaughn, he of ‘The Magnificent Seven,’ stars in this art heist thriller made in Spain and Venezuela, and also known as ‘Three Way Split’ and ‘Double Cross’.

Spanish regular, rivalled only by Fernando Rey, Simón Andreu stars too as an indebted would be playboy.

The Estudios Madrid 70, Daganzo, Madrid, were used for the scenes where a cowboy film is being made using the western township.

Filming of the yacht scenes took place in and around the marina at Mataró, Barcelona.

The Four Feathers (1977)

Here we have yet another version of an old story about a soldier proving his worth by suicidal bravery following accusations of cowardice. Although set in the Sudan, the desert scenery around Tabernas, Almería was as good as it gets when portraying the endless aridity of East Africa.

The castle of San Andrés in Carboneras was used for the prison scenes, while in Polopos the scenes showing the escape of a column of prisoners were shot, mainly in Calle Almarza y Real.

San Andrés Castle

The XVI century castle of San Andrés is located in the centre of the town of Carboneras. In fact, the castle’s construction gave birth to the town, which grew around it.

In 1559, King Felipe II ordered the Marqués del Carpio to build the castle in order to defend that part of the coast from Berber attacks and Morisco uprisings.

It has been totally restored and is now a centre for all kinds of cultural activities, especially in the summer when the town receives many visitors.

There is an extensive photographic exhibition showing the history of Carboneras, which includes photos from ‘Four Feathers’ and Richard Lester’s ‘How I Won the War’.

A statue of questionable taste or accuracy, allegedly of Lawrence of Arabia, which was filmed nearby, can be seen next to the castle.

In Las Salinillas there was a battle between Dervishers and British troops and, inevitably, the dunes of Cabo de Gata provided the sand.

Beau Bridges plays the Beau Geste role, backed up by Robert Powell, Simon Ward and Jane Seymour.

Las Salinillas

Valentino (1977)

If it’s thighs you’re looking for then Rudolph Nureyev’s are pretty impressive, particularly when wrapped naked around one of his leading ladies in this Ken Russell extravaganza.

The Russian ballet dancer’s attempt to branch out into films was moderately successful and brought a new yardstick to drunken staggering that he made look more elegant than this ancient pastime had ever looked before.

Almería steps in easily for the deserts around Hollywood, where Nureyev performs extracts from the films of Valentino in silent classics such as ‘The Four Horsemen of the Apocalypse’ (at El Barranquete, Níjar) or ‘The Sheik’ (on the dunes of Cabo de Gata).

Scenes from ‘Blood and Sand’ were shot in Almería’s bullring and the Mini Hollywood western township’s saloon was the location of his tango dance.

The Mini Hollywood (or Oasys) Western set was used for Valentino’s argument with the studio boss Jesse Lasky, whose office is transported all the way to Barcelona Zoo, where it is built around the cage holding the legendary albino gorilla ‘Snowflake’ (Copito de Nieve).

Oasys

June and George visit Lasky because Valentino has been imprisoned for bigamy. When they leave his office, the façade is the church at S’Agaró.

The gorilla seemed to resent the intrusion, although he remained the large, rambling zoo’s most popular attraction until his death in 2003.

They stayed in Catalonia to do the beach scene at the Costa Brava beach at Sa Conca, Girona, where Valentino and his wife negotiate an advertising deal with a patron.

Furthermore, the beach at Sant Pol served as Santa Monica beach in the 20s.

The real Valentino lived in Spain, in a house at Cala Fornells, one of the beaches next to Peguera in Mallorca.

He lived in a chalet called ‘Ca na Tacha’ with his wife, the dancer Natacha Rambowa. It was the first building constructed at the cove in 1926.

Sinbad and the Eye of the Tiger (1977)

This version used some familiar locations in Almería, such as the city’s port, the Genoveses beach and Cabo de Gata, although one of the opening scenes, showing Sinbad’s arrival at Charnak uses the famous city wall of Ávila, at the base of which Sinbad and his cohorts learn about the evil doings inside the city.

Once inside the city however, we are transported to Toledo, where the aborted coronation of the Caliph takes place in the 12th century Synagogue of Santa María La Blanca in Calle Reyes Católicos, a reconverted Mosque, reminiscent of Córdoba’s, with thirty two pilasters, with its capitals decorated with carved pineapples and rhomboidal scrolls.

The film is perhaps most memorable because of famous offspring; Patrick Wayne and Taryn Power, son and daughter of John Wayne and Tyrone Power.

Ray Harryhausen’s monsters are undoubtedly the highlight in one of a half dozen films in which they were used in Spain. I especially like the creatures that attack Sinbad at the beginning, who resemble ET but with anorexia. The chess playing simian is also a masterpiece of suspended disbelief.

The Last Remake of Beau Geste (1977)

Marty Feldman tried his eye as director for this film with an excellent cast of British actors, including Spike Milligan.

A parody of Foreign Legion films, set in North Africa, some interiors of Fort Zindeneuf were filmed at Hospital de Tavera, Toledo which Michael York would have known well, having fought his four-way duel there in The Three Musketeers.

The sand dunes of Matalascañas, Huelva helped recreate Africa, where the Foreign Legion, led by Peter Ustinov and including the Geste twins, Feldman and York, march up and down and fight off some Arabs led by smooth James Earl Jones.

The local beach was also used for a scene where behind the beach there is a digital insert of Hollywood and for the final romantic scene with York celebrating his freedom with Ann Margaret, who is definitely not his mother, any more than the gloriously over the top Trevor Howard is his father. I hope that’s clear.

March or Die (1977)

Even Gene Hackman can have a bad day, and this was it. As the commander of a Foreign Legion outpost, fighting a battle he doesn’t believe in, his men are massacred by Spanish extras posing as Berbers.

These things happen.

The action begins at the old railway station of Las Delicias in Madrid, supposedly in France this time, although Almería once more provides perfect Saharan scenery, with filming taking place at the reconstructed fortress of El Cóndor near Gérgal, the port in Almería city, and Cabo de Gata.

The Alcazaba castle features in the scenes when archaeologist Max Von Sydow locates a treasure.

There was also some shooting of the railway convoy scenes at Guadix and La Calahorra, both in Granada province.

The People that Time Forgot (1977)

This follow up to ‘The Land that Time Forgot,’ made in 1975, features the island of La Palma, which substitutes for the fictitious South American island of Capriona.

Filming took place principally in the volcanic areas of Fuencaliente and Los Romanceaderos de Las Manchas, and in the Volcán (volcano) de San Antonio.

John Wayne’s son Patrick is the star, and it is obvious from the beginning when he starts disparaging the female lead Charly with subtle comments such as “I believe in a man doing a man’s work,” that they will end up in each other’s arms, providing that they avoid being eaten by the clockwork dinosaurs.

The year is 1919, and our heroes came through the great war intact, although not without emotional scars. As one remarks: “Pterodactyls are more interesting than Germans.”

Edgar Rice Borroughs wrote the original story, but neither the story nor the acting can match the spectacular volcanic scenery of La Palma, which fortunately survived the heroes’ attempts to set the woods on fire with flares or the double camp fires they light everywhere and then fail to put out.

Eventually they escape after killing several Samurai warriors and half of a lesser tribe of Neanderthals and causing the death of Doug MacClure (who had survived two years without them) instead of rescuing him. Not a great success story all told.

Widows’ Nest (1977)

The film stars Patricia Neal and was shot mostly in the Monasterio de Lupiana (whose cloister shows the home of the widows, an events location today), and Sigüenza (Guadalajara) as well as Talamanca del Jarama, Torrelaguna, Alcala de Henares and other locations around Madrid.

Sigüenza represents Las Villas, and its cobbled streets and porticos receive ample coverage, with the cathedral providing a frequent backdrop, as does the arch which leads to the castle; today a Parador.

Sigüenza Cathedral

Gina Lollobrigida abandoned the film when the money ran out.

The Black Pearl (1977)

Set in Baja California, Mexico, the film was shot in the Bahamas and Spain. Although some humans participate, a Manta Ray is the real star.

The director, Saul Swimmer, also directed George Harrison’s ‘Concert for Bangladesh.’

Battleflag (1977)

Although a German production, the film starred Simon Ward and Peter Cushing.

Set during World War I, it tells the story of an Austrian soldier trying to protect the regimental flag while breaching the defences of an aristocratic lady.

When they weren’t in Vienna they were in Oropesa in the province of Toledo and Tarancon, province of Cuenca.

In Oropesa one of the locations used was the old Jesuit church known as La Compania, which was a ruin at the time. This was pointed out to me by Parador employee José Manuel Gutiérrez Rodriguez, who was an extra during the making of the film.

La Compania

Impossible Love (1977)

Although made in Spanish, Stephen Boyd did his lines in English and is dubbed or not depending on the version you come across, if at all.

Set in Cuenca, the filming in fact took place at the estate of ‘El Quexigal,’ Cebreros, in the province of Ávila, with a brief getaway to Mallorca.

The Lord of the Rings (1978)

No, it’s not a joke; this was an earlier cartoon version, although the cartoons were based upon real locations, among them the Castle of Belmonte in Cuenca province, which had previously been used in El Cid, and which was used here as the scenario of the final battle at Helm’s Deep.

Belmonte Castle

Clayton Drumm (1978)

A true spaghetti western but with some interesting appearances by Warren Oates, Jenny Agutter and Sam Peckinpah.

True love and bullets filmed at Tabernas, Almería, including the Fort Bravo, Texas Hollywood western township.

The film is also known as China 9, Liberty 37.

Fort Bravo, Mexican site

Warren Oates returned to Spain after having made ‘Return of the Seven’ here. Sam Peckinpah, apparently on an unrelated visit, was roped in to play a part.

The Fort Bravo theme park provided the towns of China and Liberty, using their western and Mexican sites, and the action took place in the ramblas Viciana and Búho.

Fort Bravo, western site

The Thief of Baghdad (1978)

Yet another version of the Sinbad story with exteriors filmed in Almería.

Various scenes were shot in the Alcazaba, such as the courtyard of the harem, where the Prince and the magician steal clothes, and in the streets and squares of Almería, such as Plaza Bendicho, Plaza Vieja and Calle Hercules, while the desert scenes were mostly filmed at Tabernas.

An oasis was built in the Rambla Viciana for the scene where the Prince is attacked and believed killed.

An impressive cast includes Roddy McDowall, Frank Finlay, Ian Holm, Terence Stamp and Peter Ustinov.

The Nativity (1978)

The story of the birth of Jesus shot in Almería, with a cast including Leo McKern and Freddie Jones.

Almerian cinema expert José Enrique Martínez informs us that the locations in Almería were: Cañón Negro-El Saltador, Valle del Búho, Rambla Viciana and its oasis, Garganta de Alfaro, the sand dunes of Cabo de Gata, El Charco, Laguna Rasa, Polopos, Río Aguas, Los Molinillos and Sorbas.

Oasis, Rambla Viciana

At Polopos the set of Herod’s palace was constructed. The villagers were most amused by the arrival of a large number of camels, but less so by the visit of lions.

The Greatest Battle (1978)

During the Berlin Olympics of 1936, German Major Roland (Stacy Keach), American General Foster (Henry Fonda), reporter Sean O’Hara (John Huston) and Jewish actress Annelise Ackerman (Samantha Eggar) meet and become friends. Their friendship is however interrupted by the minor inconvenience of World War II and we witness the Battle of the Mareth Line in North Africa, which was actually shot near Tabernas in the deserts of Almería.

The night scenes on a Cretan beach were shot at Los Escullos and in the Térmica beach in Almería city.

Orson Welles narrates the action in this Italian production, which also features everybody’s favourite German, Helmut Berger.

The big German gun, which is destroyed by partisans, was fired and shot in the province of Madrid, using the railway stations at Villamanta and Navalcarnero.

A strangely disjointed film with no obvious plot or purpose, and one which abuses the talents of Henry Fonda and John Huston.

Cuba (1979)

When British ex-army officer Robert Dapes arrives in Cuba to advise the Batista government on fighting the revolutionaries, he realises that the cause is already lost, with well organised rebels constantly gaining ground against poorly trained government troops. His difficulties are compounded when he runs into Alexandra, the love of his life who has settled for a comfortable marriage, which is now threatened by the revolution and by the exploits of her philandering husband.

At the beginning of the film, two suspects are being driven to a seaside fortress which in reality is the castle of San Sebastián in Cádiz harbour. So Cuban-looking is it in fact that it would be used again for the same function in the James Bond film ‘Die Another Day’.

The origin of the castle dates back to a chapel built in 1457 upon the ruins of an old lighthouse and temple of Kronos by Venetian sailors, who stayed there in quarantine recovering (or not) from an outbreak of plague.

The present-day castle was built in 1706, accessed by drawbridges,

A causeway was built to the castle in 1860 so that its access was not dependent on the tides. This causeway was digitally removed for the film.

At the time of our visit in July 2019, the castle was closed to visitors.

San Sebastián

Cádiz’s Plaza de España was used for the scene with the Havana crowds hailing Castro, and black marines from the nearby Rota Military Base helped to give the scene some authentic Havanan ethnicity.

The battle scenes in the cane field with the old steam train were shot at the mouth of the River Guadalhorce, using the famous Babwil 140 train, employed in so many films. Martin Balsam’s troops are defeated among the reeds by Castro’s rebels.

Balsam plays the Cuban dictator Fulgencio Batista, who ironically would die among the authentic luxury of nearby Marbella in 1973.

Motril provided the tobacco factory that an American businessman is thinking of doing business with, and is in reality the Fabrica del Pilar, an old sugar factory where, in another scene, Sean Connery is taken prisoner by the rebels. These scenes also include some footage shot in the old tobacco factory of Cádiz, which has since been transformed into the Palacio de Congresos.

When Connery takes a young officer to ambush some guerrillas, the filming was done near the Camino del Canal around Monte Castillo known as the Era del Maíz, just above the aerodrome E.V.A 9, also at Motril.

When he arrives in Cuba, Connery is taken to a modern hotel, which he rejects for something with more ‘local colour.’ The hotel he rejected was Málaga’s Miramar Hotel, while the more down-market one he moves to is the Hotel Roma in Calle Real, Cádiz.

Another location in Cádiz was the Isla (Island) del Trocadero, while Málaga’s Town Hall and Plaza de San Juan de Dios also feature in the film.

Some equestrian elegance was provided by the Fundación Real Escuela Andaluza del Arte Equestre at Avenida Duque de Abrantes, Jerez de la Frontera. The Havana Yacht Club scenes were also shot in Jerez, using the swimming pool of the Five Star Hotel Jerez, Avenida Alcalde Álvaro Domecq, 35, where Connery actually stayed instead of the seedier Hotel Roma.

Perhaps the most curious scene in the film is the one in which Connery visits a police station (Comiseria de Policia) and walks past a row of cages holding prisoners. Behind them we can make out some children playing basketball. All very charming and probably typical of pre-Castro Cuban police stations, except that the scene was shot in the Padre Luis Coloma school in Jeréz de la Frontera where, presumably for budgetary reasons, they didn’t bother to close the school for filming.

Bloodbath (1979)

Dennis Hopper answers the question: “whatever happened to all the damaged hippies after ‘Easy Rider’?” playing a character called ‘Chicken’ in a film made at various Almerian locations such as Bedar and Mojácar.

A bunch of has-been expats have found the ‘real Spain’; locals rehearsing for ‘The Walking Dead’, slitting pigs’ throats and fulfilling their roles as backdrops in black, accompanying donkeys while largely ignoring the film’s ‘characters’.

The omnipresent (it’s even on the film’s poster) ruined tower overlooking the sea is the Torre del Pirulico, sometimes called the Torre del Peñon, and the nearby Castillo de Macenas appears as the dwelling of the young black man who takes the young gay man there on a donkey to ‘consummate’ their relationship.

Macenas Castle

The film’s writer was Gonzalo Suárez, and the director was Canadian Silvio Narizzano, better known for the British classic Georgy Girl.

Jaguar Lives! (1979)

Far too good a cast for a third rate Kickboxing film in which Christopher Lee, Donald Pleasance, Woody Strode and Barbara Bach could be better employed. Both John Huston and Simón Andreu have small parts; the latter as Petrie.

Among the excellent locations is the often used castle of Belmonte, Cuenca, where Jaguar scales the walls in order to face the evil doers within as they sip champagne and watch Flamenco dancing in the cloisters.

The final kickboxing and pike fight on the spectacular battlements ends inevitably with the villain plunging to his doom, while the rest of us admire the endless plains of Castilla La Mancha.

A lot of helicopter landing, kickboxing and wrestling Donald Pleasance, dressed like a South American admiral, to the ground, occurs in the courtyard of a large, pink palace, which is none other than the Palacio Real de Riofrio, southwest of Segovia, in the Sierra de Guadarrama mountain range, set in 600 splendid hectares of parkland replete with deer.

El Escorial royal palace and the Valle de Los Caídos, both near Madrid are also used. The latter was at the time the resting place of the dictator Franco, a tomb built inside a mountain by Republican prisoners of war in the 1940s, a place of pilgrimage for those who miss the good old days when the trains ran on time.

Here we see a fast car journey and a helicopter converging on the tomb with its huge cross, which is then blown to pieces, much to the chagrin of Franco’s followers, who were still quite numerous at the time.

Our hero, Jaguar, is shot here by his treacherous partner as he chases a villain up the Funicular railway that takes the nostalgic faithful to the top of the mountain.

Almería also gets a look in as Jaguar assaults a castle, which is none other than the Alcazaba. Pursued by two jeeploads of defenders, he shakes them off and wipes them out in the desert of Tabernas.

The Escuelas de Artes in Almería city was used to represent El Habbad in the film, and may have given the idea to Stephen Spielberg, who would later use it in ‘Indiana Jones and the Last Crusade.’

The House on Garibaldi Street (1979)

It was in the house on Garibaldi street, Buenos Aires, that Mossad agents finally tracked down Albert Eichmann, although Peter Collinson’s film was shot mainly in Spain.

Topol, Martin Balsam, Nick Mancuso and Janet Suzman were among the stars.

Tehran Incident (1979)

A missile crisis film starring Peter Graves, with an opening scene shot in Spain, when the missile is hijacked, probably in Almería.

La Sabina (1979)

Although it was filmed in Spanish, this Spanish/Swedish movie also has an English language version, which is not surprising as it stars outrageously young Jon Finch and Simon Ward, and tells the tale of an English writer in search of another English writer, who disappeared 100 years previously in deepest Andalucía, possibly after a run in with a local dragon.

On one occasion a mixed group of locals and visitors go on a guided tour of the ruined castle of Olvera, Cádiz, commenting on its magnificence.

The XII century Arab fortress dominates the town, and was besieged and conquered by Alfonso XI in 1372.

Legend has it that the Moors, on abandoning the castle, hid some treasure there, and even today, well-equipped gold-diggers still wander the battlements in the hope of a lucky strike.

The castle has an extensive exhibition about the castles along the frontier between Christian and Muslim forces up until the Reconquest.

The real star is Angela Molina, who would turn up years later as a hostel owner in Martin Sheen’s The Way, and the magical guitar music of Paco de Lucia on the soundtrack does no harm.

Setenil de las Bodegas is most famous for its houses built into an overhanging cliff. The town appears during a wide panning shot of the town when Ovidi Montllor, playing intellectually challenged Manolin, is dropped off by the Guardia Civil and then runs down to join in the fiestas.

Setenil de las Bodegas
Categories
Period

1960-1969

THE SIXTIES

The Boy Who Stole a Million (1960)

The Three Worlds of Gulliver (1960)

Holiday in Spain/Scent of Mystery (1960)

Spartacus (1960)

September Storm (1960)

Moment of Danger/ Málaga (1960)

King of Kings (1961)

El Cid (1961)

Mysterious Island (1961)

The Colossus of Rhodes (1961)

The Savage Guns (1961)

The Singer Not the Song (1961)

Francis of Assisi (1961)

Billy Budd (1962)

HMS Defiant (1962)

Lawrence of Arabia (1962)

The Happy Thieves (1962)

The Day of the Triffids (1962)

Guns of Darkness (1962)

Commando (1962)

The Running Man (1963)

Cleopatra (1963)

55 days at Peking (1963)

The Castilian (1963)

The Ceremony (1963)

From Russia with Love (1963)

Woman of Straw (1964)

The Thin Red Line (1964)

A Fistful of Dollars (1964)

The Fall of the Roman Empire (1964)

Circus World (1964)

Wonderful Life (1964)

The Pleasure Seekers (1964)

The Hill (1964)

The Truth about Spring (1964)

Gunfighters of Casa Grande (1964)

Pyro…the Thing without a Face (1964)

Saul and David (1964)

Von Ryan’s Express (1965)

A Few Dollars More (1965)

Chimes at Midnight (1965)

Doctor Zhivago (1965)

The Battle of the Bulge (1965)

Crack in the World (1965)

Finger on the Trigger (1965)

Masquerade (1965)

10.30 P.M. Summer (1965)

Sands of the Kalahari (1965)

The Tramplers (1965)

Joaquín Murrieta (1965)

Navajo Joe (1966)

A Funny thing Happened on the Way to the Forum (1966)

How I Won the War (1966)

The Good, the Bad and the Ugly (1966)

Return of the Seven (1966)

Lost Command (1966)

One Million Years BC (1966)

Kid Rodelo (1966)

Savage Pampas (1966)

The Texican (1966)

The Fantastic World of Doctor Coppelius (1966)

El Greco (1966)

Hallucination Generation (1966)

Finders Keepers (1966)

The Caper of the Golden Bulls (1967)

Camelot (1967)

You Only Live Twice (1967)

Custer of the West (1967)

Tobruk (1967)

The House of a Thousand Dolls (1967)

Fathom (1967)

Bikini Paradise (1967)

The Long Duel (1967)

The Christmas Kid (1967)

Cervantes (1967)

The Bobo (1967)

Grand Slam (1967)

OK Connery (1967)

Bang Bang (1967)

Maneater of Hydra (1967)

A Witch Without a Broom (1967)

The Fickle Finger of Fate (1967)

Run Like a Thief (1967)

A Minute To Pray, A Second To Die (1967)

Duffy (1968)

The Magus (1968)

Villa Rides (1968)

Play Dirty (1968)

The Immortal Story (1968)

Beyond the Mountains/The Desperate Ones (1968)

Shalako (1968)

Once Upon a Time in the West (1968)

A Twist of Sand (1968)

The Face of Eve (1968)

Deadfall (1968)

The Vengeance of She (1968)

Son of a gunfighter (1968)

The Day the Hot Line Got Hot (1968)

The Wild Racers (1968)

Kiss and Kill (1968)

Ace High (1968)

White Comanche (1968)

They Came to Rob Las Vegas (1968)

Massacre Harbour (1968)

Laughter in the Dark (1969)

The Royal Hunt of the Sun (1969)

100 Rifles (1969)

The Battle of Britain (1969)

A Talent for Loving (1969)

The Castle of Fu Manchu (1969)

Java: East of Krakatoa (1969)

The Valley of Gwangi (1969)

Guns of the Magnificent Seven (1969)

The Desperados (1969)

Hard Contract (1969)

The Land raiders (1969)

More (1969)

Some Girls Do (1969)

Island of Despair (1969)

Honeymoon with a Stranger (1969)

The Looking Glass War 1969

Future Women/ The Girl From Rio (1969)

The House that Screamed (1969)

A Candidate for a Killing (1969)

The Five Man Army (1969)

1960s

The Boy Who Stole a Million (1960)

Charles Crichton, the man who would later direct John Cleese’s ‘A Fish Called Wanda’, directed and wrote this curious film made in Valencia in 1960.

It concerns a young boy working in a bank, who steals money to help get his father’s taxi back. He is then chased all over Valencia during the world famous ‘Fallas Festival,’ which culminates each year on 19th March with an orgy of fire and fireworks.

The film begins with an aerial view of the city, in which the River Turia is prominent, although now the entire river bed is a lush park full of joggers and cyclists.

Next we can see an organ grinder in the nearby Viveros Park, after which we are introduced to the boy, Paco and his dog Pepe.

Paco works in the Banco Nacional, which is now La Casa del Xavo, on the corner of Calle San Pablo and Avenida Marqués de Sotelo, close to the city’s Town Hall.

Paco’s Bank

A few yards away in the Town Hall Square (Plaza del Ayuntamiento) Paco’s father’s taxi breaks down while picking up a passenger who wants to go to the station. In fact the station is only 50 metres away, but Hollywood is Hollywood, even when it’s Valencia.

Paco decides to help out, ‘borrowing’ a million pesetas from the bank, and the chase is on.

There is a surprise appearance by the one and only Alf Garnett, or Warren Mitchell, as Pedro, who reveals drunkenly to the local underworld that a little boy is running around town with a million.

One of the locations we see him stumbling around in front of is the Farmácia San Jaime 49, now the Café Sant Jaume, one of Valencia’s most popular bars in the medieval Carmen district in Plaza Tossal.

In the following scenes we see Calle Paz with the Santa Catalina church tower at the end, and then travel out to the beach where the Malvarrosa tram enables Paco to escape his pursuers.

The pursuit takes in many of the city’s landmarks, such as the two remaining gates to the city, the Towers of Serrano and Quart (the latter pockmarked by Napoleon’s cannons from the early 19th century siege), and several of the old bridges over the river.

The Plaça dels Furs behind the Torres de Serranos is repeatedly visited, and it is here that Paco is given a ‘churro’, a typical Valencian snack, by a kind lady.

At one point in the film the thief (or hero if you prefer) appears in Valencia’s Plaça dels Furs at the climatic moment of the ‘Cremá’, when all the giant models in the city are burnt. Behind the bonfire we can see one of the two remaining historic gates to the city, the Towers of Serranos.

We see La Llonja, the medieval silk exchange, when Paco hides from a malevolent knife grinder beside a blind beggar, who then tries to kidnap him.

There is also a visit to the Plaza Redonda (which you could translate as ‘Round Square’, but you’d sound a little bit silly), famous for its haberdashery stalls, where Paco is separated from the faithful Pepe.

After losing the stolen money in a rubbish truck, Paco meets another boy at a rubbish dump and they visit the boy’s home at the cave houses known as the ‘Coves de Benimàmet’.

The action moves back to the centre, first of all to the Hotel Astoria, one of Valencia’s most traditional hotels in the Plaza Rodrigo Botet, where the villains start to close in as the other boy steals a chicken from The Astoria Hotel, and then, as the Fallas festival gets into full swing, we are once again in Plaça dels Furs as Paco runs under the Torres de Serrano, which magically become the inside of a Cathedral.

Meanwhile Paco’s father gets his taxi back in the square known locally as the Plaza de los Patos, because of its duck statues, but which is really Plaza San Vicente Ferrer, patron saint of the city. It is here that the father discovers romance with the lovely María (all Spanish girls were called María then, which led to much confusion).

Finally the father finds his son down at the docks and beats off the villains, returns the money to the bank and indubitably lives happily ever after; unlike the baddies who are to be seen disconsolately grinding their organs again in Viveros Park.

The Three Worlds of Gulliver (1960)

Gulliver was travelling to India when a shipwreck changes his schedule and deposits him among, first the little people, and then the big people, as Jonathan Swift strives to teach us that we are either tiny and foolish or huge and clumsy.

This film is quite a good advertisement for Spanish scenery, and the film crew used many of the same locations as the ‘7th Voyage of Sinbad’, beginning with the beautiful Costa Brava beach of Sa Conca in Girona province, where Gulliver is washed ashore and finds himself in Lilliput.

The Castle of the Emperor of Lilliput is the town walls of Ávila on the outside and inside the gardens of La Granja de San Idelfonso, the royal summer residence near Segovia, with its fountains and ponds that are the scenario for the balancing contest to decide who will be the next Prime Minister. The enemies of Lilliput, the people of Blefuscu, have a much humbler castle at S’Agaró, really nothing more than a series of arches in the harbour.

La Granja de San Idelfonso

Later, when he arrives in Brobdingnag, the kingdom of the giants, the King’s castle is Segovia’s Alcázar, from which our heroes are seen escaping after the showdown with the tiny, giant crocodile (if you get my meaning).

The woods are also from Segovia, specifically the Valsain forest, and the mountainous scenes were shot in the Boca de Asno Natural Park nearby.

When finally Gulliver and Elizabeth return to sanity, or Wapping if you prefer, they are washed up again at Sa Conca, and are informed that Wapping is just over the rise, which will no doubt delight the residents of that beach-starved London borough.

Holiday in Spain/Scent of Mystery (1960)

This film was shown as a ‘Smell-o-Vision’ movie, as the theatre was equipped with a system that gave off various odours in synch with the film.

Denholm Elliott and Peter Lorre star in a thriller about a tourist travelling, strangely enough, around Spain, and his ‘unusual’ Spanish taxi driver. Leo Mckern also appears.

The film opens with an aerial view of Granada and the Alhambra palace. The terrace of the Hotel Alhambra Palace, where the stars actually stayed, appears, along with various bits of the Alhambra itself; such as the ‘Jardines del Partal,’ and the ‘patio de los leones.’ The Alhambra is where we first meet Elliott, the tourist.

Jardines de Partal
Patio de los Leones

The opening scene also involved a butterfly flitting among flowers, with accompanying delicious odours.

Málaga’s cathedral, which the mysterious woman in the huge hat walks mysteriously past, appears next with its distinctive railings, as the first attempt to kill her occurs, with some excellent Spanish vocabulary: “sombrero grande!”

There is next a brief appearance of Diana Dors on the beach below the iconic Hotel El Fuerte, Marbella, where Elliott tries to convince her that her life is in danger, although blondes only want to have fun.

The film is actually referenced on the hotel’s website, where we are also informed that the name, which means ‘the fort,’ comes from the small castle in the grounds of the hotel, built in 1554 to protect the locals against pirate incursions.

The hotel opened in 1957 and celebrity guests have included Walt Disney (and his dog ‘Pluto’) and Timothy Dalton, who filmed scenes from the 90s series Framed there with Penelope Cruz.

Further afield in Granada province, Guadix, famous for its cave dwellings, is the next stop. Here we see some rambling Flamenco music and dancing as Lorre and Elliott converse philosophically about life.

Guadix Cave Dwellings

As they pursue the endangered woman we briefly see Sevilla’s San Telmo Bridge with the Torre de Oro behind it, for no particular reason.

Torre de Oro. Photo Courtesy Mage

Back to the province of Málaga, and the village of Pizarra, is used as the taxi follows the blonde in the red convertible through the streets before leaving Pizarra across the bridge over the River Guadalhorce, after which they are diverted by a herd of inconvenient goats. Archidona, Cortijo de Realejo and the Montes de Málaga also feature.

The film was banned for a while in Spain; not because of its political content perhaps, but because national pride could not stomach the scene in which a taxi ride begins in Málaga then passes Segovia’s Roman Aqueduct and finally arrives in Pamplona, Navarra to experience the bull running phenomenon of the ‘San Fermín’ festival.

Consuegra in Toledo, a well known Spanish snapshot because it conserves its Quixotic windmills on a hill at the edge of town, then featured, although briefly.

After the scenes in Tommy’s (Leo Mckern’s) hotel, they escape to Sevilla during fiestas and curiously end up in Córdoba’s emblematic Mosque with its black and white hooped pillars, where the blonde woman is being pursued by the villain.

The mosque has its own ghost, believed to be Juana de Sousa. She was the lover of  King Enrique II de Castilla, known as ‘El Magnífico.’ She bore him a son, Enrique de Castilla y Sousa, in 1378.

The boy died young in 1404, and so heartbroken was she that his mother stayed by his corpse in the mosque for several days and, so it is believed, continues to wander there, looking for him presumably.

In quick succession, the taxi takes them past Segovia’s Alcázar castle and Malaga’s El Chorro, where the blonde woman tries to shoot them and steals the taxi.

After shooting at the blonde (and the taxi!), the villain pursues them along the Caminito del Rey, a famous wooden pathway built along the walls of a canyon at los Gaitanes, where a train catches him.

The final scene was shot at the Gibralfaro castle, overlooking the city, where Elliott puts his umbrella to good use and Elizabeth Taylor finally appears.

Spartacus (1960)

Although he came to Spain as producer, Kirk Douglas’s scenes were already finished, and the Spanish scenes were mostly ‘fillers’ inserted into the main scenes, apart from the final battle.

The Madrid hotel, Castellana Hilton, now known as the Intercontinental, was the headquarters of the stars and the production team. Glenn Ford and Debbie Reynolds were also lodged there as they were filming ‘It Started with a Kiss’ at the same time.

The story of a slave who almost brought down the Roman Empire obviously rang some alarm bells in America where great efforts were made to censor the film and remove (successfully) many of the scenes that showed Spartacus’s rebellion in too positive a light, including the battles he won against the Roman legions.

The final battle, the only one we really see in any detail, was filmed in Spain, on the estate known as Finca Navalahija at the Dehesa de Navalvillar at Colmenar Viejo, Madrid, where 167 days were needed.

Another part of Colmenar, the hill known as Peña del Cerro, a Spanish army observation point, was used for the scenes where the slaves were being trained to become an army, while Vesuvius, in fact the Cerro de San Pedro, smouldered in the background. We also see some domestic scenes of children being bathed, bread being made and goats being milked, so as to ensure that we know who the goodies are. All these scenes were shot at an estate known as La Encerrada.

In the same area, specifically in a location known as Los Rancajales, the mass crucifixion of the slaves was set up, to take advantage of the Roman aqueduct in the background, although the aqueduct was in fact a railway bridge on the Madrid-Burgos line. The slaves were not too uncomfortable, despite the freezing cold, as they were perched on bicycle saddles, and towards the end were in fact quite merry, having spent the day drinking hot punch to fight the cold.

Planning sessions for the logistical nightmare took pace in the sedate surroundings of the Gran Hostal hotel at Colmenar Viejo.

Additional scenes were shot at Aldea del Fresno, where a sandy river bank (Rio Alberche) doubled up as a beach where young slaves are free to demonstrate their affections and children bathe in the twilight. This was inserted after the scenes of Spartacus and his men arriving at the coast.

At Alcalá de Henares near Madrid, the town gate, la Puerta de Madrid, is clearly visible in the scene when the victorious slaves enter a Roman town, which is Metapontum in the film. That scene was shot on the 9th and 10th of October 1959. If you look carefully you can see that the houses are a bit modern to be Roman, although phone lines and antennae were scrupulously hidden.

Another day’s shooting, showing some passing slave troops, took place at Venturada (Madrid) and some scenes in the snow were filmed near the Monastery of El Paular and at Rascafría. A few additional scenes were shot in Madrid’s great open park, the Casa de Campo, for the scenes of the slaves making their way through wetlands, as well as another insert where we see the doubles of Spartacus and Varinia riding along a crest at sunset after their reunion following the initial slave uprising.

Other scenes were shot in Guadalajara at Taracena and Iriepal, the former for some beach scenes (although it was really a river) and the latter for the scene at a spring next to a large elm tree and a trough. The scene where the slaves say their farewells to Spartacus, on his way with his defeated army to his death as they pass through a town, which is the Plaza Mayor of Iriepal filled with crucified slaves, and another scene where the slaves are burning their dead, were also filmed there.

Over 8,000 Spanish army soldiers were used for the battle. Kubrick had to go to Spain as he needed real soldiers to execute the complex military manoeuvres and the US army was tied up defending democracy.

It was Franco’s wife who closed the deal with the Spanish army, forcing the film company to pay a large sum to one of her favourite charities.

Kubrick had another reason for going to Spain; he felt that Spanish peasants could depict slaves with more authenticity than well-fed Americans. Rumours that Franco offered to starve large segments of the population nearly to death for authenticity’s sake, have been denied.

Before the final battle we see Spartacus walking through the camp looking at his loyal slaves, although the people we see through his eyes were Spanish extras, filmed later undertaking all kinds of peasanty tasks to which they were well accustomed.

September Storm (1960)

A story of greed for hidden treasure and some nice underwater photography that favours both the sharks and sting rays and Mallorca’s many diving schools, as well as highlighting the island’s many coves and cliffs.

Palma’s Bellver castle can also be seen after one water-skiing scene when Joe and Ernie come aboard to speak to Manuel about chartering a boat.

Directed by Byron Haskin in 3D and starring Joanne Dru, Mark Stevens and Robert Strauss.

Moment of Danger/ Málaga (1960)

Trevor Howard plays a safe cracker who is betrayed by his partner after a jewel theft in London.

He pursues his ex-partner across Spain, first to Madrid and, from the title you won’t be surprised to learn in which Spanish province most of the chasing is done, with some attractive mountain scenery and streams, even in black and white.

To get to Málaga they have to walk and hitch-hike. This is authentic Spain, with donkeys galore and a goat on the car roof!

On the way they come upon a wedding party and Howard’s angst seems to melt for a while as he shows off his flamenco dancing talents.

Among the locations in the city of Málaga were the orange tree patio of the cathedral in calle Cister.

King of Kings (1961)

‘King of Kings’ and ‘Rebel without a Cause’ were both directed by Nicholas Ray, and both tell the stories of rebels at odds with the society they live in.

King of Kings was filmed at various locations in central Spain and was one of the productions of Samuel Bronston, who built and lost a film empire in Spain.

Spain, where filming began in March 1961, was able to provide fairly convincing ‘Holy Land’ scenery; Nazareth was brought to life by Manzanares el Real in Madrid province, although they managed to keep its enormous castle hidden. The wilderness scenes were filmed at the Almería wilderness of El Cautivo, in the area where the spaghetti westerns would later be made.

Also in Almería, at Rambla de Lanujar, Jesus is offered all worldly dominions by the Devil; an offer that he could refuse, thank God.

The Jordan River, where Robert Ryan baptises the faithful and suffers manfully behind his ample beard, was in fact the River Alberche at Aldea del Fresno just west of Madrid, and the Sea of Galilee was cleverly represented in Toledo province at the Alberche Reservoir.

River Alberche

One of the most spectacular scenes was undoubtedly that of the Sermon on the Mount, which was given at a place called Venta Frascuela near Chinchón on the outskirts of Madrid.

5,400 extras were used during the five days of shooting of a technically complex scene. In his biography director Nicholas Ray explained that they constructed the longest track ever built for a film, from the top of a hill to the bottom, and followed Jesus as he moved through the crowd, answering the questions he was asked.

Another significant hill, Golgotha, where Christ meets his maker, was filmed at Navacerrada, a popular ski resort near Madrid, whereas the Mount of Olives was to be found at Añover de Tajo in Toledo province.

Añover Town Hall employees Marisé and Manolo took me to the site where the scenes were shot, just outside the village at Arroyo de Valdemiguel, and where it is some day hoped to place a plaque, lest we forget.

Cándido Carmena Cuéllar told me of his memories of the filming at Añover de Tajo. He was 14 years old when the shooting took place and remembers that they filmed at two local locations: the Arroyo de Valdemiguel and at Los Hijares, two kilometres from the town among olive groves, which still stand. The exact location was by the CM 4001 road at Kilometre 29.

Cándido recalls that the Valdemiguel scenes represented an oasis at Judea, with people coming down the mountain. At that time he recalls that there was a lot of water in pools before the dumping of rubble dried the area up. Also nearby the hills were painted red for scenes where the Devil tempts Christ, and another scene was with horsemen riding down the hillside.

There was also a sandstorm filmed thereabouts using wind machines.

At Hijares they filmed the scenes in the Garden of Olives where Christ is finally captured.

Also near Madrid at La Pedriza they shot the scenes of Barabbas ambushing the Roman column and getting his ass kicked.

La Pedriza

The final scene, where Christ appears to his disciples at the Sea of Galilee, and the fishermen’s’ net and Christ’s shadow form a cross, was actually filmed at Cabo de Gata in Almería.

Another actor in the film was Rip Torn; the man with the most subtle pseudonym in the history of Hollywood plays Judas Iscariot.

Christ was played not by James Dean, but by Jeffrey Hunter, on the recommendation of director John Ford. Perhaps it was tempting fate to play the Son of God in a God-fearing catholic country because when he returned to Spain in 1969 to film ‘Viva America,’ Hunter was accidentally injured in an explosion on the set. Soon afterwards he would die, at the age of 42.

The narration of the story was fairly epic; it was written by Ray Bradbury, a fact which gave rise to much speculation as to whether Martians would rescue Christ on the cross, and was read by Orson Welles.

So anxious was producer Sam Bronston to please the authorities that he actually achieved official Papal blessing for the film from Pope John XXIII in March 1960.

El Cid (1961)

It’s often hard to work out who the baddies are in this film as some of the Moors fight on the Christian side to help a Christian king whose descendants will later churlishly have them expelled from Spain.

There is fortunately one Moor who dresses himself and his army in black, making things a whole lot simpler; although on the Christian side we have the bad sister Urraca (‘Magpie’ in English), who can’t decide whose side she’s on and plots to have one brother murdered to help the other brother, who starts out as a baddie but later, through El Cid’s example, becomes a good and wise king, Alfonso VI.

In the film El Cid fights for a Spain in which Moors and Christians can fight (sorry live) together in harmony. In reality he was at one time happy to take work as a freelance mercenary, fighting against Moor and Christian alike. He was in real life contracted by the Emir of Zaragoza, who in the film is captured and pardoned by El Cid, and later fights beside him. The pardon scene takes place in front of Ampudia Castle in Palencia province, a 15th century castle which was in ruins at the time, and which has since been restored, and is now the home of the Fontaneda family and their spooky museum.

Ampudia: Photo courtesy Mark Yareham

Filming took place there on the 23rd March 1961 to shoot the scene where El Cid arrives at a Christian town that has been sacked by the Moors.

In January 1521 Ampudia was besieged during the War of the Communards, changing hands more than once.

After the Battle of Pavia on the 25th of February 1525, King Francis of France was forced to surrender his two sons Henri and Francois as hostages to the Emperor Carlos V, and Ampudia was one of their comfortable prisons during that captivity.

Today the restored castle is managed by the Eugenio Fontaneda Foundation, and contains his varied collection ranging from art works to medieval toys and medicinal artefacts.

This businessman, well known for the biscuit brand that bears his name, died in 1991.

The castle is now the summer residence of the Fontaneda family, and we were shown around by his son Eugenio, who attentively explained the far ranging collection that his father built up.

Each room of the collection, which is open to the public for guided tours, has a theme, such as an apothecary, and is a visual deluge of images and objects almost impossible to take in on a single visit.

Ampudia is a delightful village and its inhabitants are well aware of their connection with the filming of El Cid.

I have been invited twice to give talks there, in July of 2020 and again in 2021, accompanied by local expert and ex-squatter Epi Romo and castle owner Eugenio Fontaneda, and introduced by the irrepressible local councillor and statue fan José María Atienza.

Torrelobatón and its striking castle in Valladolid province celebrated one of the greatest events in the history of this small village when 350 local people participated in the film as extras, as did a bunch of medical students from Valladolid University. The town represents Vivar, El Cid’s hometown in real life. Apart from the 350 good people of Torrelobatón, 1,500 Spanish soldiers and 500 police horses took part in the film. The horses were shamefully paid in hay!

In the scene filmed here, with the castle looming as castles do, El Cid saves his captives from an angry rock-throwing mob (actually they were sponges; the rocks not the mob), and then protects them from the bloodthirsty King’s envoy.

Today, a permanent photographic exhibition in the castle recalls the film.

Torrelobatón: Photo Courtesy Mark Yareham

The famous jousting duel, supposedly to decide the ownership of Calahorra in Aragón, was filmed below the spectacular castle of Belmonte in Cuenca, Castilla La Mancha. The fact that Belmonte castle dates only from the 15th century trivialises what is otherwise a splendid duel.

Today you can still find the flattened land halfway up to the castle through some rabbit-infested shrubbery where the joust took place on what was previously a football pitch. The area is within the two walls that descend from the castle before enveloping the town, although the town walls have now largely been demolished or used to build houses.

Belmonte

However, between the castle and the town, the two main walls are still intact, and on the one to your right, as you look up at the castle, is a small tower called Torre Albarana, where they filmed the scene in which Prince Sancho is stabbed to death.

Apparently, Charlton Heston called a halt to the filming in Belmonte when he saw a woman on top of the castle keep. It is believed that she was the last Empress of France, Eugenia de Montijo, wife of Napoleon III.

The castle was built in 1546 by Don Juan Pacheco (Marqués de Villena) and stands on a hilltop known as Cerro de San Cristóbal. It currently belongs to relatives of the Duchess of Alba.

Orders were given to begin construction of the castle in the XV century, with building works lasting 18 years directed by architect Hanequín of Brussels and continued by Juan Guás.

In 1488 the castle received some illustrious guests, the Catholic Monarchs, Fernando and Isabel, who stayed there on August 12th.

The castle of Belmonte has had its violent moments, even when film makers were not shedding blood all around it.

The XIV Duque de Peñaranda, Conde de Montijo, Hernando Alfonso Fitz-James Stuart y Falcó, who was the castle’s owner at the time, was on the wrong side of the lines when the Spanish Civil War broke out in 1936, and was executed at Paracuellos del Jarama on the 8th of November in the same year.

The name Fitz Stuart dates back to the War of Spanish Succession in the early 18th century, when the leader of the Borbon troops, supporting Felipe of Anjou’s claim to the throne was James Fitz – James Stuart, Duke of Berwick,

The Republican militias used the castle as a prison and barracks while they controlled the area during the Civil War.

Before them, Napoleon’s army had also used the castle for similar purposes.

One of Spain’s guerrillas, known locally as ‘Uncle Camuñas’, was shot against the castle walls.

The International Medieval Combat Federation and Belmonte Castle host International Championships in Spain, promoting re-enactments of medieval battles and combats as a way of attracting more tourists.

Heston took his role seriously, taking fencing lessons on the pitch of the Real Madrid stadium. The swords were supplied by Hermanos Garrido of Toledo, where sales of swords to American tourists have diminished slightly now that it’s harder to smuggle them onto planes. Heston also took some bullfighting classes, but didn’t get around to putting them into practice in the film.

Various scenes of Charlton, with or without an army, galloping across snowy mountain scenery, were filmed in the Guadarrama Mountains, and particularly at La Pedriza and La Cabrera near Madrid.

These scenes include El Cid’s rescue of Prince Alfonso from the hands of some soldiers, and the ambush by a treacherous group of Moors.

Colmenar Viejo’s council has erected a photographic panel to commemorate the filming of El Cid in a chapel there called La Ermita de los Remedios. This chapel was used for the scenes where Sophia Loren is handed over to the protection of some nuns and is later visited by El Cid to see his daughters for the first time.

The final battle is for Valencia, although anyone who lives in Valencia wouldn’t recognise the town situated on a rock jutting out into the sea. If they go a bit further north up the coast however, into Castellón province, then they’ll recognise it as Peñiscola, famous for having been the home of Pope Benedict XIII (Papa Luna). The fact that Peñiscola castle dates from the 16th century is surely too nit-picking a point to be of consequence.

Peñiscola: Photo Courtesy Mark Yareham

At Peñiscola filming took place between 8th February and 30th March 1960, with Heston and Loren staying at the Parador in nearby Benicarló. Peñiscola is certainly worth a visit out of season, when you can tear up the beach on your horse and imagine yourself attacking the castle without trampling naked Norwegian tourists; you can also look at the historic 20th century Moorish gates at the entrance to the city, built for the film and left as a gift for the people of Peñiscola.

Today visitors can stay at the El Cid camp site or eat in the El Cid restaurant; but, most important of all, they can stroll along the beach with its perfect view of the castle, and enjoy this spot where El Cid’s final, posthumous beach battle took place in the film.

Juan Domingo Pau is an English teacher and works at La Salle school in Paterna, Valencia. He was born in Castellón, and told me of a story told to him by his grandfather, who owned a bakery. One day, trying to get away from his fans, Charlton Heston himself came into the bakery and stayed an hour learning how bread was made.

The film was the beginning of Peñiscola’s tourism boom and current prosperity. Before the film was made there it had hardly had any visitors and was unknown to foreign tourists.

Our thanks to Cuenca teachers Jesús D. Aragón, Antonio Claver Espada and Pedro Pablo Jiménez Fernández for their help in providing information about Cuenca and Belmonte.

El Cid in reality didn’t die a martyr’s death as shown in the film, but in his bed, 5 years later in 1099. To make matters worse, Valencia was soon retaken by the Moors.

Mysterious Island (1961)

Once again the Sa Conca beach in Girona is deemed appropriate to represent a tropical paradise.

Our hero, Michael Craig, had a rough time fencing and tussling alone in his American Civil war uniform to the amusement of tourists. His enemies were added later in the editing process.

Among the enemies were giant crabs, chickens, bees and squid, all amusingly superimposed by special effects genius Ray Harryhausen.

The close ups of the giant crabs were in fact real crabs, which were later boiled and eaten by the crew; without unnecessary cruelty or suffering presumably.

The fight with the giant bee also took place on the S’Agaró beach, although the underwater scenes were all filmed in the limpid waters near Benidorm on Alicante’s Costa Blanca.

The Colossus of Rhodes (1961)

Before he started on his spaghetti westerns, Sergio Leone tried some moussaka odysseys first. Curiously, he depicted the Mediterranean scenery using locations from the greenest part of Spain, the northern coast, and specifically at Laredo and Santander in Cantabria and Luarca and Oviedo in Asturias.

The local people of Laredo still comment with awe the good fortune of Spanish stuntman Jose Luis Chinchilla, who was paid the princely sum of 25,000 pesetas to be thrown from the Colossus into the sea.

Another 1,500 local people made do with a daily 100 pesetas and a ham roll in the summer of 1960 when Sergio Leone virtually took over the town. So much money was this at the time that some people slept outside the offices at night to make sure they got work.

The main filming took place at the harbour entrance with the gigantic statue astride the entrance, although in fact only the 25 metre high legs were ever built there, the rest being tricks of the trade.

Leone’s production team was installed in the school then known as Colegio ‘Miguel Primo de Rivera.’

In several scenes when they are in the mountains and they wished us to see the sea, what we were in fact seeing was the reservoir of Santillana at Manzanares El Real, Madrid, which impressively passes for the Aegean.

The rebel camp was installed in Cuenca in the Ciudad Encantada, whose peculiar eroded rocks look like toadstools. It is here that Darius finds the rebels slaughtered, lying around like so many bloated picnickers on a Sunday outing.

The royal palace of La Granja de San Idelfonso in Segovia was also used for scenes between the permanently cheerful Darius and the evil but besotted Diala.

The Savage Guns (1961)

A pre-spaghetti western in which Richard Basehart stars in a film set in Sonora, Arizona and made in Almería by Michael Carreras, whose father, of Spanish origin, was the owner of Hammer Films, the horror film giant.

Yet another story of a sworn pacifist forced to strap on his revolvers in order to protect what is his.

All but three of the actors were Spanish, including Fernando Rey, a must for any ‘Hispanic’ role.

Rey’s beach scenes with Paquita Rico were shot at Cala Cerrada, right on the boundary between Murcia and Almería provinces.

One of the locations used in this and many later films was the Espinaza bridge in the ravine (Rambla) of the same name, near Pechina, just north of Almería city.

Also used in Almería were Turrillas (which was the main Mexican village in the film) and the Sierra Alhamilla mountains with a spa, which was used as the ranch, where Fernando Rey is murdered.

Alhamilla Spa

The palm trees in front of the spa were also used for the scene where Basehart and Juana go for a flirtatious horseride.

The Singer Not the Song (1961)

Dirk Bogarde once described this film as beyond camp, and he should know. His leather costume is ‘challenging’ to say the least.

A battle between good and evil set in Mexico and with John Mills co-starring, it was filmed along the coast of Málaga, where the village of Alhaurín de la Torre was used extensively and the local people participated en masse in what was the event of the decade in the town and was celebrated many years later in September 2003 when actress Mylene Demongeot, who plays Locha, returned to the town to see the film again and listen to anecdotes from the many local extras who participated.

In the funeral scene, where a young man curiously named Francisco Goya is buried, from the cemetery we can clearly see the snowy peaks of the Sierra Nevada.

With half the people driving Cadillacs and half riding horses it’s hard to define this almost western film.

According to Juan José Carrasco, author of ‘Granada y el Cine’, the scene where Mills and driver hurtle down a mountain road without brakes was filmed at the Arenas del Rey road.

In Granada province some filming took place at Las Gabias, eight kilometres from the capital, where Dirk and company stayed at the Hotel Nevada Palace.

John Mill´s church scenes were shot there at the Ermita de Nuestra Señora de las Nieves, quite a long way from Alhaurín de la Torre.

The church has remained largely unchanged, although the area where it stands is very different, with a school, park and houses surrounding it.

Francis of Assisi (1961)

Almost 20 years after making ‘Casablanca’ in California, Michael Curtiz made this film about Saint Francis, mostly in Italy.

The Pope sends Francis to the Holy Land and, while in Egypt, two fiendish Saracens let loose their leopards, only to see them tamed and reduced to kittenhood by Francis, who then convinces the Sultan that peace on Earth is more than just a maybe.

A minion informs the Sultan that they had found Francis in the Sahara, although it should be remembered that ‘sahara’’means ‘desert’ in Arabic, and these scenes were shot in Almería at the Cabo de Gata dunes according to local author José Enrique Martínez.

Bradford Dillman played Francis and Stuart Whitman his alter ego.

Billy Budd (1962)

Starring and directed by Peter Ustinov, the film used Alicante port as a base. The ships used in the making of ‘John Paul Jones’ were also employed in this film.

Terence Stamp makes an impressive debut as a pressed sailor, in the non-grape or olive sense of the word, and Robert ‘Flogger’ Ryan adds an enviable element of unbalanced character acting. The story, set in 1797, the year the British Navy mutinied (but don’t tell anyone!) was written by Herman Melville.

Filmed mostly at sea, which could have been anywhere and probably was, it’s all grey seas and grey ethical areas for most of the film.

The mountains of Sierra Helada near Benidorm can be seen in the background, especially at the final scene with the hanging (oops, spoiled it for you) and sea battle.

When the mutineers return to their senses and once again discover that their true enemies are the French, the final battle takes place around the island of Portichol, just off Cabo de la Nao, near Jávea.

HMS Defiant (1962)

Although made largely in Shepperton Studios, London, this film also used the boats in Denia’s harbour, Alicante. In some scenes the distinctive Montgo Mountain between Jávea and Denia can be identified, posing as the coastline of Sicily.

Denia was also the English port from which Defiant set sail, and where Alec Guinness and his son say farewell.

Guinness and Anthony Quayle in fact took advantage of a two month break in the shooting of Lawrence of Arabia to ‘knock off’ this minor film, during which time the crew transferred from Jordan to Spain.

They rented a house named after and situated below the Torre (Tower) del Cherro with Dirk Bogarde, who caused a stir on the local streets, cruising in his Rolls.

Guinness plays good cop to Bogarde’s bad cop in a naval adventure with the Spithead Mutiny as its setting. English sailors proved once again that with just a minor reduction in flogging they are prepared to give their all for a decent chance of killing Frenchmen.

The sea scenes were all filmed around Denia, even though the action supposedly took place at Spithead, Corsica and Italy.

Our thanks to local experts Toni Reig and Romu Soler for their help with these locations.

Lawrence of Arabia (1962)

Lawrence of Arabia was an epic film and one that greatly influenced Stephen Spielberg, who saw it when he was still at school, and later participated in its restoration.

The impressive desert scenes were filmed mostly in Jordan, but in order to get a more ‘realistic’ Arabian feeling, almost all the interiors were shot in Spain, mostly in Sevilla.

The town of Aqaba, which Lawrence and his Arab army crossed the desert to take from the Turks, was also used during the filming, but was considered unsuitable for the scenes of its capture, and so they rebuilt it in Almería.

The film-makers wanted to show the horses and camels (and riders) attacking along the length of the valley, but this was only possible by building a completely new Aqaba on the deserted dry river bed at Playa del Algorrobico just north of Carboneras, complete with 300 houses. A Turkish hospital was also built nearby beside the road to Níjar. The pillaging after the battle however was filmed at the village of Alquían on the eastern outskirts of the city of Almería, and Lawrence’s triumphant ride along the beach after the battle was filmed on the beach at Agua Amarga, just south of Carboneras.

Today the dry river bed at Algorrobico is deserted, and were it not for the road crossing it carrying tourists between the resorts along the coast, would no doubt look as it did before the set designers went to work on it.

Lawrence’s men are seen attacking Aqaba from left to right, and it was in fact a ploy of director David Lean that nearly all the movement in the film is from left to right to create the impression of a journey.

Having built a whole new town, it was a simple matter to build a railway; or at least two and a half kilometres of railway at Cabo de Gata-Níjar, where Lawrence and his men blew up a Turkish train convoy obtained from the Spanish Railway Company Renfe. After the attack, the place where Lawrence’s men rest up was filmed at Las Salinillas, which is where Lawrence settles a tribal dispute in the Rambla Otero by shooting a man he had previously saved in the desert, although in Lawrence’s book ‘Seven Pillars of Wisdom’, they are two different men.

Another restful scene is to be found at the oasis, situated in the Rambla Viciana. The oasis, made from palm trees brought in from Alicante, would later be used in many other films.

The Oasis: Rambla Viciana

This gulley begins at the bridge known as Puente del Cautivo, just south of the junction of the A92 and A340 roads. The oasis was especially built for the film by Eddie Fowlie. Fowlie, set decorator and property master in the film was so captivated by Almería that he built a hotel in Carboneras and used a lot of leftovers from the sets of various films he worked on for its decoration. The hotel, ‘El Dorado’, still exists, although Fowlie died in 2011. It is well sign-posted in Carboneras, and is at the north end of the beach. Inside, the bar and restaurant are full of photos, mainly of the shooting of Lawrence. The Town Hall has dedicated a bust to Fowlie in recognition of his contribution to the town, as well as erecting a statue to Lawrence.

Other scenes were shot in the Rambla de Alfaro, where Lawrence’s troops rest up before attacking Aqaba, and Las Salinillas, where Lawrence is interviewed by an American journalist.

During their 3 month stay in Almería in 1962, O’Toole, Alec Guinness and producer Sam Spiegal stayed in the Cortijo Romero situated in the district of Villablanca in the capital of Almería and known locally as ‘La Casa del Cine’ because of its connections with the silver screen. It is now a cinema museum.

Sevilla provided many of the exotic locations. The Cairo Officers’ Club where Lawrence arrives from the canal after crossing the desert was in fact Sevilla’s Palacio Español in the Plaza de España, built for the 1929 Spanish-American Exhibition. Today the same building is occupied by the Spanish army.

The courtyard of the Officers’ Club where Lawrence is first spurned and his “wog” is refused a drink, but then cheered is the Hotel Alfonso XIII, also in Sevilla, and Lawrence’s interview with Allenby takes place in the impressively Moorish Casa de Pilatos.

When Lawrence goes behind the lines to Deraa, in modern Syria, he is captured and raped by a Turkish officer. This was filmed by the 12th century city wall known as the Macarena.

The scene where Lawrence shows his eecentricity and courage by burning his hand was shot in the basement of the Peru Pavillion also built for the Expo in 1929, and today the seat of the Science Museum. The torture scene was also filmed there.

One Cairo street scene however was filmed in Almería’s Calle Nicolas Salmerón, the portside promenade, which Lawrence is driven along after being picked up at the Suez Canal following his victory at Aqaba.

He ascends some steps, the Escalera de la Reina, later used in Patton, and then magically is in Sevilla.

Later Allenby fights his way to Jerusalem, but still ends up in Sevilla; the civic buildings are the Plaza de las Americas and the British headquarters was a trade exhibition centre back in 1962 when the film was made.

Lawrence’s own arrival in Jerusalem was filmed with 800 local extras in the Plaza de América, with the Mudéjar Pavillion as a backdrop.

After more battles and lots more dead Turks, Allenby finally makes it to Damascus where, yet again he finds himself in Sevilla; the Arab parliament, where the Arabs demonstrate that they are not fit to run their own country, was in fact the Sevilla Casino, which has since been transformed into an exhibition centre.

If Lawrence is portrayed in the film as being a bit off his head, pity poor Allenby, played with superb cynicism by Jack Hawkins; all those logistics, all that planning, effort and casualties and still he ends up in bloody Seville.

Visitors to Sevilla will be pleased to learn that, like the desert, the city is very “clean”, and that people of all colours, creeds and races will be treated with respect, and served a very cold glass of lemonade on request.

The Happy Thieves (1962)

Madrid is the backdrop for this art world story of chortling crooks starring Rita Hayworth and Rex Harrison, which The New York Times described as a “limp herring”; although in all fairness a stiff herring would be even less appetising, and almost certainly deader!

Rex Harrison and his wife (and the film’s producer; her husband James Hill was the director) Rita Hayworth, are blackmailed into stealing a famous Goya painting called ‘the 2nd of May’ from the Prado Museum.

To achieve this they organise a distraction at the local bullring; as if death and sand weren’t distraction enough!

The film starts with Rex stealing a painting from a castle, where he is an ungrateful guest. This is Viñuelas castle near Madrid, and they return later to plot with Victor, the unscrupulous owner, among the suits of armour.

Viñuelas: Photo Courtesy Mark Yareham

Filming took place in front of the Prado, with its statue of Velázquez, and inside.

El Prado. Photo Courtesy Mark Yareham

A distraction is organised with a friendly bullfighter, Cayetano, soon to be a friendly, dead bullfighter, at Madrid’s famous Las Ventas bullring.

The Day of the Triffids (1962)

Another film so haphazardly made that it has become a cult classic, and another product of American producer Phillip Yordan, who was one of Samuel Bronston’s closest collaborators, participating in many films shot in Spain.

There are some anonymous, but attractive locations, and a lighthouse surrounded by sea water to which the Triffids flock, despite the fact that it is sea water that finally turns them into sludge. As our heroes flee the plants (Spanish extras on supermarket trolleys adorned with twigs, but let’s not quibble!) we see some pleasant Spanish rural architecture; plenty of arcades and winding mountain roads. One alleged Spanish town was in fact the Poble Espanyol, a theme park in Barcelona.

There is a certain nostalgia about some aspects of the film; of scientists operating enormous machines with rows of meaningless lights; of nurses lighting their patients’ cigarettes, of all and any problem being resolved by a refreshing cup of tea; of apparently intelligent women trying to scream the enemy plants to death instead of scything their tendrils like the men do.

Perhaps it was the need to relax after such an intense and stressful film that led the producers to film the climax in Alicante, where they destroy the beasts from space with plain old seawater.

However, despite the fact that Alicante is constantly mentioned as the final destination of all the seeing humans fleeing the Triffids, the final scenes were not shot there.

The final scene, with a single view of a coastal town, was shot at Sitges, a coastal town in the province of Barcelona, and the church seen looming in the background is the ‘Iglesia de Sant Bartomeu y Santa Tecla,’ the same one that appears in Errol Flynn’s ‘King’s Rhapsody.’

Sitges

Guns of Darkness (1962)

David Niven recuperates his existential role as a kind of Hamlet, doubting the meaning of everything while running (as Hamlet didn’t) a plantation in South America.

When the President is overthrown, Niven and his wife, who he also has doubts about, help him escape.

The South American country is fictional, but Málaga, is not, fortunately for the people who live and film there.

The presidential palace is in fact the Palacio Episcopal, built in the 1760s and now a museum.

As the intrepid group flees the revolution, they reach the town of San José, which is in fact Ojén in the province of Málaga, whereas the border area known as Barea in the film in fact shows scenery from around Turrillas and the village of Gérgal in Almería.

On several occasions the camera looks up to a hill, which is where Mijas castle once stood. The capital of Málaga is used for the Customs scene, while other parts of the film visit the outskirts of Madrid, specifically Aranjuez, Nuevo Baztán and the long and winding Alberche river, where they lose their car in some unconvincing and inconsistent quicksand.

Anthony Asquith directed, and the Spanish government made it clear that the film could only be made, not set in Spain, where military coups were clearly a thing of the distant past.

Commando (1962)

Stewart Granger played the leading legionnaire in this German film about how Algeria never had it so good.

As the makers of ‘Lawrence of Arabia’ were occupying all the hotel space in Almería, the makers of Commando made do with Águilas in Murcia for their HQ.

Frank Wisbar directed, and among the Almerían locations used was Mojácar, from whose pre-tourism, cobbled streets the Algerian leader was kidnapped. The foreign Legion fort was a set built nearby.

The two helicopter scenes were shot among the boulders of La Pedriza, Madrid.

The film has a curious morality, including Granger sympathising with the ‘illness’ of one of his soldiers, a serial rapist and, after losing all his men, walking off into the desert with a little local boy.

The Running Man (1963)

Carol Reed, who directed ‘The Third Man,’ chose Andalucía for this thriller.

Lawrence Harvey embezzles his insurance company by faking his death and soaking up the sun in Málaga.

Lee Remick plays his wife and Alan Bates the enigmatic investigating insurance agent.

Reed made his name in the area by filling Málaga with donkeys brought from Mijas for scenes shot in the Plaza de la Constitución, where Harvey and Remick’s first hotel is situated, and the Alameda.

Assorted Donkeys at Mijas

Harvey mistreats a barman on a restaurant terrace in front of the cathedral when Remick comes out to greet him and discovers his changing personality.

In San Roque, Cádiz, most of the second half of the film was shot in and around the Plaza de Andalucía, where the small Hotel Andalucía was supposedly situated, as Bates and Harvey play their mind games.

Fernando Rey expands his repertoire by playing the English speaking Spanish policeman.

The climax was filmed on both sides of the line in Gibraltar (where Winston Churchill Avenue, the road that joins Gibraltar to Spain, features) and Algeciras, Cádiz.

Most memorable perhaps was Harvey’s first plane crash at the beginning and the shower of bras (it makes sense when you see it).

Cleopatra (1963)

It isn’t clear if the life of Cleopatra was more traumatic than the life of Elizabeth Taylor or vice versa, but the film Cleopatra was a trauma for the studio that produced it.

It certainly got off to a good start when after 16 weeks of filming, and at a cost of 7 million dollars, the production had come up with 10 minutes of film and lost its director.

As epics go it’s a pretty feeble story about a man giving up an empire for the woman he loves, who then lets him down continuously until he does the decent thing by running himself through on his own sword (an action which Hollywood always seems to portray as bordering on an erotically pleasurable experience for some reason).

Having finally proven his love (losing an empire wasn’t good enough, being merely on a par with giving up going to the match on Saturdays) she then takes the ass to her bosom (or hand in this wimpish version; the snake negotiated equal billing).

This is the film that almost broke 20th Century Fox; it also led to the glut of stars who appeared in ‘The Longest Day,’ which was being produced at the same time. Cleopatra was so badly planned that stars such as Richard Burton and Roddy McDowell were sitting around with nothing to do, begging for parts on the other Fox epic.

The film finally cost the studio over 40 million dollars and led to the rolling of heads in the board room, where Daryl F Zanuck took power.

Second director Joseph L Mankiewicz was sacked and then re-hired when it was decided to re-do the battle scenes in Almería, although, of the famous couple, only Burton was needed for that, the rest having originally been filmed in Italy, Egypt and London, where bad weather and trade unions stopped play on numerous occasions. Apparently nobody told the company that London’s weather on occasions can be worse than Egypt’s.

Mankiewicz chose Almería because Africa was considered too expensive, and finished filming at Cabo de Gata and Tabernas.

The scene where Anthony confronts Octavian’s legions was shot at Las Salinas, Cabo de Gata, whereas the Rambla Alfaro was used to represent Philipi and the scene where Caesar defeats Pompey at Pharsalus.

The Alcazaba palace of Almería was used as Anthony’s headquarters at Tarsus, and a full shot of the castle is seen just after the death of Cassius, and after Cleopatra has insisted that Anthony needs her.

Alcazaba

Elizabeth Taylor was eventually paid 7 million dollars in overtime for a part which largely consisted of lounging about counting her jewels. She also managed to lose a husband, (her fourth) Eddie Fisher, who she’d stolen from Debbie Reynolds, in order to begin her only true epic, her relationship with Richard Burton.

55 Days at Peking (1963)

Nobody better epitomises mythical Englishness than David Niven; a man of manners and sophistication who will not allow war, death or catastrophe disturb his composure or ruffle his haircut.

55 Days at Peking was yet another Samuel Bronston epic, in which he re-built the Peking of 1900 in his Las Matas, Madrid plot at immense cost and closed down all the Chinese restaurants and laundries in Spain in his search for Chinese extras to be shot and blown up by a redoubtable group of European, American and Japanese heroes, who made China safe from the sleeping Chinese dragon by occupying Peking and (although it doesn’t appear in the film) enabling the opium trade to continue against the wishes of the Chinese government, represented inscrutably by their Empress Dame Flora Robson.

As she points out, while daring to stand up to the Allied powers, the Allies were occupying 13 of China’s 18 provinces and using its ports for their warships, but, well, dammit, somebody had to bring civilisation (and opium) to the east!

The outdoor set at Las Matas, on land that had previously belonged to the Marqués de Villabrágima, had appropriately enough been the site of fierce fighting during the Spanish Civil War, and was located near the road that goes to La Coruña in Galicia.

Unfortunately, throughout the film, various characters (even David) express doubts about why they are there, callously betraying the memory of so many who died to preserve the British Empire without knowing why they were there either.

When his son is shot, Niven questions his role in the conflict and wonders whether he isn’t in fact there to serve the ambitions of powerful men.

I hope the cad returned his salary; after all, if everybody questions the validity of Empire, who’s going to do all the killing?

Actually it was mostly the 6,000 members of the Spanish army contracted for the film, but let’s not quibble.

Charlton Heston fortunately has no such weak-kneed doubts; he is there to kill goddam chinks, get a little target practice, fall in love with a promiscuous Russian Baroness (Ava Gardner), and ride back to Iowa with a little Chinese girl, daughter of a fallen comrade, who in the twelve seconds or so of their relationship has decided that she could never possibly be happy with anyone else, despite the fact that Chuck has never shown any sign of affection towards her, or anyone else for that matter, unless they’re dying in his arms.

Fortunately the action suspends disbelief and you find yourself cheering each time the Chinese get mown down and commiserating each time one of the heroes gets killed, conveniently forgetting who exactly is in whose country, and even whose civilisation is older, and whose is based on drug-trafficking.

The first day’s shooting, with Spanish dictator Franco and his entourage in attendance, was on 2nd July 1962 and consisted of the Boxer attack on the European positions.

Valencian Pyrotechnic Company A. Caballer of Moncada was responsible for the fireworks when the Chinese rocket attack is foiled by a Scottish priest firing a home-made cannon that seems to be some kind of flower vase. Caballer also did the firework display for Queen Elizabeth II’s coronation.

Director Nicholas Ray was carried off the set in disgust and with a heart attack at some point. Possibly he got fed up of all the papier-mâché sets falling down, or in trying to justify why the Peking sewers were better decorated than the crew’s living quarters.

He would later open a nightclub called ‘Nikas’ in Calle María de Molina in Madrid, where he discovered the famous Spanish pop group Los Bravos.

The Castilian (1963)

Made two years after ‘El Cid,’ and perhaps in an attempt to cash in on Charlton Heston’s success, the film tells a similar tale of Spanish knights led by Fernán González (923-970) heroically chopping up Moors, breaking treaties, (Ok so a hundred damsels in exchange for peace isn’t PC these days, but a deal’s a deal!) and trying to unite Spain.

The best thing about it is undoubtedly the scenery, including the spectacular walled, hilltop castle of Berlanga de Duero, Soria, which is supposed to be Fernán’s hometown from the outside, although when we go inside, we are in La Alberca in the province of Salamanca, with its telltale cross in the Plaza Mayor.

Berlanga de Duero: Photo Courtesy Mark Yareham
La Alberca

Here Fernán is proclaimed Count after the death of his brother, and rides off to settle the whole hundred maiden business. The film begins and ends with a minstrel, Frankie Avalon, strumming his lute, riding his ass among the ruins of a castle telling us the story of Fernán González, Count of Burgos, but before that Count of Lara. The castle was in fact Fernán’s home, at Lara de los Infantes, Burgos, built by his father.

Lara: Photo Courtesy Mark Yareham

In Covarrubias, at a fortress known as Torreón de Fernán González, a Moorish force appears to drag off the 100 maidens, fulfilling their part of a signed treaty; a treaty broken by Fernán, who swaps the maidens for his soldiers, and deals with the cowardly Moors.

The castle is all that’s left of a series of fortifications that Fernán González built along the River Arlanza.

The oldest parts date back to 942, and another legend suggests that there is a secret passage to a neighboring house, no doubt for the carrying out of sinful pursuits.

As is often the case, it was built upon the foundations of a Roman edifice.

A great conflagration devastated the building in the 17th century (which means we can’t blame Napoleon this time) and in the 18th century it became a private property, rebuilt by the new owners.

A further reform was carried out in 1971, and today the fort is a haven of peace and tranquility with lawns and fountains, and of course a remarkable collection of siege weapons.

The owner, Millán Bermejo, gives guided tours in which he explains the workings of each weapon with a passion that enthralls visitors of all ages.

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Torreón de Fernán González: Photo Courtesy Mark Yareham

After Fernán González is forced into killing his girlfriend the Infanta of Navarre’s father, just like El Cid didn’t really in his film, the funeral cortege takes us on a curious trip, passing in front of the spectacular hilltop castle of Peñafiel, Valladolid, before entering the church of Santo Domingo, located in the centre of the city of Soria, with glimpses of the Monastery of San Saturio, on the outskirts of the city, before entering the caves of the ‘Hermitage’ of San Saturio, inside the monastery on the banks of the river Duero. A complicated journey.

Just to complicate things even more, when Fernán is captured in a cowardly way by the new King of Navarra, he is imprisoned in “Peñafiel, deep in the heart of Navarra”, which looks much smaller when seen sideways.

Peñafiel: Photo Courtesy Mark Yareham

Our thanks to Soria cinema specialist Julián de la Llana for his help with this information.

The Battle of Hacinas (939 AD), was actually filmed on the original site of the battle, on the road between Burgos and Soria, and involved a massive logistics exercise with 10,000 extras and animals, not to mention the divine intervention of Saints Millán and Santiago.

Fernando Rey plays King Ramiro II, King of León; a very subdued role for him.

The Ceremony (1963)

Set in Tangiers but filmed in Spain, the film, directed and produced by Laurence Harvey, who is also the star, tells of an Irishman falsely accused of a capital crime, attempting to escape the gallows.

Filming started in December 1962 with some scenes at Campo de Criptana, Ciudad Real.

The priest, Father O’Brian, played by the incompetent Irish builder from Fawlty Towers, Jack McGowran, lives on a hilltop, and his home is the Ermita de la Virgen de Criptana.

The Ermita is well conserved today and receives many visitors. It commemorates an appearance of the Virgin Mary in 1223, seen by a farmer called Alonso Miguel and his wife Esperanza.

As he drives towards the prison, he stops to pray among the windmills of the town, which are today one of its main tourist attractions.

As he leaves his home, we briefly see a panoramic view of a distant city, easily recognisable from its Alcazar castle as Toledo, while the driving scenes were filmed in the forest of Casa del Campo in Madrid.

John Ireland plays the prison warden and Spanish actor Fernando Rey appears as the more liberal of two prosecutors.

From Russia with Love (1963)

As usual there is lots of exotic scenery, mainly in Istanbul, Venice and Yugoslavia; but if it’s rats you’re looking for then Madrid is your city!

In one scene, Bond and his allies blow up the Russian Consulate and retreat through the sewers, where they are diverted by rats. As the use of real rats was not allowed in British films, lab rats coated in cocoa were originally tried. Unfortunately they spent more time licking each other than snarling in a menacing manner.

The sequence, supposedly taking place in Istanbul, was finally filmed in a garage in Madrid with over 200 live rats collected by a local enthusiast, each of whom had to pass a demanding casting with director Terence Young, despite which, several apparently succumbed to stage fright and escaped onto the mean streets of Madrid, only to discover that they weren’t made of golden cheese, and to end up in dead end jobs in restaurant kitchens.

Inevitably, the rats and the characters are never actually seen together.

Perhaps not the most glamorous example of Spain’s long standing relationship with Bond films, and there are no current plans to organise trips for cinema fans to the garage in question.

Woman of Straw (1964)

Sean Connery worked his way into the Bond tuxedo in this minor film directed by Basil Dearden and also starring Gina Lollobrigida and Ralph Richardson, about whether an old fool (not Connery) and his money are easily separated.

The action moves aboard the fool’s yacht to Mallorca, where the unspoilt coast is not favoured by filming in black and white, although there is enough sparkle from the sea to see that the area around the headland of Formentor is an attractive backdrop for plotting murder and deceit.

Even in the 60s its cove was known as the ‘English Beach’ because of the large number of tourists and foreign residents there.

The Thin Red Line (1964)

Based on the same book as the later film that we all know and love by the same name, this first attempt to capture the horror of Guadalcanal was filmed entirely around Madrid and starred Jack Warden and soon to be ‘2001’ star, Keir Dullea, who seems to have had a monopoly on weird roles around this time.

After fighting their way through a swamp, C Company attack Bula Bula, and, with a jeep-load of explosives, knock out the last Japanese resistance among the boulders of La Pedriza, with the Santillana Reservoir clearly visible in the background, portraying the Pacific Ocean, after having portrayed just about every other expanse of water on the planet in other films.

The scene where the Americans fight their way up to some cliff caves, known as ‘The Elephant’ was shot at Risco de las Cuevas situated on the River Tajuña near the town of Perales de Tajuña. There are about 50 caves, inhabited originally by Neolithic people.

Photo Courtesy Mark Yareham

The river crossing took place at the Henares River near Alcalá de Henares.

A large cast of Japanese tailors’ dummies spend a lot of time falling out of trees and off rocks, and a whole philosophy of life and anatomy is summed up by Jack Warden’s catch phrase “it’s only meat.”

Ironically, it is not inappropriate that a film about Guadalcanal should be made in Spain. The island, which was charted by Álvaro de Mendaña in 1568, was named after a town of the same name in the province of Sevilla, and given its name because his assistant, Pedro de Ortega, came from there.

A Fistful of Dollars (1964)

Although most people associate the spaghetti westerns with the arid wastelands of Almería, the first of Sergio Leone’s legendary ‘Dollar Trilogy’ with Clint Eastwood actually started filming near Madrid.

Leone had first discovered the attractions of Spain’s scenery when scouting locations for his Roman epic ‘The Last Days of Pompeii’ in which he participated as co-director. He would later film ‘The Colussus of Rhodes’ in northern Spain and Cuenca.

Ok, so there’s cheap and there’s cheap, and the spaghetti westerns are not called ‘caviar westerns’ for a very good reason. Even so, they could have made a bit more effort at authenticity here, in a film whose very title in fact referred to Sergio Leone’s desperation at shooting with a paltry budget.

For instance, in the scene where bandits dressed as Union soldiers despatch a group of Mexican soldiers with a Gatling gun, we can clearly see near the end of the scene a road with a storm drain underneath that is obviously modern, and may very well have been paid for with the money pouring into Madrid to make these and other films during the fifties and sixties, but which unfortunately, and ironically, almost destroyed the primitive landscapes that took the film makers there in the first place. This scene was filmed at Aldea del Fresno, to the west of Madrid.

True to the shoe-string nature of the film, Clint Eastwood kitted himself out; he bought the black jeans on Hollywood Boulevard, the hat in Santa Monica and he used the boots from the TV programme ‘Rawhide’ that he was simultaneously making.

The cigars were bought at a Beverly Hills store. Eastwood, a non-smoker, cut the cigars into three pieces to make them shorter.

Director Sergio Leone, desperate to stretch his budget, even resorted to stealing a dead tree from a local house for the gallows tree at the opening of the film, claiming when asked by its bemused owner, that it was a health risk.

Clint Eastwood has probably shared his bed with all kinds of exciting people for all I know, but in the making of this film (for budgetary reasons of course) he shared it with Eli Wallach in a guest house in Madrid’s Calle Fuencarral. Later he would have to endure a nine and a half hour journey down to Almería; these being the days before Spain’s network of modern, unromantic motorways and high speed trains existed.

Clint Eastwood’s characteristic squint during the film was not intentional, merely a reaction to the strong Spanish sun, and his poncho may well have been a reference to the Spanish bullfighter’s solitary stance against superior, brute strength with courage and technique. And then again it might not have been.

Eastwood’s role was first offered to Henry Fonda, then to Steve Reeves, later James Coburn, afterward Charles Bronson, next Richard Harrison, and penultimately to Eric Fleming, before Clint Eastwood became the obviously perfect choice.

Despite Almería’s marketing skills, the main part of the filming of the first of the dollar trilogy in fact took place around Colmenar Viejo, Madrid, and also at Hoyo de Manzanares, Madrid, where San Miguel’s main street was built and where the mock western town and the graveyard were situated.

The western township was situated just south of Hoyo de Manzanares in an area known curiously as El Chapparal, and led to a local bonanza of western films following its construction in 1962 by the cinema producers Eduardo Manzanos and Arturo Marcos. Unfortunately, like the old west, it no longer exists.

In the last scene of the film we can see the mountain known locally as La Maliciosa, near Manzanares El Real in the background.

Also, some scenes were shot in the Casa de Campo park in Madrid, specifically in the Pabellón/Casa de Toledo, a temporary and now mostly demolished construction built for the Feria  del  Campo, which existed from the 50s until the 70s. The still standing Restaurante La Pesquera occupies what was the family home of the Rojo family in the film.

Other parts of San Miguel were filmed at Cortijo El Sotillo, just outside the town of San José, Almería, where the film begins, and where Marisol is rescued. Marisol’s house is now the four star Hotel Cortijo el Sotillo.

Hotel Cortijo el Sotillo

Inside the hotel you can see photographs from the film, making the scenes easily recognisable. The chimney in particular has changed very little since the film was made; and outside the main gate is a sign reminding you of the place’s role in the history of the cinema.

One man who has met all the stars and directors is Antonio Ferré. Antonio was born in Cortijo el Sotillo and has spent his whole life working in the Cabo de Gata park.

Antonio and the world’s most beautiful woman

Whenever a director would arrive to shoot some scenes, it was Antonio who would drive them around the park to find the perfect location. Connery, Spielberg, Leone, Eastwood; they have all bumped along the tracks in his jeep, and today he continues to drive tourists around the park to the places where traffic is not allowed.

However, although he has been involved in so many films, and enjoys a good western, he would much rather talk to you about some of the species of plants that only grow here, or about the underground water storage caverns built by the Arabs and known as ‘aljibes’. And when he stops the car, don’t be surprised if he starts making a basket out of some reeds that he liked the look of, or offers you a clump of lavender that smells like nothing you’re likely to find in your local Body Shop.

Although he can identify the locations of various films for you, he’d prefer to show you a corral full of goats being milked by their minder and explain how in the old days they would walk the goats to the summer pastures of Sierra Nevada on a 15 day journey across the countryside, cooking their meals on an open fire and sleeping out under the stars.

At Los Albaricoques the scene in which Joe enters San Miguel on a mule was shot, as was the one where we see a Mexican leaving town with the words ‘Adios Amigo’ pinned to his back.

The local council has set up a series of information points indicating where different scenes were filmed and even named some of the streets after the stars.

At Boca de los Frailes, a small, tranquil village just north of San José, we see the Rojos heading home with a hostage, and at Rambla del Indalecio are the scenes where Joe takes a short cut to the small house and the Rojos follow him.

Victor Matellano’s superb book ‘Dispara Clint’ tells the story of the Dollar Trilogy in great detail, and José Enrique Martínez’s Se Busca: Tras la Pista de Sergio Leone contains an immense amount of detail about the locations and Leone himself.

Leone’s fellow Romans, Ennio Morricone and Alessandro Alessandroni gave the film its special soundtrack; the former as composer and the latter as the mother of all whistlers.

The Fall of the Roman Empire (1964)

Sophia Loren is a good candidate for the unluckiest Roman of them all. As she is in love with her step-brother she opts for a life as a vestal virgin, but when that doesn’t work out a little bit of pouting in the mountains near the Rhine, where her father is fighting Germanic barbarians, is enough to bring her beloved Livius (Stephen Boyd) running into her arms.

It’s pretty cold up there on the snowy mountains of Germania slaughtering the locals, although the mountains are in fact just north of Madrid in the Sierra Guadarrama, faithful home to many a Hollywood epic, and where filming began on 14th January 1963.

It was there, at Navacerrada that the chariot race between Boyd and Plummer took place, descending all the way to Boca del Asno (or ‘Ass’s Mouth’ if you like colourful translations). The site is known locally as ‘Siete Revueltas’ (Seven Turns).

Filming began there on the 14th January 1963 and continued until May, much to the delight of the 5,000 local extras and hotel owners of Segovia, who all did very well out of the shooting, although some of them had to wear one of the 5,000 wigs prepared for the filming.

The scenes shot here were of the battle against the Germanic tribes, and actor James Mason was so enchanted with Segovia that he bought a house there in the medieval district of Canonjías.

A lot of the serious eating between takes was done at Restaurante Hilaria, (opened in 1917) and located at Pradera de Navalhorno. The restaurant still exists and has expanded to offer rural accommodation.

The set for the Roman fortress in Germania was built about a mile from Valsaín, on the road to Madrid near the spring known as La Canaleja or Los Mosquitos at La Perdiguera.

The bridge over a canyon where Boyd exacts his decimation of cowardly soldiers was at Puente de la Cantina, close to the CL-601 between Puerto de Navacerrada and Valsain.

The arrival of the American production company in the area brought many benefits to the local people, with improvements in the electrical grid and local railway system, new roads and even powdered milk for local schoolchildren.

Having declared her love for Livius, Sophia quite naturally agrees to marry the King of Armenia in order to seal an important treaty, and so off she goes, leaving Livius with no consolation except some more extermination and some serious bonding with his troops, with whom he has a special relationship, despite the fact that every last one of them is prepared to sell him out at the end of the film for a fistful of Roman gold.

Unhappy in Armenia, and having lost her father the Emperor Marcus Aurelius to a blind poisoner, Sophia organises a rebellion against her brother the Emperor Comodus (Plummer), which results in her husband, (Omar Sharrif in a very fetching mini-skirt), being impaled on a Roman javelin in a battle fought out at La Pedriza near Madrid.

La Pedriza

Fortunately Livius is in time to save her from certain death and so she sulks back to Rome where she helps reveal to her brother that his faithful gladiator mentor is in fact his true father (after having tried to kill her brother’s true father –Anthony Quayle- and then persuade him to kill her brother). Her brother beats her to it however and kills his real father, who, like most important people in the film seems to find something erotic about a sword in the stomach, managing to stagger through a couple of rooms in order to find something without hard marble to fall onto, finally, conveniently landing in the swimming pool.

Sophia we next see tied to a stake and ready to be burnt alive with Livius, who kills Caesar (Christopher Plummer), who is much more convincing as a mad sadistic emperor than as an Austrian anti-Nazi in ‘The Sound of Music’ [his next role in fact], and releases her just in time, but forgets about the other 30 or so captives who go up in flames while Sophia pouts a bit more.

The only soldier who didn’t sell out Livius, is killed defending Sophia from righteously angry Roman soldiers whom Sophia implores not to accept the bribe.

So, plenty of slaughter and splendid locations in Spain with a complete Roman Forum which at one time was in the Guinness Book of Records as the largest outdoor film set (1,312 by 754 feet) being built on the site of Bronston’s 55 Days at Peking set at Las Matas.

It took 1,100 workers six months just to build the façade with 170,000 blocks of cement, 6,705 steps, 601 columns (somebody must have lost count there!) 350 statues (that’s more like it!) and 27 full-scale buildings.

While we are spewing statistics, 8,000 Spanish soldiers were employed for the first battle scene, as were 1,500 horses.

There is also a full scale battle between Romans and Persians at Manzanares El Real, near Madrid, and a brief glimpse of the Santillana reservoir just after the battle.

Everybody’s favourite etymological scene in The Fall of the Roman Empire must undoubtedly be the Roman version of bungee jumping, where Roman soldiers are pushed off a bridge as punishment for cowardice in battle. In fact they only push off one in every ten, which was the Roman way, and the origin of the word ‘decimate’.

These are of course the same soldiers who are later expected to forswear gold out of loyalty to their pushy leader; not the best of business propositions really.

Circus World (1964)

For many years there had been a book running on which is the worst film that John Wayne ever made. There was a separate book run by engineers to determine in which film he walks at the most acute angle.

My candidate for the former is definitely Circus World, which challenges disbelief to infinity and beyond.

Wayne plays a circus owner who decides (after 15 years pining) to go to Europe in search of the trapeze artist who left him when her husband committed suicide on finding out about their liaison. Whatever happened to straightforward ‘Good versus Evil’ stories like ‘The Alamo’?

The trapeze artist is Rita Hayworth, whose real name was Margarita Carmen Cansino (a surname which curiously means ‘tiring’ in Spanish, and may refer to the wearing down of her allegedly numerous lovers). Her father was the Spanish flamenco dancer Eduardo Cansino.

Wayne’s circus troupe ship arrives at Barcelona, where we catch a two second shot of the original port with Columbus’s statue, although as the city seems to be rippling as much as the sea it was probably a back-screen.

Once in the port they are greeted by a very un-Catalan looking Mayor, who would make a convincing original model for ‘Manuel’ of ‘Fawlty Towers,’ and then a mast breaks with an acrobat on top, inexplicably causing the ship to keel over and explode. Wayne quite naturally jumps on board and tames a lion, while all else are optimistically rehearsing for their roles in ‘Titanic’ by hanging vertically from the deck.

The ship that was contracted, painted and sunk was a 50 year old cargo ship called ‘Cabo Huertas’.

The Mayor, played by José María Caffarel, was in fact the only Spanish extra contracted for a speaking part, although 600 extras shook their heads and gasped, careful not to mutter expensive words. Wayne actually speaks a phrase in Spanish and manages to insert three extra syllables into his “muchísimas gracias” to the Mayor.

Also contracted for five months was an entire German circus led by Fritz Althoft, who performed in Barcelona’s famous Liceo Theatre, converted into a big top. The film crew also converted Madrid’s Retiro Park into the Champs Elysses, and the film’s last scene is also performed there as we see the happy circus troupe with the famous lake and statue of King Alfonso XII behind them.

So much material and animals did they have that producer Samuel Bronston provided a large selection of participants in the traditional Three Kings parade in Madrid on 6th January 1964.

We see various shots of Wayne in various European cities, until he finally tracks down Rita and they all live happily ever after; apart from the big top burning down in a fire which, in real life; if John Wayne ever had a real life, almost cost the actor his…… life, when he didn’t hear an order to get out. This scene was shot in Aranjuez’s Plaza del Palacio Real near Madrid. Aranjuez’s Puerta de Legamarejo also appears. The palace appears as the burning canvas of the big top is cut away during the fire.

The story for Circus World was written by Nicolas Ray, who later directed ‘Rebel without a Cause,’ proving that he was a far better director than writer.

It was filmed in Samuel Bronston’s Madrid studios, with some footage shot in Chinchón, where cowboys and Indians fight it out in the town’s famous round central square, where bullfights are still held today.

Chinchón is an interesting town that produces a well known liqueur called anís and has a Parador hotel, up whose steps we see Wayne walking in one scene with some blue, red and white striped tents to his left. It is here that Claudia Cardinale is treated by a doctor and meets her mother, and Wayne finally finds Rita and chases her under the temporary stands of Chinchón’s round square.

Chinchón Parador

It was to be Bronston’s last epic film in Spain, after which the creditors virtually chased him out of the country. He did return though; his ashes were brought to Spain a month after his death in Sacramento, California in January 1994, to the cemetery of Las Rozas, in an urn inscribed with words from Hamlet.

Other scenes were filmed at Toledo. In one scene on the outskirts of Toledo we can see a tightrope walker, clowns and an elephant rehearsing on the banks of the River Tajo, and in the distance the towers of the famous Alcázar of Toledo, which was a symbol of Nationalist resistance during the Spanish Civil war; a kind of Alamo for fascists, except that the besieged held out.

The area is known as the Playa (Beach) de Safont, although the beach has now gone, replaced by a park.

 John Wayne spent most of his spare time at a villa in La Moraleja, which belonged to Ava Gardner, moving later to room number three at the Hotel Richmond once his family, with whom he had crossed the Atlantic on his yacht, returned to the States.

Initially Frank Capra was going to direct, and actually spent some months with his family in the Hotel Castellana Hilton before handing over to Hathaway.

Circus World is worth seeing as a means of demystifying John Wayne, whose attempts to show his tender side almost make you forget his limp; but few spectators actually make it past the theme song at the beginning of the film, far more painful than being mauled by a lion or having a flaming big top fall on your head.

Or so they tell me.

Wayne in fact pronounces what may be his best line ever in a film: “I’d wash my face, I’d comb my hair and make myself decent enough to go up to that little girl and say ‘I’m your mother.’” Forget what I said about his tender side.

Wonderful Life (1964)

Cliff Richard and the Shadows, in the days when somebody believed that pop stars just had to make films and that plot and substance weren’t as important as clothes and good old British zany antics.

The Canary Islands provided the exotic background for this film that was dated before it was even released.

Nevertheless, Shakespeare would have undoubtedly approved of the film within a film within a film concept.

In one scene that might not have been exactly Oscar winning material, our Cliff is to be seen chasing a camel and then being dragged along through the sand by the same beast, atop of which is, as is often the case, a beautiful veiled lady. This scene was filmed at the sand dunes of Maspalomas, Gran Canaria, whereas the island’s capital, Las Palmas, provided the town scenes, including the rooftop of the Santa Catalina 5 star hotel, where the flamenco scenes were shot long before it occurred to The Beatles to reach for the sky.

Also used were the Escaleritas district, Paseo de Chil, Puerto de la Luz (where the boys arrive on the island), Parque de Santa Catalina, and San Bartolomé de Tirajana.

The Canary Islands key export, the banana, also features fruitfully, with wild chases through plantations of this curious foodstuff, which is, technically, or so I’m assured, a herb.

The songs are awful, except when ‘The Shadows’ intervene, as in ‘On The Beach.’ The plot is silly, and even Cliff looks uncomfortable speaking to the “chaps.”

Nevertheless, the dunes are impressive, as are the banana plantations, and the homage to silent movies ‘on the beach’ isn’t bad at all.

The Pleasure Seekers (1964)

Set in Madrid, starring Ann Margaret, and with the inevitable scenes inside the Prado Museum to add a touch of class with views of El Greco and Velasquez master-pieces, the best moment is undoubtedly the all too brief appearance of the great Flamenco dancer Antonio Gades.

It is the tale of three American girls seeking love with a Latin touch. There is a brief trip to Segovia, whose aqueduct appears over the opening credits.

When one of the girls agrees to visit Toledo with a beau, she takes the other along as chaperone; but they separate and one ends up picnicking below the Alcázar of Segovia, while the other has a view of Toledo with its own Alcázar.

At some point in history, people stopped building castles and started building palaces, either because they felt safer or because modern artillery made castles redundant.

The Alcázar of Toledo is a halfway house between castle and palace, although during the Spanish Civil War it back-graded to its role of castle when the Nationalists were besieged by the Republicans and held out, much to the greater pleasure of Franco’s regime, which would later print a propaganda newspaper called El Alcázar as a tribute to the defenders of their very own Alamo.

On 18th September 1936 Asturian miners detonated a bomb which largely destroyed the castle, which was visited on 21st October 1940 by none other than SS leader Heinrich Himmler, looking for inspiration no doubt.

The Alcázar really does make an excellent distant backdrop for whatever else is going on in the foreground, with its distinctive turrets; and that is what it has mainly been used for in a number of films.

The original Alcázar of Toledo was once a Roman palace in the III century. Restored under Carlos I and his son Felipe II in the 1540s.

In 1521, Hernán Cortés visited Carlos there following his conquest of the Aztecs.

 The castle was rebuilt between 1939 and 1957 after the Spanish Civil War.

We visit Toledo’s Church of San Tomé to see El Greco’s ‘Burial of the Count of Orgaz,’ and there are also shots of Madrid’s squares and the bull ring, Las Ventas.

El Chorro, an area of rocky mountains and steep ravines in Málaga province also features, as does the beach at Estepona.

The Hill (1964)

Sean Connery opted for a bit of realism and a moustache after so much Bonding, and between shooting ‘Goldfinger’ and ‘Thunderball’ hung around Cabo de Gata, Tabernas and Gérgal for five months, shaking but not stirring some authentic Almerian sand from his boots.

The film’s main action takes place in a punishment camp, which was built at Dunas de las Amoladeras, near ‘Cortijo Hoya Altica’ and the road there was located in the Rambla de Tabernas.

The ‘hill’ was a punishment hill, constructed using 10,000 feet of tubular steel and over 60 tons of stone and timber. The heat was unbearable despite the 2,000 gallons of pure water that were shipped in for the crew and almost everyone suffered from dysentery and similar pleasantries.

Ian Bannen, the sadistic NCO, described the desert, water and food as “ghastly”, smelling permanently of fish.

Potential tourists should know that the area no longer stinks of fish and has some very pleasant hotels (providing you pay your bill and don’t complain too much).

The Truth about Spring (1964)

Fun for all the family, or at least the Mills family, as John and Hayley fight off rivals Lionel Jeffries and Harry Andrews in a search for hidden treasure in the Caribbean, with all the action taking place using that most exotic of Catalan beaches at Platja d’Aro in the province of Girona, off which the Mill’s yacht is anchored.

Don’t expect the birds and the bees; ‘Spring’ is just the name of the kid, who is, as the title song informs us, as innocent as apple pie; whatever that means!

As for the rest of the players; a lot of salty sea dogs but not much salt of the Earth.

Gunfighters of Casa Grande (1964)

Just another everyday tale of bank robbers who try to go legit and end up plugging each other with lead just across the border in Mexico.

Filmed around the lonesome rocky prairies of Dehesa de Navalvillar, and the multiple purpose (sea, river, reservoir, you name it!) Santillana Reservoir, all near Madrid. Both Santillana and the Alberche river provide the Rio Grande as necessary.

Roy Rowland directed and Alex Nicol starred with the enlightening name of Joe Daylight, a psycho-outlaw who never has enough until he does.

Pyro…the Thing without a Face (1964)

Athough it is a cross between ‘Fatal Attraction’, ‘The Invisible Man’ and ‘The Mask,’ Pyro does show off the wonderful scenery of Galicia’s Costa Verde, with Barry Sullivan playing an American engineer who wanders into an affair that will turn his life around like a ferris wheel.

The fairground near a beach at the beginning and end of the film is situated, as we are correctly informed by the Spanish policeman, at Puerto de Bares in the province of La Coruña, and Laura’s house, where she meets her inferno, is supposed to be on an island beyond the bay, which is in fact the island of Coelleira.

Much of the filming took place in and around Viveiro on the coast in the province of Lugo.

When we see the policeman after the burning of Laura’s mother’s house talking about how to trap Vance (Sullivan), we can see behind him, in the sea, a group of rocks known as Os Castelos at the Playa de Covas.

The scene on the bridge, where the police intercept a fairground convoy, and incredibly don’t recognise the man with the rubber face that they are looking for, was shot on the Misericordia bridge, also in Viveiro.

Sullivan’s reason to be in Galicia is to build a hydro-electrical plant, and the dam where all this takes place is the Belesar dam and reservoir, just south of Lugo capital.

Despite the many warnings and burnt houses and people, the characters, true to epoch, still continue to smoke quite excessively.

Saul and David (1964)

This Italian production was shot in Almería and starred a German born British actor, Norman Wooland.

As José Enrique Martínez points out in his book ‘Cabalgando Hacia La Aventura’, the crew lent filming material to Sergio Leone who was at the time making ‘A Fistful of Dollars’ nearby on a wing and a prayer.

In one scene Saul’s army is seen marching with Almería’s Alcazaba castle behind them, and the dunes of Cabo de Gata and desert of Tabernas are easily recognisable.

Alcazaba, Almería

Castle employee, the historian Carlos Martín is a treasure trove of information and a cinema buff himself.

He informed us that ‘Rat Patrol’ was the first international series to make use of the castle, one of many from many countries that would be filmed in the castle over the years.

Construction of the castle and defensive walls began in the 10th century when the city belonged to the Caliph of Cordoba, Abdar-Rahman III.

It was later enlarged by Caliph Al-Mansur and Al-Jairan.

The first enclosure, the Muro de la Vela, was built by King Carlos III.

Christian forces under Alfonso VII first took the castle in 1147, although they lost it 10 years after, until 1489 when its reconquest was finalized.

The third enclosure was commissioned by the Catholic monarchs Isabel I of Castilla and Fernando I of Aragon.

In 1522 a massive earthquake badly damaged the castle.

One legend states that those entering the Alcazaba on the Night of San Juan at midnight will behold a tunnel leading to an enchanted palace inside one of the nearby mountains.

A huge display of treasure can be found there, but if anyone dares to take anything, like a Moor who in 1485 took a scroll, the elves will condemn him to wander through eternity, or at least until he returns his loot.

Von Ryan’s Express (1965)

Frank Sinatra finishes the film face down on a railway track with a dozen machine gun bullets in his back; the rest of his stay in Málaga was largely unsuccessful too.

Although the shooting mainly took place in Italy, the crew did briefly pass through Málaga on the Costa del Sol and spent enough time there for Frank Sinatra to get arrested. Prosecution may have been waived due to the large numbers of citizens of Málaga who were contracted to dress up as German and British soldiers for the film.

The arrest was a classic set up, in which a Cuban would-be actress tried to convince the press that she and Sinatra were having a lovers’ tryst in the Hotel Pez Espada in Torremolinos. Sinatra, probably irate because there was only a single Cuban would-be actress involved, broke a camera. He later had to be dragged out of the country onto a plane, after paying a 25,000 peseta fine; spitting on the floor in front of Franco’s photo, but then, who wouldn’t?

The hotel bar where the incident took place is now, appropriately enough, called ‘Frankie’s Café,’ and has a wall full of photos of old Blue Eyes, as well as a constant soundtrack of his music. He is also supposed to have met his future wife Mia Farrow while staying there in a seventh floor suite.

The final scenes of the film, which are supposed to occur in the Italian Alps, were actually made using a local beauty spot near Málaga known as El Chorro.

A tunnel through El Chorro was used, next to which there was an iron bridge. The train in the film had to be shunted back to El Chorro station every time a ‘real’ train passed by.

It is here that Von Ryan’s express is attacked by three Messerschmitts (the planes were designed by Willy Messerschmitt but if they’d called them ‘Willys’, they probably wouldn’t have been so intimidating for the enemy) and the men at one moment attempt to escape along a path cut into the mountainside.

This path is in fact ‘El Camino del Rey’, ‘the King’s Path’, and was built alongside three kilometres of precipice to allow Spanish King Alfonso XIII access to a dam that was being inaugurated. The path is located in the Torcal de Antequera natural park.

It is only a metre wide and has a drop of 100 metres in some places and was too dangerous for all except expert mountaineers and British soldiers fleeing the Nazis, although it has now been made safe for responsible tourists.

A Few Dollars More (1965)

For the follow up to ‘Fistful of Dollars’, many of the old cast were joined by new ‘names’ such as Lee Van Cleff and Klaus Kinski. Like the first in the trilogy, the film’s title is a reference to Leone’s ‘state of the budget’.

Italian villain Gian Maria Volonte, in reality a Shakespearian actor, returned to play the marihuana-smoking baddy El Indio.

In the city of Almería, the bullring hosted the prison from which El Indio is freed by his men, while Van Kleef’s visit to the El Paso Tribune to obtain information was in fact filmed at the offices of what is today the Voz de Almería.

Religious symbolism played an important role in the film (there are twelve bandits helping El Indio and he explains his plan to rob a bank from the pulpit of an abandoned church), the Church of Santa María, Turrillas, Almería. Director Sergio Leone was in fact quite obsessed with religion, among other things.

The church still stands, although the exterior as seen in the film is actually in a completely different place (such is the magic of the cinema). The exterior of the chapel is in fact the 16th century Alumbres Castle in the Rodalquilar Valley, built in 1510 to protect nearby miners from the attacks of Berber pirates.

In this it was not very successful as in 1520 the pirates burnt the village and took the inhabitants away as slaves, bringing an end to mining for the next 50 years.

The tower is located on the road leading to the beach called El Playazo.

Alumbres

Trains also play an important role in the film, perhaps because RENFE was always on hand to lend its old steam trains and, for a few dollars more, build some extra track in the middle of the Almería desert, just as they did for ‘Lawrence of Arabia’.

The train stations of Almería and Guadix, Granada were employed, and La Calahorra station represented Tucumcari.

Guadix Station
La Calahorra Station

The previously used location of Los Albaricoques repeated for the shooting of the apples, and the final Mortimer-Indio showdown took place there inside the circle of stones, which can still be seen, and which are in fact an ‘era’, used for collecting hay or grain.

Los Albaricoques is Agua Caliente in the film, where Eastwood faces the three Mexican gunmen.

Old Madrid favourites Colmenar Viejo (‘White Rocks’ in the film) and Hoyo de Manzanares (‘Tucumcari’), also saw action again.

The scene where the bandits drag the stolen safe cross country was filmed at Cortijo de la Union among the dunes of Cabo de Gata.

Almería has been quick to take advantage of the spaghetti western trend by creating western theme parks, although Oasis Mini Hollywood, constructed in 1965, was not created as a theme park, but to represent the town of El Paso in ‘For A Few Dollars More’. Included on the site are the bank that is robbed by Klaus Kinski, Aldo Sanbrell and Luigi Pistilli.

The set was designed by Carlo Simi, who also played the bank manager in the film. It later also featured in ‘The Good, the Bad and the Ugly’.

Other sites used for the film in Almería were Cortijo de Genoveses (the jail and hay cart scenes), Oasis de Rambla Viciana (built for ‘Lawrence of Arabia,’ it is the place Indio plans to meet his gang after the bank hold up when he says “after the hold up we will meet at Las Palmeras”) and Venta de los Callejones, where we can find the cantina where Eastwood and Lee Van Cleef drink and plot together. Indio’s headquarters also used some partial shots of Almería’s bullring.

At Rambla de Indalecio we can see the scenes where Indio checks that the posse has left, Groggy shoots the telegraph wires and the gang race off with the safe.

Chimes at Midnight (1965)

Chimes at Midnight was based on the play ‘Five Kings’. It was written by Orson Welles and condensed Shakespeare’s Henry IV, V, VI, and Richard III into one show. He produced the show in New York in 1939, but the opening night, where Part 1 was performed, was a disaster and Part 2 was never put on.

He tried again in 1960, but without success, although the latter version would become the basis for the film.

At the beginning and end of the film, in which Welles plays Falstaff, we see the unmistakeable wall of Ávila, although in the film it is supposed to be London’s wall.

The film, made in 1965, is still remembered in the medieval village of Calatañazor in Soria, where many scenes were shot, depicting the streets of London. The village of La Alberca in Salamanca served a similar purpose.

La Alberca

The local bars of Calatañazor in fact still display photos to remind themselves of their greatest moment. Calatañazor (where the exchanges between Shallow and Falstaff take place) and La Alberca are still today medieval enough to pass for 15th century London.

Calatañazor

The area around Barriomartín features in a snowy scene before the opening credits, and during the credits we see some hanged men filmed in Calatañazor, where visitors today are assured a much warmer welcome and are encouraged to hang around for as long as they like. The scenes where soldiers are drafted from among the grumpy populace were filmed here in front of the church.

Also in Soria province Welles employed the Cistercian Monastery of Santa María de la Huerta, where part of Henry V’s coronation was filmed, as well as Soria’s cathedral of San Pedro.

The scene with the nobles discussing Henry’s speech after the coronation was filmed in front of the façade of Santo Domingo church, also in the city of Soria.

The battle scene, supposedly the Battle of Shrewsbury, where Prince Hal crushes Hotspur’s rebellion, was filmed in Madrid’s sprawling Casa de Campo, where the forest scenes were all shot too.

John Gielgud, who plays Henry IV, stayed at the Hotel Felipe II at El Escorial while making his regal contribution.

Other Spanish locations used for the film included Puerto de San Vicente in Toledo province and the Parador at Cardona castle in Barcelona, Catalonia, where some of the scenes of Henry’s court and his coronation were shot, as well as at the crypt of the Abbey of San Vicente, where all Henry IV’s interior scenes, including his funeral were filmed, purporting to be Windsor Castle.

Cardona also portrayed Hotspur’s castle before he rode off to his destruction. A sign at the entrance to the Parador bar recalls the making of the film there today.

Cardona: Photo Courtesy Mark Yareham

500 local people participated in the scenes shot at Cardona, an event that was of enormous importance in this sleepy little town at the time.

The original fort is thought to have been built by the exquisitely named Wilfred the Hairy or ‘Hairy Willy’ (Wifredo el Velloso) in 886 AD.

During the 14th century it housed the Dukes of Cardona, an important Spanish family.

In 1711, the Borbon troops which supported Felipe V besieged the castle and did little to improve its look.

The siege was lifted after an allied army arrived and defeated the Borbon forces in a battle which is explained in one of many boards around the castle detailing its history.

The castle quite naturally has a ghost, and a very fastidious one at that as it only haunts a specific room, number 712, and guests are warned about possible unwanted company if they reserve it.

Standard ghostly activity includes moving furniture, voices and taps that run by themselves.

The cleaning staff now clean the room in pairs, and when I was there in October 2015, I happened to see a cleaning lady having problems with her cleaning cart outside the room, and so quite naturally I disappeared quickly, decisively and heroically.

The ghost has a name, Adalés, and a typical Romeo and Juliet/ West Side Story story. She was an 11th century Christian who fell in love with a Muslim boy, and so her father locked her up to avoid trouble, causing her to pine away and die.

Also in Catalonia, in Barcelona, Monjuich Castle was used for some scenes of the palace of King Henry IV.

Montjuic is an extensive hill overlooking the city of Barcelona. Its name comes from ‘mons judaicus,’ as it was the site of the Jewish cemetery in medieval times.

The castle was originally a fort built in 1640 around the lighthouse at the time of the Catalan Revolt. It was then extended during the Nine Years War (1689-1697).

It first saw action when it was attacked on 26th January 1641, by Castilian troops

It was captured by Charles Mordaunt, Lord Peterborough, on 17 September 1705, although Felipe V took it back on 25 April 1706, but lost it again on 12th May of the same year, until 12th September 1714, when it surrendered to Borbon troops, a day that is (curiously) celebrated every year by Catalan secessionists.

In 1751 a new castle was built, this time with a moat, and 120 cannons were installed for dissuasive purposes.

On 13 February 1808, Napoleon’s soldiers entered Barcelona and on 29 February, stormed Montjuïc mountain to capture the castle.

The castle has been a centre of civilian and military disturbances in Barcelona.

In 1842 Barcelona was shelled from the castle for the first of three times to crush a revolutionary uprising. Like many castles, there is a clear idea that the purpose is not to defend the inhabitants from an enemy without, but that the inhabitants are an enemy below.

In the 1890s, and again in the famous ‘Tragic Week’ of 1909, revolting workers were imprisoned there and the pedagogue Francesc Ferrer i Guàrdia was executed there by a firing squad.

In 1919, another 3,000 workers were imprisoned and between 1936 and 1938 Nationalists were held there during the Civil war.

Altogether 173 people faced the post-war firing squads, including the President of the Generalitat of Catalonia, Lluís Companys, on 15th October 1940.

The castle remained a military prison until 1960, and then on 24 June 1963 Franco presided the inauguration of a military museum.

Today the museum is open to visitors and also shows films in the summer in the moat; occasionally of people being shot.

The snow scenes were filmed around Lecumberri and Lesaca in the Valle de Larraun in Navarra. (Welles’ stay at the Hotel La Perla, where Hemingway also stayed, and his copious meals at the hotel restaurant Las Pocholas in Pamplona are still remembered).

Doctor Zhivago (1965)

The Russians are great lovers of poetry; something to do with the immense snowy wastes I’m told. It is therefore not surprising that to capture the heart and soul of a Russian poet, they should use an Egyptian actor.

Doctor Zhivago was released in 1965, except in Russia where it came out just a little bit later in 1994. As the book was banned in the Soviet Union, so the film was too, and of course that meant that the wide vastness of Siberia could be found nowhere else but in the Spanish province of Soria, a land where snow is always guaranteed; except when you actually want to make a film about Russia there, which naturally meant that they had one of the mildest winters on record.

Two streets of Moscow and a tramway were rebuilt in great detail in Canillas on the outskirts of Madrid. The site has since been urbanised and is now occupied by Calle de Silvano, near the Canillas Cemetery.

Also in Madrid, the Palacio del Capricho (Whim Palace!) belonging to the Duke of Osuna was used, specifically for the scenes of Zhivago’s funeral, where his brother (Alec Guinness) and lover (Julie Christie) have their last meeting.

The entrance to the palace in the park was also used for a scene where the scheming but really not a completely lost cause Rod Steiger meets Julie Christie for one of their illicit trysts.

Most of Robert Bolt’s screenplay was written in the Hotel Richmond, also in Madrid.

As he recreated Arabia in Franco’s Spain, so director David Lean recreated revolutionary Russia there, and had a good supply of Spanish soldiers to depict Cossacks massacring Spanish (Muscovite) extras singing ‘The Internationale.’ Good practice.

The famous dam at the beginning and end of the film, a tribute to the proletarian achievements of communism (or it would have been if Franco hadn’t built it!) and where Alec Guinness interrogates Rita Tushingham, is in fact the Aldeadávila hydro-electric dam in Salamanca province, on the border with Portugal on the River Duero.

David Lean must have liked his realism, and the scene where the woman falls while handing a baby into a moving train to escape carnage, was a genuine accident. This was shot at Aldealpozo in Soria and the woman’s name was Lilí Murati; after all, you can’t make an omelette without breaking a few eggs.

She survived with what journalists like to describe as ‘a few scrapes and bruises.’

Lili was actually a Hungarian actress who fled her native Hungary in 1944 when the Soviets moved in. She died in Madrid in 2003 at the ripe old age of 91.

Other parts of Spain were also treated to a sprinkling of Yankee dollars; the funeral of Yuri’s mother, with 8 year old Yuri played by Omar Sharif’s own son Tarek, took place near La Calahorra, Granada, specifically in the area known as Marquesado de Zenete, probably in order to use the Sierra Nevada mountains as a backdrop, impersonating the Urals.

The scenes of Yuri and Lara living their last days together in the ‘ice palace’ at Varykino were in fact manufactured using hot wax and marble dust as the snows refused to fall, and many winter scenes were actually shot in summer at 40 degrees, fur coats and all.

The battle on the frozen lake for example was shot near Candilichera in June with temperatures of over 30 degrees, using marble powder and plaster to simulate the ice. The Bolshevik cavalry galloping through the forest was filmed at Abejar, between the present day camp site and the Cuedar del Pozo dam.

The villagers of the tiny village of Candilichera couldn’t believe their luck when the studio offered to pay them the equivalent of two years’ harvest in order to use their land for filming the scenes at Varykino.

Mind you, the money wasn’t spread evenly, and when we visited the village some inhabitants remembered that while some landowners were able to buy a flat in Soria with the money, others got nothing.

Visiting Candilichera today it is easy to understand why they chose this area to make Zhivago. The wide open spaces around the village still have an isolated feel and very little has changed apart from the occasional electricity line and an expansion of sunflower crops among the endless wheat fields. There’s even an abandoned railway line.

Candilichera

The scenes of Yuri’s time in a World War One hospital were filmed in the fields around Gómara and Ólvega in Soria, with the Moncayo mountain in the background. Here were also shot the scenes of Yuri and Lara’s separation.

Near Candilichera they filmed the scene where the two Russian armies going to and from the front meet and have a bit of a disagreement with their officers, as well as the wheatfield machine gunning of young cadets.

The Ural Mountains were represented by the more modest El Moncayo Mountain, and the battle scenes were shot among the pine trees bordering the Cuerda del Pozo reservoir, which can also be seen when Yuri and his wife and father in law are riding towards Varykino the first time, and stop to contemplate Yuryatin covered in smoke.

The film is train spotters’ heaven; Yuri’s long train journey took him further away from Lara, and included stops at the stations of Tardelcuende, Matamala de Almazán (which represents Barikino where the family arrive en route to their summer residence), Villaseca de Arciel, Navaleno and Villar del Campo.

The station at Matamala has been turned into a summer residence with signs warning people (unsuccessfully) not to trespass. The train still runs through there from time to time on the Soria-Torralba line.

The station at Navaleno, hidden away among the pine forests used in the film, is now used as a hostel, although the Town Hall informed us that it is currently not used, and it certainly has an abandoned look.

The railway line has been left there as a reminder of its glorious past, although it is now part of a walking trail following the abandoned line from Hontoria del Pinar to Soria.

The station has a series of information boards explaining that Lean used it as his HQ while filming the train scenes, especially the meeting between Zhivago and Pasha, now transformed into Strelnikov, when Zhivago is interrogated.

San Leonardo

The tram scene, where Yuri doesn’t achieve his longed-for reunion with Lara at the end was filmed using the tram that used to go to Pinar de Chamartín in Madrid, and was shot around the Plaza de España.

Another train station used was ‘Delicias’, now a railway museum to be found at Plaza Delicias, Madrid. This is where Sharif and Geraldine Chaplin are first seen together when she arrives by train all dressed up in pink.

Madrid Delicias. Photo Courtesy Mark Yareham

The station at Guadix, Granada was also used, and represented the Russian Siberian station of Yuriatin, and Lipgrad station in Russia was recreated at the now disappeared station of Muñogrande in Ávila province.

Guadix Station

The city of Soria had its heyday during the making of the film, with every hotel occupied. The producers even rented out the local teacher training college in the Paseo de El Espolón as an administration building (today it is a health centre). Even today there is a Lara Cinema in the city. 80 sequences all in all were shot in Soria province.

The Hotels Comercio (now the Caja Duero Savings Bank), Las Heras, (now demolished), and Florida (now a police station) were all filled to the brim with actors and crew.

The people of Soria received their first ever children’s playground in the area known as La Dehesa, next to the Cafeteria Alameda, thanks to MGM. It was in this area that Omar Saharif would walk with his son in the evenings after shooting. The playground has since been replaced with a more modern one, but you can still drink from the same fountain as the Doctor on his evenings off.

Thanks to local expert and author Julián de la Llana for much of this information. In fact some of the furniture collected by artistic director John Box for the film came from Julián’s parents’ and grandparents’ houses!

The Battle of the Bulge (1965)

This was another of those great films showing heroic but gory tales of men standing ankle-deep in snow and mud, made possible thanks to the keenly available Spanish army with its World War II material and open willingness to abandon the defence of Spain’s frontiers in order to make a few extra bob as extras.

The film was shot mainly around Valsaín in the province of Segovia. When Henry Fonda is seen at the beginning of the film searching for the German army in a scout plane, the area observed is between Río Peces, and ‘Cruz de La Gallega’, on the western slope of Cerro de Matabueyes, a Spanish army artillery range.

The first skirmishes of the battle, when the Americans are overrun, are located in the Valle del Pinar de Valsaín, around ‘Los Asientos’ or ‘La Boca del Asno’.     

The attack on Ambleve, which the Americans initially repel, is actually on the town of Valsaín, seen from ‘El Parque,’ across which the Panzers advance. The ruins where the Americans resist are called ‘Torreón’ and are all that is left of the Palacio de Valsaín, built for King Felipe II and destroyed by a fire in 1686.

The fuel dump was located at Cruz de La Gallega, and the bridge that the Americans are unable to blow up because it has been taken by Germans dressed as Americans is on the SG 312 road between Valverde del Majano and Segovia, just north west of the city.

As regards the machinery of war, the Spanish army happily obliged: the German tanks were mostly M-47s of the Regimiento Alcázar de Toledo, whereas the Americans’ were M-24s, supplied by the Grupo de Dragones de Caballería Alfambra, based in Móstoles.

When Robert Ryan arrives at a chateau after abandoning Ambleve and decides to commit his tanks to the battle, few people will have problems recognising the same terrace (La Granja royal palace, Segovia) from which George C Scott would later make his ambiguous apology for hitting a soldier in ‘Patton’.

When Charles Bronson herds the army cooks out of their kitchen and into the fire, a large paella pan can be seen on the table; not exactly typical of Belgian cooking.

Crack in the World (1965)

One of many low budget films made by the same people who made ‘The Day of the Triffids’, using what resources remained from the Bronston empire.

The film details attempts to harness the energy of the Earth’s core and was filmed largely in Madrid at CEA Studios and at the Bronston lot of Las Matas.

The mountains in the opening scene are to be found at La Pedriza just north of Madrid, and the scene with the commission deciding on the scheme to exploit the magma at the centre of the Earth was shot in a Madrid museum.

Towards the end we see Doctor Rampion and his team drive through La Pedriza and then look down upon the sea, where a new volcano is brewing, although they are in fact looking down (once again) on the Santillana Reservoir, a trick employed by many makers of films in this scenery-rich area of Madrid.

Nevertheless, some real sea images were used, and were shot at the Saler beach, just south of Valencia.

Dana Andrews stars and Andrew Marton directs this story of two men who love the same woman with a sub-plot of their disagreement over whether they are destroying the world or not.

In the end the younger man gets the girl, but the older man (Andrews) gets to create a new moon (although nobody asked him to; especially the people on the toy train that crashes to its doom from the toy bridge).

There are many significant lessons to be learned from this film: when a woman is in danger she should channel all her energy into screaming; when trapped two miles underground in a collapsing complex, take the lift; when you want to shut yourself in the control room and die a hero, turn the dial that was clearly installed for the sole purpose of short circuiting the metal doors.

Don’t you miss this kind of film?

Finger on the Trigger (1965)

Confederate and Union soldiers show what they were fighting for, joining forces against the ‘Native’ Americans.

The film was set in Oklahoma, although everything including the fringe on top was filmed in Spain.

Madrid and Almería provided the locations. Close to Madrid the ‘Lega Michelena’ western township near Colmenar Viejo was employed.

Filming took place in Almería around Rioja, and the ramblas of Tabernas, such as El Cautivo, Llanos Mellado and Indalecio, as well as Venta de Araoz. A ‘Venta’ is an inn, and in this inn prisoners were kept during the Spanish Civil War. In the film it portrays a US Cavalry fort.

The film stars the aptly named Rory Calhoun, who on first seeing the desert of Almería described it astutely as: “acres and acres of nothing but acres.”

Victor Mature was supposed to be the star but managed to get lost on the way, and Sidney Pink directed.

Masquerade (1965)

Jack Hawkins does devilish deeds in Almería to separate an Arab prince and his oil, with authentic Arabian sand dunes provided by the Cabo de Gata.

Cliff Robertson also stars in a film about the kidnapping of an oil-rich Arab prince, with a lot of dusty action taking place in and around the castle of Santa Bárbara in the provincial capital of Alicante.

The castle first appears when Cliff is kidnapped and taken there in a wine lorry, which seems to get him drunk, although as he passes the whole film whiskey in hand, that isn’t difficult.

The castle is the HQ of the villains and a lot of the action takes place there, although from the distance there seem to have been some additional bits and pieces added to the original.

The climax of the film takes place around the under construction dam of Guadalest, Alicante.

10.30 P.M. Summer (1965)

Romy Schneider, Melina Mecouri and Peter Finch formed a fatal triangle in this film, directed by Mecouri’s husband Jules Dassin, and featuring old, dusty Spain as a background to the tense relationships between the three.

Another fatal triangle reaches its bloody conclusion as they arrive in Colmenar de Oreja, Madrid, where many Spanish films and TV series have taken advantage of the town’s ‘circular’ main ‘square.’

The first half of the film takes place here among the columnated rainy arcades, alleys and rooftops.

The town’s strange name in fact has nothing to do with ‘ears’, but is the Spanish interpretation of the town’s Roman name ‘Aurelia’.

After a drive among the dry mountains and wheatfields around Madrid, they hit the capital and, among other monuments we see the Cibeles fountain, the Don Quijote statue in Plaza de España and a curious Plaza Mayor when it was still a car park, until reaching the Palace Hotel.

In a climax with some typical Flamenco amongst hanging Halloween pumpkins and cured hams, manic Melina, we imagine, meets her fate somewhere in Madrid and everyone breathes a sigh of relief.

Sands of the Kalahari (1965)

Stuart Whitman, Stanley Baker and Suzannah York fight for survival after their plane crashes in South Africa, in deepest Almería.

Harry Andrews takes a break from his traditional screaming Sergeant Major roles and plays a man with a strange accent and a monkey on his shoulder.

The film directed by Cy Enfield, is memorable for presenting us with the least believable and most inexpensive plane crash in the history of film making.

The Tramplers (1965)

Joseph Cotten teams up with James Mitchum (son of Robert) in a western set in post civil war America, where some southerners don’t accept defeat.

Although an Italian production, the cattle drive scenes were filmed in Spain.

Joaquín Murrieta (1965)

Set in California, where even then some white folks were not too keen on having Hispanics clean their pools, this film, directed by George Sherman and starring Jeffrey Hunter and Arthur Kennedy, was one of many to use the Lega-Michelena township, built on the wild prairies of the Dehesa de Navalvillar to the north of Madrid.

The township was built by set decorators Augusto Lega and Félix Michelena in 1963 and today, Félix’s son Miguel Aroztegui keeps the flame alive maintaining studio facilities on the Dehesa right next to the site of the battle scene from ‘Spartacus’.

It is here that Joaquin has his first run-in with racist cowboys.

Unfortunately the township was demolished to make way for a helicopter base, although Miguel and a group of cinema enthusiasts are trying to have it rebuilt, and have set up some signs so that people can still locate the site.

Photo Courtesy Mark Yareham

The Alberche River, also used when Hunter played Christ in King of Kings, was used again as Joaquin starts to build his dream home. He later returns there to his wife’s grave.

Most of the action takes place among the boulder-strewn mountains of La Pedriza, Madrid.

Navajo Joe (1966)

Burt Reynolds rehearses for his role in ‘Deliverance’, but without the banjos, alongside a bunch of Italian secondary actors, plus Spanish actor Fernando Rey, in one of his favourite roles as a priest. The film was made all over some of Spain’s drier ‘Western’ scenery, such as Colmenar Viejo, near Madrid, Guadix in Granada province for all the train sequences, (the station of Esperanza was in reality Zújar-Freila), Tabernas in Almería province and Torremocha in Cáceres province.

In Granada a lot of the shooting took place at the 18th century Cortijo Anchurones de San Pedro at Fonelas, which is now a hotel. Specifically we can see on the hotel estate the hill known as Pico del Grajo, in the scene with the horse ride along the River Fardes just north east of Fonelas, and  the final fight that takes place with the Rambla de los Bancos in the background, situated between Fonelas and Guadix.

Reynolds apparently thought this was a Sergio Leone film, only to discover that Leone was not the only Sergio in Italy. This one was directed by Sergio Corbucci, who passed through on his way to obscurity, although the music was composed by the real Ennio Morricone.

The scenery is quite spectacular and Corbucci knew how to take advantage of the variety of scenery, with lush green prairies, snow-capped peaks and landscapes with soils of many colours.

A Funny thing Happened on the Way to the Forum (1966)

The ‘ruins’ of the sets from ‘The Fall of the Roman Empire’ were still lying about at Las Matas near Madrid, enabling Richard Lester to make this strange Roman parody. It seems dated today, but is the last film featuring Buster Keaton, who was dying of cancer at the time, but keen to revisit Spain, where he’d been in the thirties.

It was mostly made in the Bronston studios near Madrid, with some chariot ride scenes at La Pedriza, Madrid, and one scene, when Phil Silvers and his wife are off to visit her mother, where the town walls of Ávila can be seen in the background looking very post-Roman.

The forest that Keaton wanders through is the often used forest of Valsaín in Segovia.

The Roman aqueduct of Segovia also makes a brief appearance during the song ‘Everybody Ought to Have a Maid’ with a group of Romans parading across it singing.

At the end of the chaotic chariot pursuits towards the climax of the film, as a Captain rounds everyone up to take them back to Rome, a glimpse of Toledo and its Alcázar castle can be seen in the background, a view that Richard Lester would use again in his Musketeers Trilogy.

How I Won the War (1966)

Directed by Richard Lester, who also directed the Beatles films ‘A Hard Day’s Night,’ (in which co-star in this film, Roy Kinnear, also appeared) as well as ‘Help,’ the film is interesting for many people as it marked the first performance on screen by John Lennon being something other than a Beatle.

Lennon played a Second World War soldier ‘Private Gripweed’, a name worthy of his own imagination.  This was also the first time that the public saw Lennon wearing his Granny, or Trotsky (whichever way you lean) glasses.

Being a long way from home, and frequently bored, Lennon wrote one of his most emblematic songs, ‘Strawberry Fields Forever’ in Almería. Strawberry Field (as it is really called) was in fact an orphanage near his house in Liverpool, in whose garden Lennon played as a child.

The Spanish sections of the film, which were supposed to represent North Africa, were used for the most ‘English’ part of a surrealistic, funny film with a serious anti-war message.

The desert scenery used included Carboneras (in whose port they arrive in Africa), Cabo de Gata, Guardias Viejas and Tabernas, and the beaches of Matíl, Mónsul, Cala Príncipe and Mojácar.

As they set off on their journey across the desert Mesa Roldán castle appears briefly when the quaintly eccentric (or bloodthirstily mad) Grapple, played by Michael Hordern, shouts at his men from the top of it, inculcating military discipline and cricketing values.

Mesa Roldán

In the film the castle appears to be a round tower because it is seen from the side, although in fact it is considerably larger when seen from the front or back.

The tower was built around 1497 to resist the attacks of Berber pirates.

At the Rambla de Lanujar, the British are attacked by their own side, and at Rambla Otero they launch an incompetent attack on a German petrol dump.

The desert scenery and beaches of Almería in fact provided the battle scenes not only of the Battle of El Alamein, but also for the scenes representing Dieppe and Dunkirk (specifically this latter one at the Dunas de las Amoladeras at Cabo de Gata).

The hilarious scenes of a ‘crack’ (or ‘cracked’) unit of soldiers sent behind enemy lines with a roller to construct a cricket pitch (located at Rambla de Tabernas) were light years (journalistic language for ‘one or two’) ahead of their time, which may account for the film’s lack of commercial success.

The film is full of zany humour, which makes you unsure whether to laugh or ponder, as it was released at the time of the Vietnam War.

While in Almería Lennon stayed in a guest house called ‘Delfín Verde’ (Green Dolphin) at the El Zapillo beach in Almería, Calle García Cañas 2, and he spent time in a nearby restaurant ‘El Manzanilla’.

We stayed there in April 2022 and found in the reception a little tribute to Lennon.

According to the owner, our room was also Lennon’s, number 3.

Like Lennon, we had to change rooms the following day, as the noise of heavy machinery from the restaurant below kept us awake.

With the arrival of Ringo to celebrate Lennon’s 26th birthday on October 9th, Lennon’s wife Cynthia insisted that they move somewhere bigger, and they ended up in a mansion called Santa Isabel (also known locally as Casa Romero), which was also rented at other times by actor Peter O’Toole, and producer Sam Spiegel. It was here and at the beach that Lennon wrote Strawberry Fields.

The gate of the mansion, which has now been converted into a multi-functional centre dedicated to the cinema and in remembrance of Lennon, used to bear a resemblance to the gate of the real (although ‘nothing is’) Strawberry Field, in front of which tourists regularly pose during Beatle nostalgia tours of Liverpool. Cynthia Lennon, who would later own a pub in Mallorca, claimed that she and Lennon believed the mansion to be haunted.

Casa Romero

Lennon’s stay in Almería is commemorated by a statue of him playing his guitar, in Plaza Flores, by Spanish artist Carmen Mudarra, unveiled in 2006.

Lennon Statue in Almería

Lennon’s violent death in the film is, with hindsight, a tragic irony, as he looks into the camera and berates us in that we knew this was going to happen. In fact, special effects maestro Eddie Fowler has commented that a condom full of false blood was exploded on Lennon’s chest to achieve dramatic effect.

Lennon’s connection with Spain didn’t finish there. He returned to Spain, or more specifically as the song ‘Ballad of John and Yoko’ says to Gibraltar near Spain, to get married to Yoko Ono on the 20th March 1969, and four days later had lunch with the father of Surrealism, Catalan painter Salvador Dalí in Paris.

A Spanish film, ‘Vivir es Facil con los Ojos Cerrados’ tells the story of a Spanish English teacher driving to Almería in search of Lennon. The film’s title is a line from Strawberry Fields.

The Good, the Bad and the Ugly (1966)

Despite all the publicity that Almería gets for the trilogy, the climax in fact takes place in Burgos.

The bridge that Tuco and Blondie blow up during an American Civil war battle, was built especially for the explosion over the River Arlanzón in Burgos province by Spanish army engineers.

However, when it came to blowing the bridge the Spanish army Captain in charge didn’t warn Sergio Leone, and just blew it up without any cameras rolling. The army was so repentant with what had been done that the bridge was rebuilt, only to be blown up again two weeks later.

The prison camp ‘Betterville’ was inspired by the actual Confederate prison camp of Andersonville, where thousands of Union prisoners died, and based on steel engravings of Andersonville dated from August 1864.

Andersonville prison gave the English language the word ‘deadline.’ Its origin was a line beyond which Union prisoners, if they crossed it, were shot dead.

Today junior executives are shot dead (or the equivalent), if their reports are not in on time.

In 2024 the Sad Hill Cultural Association began work rebuilding the camp, following the success of their rebuilding of the Sad Hill Cemetery. The camp is located near Carazo in an área known as the Majada de las Merinas.

Also in Burgos, the town being shelled while goodies and baddies and uglies fight out their own battle was at Covarrubias.

The Valle de Mirandilla, also in Burgos, and right next door to the Santo Domingo de Silos Monastery, famous for the Gregorian chants of its monks, supplied the valley where the cemetery (Sad Hill) was built for the final shoot out, near Contreras, while the military hospital was the Monasterio de San Pedro de Arlanza, Covarrubias.

Valle de Tierra of Carazo

To visit the Burgos locations you should start at Sala de los Infantes, about 50 kilometres south east of Burgos. Drive towards Burgos on the N-234 to Hortigüela, and there take the road towards Covarrubias. After three and a half kilometres turn right and you will reach the location of the American Civil War Langstone Bridge Battle, with the trenches to the right of the road.

One kilometre further on are the ruins of the Monastery of San Pedro de Arlanza, which was the San Antonio Mission in the film.

San Pedro. Photo Courtesy Juan Angel Gonzalez

From Santo Domingo de Silos a signposted track heads up a valley which opens out into an upper plain, at the beginning of which is the site of Sad Hill Cemetery, the location of the final shoot out.

Sergio Garcia

The Sad Hill Cultural Association was formally created on 13 March 2014, being the founding members: David Alba, Antonio Sanz and Sergio García. Two objectives were set: to reconstruct the Sad Hill Cemetery to celebrate the 50th anniversary of the filming in 2016 and to enhance the value of the route that links the 4 filming points in the Arlanza Valley.

The association picked up the work of the Colectivo Arqueológico de Salas that had previously held activities related to the film and established ties of friendship with Almería. To achieve the reconstruction of Sad Hill it was necessary to obtain two permits, the first was from the owner of the land: Santo Domingo de Silos Town Council, but also from the Castilla – León Environment Council, as the area is a protected natural area: Sabinares del Arlanza Natural Park.

On Saturday 3 October 2015, the first volunteer day was arranged and throughout the weekends of that autumn, progress was made little by little in the unearthing of the stone circle, which had been buried by the passage of time. There was no trace of the stone wall or the crosses. In spring 2016, the Junta de Castilla León cleared the burial mounds of the tombs. Immediately afterwards, about 1,000 wooden crosses were placed, in response to the crowdfunding call “sponsor a tomb”.

On the 23rd of July, the authorities were invited to inaugurate the reconstruction and the following day, the film was shown on a giant screen, an event attended by 4,000 people.

Sergio says: “Five years later, we can look back and be proud of all that has been achieved so far, but our collective has continued with the mission of seeking the maintenance and institutional protection of the site. Interventions are also planned for the other 3 filming points. Last 2020, the Sad Hill to Betterville trail was signposted, an unprecedented route, giving added value to a place through a film.

Currently, another of the Association’s great challenges is the promotion of the Burgos Film Commission, with the institutional support of SODEBUR and Burgos Promueve.”

In July 2020 I finally realised an old ambition, to visit the Sad Hill cemetery, accompanied by founding member of the association, Sergio Garcia.

Sergio explained that the valley was suggested by a Spanish collaborator of Sergio Leone’s, Antonio Perez Giner, who had worked nearby on a film called The Castilian, an attempt to exploit the success of El Cid.

Using filters, the lush green of Burgos was faded and a closer approximation to New Mexico was achieved.

A documentary called ‘Sad Hill Desenterrado’ (Unearthed) not only got them onto Netflix but also a video call from Clint Eastwood himself.

The authorities finally woke up to the advantages of Cinema Tourism, and now the destination features prominently on the brochures of the nearest town Santo Domingo de Silos.

Today school trips visit the site and there is always movement, sometimes led by Sergio, suitably apparelled. The approach from Silos has been improved, you can now make it by car, and as Sergio pointed out, and as we saw for ourselves, there are always visitors.

When we were there about 12 people listened in as Sergio brought the famous scene to life, while four skulking hombres sheepishly attired themselves with ponchos and pistols, waiting for us to leave.

They no longer offer tombs for adoption, but there are always novelties, such as the flower-decked tomb for the recently deceased Ennio Morricone.

From here it’s a six kilometre walk to Carazo, where the prison camp scenes were shot. The location is 500 metres north east of the town, situated on a hillock known as Majada de las Merinas.

With a much bigger budget, following the success of the first two parts, the third and last part of the trilogy (hence the name ‘trilogy’) was largely shot in the badlands of Almería with 1,500 Spanish soldiers as extras.

The opening scene of the film was shot at Camino de la Rellana, and at Caserio del Campillo de Doña Francesca is Steven’s house, where he is killed by the sadistic Angel Eyes (Lee Van Cleef), although the interior was filmed at Cortijo de la Hoya Altica.

Las Salinillas is the spot where Blondie and Tuco meet the Union army, while at El Tablazo we can find the place where Blondie dumps Tuco in the desert. At Cabo de Gata are the famous dunes where Clint Eastwood is forced to walk in the desert by Eli Wallach as punishment, before they become intimate best friends.

The railway station, from where Tuco and Eastwood catch their train, was at La Calahorra, Granada, although a kilometre of track was also built, along with a ranch, at Hazas Blancas in Almería, and a town was built at Gérgal.

La Calahorra erected a series of commemorative statues in 2022, one of which depicts somebody resembling Eastwood, tucked away beside the cemetery, at the edge of town, as Clint and Bruce Springsteen would almost certainly have liked.

The monastery where Tuco meets his brother was the Cortijo de los Frailes, Cabo de Gata. Apache Canyon was in fact Cortijo Monterreal, and near Rodalquilar was the Castle of San Ramón, a Confederate fort in the film.

Later they visit Cortijo de los Frailes at Los Albaricoques as well as Cortijadas del Higo Seco, where Shorty was hanged, before moving into the desert of Tabernas, including Rambla Indalecio and Rambla Otero (where Eastwood and Wallach share out the bounty).

Rambla Otero, where share-out takes place

Cortijo de los Frailes has its own true, violent story, which was adapted by Federico García Lorca for his play ‘Blood Wedding’. In 1928 the owner offered a large dowry for his younger daughter. His elder daughter and son in law tried to trick him out of the money. However, on her wedding day the bride attempted to run away with her cousin. The plotters shot the cousin in the head and the younger daughter was half-strangled. Very Spanish.

Return of the Seven (1966)

The follow up to the immensely successful ‘The Magnificent Seven’ was filmed in Agost Alicante, and Colmenar de Oreja and Nuevo Baztán, Madrid.

The two main sets were built near Agost in the Serra del Castellar and the Serra de Los Tajos. The first village is easily recognisable because of the cone-shaped ‘Castell de la Murta’ mountain in the background.

Rubble and bits and pieces of the set can still be seen in the area that represented the Mexican village, once again ‘saved’ by Chris plus six.

The main Mexican ‘pueblo’ was situated near the Puente (bridge) de la Palmera (of the palm tree) and the waterwheel for the laundry scene in la Barranca (gulley) de Pina.

Yul Brynner himself also participated in a bullfight in Alicante, along with the bullfighter Curro Romero, in order to raise funds for the elderly. Brynner also helped raise 65,000 pesetas towards the building of the local school, La Milagrosa, situated in Carrer Joan XXIII.

On July 9th 2011, the Town Hall of Agost organised the first commemoration of the film’s making, with visits to the locations of the film, a meeting with local people who participated in the shooting, and a public viewing of Return of the Seven in the town’s open air auditorium.

Just two kilometres outside Agost on the road to Novelda on the left hand side, is the Bodega La Escandella, whose owner Delfina Marco, allowed the film makers to use her property for two weeks while shooting the cockfight and other interior scenes.

The barrels from the cockfight scenes are still there, as is a lot of Agost’s famous pottery, which is prominent in the film, but especially when Yul Brynner is hatching his plans to rescue the Mexican peasants.

The stairs through which Brynner and Robert Fuller enter to the cockfight were in fact a prop, although the stage on which the fight took place is still there, as is a sign from the production.

Bartolomé Canto Diaz remembers many details from the film as he was one of several boys with the unenviable task of carrying water from the village to the two Mexican village sets, built just outside the town. Not much is left to see of the villages, although Bartolomé took us over a hill to find the location of the campfire scene, where Yul and his compadres rest overnight on their way to face insurmountable odds.

Bartolomé

Bartolomé’s sister María Dolores is a local history teacher who has started collecting photographs and mementoes from the 1966 production and is in contact with many residents of Agost who witnessed the filming.

One witness who was in the middle of the shooting is Encarna Montoya, who was the double of Elisa Montés, ‘Petra’ in the film. Encarna has a Stetson full of anecdotes, and particularly remembers when she fell off the donkey onto the gipsy boy who accompanies her to find Chris, and whose parents were less than pleased.

In fact the Mexican peasants were mostly gipsies from Alicante who were bussed in every day, and according to Delfina Marco, were watched carefully by the Guardia Civil between takes.

Fernando Rey’s presence in the town was much appreciated during the three months filming, especially when he pointed out to the locals that they could ask for many more Yankee dollars than they were asking from the film makers.

He himself paid Bartolomé 100 pesetas to wash his car, when the weekly wage at that time was only 150.

Nuevo Baztán provided the locations for the brief scenes that show our heroes riding away from a prison, where Chris has found some of his willing compadres.

The scenes were shot around the Palacio de Juan de Goyeneche. First of all Chris arrives alone trotting along Calle Palacio, and then when there is a prison escape, he and his cohorts gallop away from Plaza del Mercado through an arched gate that remains there to this day.

Plaza del Mercado: Photo Courtesy Mark Yareham

The bullfighting scene for the film was shot at Colmenar de Oreja, as were the scenes after the bullfight where Chris is recruiting his men and finds two sevenths in a prison guarded by a jailer who, although he can barely dress himself, speaks perfect English, despite the fact that other allegedly Mexican characters speak Spanish with subtitles. Colmenar de Oreja’s main square with pillars stands out particularly in these images.

In one scene, Chris meets up with Petra in a corner of Colmenar’s square, and we can briefly see the ‘-cón’ from a bar sign which is Rincón (corner), a bar that is still there.

Colmenar de Oreja

Lost Command (1966)

Inevitably if you want to set a film in exotic locations such as Indochina and Algeria, the only logical place to make it is in Spain, give or take a jungle.

Having lost a war in Vietnam, a French officer played by Anthony Quinn accompanied by a more convincing French officer played by Alain Delon, decide to try their luck in Algeria.

The scenes set in Vietnam were shot at Almería’s Albufera de Adra, suitably transformed into rice fields.

The Salamanca Market in the El Molinillo district of Málaga represented a market in Algeria at one point, and the Port Authority building was the French army’s headquarters.

Madrid’s popular natural site with authentic western scenery at Dehesa de Navalvillar was also a location, and the final battle takes place at nearby La Pedriza, where Quinn’s troops launch a suicide attack on the Algerian position, held by that well known Arab actor George Segal. The set may well qualify as the most ridiculous ever made, with a clump of Greek columns perched on an outcrop of rock, looking as if they probably fell down even before they were put up.

The city of Almería’s Plaza Vieja provided the scene for the entrance of the troops into Cavas, and Calles Tenor Iribarne and Regocijos were used for the occupation.

Plaza Vieja

Some interior scenes were shot at the Hotel Solymar.

Quinn and Delon may have taken their role of aggressive, rebellious soldiers too far in Almería, where they ended up in jail having gate-crashed a bullfight.

At the end of the film Delon’s character rejects military excesses and walks away from the medals ceremony. The building he walks away from is the Military Barracks ‘Cuartel de la Misericordia,’ situated in Almería’s Calle General Luque, a building started in the late 18th century on the site of an old Arab mosque.

Misericordia Barracks

One Million Years BC (1966)

This is a film with a message, and the message is that socialism (of the blonde Swedish variety) will triumph over capitalism (dirty, sweaty, dog eat dog look out for number one etc).

Although it is a film about the past, it presents us with a vision of the future, where Man will live collectively in a sustainable artisan paradise, interrupted only briefly by the need to slay a dinosaur or two.

The model dinosaurs are really impressive, as are the iguanas, although scantily clad Raquel Welch causes the greatest caveman upheaval.

The first five minutes of the film consists of smoke, which might be an attempt to convey the idea of the Big Bang, or may be a budget deficit. When we finally see the “hard, unfriendly world” as the narrator describes it, we discover that we are in fact in Lanzarote, one of the Canary Islands.

The Timanfaya Volcano Park is the main location for this warm up for ‘Jurassic Park,’ along with the well-known green lagoon ‘Lago Verde’ at El Golfo, an unusual phenomenon where sea water has become trapped to form a lake, which has turned a striking green, due to algae, and which appears towards the end.

Teguise, Islote, Hilario and the beach at Caleta de Famara were also used; the latter for the scene where Raquel emerges from the sea after the attack by the ptenarodon.

Filming also took place at Las Cañadas del Teide (which is Spain’s highest mountain, located on Tenerife island), and some locations on Fuerteventura island too.

The famous sand dunes at Maspalomas on Gran Canaria island were also employed.

It’s not such a bad world really; all the men have ample chest hair, the women wear mini furs and most of the animals that attack are fairly inefficient, especially the giant tortoise.

In the end the tribes learn that they must co-operate if they are to prevail. A bit like Star Trek without space, the final frontier.

Kid Rodelo (1966)

This western was filmed around Madrid at Colmenar Viejo, Hoyo de Manzanares and Manzanares el Real representing Yuma, and in Alicante, where the dune and beach scenes were shot, representing the Gulf of Mexico.

Greed may be good, but if greed is gold, it’ll get you killed.

Actor Don Murray stayed in the Hotel Carlton in the Rambla de Alicante in May 1965 during the filming there.

In the same hotel, the lead actress Janet Leigh also stayed. Leigh was married to Tony Curtis at the time and accompanying her was their ‘kid,’ Jamie Lee Curtis.

Savage Pampas (1966)

Robert Taylor attempts to conquer the wild Pampas of Argentina, resisting the attacks of those who were already living there. The ‘savage’ scenery around El Goloso and Las Matas, Madrid was used.

The train scenes were shot on the line between Madrid and Almorox in Toledo province, where the Alberche river was once again put to good use for the women’s bathing scene and again when the carriage turns over during a pursuit by Indians.

The Texican (1966)

An Audie Murphy western filmed in the studios at Barcelona’s Espuglas de Llobregat, whereas the exteriors were shot near Fraga in the province of Huesca, although purportedly the action takes place in Mexico.

The film is also known as ‘Texas Kid,’ and deals with the typical ex-gunfighter who rides again to avenge his murdered brother.

The Fantastic World of Doctor Coppelius (1966)

The film is a curious mixture of ‘Swan Lake’ and ‘Frankenstein’, based on the ballet ‘Coppelius’. It was filmed in the Samuel Bronston studios in Madrid, featuring the ballet company and orchestra of the Gran Teatro del Liceo of Barcelona in a quaint fantasy full of dance and without dialogue.

El Greco (1966)

Mel Ferrer plays ‘The Greek,’ although most of us prefer Doménikos Theotokópoulos, who comes to Toledo to paint an altarpiece, falls in love with a noble young lady, who he is not permitted to marry, and is accused of witchcraft and heresy by the Inquisition. As compensation, Ferrer was allowed to marry Audrey Hepburn in real life.

As the credits roll we see young Doménikos riding towards the city with the Alcázar castle clearly visible in the distance. He then crosses the emblematic Saint Martin’s bridge to enter the city.

The film was made using interiors and exteriors of Toledo Cathedral for a funeral and Corpus Cristi procession, where Fernando Rey plays an ageing King Felipe II, and the Franciscan cloisters of San Juan de los Reyes are used for Doña Jerónima’s garden and for the first meeting between El Greco and Cardenal Guevera, as well as the convent where Jerónima seeks penance.

San Juan de los Reyes

Also used were the Palacio de Fuensalida, situated in the Plaza del Conde, where scenes of the madhouse were shot (and it may or may not be a coincidence that the palace is now the official residence of the President of Castilla La Mancha). El Greco spends some time there after Jerónima dies, and his son seeks him out there.

The Playa (Beach) de Safont on the banks of the River Tajo also features when El Greco and Jerónima first express their love with kissing and prancing as San Sevrando castle and the Alcázar loom above them.

Our thanks to Eduardo Sánchez Butragueño for this information. In the official credits thanks are given to a museum in Yecla in Murcia province, where they have 75 copies of El Greco paintings painted by local man Juan Albert Roses. The paintings toured Spain in the 60s and were on show when the film was made in Toledo. They can now be visited in Yecla’s Casa Municipal de Cultura.

Hallucination Generation (1966)

Like yeah man you know it’s uh like wow really. Actually the dialogue isn’t that good. Probably this film was made by subversive right wingers trying to scare people into going to Vietnam, where they would be safe from drugs and women with insatiable sexual needs.

Possibly the most subtle aspect is that the scenes where people are ‘tripping’ are shot in colour and the rest in black and white, which takes subtlety a step beyond.

A pity about the black and white though, as it means you cannot enjoy the full beauty of Ibiza’s limpid waters and attractive beaches.

Finders Keepers (1966)

As the world of teendom launched itself into Flower Power, Cliff Richard and the Shadows landed in Spain for yet another groovy romp among the Señoritas, and silly songs, including a homage to paella, which will be remembered for years to go.

An unlikely story about an American plane accidentally dropping a bomb near a small Spanish town where the boys are going to play. Much more believable is that it is the boys who decide to sort the problem out.

During the performance of ‘This Day’, Cliff rows his señorita through some subterranean caves, which could be those of Drach, Mallorca.

The Caper of the Golden Bulls (1967)

Like ‘The Sun Also Rises’, the bull running chaos of Pamplona’s San Fermín festival in Navarra provides the backdrop, although this time for stealing jewels from a bank, played classily by the Banco Santander in the Plaza del Castillo.

However, the film begins at the airport in Madrid, with a taxi ride past the Puerta de Alcala, and then past the Alcázar castle of Segovia and under its famous Roman viaduct. The two taxis then drive through a square under a castle and on to a coastal town, where they check into a hotel; quite a circuitous and expensive taxi ride.

In the next scene we are in Pamplona, where Boyd appears in a red sports car in front of the famous Caballo Blanco restaurant, where we also see the archway made by a room built over the adjacent Calle del Redin.

Caballo Blanco Restaurant

To get into the bank, the thieves run with the crowd along the route, including the famous Mercaderes curve, where the bulls notoriously fall over during San Fermín.

Having stolen the jewels and hidden them in one of the characteristic giant heads, so prominently worn in many Spanish festivals and parades, they emerge beside the Casa de Baños de Calderería.

The shooting in Pamplona took place on the 12th and 13th July 1966, although they had to organise their own run with extras in Calle Dormitalería.

The Town Hall appears three times and the cast stayed at the Tres Reyes Hotel.

Camelot (1967)

Camelot is of course a symbol of the ideal illusion of a perfect England, merrie as mead, literate and loving it, and based upon a rigid class system where everybody knows their place and wouldn’t have it any other way.

There is of course no more an authentic vision of that perfect England than Spain, where Spanish castle magic makes Tintagel look like a pile of rubble and Glastonbury Tor a mere pimple on the bottom of ancient Wessex.

Coca is in the province of Segovia, 50 kilometres from the provincial capital, and its 15th Century Mudéjar castle is Camelot in the musical of the same name starring Richard Harris, and Vanessa Redgrave, who champions the working class by sleeping with the King’s best mate.

Coca Castle

The friend in question is of course Lancelot, whose own castle is the even more famous Alcázar of Segovia.

You can tell Lancelot is French by the way he speaks about “the table round” and “a thing remarkable”, and by the way he lusts after our Queen, as all Frenchmen do.

The film ends with the sun rising over the Alcázar just before Arthur faces his sunset in the final battle against his greatest friend, while the Queen gets herself gone to a Nunnery.

On our visit to Camelot we were joined by local expert David Rubio, who with a group of friends is endeavouring to develop a better understanding of the history and archaeology of the castle and the town, and to post the information on the castle website that he runs.

David informed us that in front of the castle you can find the ‘Fonda-Restaurante’ Villa Paquita, where some of the actors slept and ate during filming, including Richard Harris and Franco Nero (Lancelot), whose signature in the visitors’ book is still to be seen.

Filming lasted approximately two months and supposed a boom in the economy of what was then an out-of-the-way provincial town.

Just to the south of the castle, a ‘circus’ consisting of caravans, tents and a canteen was set up. Various animals were hired, and as the schools closed at midday, the teachers would take the children to watch the shooting in the afternoon. Most enjoyable were the knights fighting on horseback and the spectacular falls of the stuntmen.

On the west side of the castle various trees were cut down and a bridge was built as well as an area of small fields to give the appearance of happy peasanty labour.

The filming marked the beginning of a relationship between Vanessa Redgrave and Franco Nero that would span decades, a relationship which was partly retold in fiction in the film Letters to Juliet, where Redgrave reencounters her old flame, Nero.

You Only Live Twice (1967)

The ‘Little Nellie’ helicopter chase was originally filmed in Japan at Ebino, although it’s mixed in with a plane crash that was filmed in Scotland.

The Japanese authorities wouldn’t allow explosions to be used in the area, which is a natural park, and so the scenes with the helicopter dogfight were completed in the skies above Torremolinos in Málaga province because the scenery appeared to be similar, although the ground is noticeably more arid.

The film begins in Gibraltar, which is supposed to be Hong Kong, where Bond’s death is faked almost as well as Hong Kong is, by not panning too far around to see the recognisable Rock.

Whether Hong Kong or Gibraltar, I don’t think the local authorities would have taken too kindly to somebody being buried at sea in the middle of the harbour. But then Bond is different, and 007 is always given a decent opportunity to escape capture and death by his enemies, such as by leaving him in an unpiloted plane instead of simply shooting him when he is totally within their power.

Custer of the West (1967)

However many times you see a version of Custer’s life, he just can’t seem to get away from ‘Little Big Horn.’ In this version he refuses the draw offered to him as the sole survivor and dies with a scream and a diatribe about how warfare is becoming a beastly business.

Inevitably Almería’s Wild West features in this version starring Robert Shaw, but Toledo is also featured, especially when a reasonably sized river was required for massacring Indians, in which case the mighty Tajo did nicely. The studio scenes were largely shot in Madrid, and according to Second Unit Cameraman John Cabrera, filming took place around La Pedriza.

Most of the filming took place in the area of Las Salinillas in Almería, particularly the scenes in which Custer’s men use cannons to kill a group of runaway Cheyenne Indians.

Other locations used include the Punta Entinas-Sabinar Nature Reserve, an area of sand dunes situated between El Ejido and Roquetas de Mar, where Custer’s men pursue some renegade Indians into the desert, the canyons of Sierra Cabrera between Mojácar and Carboneras, as well as a location near inland Níjar.

As usual the Cavalry built their forts in the most arid locations without a scrap of agriculture to keep them alive on a diet of beans and beans.

The opening scene is particularly entertaining, with Robert Shaw leading a cavalry charge that lasts about 5 years through the sandy landscapes of Almería; reminiscent of his Panzer charges in ‘The Battle of the Bulge’, also filmed in Spain.

 Jeffrey Hunter returns as a Cavalry Captain with a conscience, although obviously not as great a conscience as when he played Jesus Christ in ‘King of Kings’ in 1961.

Tobruk (1967)

Those popular sand dunes at Cabo de Gata in Almería once again stirred from their peaceful slumbers with the explosion of fuel dumps and minefields as Rommel is once again hurled back (when he’s not surging forward).

Rock Hudson and George Peppard lead the goodies on a suicide mission with spies and double agents swapping uniforms in a flurry until nobody is quite sure who to kill.

The scenes where we see sea were all shot in Almería, as was the port scene at the beginning.

Action took place around Carboneras and Llanos de Alquián, where the ambush scene was shot.

Arthur Hiller directed and Spanish soldiers from the Viator Barracks lent a hand and some arms.

The House of a Thousand Dolls (1967)

Vincent Price led the cast in this Horror B Movie, one of many made in Spain during the sixties and seventies with top notch horror heavies.

Set in Tangiers, and dealing with the white slave trade, Price plays a magician who gets involved with the trade due to his ability to hypnotise young girls.

Ceuta, Cádiz and Madrid are among the locations used.

Fathom (1967)

Raquel Welch surprises us all by toting a bikini in this frivolous film shot along the Málaga beaches of Torremolinos, Mijas, Nerja (where Raquel is serenaded down some steps by youngsters playing Flamenco music) as she walks down ‘la Cuesta de la Calahonda’ towards Playa Calahonda.

During Raquel Welch’s first meeting with Richard (is he a hero, is he a villain?) Briers, he picks her up after a parachute jump and gives her a lift.

As they drive and talk, to our right behind them we can see the castle of Sohail.

When Raquel goes horse riding with Anthony (is he the villain, is he the hero?) Franciosa, after they drop a body off a cliff, he drops her off in Mijas, with the castle clearly visible just to the left of the town.

The final aerial scene was shot above Nerja too, and also at Nerja there is the cobbled walkway down towards Papagayo, made famous locally because of its use by Raquel Welch in the film.

Skydivers, spies and Chinese villains stealing atomic bombs are all mere backdrop for the real plot, which is Raquel’s body.

And, just in case you weren’t sure that this was filmed in Spain, Raquel gets chased and knocked down by a bull in a bullring!

Bikini Paradise (1967)

As you can imagine from the title, this is neither Shakespeare nor a philosophical discourse about the pointlessness of pointlessness.

Instead it is the story of two American sailors marooned on an island in the South Pacific, which happens to be Gran Canaria, with filming taking place on the famous Maspalomas dunes.

Hopefully it is not the same Bikini Atoll where the Americans tested their atom bombs in the 1940s, lending its name to the explosive, smoky beachware.

The Long Duel (1967)

The British Empire in India had its ups and downs, as Trevor Howard and Yul Brynner discovered in this film, which was set in India but filmed in the province of Granada, where the snow-capped peaks of the Sierra Nevada are passed off as the Himalayas at the beginning and at several other moments of this film.

The interiors were filmed at London’s Pinewood Studios, but the exteriors were concentrated mainly around the village of El Padul, making ample use of the 16th century palace of the Counts of Padul.

The fort, on the other hand, had to be built for the film at a location called the Venta del Fraile.

Many local people were employed as extras, especially for the market scenes that were filmed next to the Palace (known locally as ‘Casa Grande’).

Today the mansion is only open to the public on Mondays, although there is a hole in the main gate through which you can take a reasonably good photo, such as this one.

Howard and Harry Andrews play good cop, bad cop, each defending the British Empire in his own way against its worthy although misguided subjects, led by Brynner.

Andrews describes Brynner’s tribe as “a pack of damned gypsies” and apart from the ‘damned’ part, he was probably right, as there were few Indians in Granada in 1967, but plenty of gypsies.

To capture Brynner, Howard imprisons the women and children of his tribe on a train heading towards Dehli in the film, but in reality the same steam train used in so many films made in the area, such as ‘Red Sun’ or ‘North West Frontier’.

The station of Najibabad was in fact Iznalloz, and when expanses of water were required the reservoirs of Cubillas and Bermejales were chosen.

There is a Spielbergian rope bridge scene, and it all ends in bloodshed, with many extras paying the price for the love-hate relationship between Howard and Brynner, who engage in some engaging male bonding, with a leopard making up the threesome.

The Christmas Kid (1967)

A child is born on Christmas day but the mother dies, leaving Jeffrey Hunter alone in Colmenar Viejo, Madrid to bring him up, a tragedy arising from the opening scene of the wagon breakdown shot on the rolling green plains of Dehesa de Navalvillar.

Cervantes (1967)

This is the story of Cervantes’ youth with locations all over Spain including Cartagena and Mar Menor, Murcia, Denia (for the port scenes representing Algiers, which is curious bearing in mind that when Cervantes returned from captivity to Spain, he actually landed in Denia), Alicante.

Mar Menor at Sunrise

There were some scenes shot in Granada, (where it was still economically viable to film in the sumptuous Alhambra palace, specifically in the ‘Jardines del Partal’ and in the dungeons).

Jardines del Partal

Filming took place in Alcalá de Henares, a beautiful University town near Madrid, where Cervantes actually lived, and where his house (now a museum) was used as a location, as was the patio of the Cisneros University.

Fernando Rey plays King Felipe II, while Horst Buchholtz plays the man himself.

The Bobo (1967)

This Peter Sellers film begins with an aerial shot of Barcelona, chiefly featuring the Tibidabo Amusement Park with its famous airplane ride clearly seen circling above the city. Looming over the park is the statue of Christ with outstretched arms perched on top of the Christo Rey Church of Tibidabo.

Peter Sellers as a bullfighter is about as believable as Mister Chance walking on water; so why not?

It’s a curious film for Sellers, neither especially funny nor serious. No doubt it was an opportunity to spend some time away from home with his wife Britt Ekland.

Frankly the highlight of the film is a Flamenco performance by La Chana, and you get the impression that Sellers knew it.

The film was intended as a vehicle for Ekland but by the time they were into it the marriage was practically over and Sellers lost interest.

Many of the street scenes were filmed in Barcelona, and near the end when Sellers, dyed blue, fails to find a remedy in a Chemist’s, he walks out into Barcelona’s famous La Rambla.

‘Bobo’ means ‘idiot’ in Spanish.

Grand Slam (1967)

Shot in Barcelona, New York, Paris, Rio de Janeiro and Rome, this ‘heist movie’ had an interesting cast with Edward G. Robinson, Janet Leigh and Klaus Kinski.

So far I haven’t located the Barcelona scenes; they may have used the city’s sewers as other film makers have, or some anonymous street scenes depicting Rio might be Barcelona.

OK Connery (1967)

Somebody cashed in on the Bond success story by drafting Sean’s brother Neil and Bernard Lee (M) into this parody.

At one point Connery flies into Málaga and we see the city and its bullring from the Gilbrafaro castle. Homing in on the bullring they find a dead Japanese girl.

The villain’s HQ is located beneath a castle in some caves, filmed at the Caves of Nerja, located at Maro, also in Málaga.

Bang Bang (1967)

Tom Bosley stars in a wholly believable tale of a little town in Arizona in the days of the Wild West, where a robot gunslinger and a castle brought over from Europe somehow blend in with characters suddenly changing into medieval costume, part of a fantasy of one of the heroines, who wants to turn a bad man good.

The castle is the frequently filmed Manzanares el Real in the province of Madrid, and is the redeeming factor throughout the film; the home of one of the villains, Bullock, who owns everything in town except the heart of the girl he secretly loves.

At one point the locals lay siege to the castle and there is an exchange of cannon fire, with Bullock defending his battlements single-handedly. In the final scene, Bosley uses the castle as a background to botch a redundant rocket launch in a film that will not go down in the annals of just about anything quite frankly.

The XV century castle, known as the Castle of los Mendoza, stands next to the Santillana reservoir, which has supplied water to Madrid and aquatic scenery to Hollywood over the years.

Construction began in 1475, and today the castle houses a museum and a collection of tapestries.

The castle is of course haunted, by a shepherdess called Maricantina. A local noble, the Marques de Santillana fell in love with her, but as often happens, she was considered unsuitable by the family and died of grief.

Some say she was a witch, probably his family.

Today she wanders through the castle singing sad love songs.

Maneater of Hydra (1967)

Also known as Island of the Doomed, Death Island, Island of the Dead and The Bloodsuckers, clearly not a healthy place for a holiday, although a group of cheerful tourists willingly go there.

Filming took place around Arenys de Mar and Sant Feliu de Codines, Barcelona, where we can find the mansion known as La Baronia, designed by a disciple of Gaudí, Joan Rubió y Bellver, which is the lair of the mad professor, (Cameron Mitchell) creator of the man (and woman) eating plants, who steal the show and most of the cast.

A Witch Without a Broom (1967)

Jefferey Hunter leaves aside his roles as Jesus in King of Kings and the first Captain Kirk from Star Trek, to play an American professor transported through time.

The film begins by situating us in Madrid, with a series of images; a lake with the Edificio de España in the background, the Arco de la Victoria at Moncloa and the Universidad Complutense, where ‘Professor’ Hunter is teaching. Our thanks to cinema expert Laura Tejerina for identifying these landmarks.

Edificio España. Photo Courtesy Mark Yareham
Arco de la Victoria. Photo Courtesy Mark Yareham

Hunter is whisked around the centuries by the wizard Wurlitz’s daughter, and on his first landing we are given some perspective when we see a medieval castle, which is that of San Martín de Valdeiglesias, Madrid.

Photo Courtesy Mark Yareham

The Fickle Finger of Fate (1967)

 Jeffrey and Tab Hunter were friends, and so when they coincided in Madrid to make films, they decided to swap, thinking that the producers wouldn’t notice; and apparently they were right.

Tab Hunter is the victim of a plot to steal a candlestick, ‘the finger of fate’ from a church.

The farce was played out in Madrid, although there are no significant locations, and the airport doesn’t look much like Barajas.

The church is supposed to be at San Sebastián, on the road to Barcelona, but could have been anywhere.

The hotel in Madrid was in reality the Hotel Skol in Marbella, Málaga, where interiors and exteriors were shot, excluding the inappropriate Mediterranean Sea.

Tab Hunter face down in a bidet may be the stellar moment of the film.

Run Like a Thief (1967)

A mercenary steals some diamonds and the chase begins, led by Fernando Rey as Colonel Romero.

In Madrid we can see the Alameda de Osuna and the gardens known as ‘Jardín el Capricho,’ a popular park built by the Duquesa de Osuna, between 1787 and 1839.

Its gate provides the entrance to the Hotel Gran Palacio, and its gardens are well employed as the villains’ hideaway at the end when Johnny escapes and swims across the border, in reality one of the lakes in the park. Unfortunately all of that takes place in the dark.

Filming also took place in Guadalajara, probably the river scenes, although everything is supposed to take place in Venezuela.

A Minute To Pray, A Second To Die (1967)

Yet another Spaghetti western but with good actors such as Robert Ryan and Alex Cord.

Filming took place in the desert of Tabernas, Almería, when they could find an unoccupied pile of sand to shoot.

José Enrique Martinez Moya points out in his book Cabalganda Hacia la Aventura that the spa and village at Alhamilla represent Escondido.

Some scenes were shot among the boulders of La Pedriza, Madrid.

Duffy (1968)

James Coburn takes the money and runs in yet another film made in Almería, where Tangiers, Oran and Marseilles are represented by Almería harbour, Cabo de Gata and its lighthouse, and the beach at Mónsul, where a set was built to represent the Cabo del Oro Nautical Club, whereas the city of Almería represents Beirut. The Alcazaba castle is seen from Duffy’s terrace every time a panning shot of the harbour orients us.

So as not to confuse matters, the other stars hired for the film were James Mason and James Fox. Suzannah York (everybody referred to her as ‘James’ on the set), was chosen as Miss Tourism 1967 by the local authorities.

The Magus (1968)

Despite being set on the Greek Islands, various scenes of this adaptation of John Fowles’s novel ‘The Magus’, starring Michael Caine, Candice Bergen and Anthony Quinn, were shot in the Balearic Islands.

The incidence of the Colonels’ coup at the time may not be unrelated to the use of Spain instead of Greece, plus the use of a troop of Nazi soldiers, which might have gone down better in Franco’s Spain than in the cradle of democracy.

The first nudist beach in Mallorca, near Magaluf in the south west of the island, has the same name as the film, in Spanish, ‘El Mago’, and was named after the film.

Some of the buildings used in the film can still be found about a 100 metres from the beach, and today in this idyllic area of tiny coves and clear blue water, you’re unlikely to be troubled by the meaningfulness of meaning or the true nature of truth. Unless you really want to be.

Villa Rides (1968)

Three kilometres from Colmenar Viejo station the attack on the train scene was filmed on the Madrid-Burgos line. As Robert Mitchum’s plane swoops and shoots, we can see behind him the church of Colmenar Viejo. The nearby popular natural site of Dehesa de Navalvillar, with its authentic prairie scenery was another location.

The film also stars Yul Brynner and Charles Bronson, wearing his moustache for the first time on-screen, plus Spanish actor Fernando Rey (as the Mexican army Colonel Fuentes) and a lot of secondary Spanish Mexicans who are all following Pancho Villa, played by Brynner, across the deserts of Mexican Spain.

The town of Conejos, which is attacked and taken by Villa’s men, was in fact Escalona in the province of Toledo, and the bridge across the river, where Villa’s men attack, is below that town, crossing the River Alberche.

Since the film was made, the vegetation has almost strangled the bridge and it is now impossible to get a clear shot of it from where the camera was positioned during filming.

Play Dirty (1968)

The Dirty Seven plus Michael Caine might be a better name for the film in which a group of mercenaries take on Rommel’s finest and, surprisingly, lose; but then again so does Rommel.

Once more Almería is a convincing North Africa and Michael Caine and his crew explore the greys and yellows of the dry gulleys and ravines, which they blow up, pausing only to rest at the occasional oasis (the same one placed there for Lawrence of Arabia in the Rambla Viciana six years previously), and which they don’t blow up, merely slaughtering a group of Arab tribesmen, and playing hide and seek with the Germans and also a commando of thoroughly decent British chaps …….. who get blown up while Caine’s men look on dirtily.

Rambla Viciana

The Ramblas of Tabernas and Moreno are some of the chosen locations, as well as Rioja and Pechina, where the Arab market was created; all in Almería; whereas the port scenes, where Allied troops disembark and Michael Caine makes his first appearance and first impersonation of Lawrence of Arabia,’ were shot, although not blown up, in Roquetas de Mar, just south west of Almería city.

The inevitable fuel dump was situated at Cabo de Gata, among whose sand dunes there is a lot of clambering, and nearby, the village of San Miguel de Cabo de Gata is the desolate looking village they visit after the fuel dump fiasco.

Endless sand and distant horizons, which they try to blow up, and the nagging question of whether or not you can play at war in the same way that you can play cricket, are the bread and butter of this film.

The base from where they set off to cause all this destruction was actually a location used for ‘The Good, the Bad and the Ugly’, and it is the Cortijo de la Hoya Altica, located on the Retamar to Cabo de Gata road about one mile from Retamar.

The presence of Vivian Pickles as the fighting German nurse is welcome, if only for the tantalising suggestiveness of the name.

The film is co-written (all the twisted, philosophical stuff presumably) by Melvyn Bragg, including the unexpected ending, which was shot at Roquetas.

Our thanks to Almería cinema expert José Enrique Martínez for his help with the locations here.

The Immortal Story (1968)

Another Orson Welles showcase in which he writes, directs and stars in a film made in Madrid and Paris and featuring Chinchón’s famous square, even though the action is supposed to take place in the Portuguese colony of Macao in the 19th century.

Mr. Clay, a merchant, is now quite old after many years liberating the Chinese of their wealth. His clerk Levinsky tells him a story about a rich man who paid a sailor to father a child with his beautiful young wife, and Clay, who doesn’t like finding ghosts in his machine, resolves to prefix a non- to this fictional story.

Orson enjoyed himself greatly in Chinchón, especially the early morning glasses of the famous local anis, a transparent fire water made from aniseed, as well as the local T-Bone steaks, known in Spain as ‘Ávila’ steaks.

He also enjoyed the summer bullfights in the oval shaped main square with its terraced restaurants.

It is in a house overlooking the square that the clerk negotiates with Jeanne Moreau her participation in his non-fictionalisation of the story.

The square, looking a lot tattier than it does today, is also the location where the inevitable Fernando Rey tells two friends about Mister Clay at the beginning of the film.

Welles stayed in a house on Calle del Toledillo and employed practically the whole town as extras. Today visitors can see photos of the great man, and other celebrities in the tavern called ‘Cuevas del Vino’.

There is an anecdote that while filming he fell into the ‘Fuente del Moro’ fountain, got out and carried on filming and laughing.

The frugal interior scenes were largely shot in his own house called ‘Aravaca’, in a rural housing estate called Colonia Camarines, near the road between Madrid and La Coruña.

To add a touch of class, the soundtrack is by Erik Satie and Segovia Cathedral also features in the film, as do the main squares of Brihüega in Guadalajara and Pedraza in Segovia.

In Brihuega we also see the district of this small town known as Barbacana del Coso, where swaying boat sails were fluttered in the square to make it look like a port.

Brihuega

The house used in the square for filming has since been demolished, although local residents still remember the ‘Chinese’ house that Welles decorated.

Beyond the Mountains/The Desperate Ones (1968)

Inevitably when two Polish brothers escape from a Russian labour camp after the Russian occupation of Poland during World War II, they try to make their way to Afghanistan ‘on the road’ through Siberian Spain; at least that’s where they shot this film starring Maximillian Schell and Irene Papas. Fernando Rey offers them some help along the way.

Among the Russian locations used were Valdemoro, Colmenar Viejo and Navacerrada, near Madrid.

Shalako (1968)

This is a film that shows the vast emptiness of the desert of Almería, even though in the opening scenes, the snow-capped mountains of the verdant Sierra Nevada, with the highest mountains on the Iberian Peninsular, can be glimpsed in the background.

Another western off the conveyor belt filmed around Tabernas, the only novelty being that Sean Connery is the star, and is accompanied by Brigette Bardot, whose make up is denser than Indian war paint.

By this time Connery was a regular in Almería’s Hotel Aguadulce, where many film stars have stayed.

Today the hotel is called Sheraton Playadulce and although somewhat decadent, in the nicest way, still has some stylish features and a hint of great times passed.

Furthermore there is a corridor with themed rooms and music for western fanatics.

Around the Ramblas de Tabernas they filmed the scenes with the stagecoach full of disloyal guides being attacked and killed by Indians.

In the Rambla de Lanujar they filmed the scene where Shalako, (Moses Zebulon ‘Shalako’ Carlin to give him his full name) is hiding from the Indians.

At Las Salinillas he sleeps his siesta, and the hunting party’s camp site is at the beach of Mónsul, although no sea is to be seen. The camp site, situated in a ruined farm building, is in fact the only construction in the whole film, which probably made a larger budget available for all the bullets fired inaccurately at the Indians, who once again are the victims of the treaty-breaking, fork-tongued white men, but still manage to be the baddies.

Las Salinillas

Eric Sykes adds a surreal touch to the cast as the butler serving formal dinners to the hunting party of toffs in the middle of the wilderness, so sparse that it is a wonder it can feed so many people.

Once Upon a Time in the West (1968)

Henry Fonda plays the baddy for once, in a film by Sergio Leone, filmed in both the USA and southern Spain, specifically Tabernas in Almería and La Calahorra in Granada, where the Flagstone set was built next to the railway station, at great cost, and based on old period photographs of Abilene, Texas.

The film opens with three gunmen awaiting the arrival of Charles Bronson on a train, and not exactly for the purpose of getting his autograph. The station in question is the abandoned Calahorra station, which once transported coal from the mines of nearby Alquife.

Behind the same station Leone spent the outrageous sum of 250,000 dollars to build Flagstone, whose ruins can still be visited today, but be careful not to fall over the grazing sheep.

The McBain house is now used to host cowboy shows and is a rather rundown theme park known as ‘Western Leone,’ situated in a place known as Hazas Blancas near Gérgal.

Jason Robards also participated, and was accompanied by his wife, Lauren Bacall, from whom he would be divorced the following year. They stayed, along with the other stars, at the Hotel Meliá Aguadulce (now Sheraton Playadulce).

The film demonstrated Leone’s increasing success, being shot partially in the USA. In fact one buggy ride that started off in Almería, ended in Monument Valley, Arizona, Leone’s tribute to John Ford.

A Twist of Sand (1968)

Although set in Malta and the Kalahari desert, this smuggling story also used locations from Almería, and included Honor Blackman in the cast.

Once more the eternal dunes of Cabo de Gata throw sand in our eyes as the embittered men (and Honor) trek across the desert to find their treasure and their angst.

Before that however they pay a call to a small port, supposedly along the South African coast, which was in fact Roquetas de Mar.

The dusty Almerian coast features extensively, except in the scenes where the boat is clearly a toy one.

The place where they find the sunken German submarine and disembark to hunt for the diamonds is at Rodalquilar. José Enrique Martinez, Almerian cinema expert, informed us that this point is called Los Amarillos, and is located below the castle of San Ramón.

A film that reinforces the notion that while war does strange things to a man, diamonds are his worst enemy.

The Face of Eve (1968)

The film is set in the Amazon jungle and partly made in Brazil, but with some interesting Spanish locations such as the Monasterio de Piedra (which despite its name ‘the Monastery of Stone’ is a spa), situated at Nuévalos, Zaragoza. There we find the waterfall, an icon used in various films. Towards the end, Diego (Herbert Lom) meets his death falling over it, although the images are mixed with other, bigger waterfalls.

When Eve and companions go to the ‘mountain’ to search for the cave with the treasure, they wander all over the rocky summits of La Pedriza near Madrid.

The treasure was left there by conquistador Francisco de Orellana, the man who named the Amazon.

The Poblado de Lega-Michelena at Dehesa de Navalvillar near Madrid, a Wild West town built for spaghetti westerns by its founders Lega and Michelena, was also used for filming the saloon scenes.

Deadfall (1968)

Michael Caine is involved with diamonds and thievery in Madrid and Mallorca in a film by Bryan Forbes that is based on a book by Desmond Cory, who himself lived in Córdoba from 1953, marrying a Spanish woman and finally returning to Málaga in 1996, until his death.

At the beginning of the film we find Caine in a detox clinic, which in reality is the Castillo de Bendinat, a private castle (today with a golf course, as ‘private’ often is), whose construction began in 1855.

Photo Courtesy Eva Dominguis

After leaving the clinic, Caine takes a train across the plain of Spain, ending up at the Delicias railway museum in central Madrid, which still has steam trains.

The scene where Caine attempts to first rob, and then steal a safe, was shot at the Marivent palace in Palma.

Caine scales the facade while the rich owners exit from the front door and then through the main gate of what is now the summer residence of the King of Spain.

The scene is interspersed with music written for the film and directed on screen by John Barry, accompanied by the Catalan classical guitarist, Renata Tarragó.

Mallorca resident Robert Graves is another personality to have a cameo appearance.

After the robbery the action returns to Madrid and husband and wife Giovanna Ralli and Eric Portman celebrate their success at a lakeside bar, on the banks of the lake in Madrid’s Casa de Campo.

Also in Madrid there is a concert, which takes place at the The Royal Theatre, Plaza Isabel II, Madrid.

Ralli celebrates the robbery by giving Caine a sports car and they drive off to spend a day at some gardens, which are the ‘Jardines de Alfabia,’ near Bunyola in the centre of Mallorca.

A costume party is later held, and the location is Son Termes, now a banquet centre also near Bunyola.

Cala Gat, a cove on the western extreme of the island was also used, as is the less delightful Palma cemetery, where Caine is buried……oh sorry, is that a spoiler?

The Vengeance of She (1968)

The follow up to ‘She’ but without the stars; some light porn set in Monte Carlo and Africa, with Almería standing in for the latter.

In Almería capital scenes were shot in the port and the terrace of the Club de Mar, while the cave scenes were filmed at Cuevas de los Medinas.

In the port the yacht with all the main characters, including dead George, arrives, and in the club, Phil and Harry decide to go off in pursuit of Carol, who is being drawn by mental powers to her appointment with immortality. All clear so far?

After some scrapping with hostile Arabs, during which Harry is killed in the only water for miles around and their jeep plummets from the same hilltop as Indiana Jones’ tank at the Tablero de Alfaro, Las Salinillas, Phil arrives at the cave complex of Kuma via the gulleys and arid scenery of Almería.

Tablero de Alfaro

Boy saves girl and immortality isn’t all it’s cracked up to be.

Son of a Gunfighter (1968)

Fernando Rey doesn’t appear in this film….no, I’m joking, of course he does.

Russ Hamlyn, who would later rise to fame in the TV series ‘Hawaii Five O,’ plays a character straight out of Greek tragedy; after 20 years of turmoil, in which he is obsessed with killing his father, he finally finds him and then saves his life, only to have someone else kill him when they are reconciled.

Fernando Rey spends seven years ignoring his daughter because the mother died in childbirth, but finally hands his daughter over to Russ when all the killing is done.

The scenery is the holm oaks and boulder country to the north east of Madrid, and in the early scenes when Russ’s stagecoach is ambushed, we can see the Santillana reservoir near Madrid in the background.

The Day the Hot Line Got Hot (1968)

An international spy thriller in which the hot line is the red telephone and Barcelona is the main setting.

This was Robert Taylor’s last film –made with George Chakiris, Broderick Crawford, Charles Boyer and Edward G. Robinson. Chakiris works for IBM in Stockholm and is transferred to Barcelona.

The studios used were at Esplugues de Llobregat Balcázar Producciones Cinematográficas, Baix Llobregat.

Switched trunks and the inevitable troupe of Chinese acrobats provide some unforgettable moments, which come together at a Chinese theatre in Barcelona.

 The Wild Racers (1968)

Teen pop star Fabian plays a stock car racer who moves to Europe and changes girlfriends as often as Formula One drivers change tyres.

Although supposed to be the number two driver, when given a chance he proves his merit and wins the Spanish Grand Prix.

The film was shot on the circuit of Jarama, San Sebastián de los Reyes, Madrid.

Kiss and Kill (1968)

Christopher Lee once again takes on the role of the evil Fu Manchu in a film in which the most frightening aspect is the acting.

The jungle scenes were shot in Brazil and the rest in Madrid by Jess Franco, the Spanish director in a film that seems to have borrowed the Rank cymbal and many other props apparently bought from a toy shop, whereas the studio sets are giant melted Lego blocks and the costumes rejected by the Whitby Women’s Guild pantomime for being too gaudy.

Nevertheless, some films are so bad that they eventually acquire cult status, and this could well be one of them. Lines such as “cold tea, no horses; I wonder why I go abroad” will surely stand the test of time, and if Biggles had swooped in at any given moment, then nobody would have been too surprised.

Christopher Lee must have been killed a great many times as Dracula to have turned in such a wooden performance. Perhaps the stakes weren’t very high.

Ace High (1968)

Cat Stevens changed his name to something less memorable, so why shouldn’t Mario Girotti change his name to Terence Hill, who in this film is known as Cat Stevens?

More blood and sand down Almería way with Bud Spencer and Woody Strode providing the brawn, while Hill and Eli Wallach provide the other stuff.

Among the locations were Oasys western township, Western Leone, Llanos de Duque, Llano Trujillo, El Nazareno, El Hornillo, Los Albaricoques, Cortijo El Fraile and some carnival scenes shot in Adra.

The film gets in on the whole name changing business, occasionally being known as ‘Boot Hill.’

White Comanche (1968)

Quite how William Shatner got through this film without asking to be beamed up a few times is a bit of a mystery; ditto Joseph Cotton.

It’s not as if he needed the money; he was after all already Captain Kirk by this time.

Perhaps it was a free holiday in Spain, or the fact that this was a golden epoch for Spanish westerns, with Sergio Leone in full flight. Or perhaps it was the chance to play two roles; Cowboy and Indian twins.

Filming took place around Colmenar Viejo and Manzanares El Real near Madrid.

The authentic boulders of La Pedriza appear frequently: when Johnny Moon (good Shatner) is ambushed by García’s brother, the Indian attack on the Atlas Mining Company, where Noah (bad Shatner) shows just what Peyote can do to a man (this was ‘68 remember) by killing his own wounded, and the scenes at the Indian camp.

The western township that formed the centre piece of the action was the Lega and Michelena township. When the Shatners fight the final duel, at one point we see the Santillana reservoir far off in the background, and the snowy peaks of the Guadarrama mountains are also seen more than once.

They Came to Rob Las Vegas (1968)

Filmed in the Almería desert around Tabernas, where film makers compete for square metres of sand like roasted tourists on Benidorm’s beaches, a great cast for a heist movie, including Gary Lockwood (he who made ‘2001’ and then dropped off the face of the planet), Elke Sommer, Lee J. Cobb, and Jack Palance.

The story centres around a gang’s obsession with robbing a high-tech armoured car. When they make their bid in what is supposed to be the Mojave Desert, they in fact used the dunes of Cabo de Gata, and built the road on the foundations laid there for the ambushed train in the classic film ‘Lawrence of Arabia.’

Filming also took place in Madrid and Barcelona, mostly street and hotel scenes, although in Barcelona, the modernistic flyovers of the Plaza de las Glorias, provided another heist location, where the unsuccessful assault on the armoured car was inserted into scenes from San Francisco.

Spaniard Antonio Isasi directed.

Massacre Harbour (1968)

A composite of three episodes from the popular ‘Rat Patrol’ TV series, the film was designed to milk the golden egg; or something like that.

Almería provided a believable version of North Africa, where the Rats and Rommel’s men could ride about and blow things up.

Laughter in the Dark (1969)

No man is as blind as one who won’t see; or something like that.

It would have been interesting to see Richard Burton in a film based on a book by Nabokov, but he was fired at the beginning.

Nicol Williamson stepped in as Sir Edward More, in the good old days when an English Lord would quite naturally take his pistol on holiday.

More is pretty thick, even for an English Lord, and doesn’t realise that middle aged men who become obsessed with superficial bimbos usually end up sprawled on the cellar floor; metaphorically of course.

More, bimbo and his male secretary spend the second half of the film in Mallorca at various locations, but mostly at S’Estaca, a villa that 20 years later would be bought by actor Michael Douglas. Much much later it was used again in the TV series White Lines for an orgy in the first episode.

The Royal Hunt of the Sun (1969)

Let’s be nasty to Native American Indians, but south of the border for a change.

The opening shot of a castle wall claiming to be Toledo is quite clearly the wall of Ávila.

The studio work, even some shots of the impressive footbridge over the gorge, was done in Sevilla Studios in Madrid, with scenes in the village of Pedraza in Segovia.

Pedraza

When Pizarro, played by Robert Shaw, arrives in Peru, apparently in the Spring of 1530, we see his men riding up and down the dunes of Cabo de Gata in Almería for a few minutes before capturing a Native, who sends them off into the snowy peaks of the Sierra Nevada mountain range in Granada province, where the highest peaks of the Iberian Peninsula soar.

After giving them directions, the Native falls ominously on his own knife, but our glorious 167 men are not deterred and go on to conquer the Inca kingdom with the old “oh yes, I’m a God too” ruse.

Christopher Plummer steals the show with an indescribably camp performance as Atahuallpa, who would not be out of place swirling across the Alps along with Julie Andrews in the Sound of Music.

As this was the 60s, and weirdness was all the rage, the scene of the massacre of unarmed Incas inside the castle is accompanied by loud Flamenco music, while Plummer whinnies along with his priests sounds that seem to have been inspired more by the Goon Show than by the Inca or any other culture.

100 Rifles (1969)

This Mexican adventure with Raquel Welch and Jim Brown was filmed mostly in Almería, with shooting taking place around Rioja, Níjar, Tabernas, El Nazareno and Senés, as well as Valle del Búho and Lanújar.

Around Madrid they filmed at the station of Villamanta, next to which a whole Wild West town was built, and the train crash and final showdown occurred, with more deaths than the entire population of Mexico.

The opening shots of Indians hanging (literally) around the station give us an idea that we are in for some serious killing. Also in Madrid province, the ruins of the monastery of Santa María La Real de Valdeiglesia at Pelayos de la Presa were used for the scene in which Burt Reynolds, Jim Brown and Raquel Welch meet up after escaping from the Federal troops, and are arrested again, although one of the Indian tribe escapes.

Between these two scenes, the scenery they pass through is many miles away in Almería. The Cortijo where the federal soldiers have their HQ, and enjoy executing innocent Mexican peasants who only want a decent crust of bread and a revolution, is the Cortijo del Cura in Almería, just north of la Boca de los Frailes.

The Indian village where the heroes sort out their 100 rifles before moving on to the attack is Polopos, a small village in Granada province about 20 kilometres east of Motril.

Filming also took place at the famous cliff caves of Almagruz.

The scene with the water tower, in which Raquel’s charms under a jet of water lure the Federal soldiers into an ambush, was filmed near the station of La Calahorra-Minas de Alquife, near Guadix in Granada, although the tower was especially built for the film. This 12 kilometre line once belonged to the British company the Alquife Mines and Railway Cº Ltd.

As the German officer rides off after the final massacre and Raquel appears as beautiful in death as in life, some unfortunate telephone or electricity cables are briefly visible, perhaps to ease us back from the violent past into the comfortable world of the 21st century.

Raquel was brought back to life in Almería in May 2005 when the authorities paid tribute to her for her role in this film and in ‘Hannie Coulder’ at a gala dinner.

Over 750 extras were employed during the making of the film.

The Battle of Britain (1969)

It may be true, as Churchill said, that “never in the field of human conflict was so much owed by so many to so few,” but when they actually got around to making the film of The Battle of Britain, the production team had managed to assemble the 35th largest air force in the world. Not so few after all!

The logistics team certainly did a thorough job, and it’s as well that they weren’t on the German side back in the 40s when Britain’s grey skies were darkened by Goering’s Luftwaffe.

In the film however, the enemy were our familiar, friendly Spaniards. The Heinkel 111 bombers used in the film were in fact Spanish built CASA 2111 bombers, whereas the Junkers Ju 52s were Spanish built CASA 352s. The Bf 109s were actually Spanish Hispano HA-1112 Buchons.

Twelve out of the twenty seven Spitfires found were airworthy, and three out of six Hurricanes. About 50 Messerschmitt 109s were obtained from the Spanish Air Force, seventeen of which were eventually used and flown in the film by Spanish Air Force pilots. Many mock-ups of Spitfires and Hurricanes were fitted with lawn mower engines so that they could be taxied around the airfield.

The 32 Heinkels, with crews, were lent by the Spanish Air Force, as were the two Junkers 52. Unfortunately the film makers were only allowed to take two of the planes, used by the Spanish air force for training purposes, back to the UK, and so the scenes involving them were nearly all shot in Spain at the Tablada air field near Sevilla, the planes being flown by Spanish pilots led by Pedro Santa Cruz, who cut his teeth flying German planes during the Spanish Civil War.       

The airfield was also used at the beginning of the film when a German General inspects his planes just after the credits.

Although neutral in 1940, the Spanish were lending a hand in the war effort by 1969 contributing El Corpero air base, Sevilla and Huelva’s beach (which is the abandoned beach of Dunkirk seen at the beginning of the film).

All the scenes of the Germans gazing out longingly to sea were filmed in Guipúzcoa. When a German descends in a jeep towards what is supposed to be around Calais, he passes the castle of San Telmo, situated just above Hondarribia.

Photo Courtesy Mark Yareham

In another scene we see a German machine gun post looking down on a small harbour. This is also Hondarribia, although the port has since been greatly extended.

Next to the port we can see the Bay of Txingudi, and beyond, Hondarribia. At the same place we see a smoking German plane returning from the Battle of Britain.

Goering and the German officers watch the troops preparing from the heights of Cabo Higuer.

The confident German officers hold a celebratory, pre-successful invasion lunch at a hotel on the beach at Zarautz, which was in fact the Palacio de Santillana.

San Sebastián was used to represent Berlin as it received its first allied bombing attack as a reprisal for the ‘accidental’ bombing of London, using the Avenida de la Libertad and the streets between Calles Bergara and Fuenterrabia, from which local people hired as ‘German’ extras had to be threatened with expulsion from the set if they laughed during the air raid.

The clearly labelled Kürtz Café of Berlin was in reality the Cafetería Avenida XXI.

Café Kurtz

When the bombs start to fall on Berlin/San Sebastián, the extras start running into the Metro on the corner of Idiakez Street, although there was in fact no Metro there, and not even steps to descend.

Some of the aerial scenes of unmistakably English countryside were filmed along the Urbasa mountain range in Navarra, northern Spain.

A Talent for Loving (1969)

Originally intended to be the next Beatles movie, this film was one of many to take advantage of the wild western feel of the mountains around Madrid, where Richard Widmark stars in a film based on a book by Richard Condon of ‘Manchurian Candidate’ fame.

When Richard Widmark wins an estate on the Rio Grande in a poker game, he rides to Cesar Romero’s ranch, which is the castle of Viñuelas, Madrid, and gets married in the castle chapel. The deer that inhabit the extensive grounds also appear.

Viñuelas Castle. Photo Courtesy Mark Yareham
Viñuelas Chapel. Photo Courtesy Mark Yareham
Viñuelas Deer. Photo Courtesy Mark Yareham

Filming took place on the prairies of Dehesa de Navalvillar near Colmenar Viejo, La Pedriza, where most of the scenes involving Indians were shot, Manzanares el Real and Fuencarral, all in the province of Madrid.

In his book ‘Granada y el Cine,’ Juan José Carrasco Soto states that the train scenes were filmed at Guadix, and La Calahorra.

Guadix Station

The US Video version was called ‘Gun Crazy’.

The Castle of Fu Manchu (1969)

Barcelona doesn’t exactly spring to mind as the setting for the castle of Fu Manchu, and yet that’s where the film, starring Christopher Lee, was shot

Apart from the studio work, locations included Gaudí’s masterpiece, Parque Güell, portraying Fu Manchu’s castle in Turkey.

When Fu Manchu takes over the Governor’s castle at Anatolia, the assault takes place up the famous staircase with the ceramic dragon of Parc Güell, although some of the more watery parts are added from the Parque de la Ciutadella, while Fu Manchu’s throne room is in fact the hall of columns in the Parc that supports the terrace overlooking the city.

Java: East of Krakatoa (1969)

It’s a pretty long way from the Costa Blanca seaside resort of Denia, Alicante to Singapore, and yet a bit of paint here, an Oriental face there and they become one and the same for this movie, largely shot in Spanish studios with a lot of men throwing buckets of water and rubber rocks at the actors.

It’s a case of the far-fetched taking place in the far-flung as a disparate group of adventurers seek fortune or a lost son, all in the shadow of Krakatoa, which one moment is a tiny island, then a massive chain of islands with dangerous straits, emptying itself of 20 times its weight in molten rock, 13,000 times greater than that of the atomic bomb dropped on Hiroshima, and I quote.

The hot air balloon scene is particularly comical as the balloon, out of control, works its way along a canyon of lava (pink tinted water) and up into the crater, at which point the occupants decide it might be a good idea to shed some ballast.

At one moment the ship is taken over by thirty desperate criminals until the noble Captain sees them off armed with a fire hose. Well, it could happen!

Denia is used for the opening dock scenes, although most of the rest, including Krakatoa is plastic models.

I think my favourite part is when the Tsunami hits the ship as it flees; although the Captain looks much better with the waves breaking on his manly chest and so the ship has to be facing the island from which they are supposedly escaping.

Some of these scenes were filmed, appropriately, in the Almacén de los Ingleses (the Englishmen’s Warehouse) in the town centre, whereas Krakatoa itself was sometimes substituted, when it got tired no doubt, by the emblematic local mountain Montgó.

Montgó

The Batavia Queen, the name of the ship in the film was in fact the Enrique Maynes from Sagunto, built in the UK in the 19th century for the Valencian ship owner J.J. Sister. It was finally scrapped in 1968.

Second Unit photographer John Cabrera, who lived in Denia when he retired, informed us that the tidal wave was actually filmed in Galicia, at Malpica, La Coruña, and that the crew were forced to wait for a few days there eating vast amounts of shellfish until the right wave came along.

He also stated that some filming, including some of the ballooning scenes, took place in Mallorca around Sóller and Torrent de Pareis.

Local cinema experts Toni Reig and Romu Soler took us to Denia Castle, where one of the boats used in the film has been abandoned next to the new audio-visual centre by the Torre de les Pusses.

Despite the title, Java isn’t east of Krakatoa, but the posters had been made by the time they found out.

The Valley of Gwangi (1969)

A cowboy wants to capture a Tyrannosaurus Rex and put it in a circus in Mexico. Suddenly ‘Jurassic Park’ doesn’t sound so original.

In doing so he at least managed to see a fair bit of Spain, with filming at Tabernas, in the Rambla Viciana

Rambla Viciana

and around the dunes of Cabo de Gata in Almería, and other scenes, once they enter the Forbidden Valley, among the weird rock formations of Ciudad Encantada, where Gwangi is first captured after a tremendous tussle with the cowboys in a lost world full of his compatriots (who don’t seem too fond of him either) supposedly “somewhere south of the Rio Grande,” but in reality in the province of Cuenca.

Poor old Gwangi, whose make up looks like a bright purple wrinkled wet suit, is exhibited in a bullring. In fact two bullrings were used; the scene in which a bull almost gores a child was filmed at Berja in Almería, although the bullring Gwangi escapes from was in Almería city, in Avenida Vilches, where the street parade was filmed.

Finally Gwangi, who despite being the headliner gets a pretty bad deal, reaps havoc in the main square of Cuenca (quite a distance away), in which we can see the arches that lead to the main square (Plaza Mayor), before the hero of our story is hunted down in Cuenca’s cathedral, which burns down with Gwangi still inside. They probably couldn’t get permission to do that today!

The main square and cathedral get ample coverage as Gwangi sweeps up his victims like so many Munchies.

Cuenca Main Square

The Mexicans look suspiciously like Spaniards in ‘Sinbad’ (made by the same people in Spain) hand me downs, especially when they start dancing Flamenco and cursing any honest cowboy who dares to enter the Forbidden Valley where El Diablo (the Devil) lives.

Guns of the Magnificent Seven (1969)

After growing a full head of hair and changing his name to George Kennedy, Chris returns to take on impossible odds once again.

The producers were really milking a dead steer here, but when that fantastic Elmer Bernstein soundtrack kicks in, it’s easy enough to suspend belief and just enjoy some good, old fashioned, uncomplicated shooting and unbelievable mathematics.

The whole film was shot this time around Madrid, and in fact in the second scene we see once again our old favourite, the Santillana Reservoir, this time possibly being passed off as the Rio Grande.

‘La Ermita de Nuestra Señora de Los Remedios’ at Colmenar Viejo appears, as it did in ‘El Cid’, as the church where revolutionary leader Fernando Rey meets his followers and is captured by the Federale Colonel.

At nearby La Pedriza a lot of scenes with large boulders were shot, including the Mexican member of the Seven’s meeting with paunchy bandit El Lobero and the mine where Cassie joins the Seven (incidentally, wouldn’t it be better to call them ‘The Superfluous Four’, as they seem to lose that number with each adventure!)

At La Pedriza we also meet a young boy, who we are led to believe will one day become Emiliano Zapata, the revolutionary leader who will later bear a remarkable resemblance to Marlon Brando.

We see him with his father there, and then return  when the Seven rescue father and friends later on.

The Seven’s first run in with the Federales takes place at the village of Fresno de Torote just north of Alacalá de Henares, where the 16th century church of Asunción can be clearly seen behind the soldiers.

Inevitably, Dehesa de Navalvillar provides a lot of prairie backdrop.

For riverside scenes, American producers knew by now that the sandy banks of the Alberche River at Aldea del Fresno were ideal, and it is here that Chris and co have their first contact with the Mexican who is seeking his people’s knight in shining armour.

The film must have been made in springtime, judging by the proliferation of trampled green wheat and poppies so prolific in central Spain at that time of year.

The Desperados (1969)

Any film with the manic Jack Palance in it is a treat for me. This western was filmed largely at the home of Spanish westerns near Madrid, using the Dehesa de Navalvillar, La Pedriza and the western township Lega y Michelena, all supposedly in Kansas.

Hard Contract (1969)

James Coburn stars as a contract killer who discovers his heart of gold (or wimpishness if you prefer) with Lee Remick as he attempts to fulfil contracts in Torremolinos in Málaga province, Brussels and in Madrid.

Burgess Meredith and Sterling Hayden are luxuries as supporting actors, with Hayden hanging around on his Spanish farm and Meredith, a nostalgic assassins’ pimp who misses his youth spent in Madrid’s El Prado Museum during the Civil War.

Filming took place at the Hotel Al-Andalus in Torremolinos, where Remick and Coburn are both staying; on the Pez Espada Beach, where Remick confesses her sexual exploits to a friend as uniformed Spanish students are led away by a nun, and the Bajondillo, where Coburn and Remick discuss flying to Tangiers.

Coburn is in Torremolinos killing time before killing his first victim of the ‘hard contract,’ and takes part in a guided tour of Mijas and its old castle, now a small park, while being stalked by fun-loving Remick, who ignores the spectacular views of the sea to propose renumerated sex with Coburn.

As their relationship develops, they go for a ride in a horse and carriage, stopping in front of Málaga cathedral to philosophise a little and argue about buying a tiny car.

Coburn’s last victim is in Madrid, and he meets Remick at the airport there.

Meredith and Coburn discuss the contract as they stroll in front of the El Prado Museum. Inside the Museum the producers paid the stately sum of 225,000 pesetas for the privilege of filming according to documentation kindly provided to us by Javier Docampo Capilla and Lorena Casas Pessino from the museum.

El Prado

Goya’s ‘3rd of May’ features as philosophy and death are once more contemplated.

The Land Raiders (1969)

Telly Savalas plays the hard man in a film shot around Manzanares el Real near Madrid and at the often used ‘Ermita de Los Remedios’, which serves as the church where Luisa is buried, and whose priest is none other than Fernando Rey.

Also used were La Pedriza, the Alberche River and the Golden City township at Hoyo de Manzanares, also known as El Poblado del Oeste.

The train station was at Guadix in Granada province.

The film is a fable in which bad blood is stirred and victims abound so that one man’s fortune can be amassed upon the ruins of homes and the piles of corpses. Thank God such things no longer happen!

It’s the eternal conflict between cowboys and Indians, each taking an eye for an eye and a scalp for a scalp until in the country of the blind……

More (1969)

German boy meets American girl in Paris and so inevitably they search for freedom in Ibiza. The ensuing sex and drugs and rock and roll (provided by Pink Floyd) eventually lead to the boy’s downfall and (to give you a clue) it isn’t due to the sex or the rock and roll.

Paradise is found in the glorious scenery of Ibiza, but lost in white dust to dust. Ibiza’s castle, looming over town and harbour is the location of the end for the beautiful friend, specifically in the tunnel nearby.

The castle is seen from various angles, as are the lighthouse and the ferry.

At the boy and girl’s villa on the other side of the island, with its starkly beautiful coves, we see towards the end of the film the magical island of Es Vedra.

The idyllic nudism scene takes place on the beach at Punta Galera, with Cap es Nonó in the background. The idyllicer sunset is seen at Cala d’Hort.

The legendary ‘El Corsario’ restaurant was one of the locations, where Doctor Wolf practises with his knives and deals heroin while reminiscing about Der Fatherland.

A depressing story in which simply beautiful scenery suggests a beautifully simple lifestyle, incomprehensible to the ugly, twisted characters who infest the island.

If this is ‘More’, then I’m looking forward to ‘Less’.

Some Girls Do (1969)

British spies and evil robot beauties go to prove that there’s nothing like a bit of British ingenuity to create a truly entertaining secret service.

Filming took place in the same Catalan village where the climax of ‘Suddenly last Summer’ was shot, and particularly at the Cap Sa Sal Hotel in Begur, Girona, now known as the Vintage Lounge.

It is here that the villain has his headquarters and meets his well deserved end, surrounded by android beauties who cannot resist the charms of a vintage Englishman.

The water skiing scene was shot at Calella de Palafrugell, and Drummond drinks poolside at the famous Hostal de la Gavina.

In another scene, Pandora visits Kruger’s boathouse at the harbour of Palamós, where the church Santa Maria del Mar can be seen in the background.

Palamós Harbour

The film is perhaps most memorable for Robert Morley’s portrayal of a character called Miss Mary, bedecked with earrings.

Palamós Church

Island of Despair (1969)

Spanish director Jess Franco returned to Alicante, and to the castle of Santa Bárbara to recreate a Brazilian prison for ninety nine women on a tropical island.

A group of inappropriately dressed women are rowed ashore to the prison camp known as the Castle of Death, built by the Spanish we are told.

And it’s not surprising as we are in fact in Alicante.

The first few minutes show us the castle from various viewpoints before the mistreatment and slapping begin.

As director Jess Franco indulges his taste in soft porn with a minimum of plot, we see views of the castle periodically, both within and without, until three girls escape and plunge into the Brazilian jungle.

After a ration of sex and violence they are recaptured, and in the last scene we see them lined up, back again in the castle. The work camp was located at the Salinas of Santa Pola.

Herbert Lom plays the warden amongst shameless scenes of depravity that are the bread and butter of every adolescent boy.

The jungle scenes were in fact shot in Brazil, a country lacking in castles posing as prisons, and some studio scenes were shot in Madrid.

Honeymoon with a Stranger (1969)

A woman wakes up to find that her husband is missing, and then returns as somebody else. Many wives know the feeling.

Filmed near Madrid, in fact we are given a heads up as the Rolls Royce, driven by bridegroom Ernesto enters signposted Batres, a small village south of the capital.

It is here that Sandra the blushing bride discovers her honeymoon castle, which is indeed the 16th century castle of Batres, near the border with Toledo province.

Before that, and to situate us well, they drive through the cinematic square of Chinchón, where the castle is briefly visible beforehand, and then happily elude a road building explosion.

Sandra returns there in the morning and visits the police station with its hand painted sign on the main square, to denounce the disappearance of her husband.

As an imposter takes over from her husband, the action moves backwards and forwards between Chinchón’s square and the castle, which is seen from all angles and in all shades of light, frequently with views of the wide plains of Castilla.

Janet Leigh, she of the shower in ‘Psycho,’ plays Sandra, just as twisted a character this time.

The Looking Glass War (1969)

The Cuerda del Pozo reservoir and its surrounding pine forests once more come into their own for a few scenes for this John Le Carré Cold War thriller with Anthony Hopkins. In fact it seems to be the sea at one point (or at least we can hear seagulls squawking when a lorry taxis into the water).

No doubt the presence of John Box as producer was the reason for choosing Soria, which had worked so well in ‘Doctor Zhivago.’ Once again we can see the endless Soviet wheatfields, although this time they represent Russian occupied East Germany.

The area chosen was around the village of Aldealafuente. The cyclists (who seem to be heading for a cricket match) were 200 extras from the area, chosen for their Germanic physique (and providing their own bicycles) to cycle between Soria and Cidones.

Future Women/ The Girl From Rio (1969)

Feminism gone crazy, and quite right too. Spanish director Jesse Franco stirs his usual recipe of sex and sex, with just a soupçon of sex, using locations, if anyone can be bothered to look, such as Barcelona, where the scenes of the hold up of a bank truck were shot but removed from some versions of the film, and La Manga del Mar Menor in Murcia, where the helicopter attack at the end takes place, making use of the San Javier airfield, as would Matt Damon years later in ‘Green Zone.’

Mar Menor at Sunrise

The House that Screamed (1969)

Although set in southern France, we are informed by Javier, son of the film’s producer, Javier Armet of Anabel Films, the school for mischievous girls was the Palacio del Marqués de Comillas in Cantabria, an imposing Gothic building designed by Juan Martorell.

The building appears at the beginning of the film, when an unsuspecting father delivers his daughter there, riding through the grounds up to the building.

Naughty goings on at a girls’ school, and apparently featuring the first ever close-up, slow-motion murder in Spanish cinema history.

The first thing we see inside the school is a teacher giving a dictation and punishing a recalcitrant student with solitary confinement.

German-born actress Lilli Palmer stars, towards the end of a long career.

A Candidate for a Killing (1969)

Directed by Spanish director José María Elorietta, it was an early version of the formula of using international actors (John Richardson, Anita Ekberg, Margaret Lee), supplemented by Spanish actors such as the omnipresent Fernando Rey.

This thriller about identity theft was shot in Madrid and Málaga.

Our surly ‘hero’ Nick spends the first 40 minutes being prepared for his task in the south of France, before taking a train to Madrid. Immediately we get some shots of the Puerta de Alcalá and suitable guitar music to confirm the fact.

Puerta de Alcalá

When they are walking near but not in the Plaza Mayor a car tries to run Nick down.

After a bar fight they go to Madrid airport and fly to Málaga, this time for a fight in the airport toilet. They then drive to the port, pursued of course, and then drive into Marbella’s Hotel Skol, a location also used in The Fickle Finger of Fate (1967).

The last call is Gibraltar, which we see from the distance, but then the rest of the action takes place in the dark.

The Five Man Army (1969)

Yet another Almería western, a kind of low budget version of The Magnificent Seven, but with only five men taking on impossible odds.

Peter Graves takes on the Chris role for the impossible mission, although it is his cohort Luis who does the recruiting, first of all finding Bud Spencer in the Rambla Viciana.

When the group arrive at a Mexican village, they are in time to witness an execution. They save the Mexican leader from the firing squad, although they are not in time to save an old lady from being rifle butted in the face. At least this action makes it clear who the baddies are.

The failed execution takes place in the village of Polopos, and the church in front of which the prisoner awaits his bullets is that of San Juan.

The action later returns to Rambla Viciana, where Graves explains to the others that the rebels are willing to sacrifice themselves for their noble cause.

Ennio Morricone adds some touches of genius to the soundtrack.

Categories
Period

1950-1959

THE FIFTIES

Black Jack (1950)

Pandora and the Flying Dutchman (1951)

Penny Princess (1952)

Babes in Bagdad (1952)

The Snows of Kilimanjaro (1952)

Come Die My Love (1952)

Decameron Nights (1953)

Our Girl Friday (1953)

That Man from Tangiers (1953)

The Robe (1953)

Malaga (Fire Over Africa) (1954)

The Black Knight (1954)

Mister Arkadin (1954)

King’s Rhapsody (1955)

Richard III (1955)

That Lady (1955)

Contraband Spain (1955)

Thunderstorm (1955)

The Spanish Gardener (1956)

Around the world in 80 Days (1956)

Zarak (1956)

Alexander the Great (1956)

Moby Dick (1956)

The Man Who Never Was (1956)

Port Afrique (1956)

Chase a Crooked Shadow (1957)

The Pride and the Passion  (1957)

The Sun Also Rises (1957)

Sail into Danger (1957)

Action of the Tiger (1957)

Spanish Affair (1957)

Across the Bridge (1957)

Tip on a Dead Jockey (1957)

Stowaway Girl (1957)

Sea Fury (1958)

The 7th Voyage of Sinbad (1958)

South Pacific (1958)

The Sheriff of Fractured Jaw (1958)

The Man Inside (1958)

Wonderful Things (1958)

The Naked Maja (1958)

Solomon and Sheba (1959)

Suddenly Last Summer (1959)

John Paul Jones (1959)

North West Frontier (1959)

Honeymoon (1959)

It started With a Kiss (1959)

Tommy the Toreador (1959)

SOS Pacific (1959)

Action Stations (1959)

1950s

Black Jack (1950)

George Sanders, who would later make several films in Spain and finally commit suicide here, (although that kind of tourism is not encouraged), is the star, playing a drug smuggler in a film that suffered all sorts of setbacks during seven months of filming in Mallorca.

Among the turquoise waters of Mallorca’s glorious coves is Cala Barques, situated seven kilometres from Pollença, separated from Cala Clara by Punta dels Ferrers and belonging to the four beaches called Cala Sant Vicenç, the setting for this film.

The spectacular ravine and river at Torrent de Pareis was also used, and would become a popular set for many films to come, including ‘Cloud Atlas’.

Torrent de Pareis

Nicaresco, an immoral ship’s Captain comes ashore at Torrent de Pareis and then walks to Palma; a heroic feat if we know our geography.

He comes across George Sanders, painting to forget the war and flame-throwers, whose first words are “there’s something about Spanish architecture that gets me.”

Clearly this is a complex character, who quotes the Ancient Greeks as he drifts towards a clear conscience and death.

We see the castle of Bellver, on the outskirts of Palma, four times; three times in the distance, when Sander’s boat leaves harbour to check out the refugee ship, when he chases Nicaresco, recently turned mass murderer, through the harbour, and when the police set off to chase and kill poor George.

Bellver

The best view however is when Mrs Burg arrives by plane and announces that she always wanted to buy a Spanish castle, as she circles above it.

The castle has some interesting legends and mythical characters, such as the witch Na Joana, who lived in a nearby cave and poisoned passers-by with her special brand of figs.

Many Spanish performers, including the legendary flamenco singer Lola Flores, participated in the film’s making.

One popular cabaret, later dance hall and discothèque, installed in an old windmill at Es Jonquet, even took its name from the film: ‘Jack el Negro’ in 1952.

‘Black Jack’ was directed by Frenchman Julien Duvivier, with Patricia Roc taking the female lead.

Pandora and the Flying Dutchman (1951)

Just as in Barcelona’s port a statue of Christopher Columbus looks out to sea, so from the heights of the Vila Vella castle with its 12th century walls at the Costa Brava’s Tossa de Mar, Girona, a statue of a scantily clad Ava Gardner has stared moodily out to sea since 2000.

In April 1950 that most beautiful of all animals was in Spain working on this film with James Mason.

Gardner may have been the best sexual beast for the job, or the studios may have wanted to put a few pants between her and her married lover Frank Sinatra.

Whatever the reason, Gardner spent most of her time filming the beach scenes at El Castell Tossa de Mar, while the interior scenes looked down upon the beach behind the emblematic towers of the castle; although this is in fact impossible, as there is nowhere in Tossa from where you could look down at that angle. It was in fact a studio fabrication.

Tossa Beach and Castle

The surrealist painter Man Ray contributed a painting, designed a chess set and did some of the still photography, which was after all shot in the town where Chagall had lived in the thirties; information not unknown to the art loving American director Albert Lewin.

Lewin chose Tossa over his original choices of Greece or Italy after a meeting with the Catalan businessman Albert Puig Palau in London in 1949. Palau, a film buff himself, convinced Lewin to visit the Costa Brava, and the die was cast.

The story does in fact take place in Spain, in the mythical seaport of Esperanza, which means ‘Hope,’ where the ghost of the Flying Dutchman, who has given up all hope (clever?), played spectrally by James Mason, becomes the object of Ava’s lust, when she’s not seducing her daily brace of bullfighters.

Mason plays the ghost with the passion of an old English butler, bringing a new dimension to the concept of stiffness, seemingly standing at eternal attention.

When Mason says “I love you Pandora,” he speaks like a true Englishman, making his declaration of love sound like a curt refusal to pay a library fine.

The love story contains a ‘ménage a cinq,’ with smouldering looks all around in what passes for passion among Anglo-Saxons. The five include a Spanish bullfighter, Mario Cabré, who, even if he plays it as rigidly as all the rest, does at least have the good taste and criteria to stab Mason in the back, only to be gored himself by a bull, which does not appear in the credits despite a welcome performance.

The bullfight took place in the ‘Plaza de Toros’ in Girona, now demolished, and the locals, unlike the citizens of Tossa, who were paid the princely sum of 25 pesetas a day to participate in the film, actually paid for the privilege of watching the ‘Corrida’.

It is never quite explained what a large group of obviously well-off, tuxedoed ex-pats are doing in Esperanza, a Catalan village (the fishermen are actually speaking the banned at the time Catalan language when they find the bodies at the beginning) or how their luxurious surroundings are integrated with an otherwise fairly poor fishing village, whose only bar looks and sounds suspiciously Andalusian, complete with gypsies dancing flamenco, one of which was a famous dancer of the time, La Pillina.

In real life the stars occupied suites at the Hotel Peninsular in Girona, an advertisement for which can be seen in the scenes shot in the town bullring. Ava Gardner had suite 103, although the press insinuated that she spent her nights in room 53 with the film’s bullfighter Mario Cabré, one of many Iberian machos who succumbed to her charms and liberal favours over the years. News of their passion reached Frank Sinatra in Hollywood, causing him to grab a plane to Spain, and arrive with a large emerald necklace (the colour of envy) and a vile temper.

Photos of Sinatra, accompanied by musician James Van Heusen, visiting the Villa Vella castle abound in Tossa, as do rumours and misinformation.

He finally caught up with Ava at La Gavina Hotel in S’Agaró, and whether this reunion resolved the problem caused by Ava’s ability to turn brave bullfighters into clinging children, is not known.

Gardner would later write in her auto-biography that she found Cabré presumptuous, proud and noisy, although she added that after a night full of stars, drinking and flamenco, she woke up the next morning in bed with him.

Tossa came off better in her book; she remembered it as having shady squares and bubbling fountains, with market stalls everywhere full of fish.

The Peninsular Hotel in Calle Sant Francesc, is run by Asunció Niccolazzi, whose grand-father had the dubious pleasure of serving Ava breakfast in her room. Her great grandfather had founded the hotel in 1853.

Asunció Niccolazzi

Surprisingly it was the presence of so many Americans that saw orange juice introduced onto the hotel breakfast menu, and Ava apparently ate nothing but strawberries, only using her room to change.

Asunció told me that she was present when Ava and Mario first met, in her hotel, and how he blushed when she kissed him on the cheek, maintaining that their romance was in reality an exercise in marketing.

Asunció, who spent two and a half years interned in an air force base during the civil war, is full of anecdotes about the events that introduced Girona and Tossa to the world at large, and about the uproar that the making of the film caused in a city where “nothing ever happened”.

Girona now has a Cinema Museum, which is probably not unconnected with the filming there during the spring of 1950.

Finding out where the stars stayed in Tossa isn’t easy, and many locals have their own version, but a chat with the town archivist David Morè clarified that James Mason stayed at a little town house called Casa Draper at number 3 Calle San Josep, whereas Ava was higher up the hill in a villa called Can Batista.

Can Draper

The technical staff stayed at the Hotel Ancora, now demolished and replaced by apartments and a car park, and at Hotel Rovira, which still stands along the seafront in Passeig de Mossèn Cinto Verdaguer, although much expanded. The original building is the part to the left of the main door as you enter.

It was in the Rovira that the team would have their lunches, and would be taught by the landlady, Antonieta how to eat a crab without losing dignity or clean trousers.

The datedness of the film gives us some thrilling moments, like when Stephen (Nigel Patrick) leans over his car in the garage smoking a cigarette as flammable liquids pour out of the damaged engine. No doubt contractual obligations to the tobacco industry had to be fulfilled.

Stephen too is in love with Pandora, and she persuades him to push his favourite sports car off a cliff to prove his love to her after a whirlwind drive along the coast road just north of Tossa. This scene takes place by the chapel of Sant Elmo, just above Sant Feliu de Guixols, and when Pandora points out that they have a long walk home she isn’t kidding; they were 20 kilometres from Tossa. The location today has a small monument remembering that at this spot a journalist called Ferran Agulló i Vidal invented the term ‘Costa Brava’ in 1908.

Later she allows him to recover and repair the car, proving (to her) that he doesn’t really love her after all, and that women are really not so complicated.

Pandora was, in Greek myth, the first mortal woman, bestowed by Zeus upon humanity, whose curiosity in opening her box brought evil into the world, although at least she never asked anyone to give up their favourite car.

One place where Ava is remembered is the Hotel Tonet in the Plaça Església, where photos of her stay in Tossa are exhibited.

Penny Princess (1952)

Described by newcomer Dirk Bogarde as being as funny as a baby’s coffin, Penny Princess was filmed in and around the village of Montseny in the Natural Park of the same name on the border between Barcelona and Girona provinces, and in Mallorca, both of which represented a Kingdom called Lompidorra, located fortunately for us very precisely in the film at the second turn to the right after you pass Mont Blanc.

New York shop-girl, Yolande Donlan, inherits this small European principality in true Grace Kelly style but without the marriage, and meets a London department store cheese salesman, Dirk Bogarde. Between them they design a mixture of cheese and Schnapps, which they call Schneeze, designed to boost the local economy.

The plot doesn’t get much better, and the outcome is inevitable, but at least the scenery is nice.

Today Montseny has changed; only the church is recognisable from the film. However, the locals have not forgotten the film, and in the summer of 2022 they organised a 70th anniversary of the filming, and an exhibition of photos was still on show in the new town hall when we visited in October 2022.

Val Guest directed, and later married Yolande.

Babes in Bagdad (1952)

The star of this Arabian fantasy was Charlie Chaplin’s very own Paulette Godard, who unfortunately didn’t bring silence to a movie with appalling acting and degrading dialogue.

There is an early suggestion of feminism in a film that includes among its actors both Lees: Gypsy Rose and Christopher, who plays a slave dealer in a black silk dress, as he remembered it.

While in Spain, Gypsy Rose Lee lost a husband called Julio but gained a cat called Gaudí, named after the famous Catalan architect. Gaudí’s city, Barcelona, was one of the locations, where shooting took place for seven months at studios in Montjuïc.

Director Edgar Ulmer was forced to ‘adopt’ a Spanish co-director in order to gain a state subsidy for a film he didn’t even want to make.

The Snows of Kilimanjaro (1952)

Tortured Gregory Peck plays Hemingway surrogate Harry Street in the film version of the great man’s book.

Street recalls his life, including two episodes in Spain.

First of all we find him at Pamplona, Navarra, watching a bullfight and then losing his woman to a Flamenco dancer.

Later he is in Madrid, at the front, fighting half-heartedly for the Republic.

Come Die My Love (1952)

Bond girl Honor Blackman features as an early Eve in this film, whose action moves from Tangiers to Mallorca.

It is in the famous Artà cave there that Honor almost shoots Bill, but relents.

Decameron Nights (1953)

The film is an adaptation of Bocaccio’s ‘Decameron’ starring Joan Fontaine with studio work in England and locations for authentic Italian scenery filmed in the Moorish Alhambra palace of Granada, with the actors staying at the Hotel Alhambra Palace.

There is a ghost in the Alhambra, that of a Muslim soldier, who supposedly appears once every hundred years in the palace, supposedly to check and see if it has returned to its builders.

The walls of Ávila open the film as the inhabitants of Florence flee from a mercenary army and Boccaccio arrives to teach us about love.

When he rides from Ávila/Florence in search of Fiametta (Fontaine), the aqueduct of Segovia can be seen in the background as he approaches her house.

The aqueduct, another example of whatever the Romans did for us, is, according to one legend, the work of the Devil himself, or perhaps herself. The legend tells of a woman who worked carrying water to the city, and exhausted, offered her soul to the Devil if he would build an aqueduct, although she may not have used that exact word.

The story however, has a happy ending. The deal was that the Devil would finish the work before the cock crowed, and as the woman prayed all night to avoid her own offer, he was one stone short when dawn arrived.

Later, when Fontaine plays a female doctor who saves the king’s life, the locals celebrate his salvation dancing beneath the Alcázar castle of Segovia.

The Alcázar, built like any significant castle upon a rocky crag above the confluence of two rivers, is one of Spain’s most visited tourist locations; so much so that in summer it is probably not a great idea to go there unless you like to jostle.

Originally a defensive structure, it became a royal palace, a prison, the Royal Artillery school (founded in 1762) and a military academy, being used today as a museum and military archives.

Like many Spanish castles it began life as a Roman fort, then an Arab castle until the reconquest, when in the 12th and 13th centuries it became the court of King Alfonso VIII and his English Queen Eleanor.

One story about the castle, considered true, tells of a royal tragedy when on the 22 of July 1366, don Pedro, infant son of King Enrique II of Castilla, fell to his death from a window, followed immediately by his minder.

There were also some scenes in Sitges, just south of Barcelona. Local cinema expert Francesc Borderia, who used to run a cinema in the town and has presented a weekly radio programme about the cinema, told us that filming took place in the square in front of the emblematic church of Sant Bartomeu i Santa Tecla (where you can today see a cannon and a plaque claiming that it was used to see off a British fleet, damn them!) and on the steps leading up to it known as the Escalinata; both symbols of Sitges, as well as on the nearby Ribera Beach, where actress Joan Fontaine disembarks during the section of the film dedicated to the tale of Paganino the Pirate, who kidnaps Fontaine, and inevitably falls in love with her.

Sitges Escalinata

A beach scene was also used featuring the Sant Francesc beach at Blanes, Girona, just below the town’s Botanic Gardens. The beach portrays part of an island infested by pirates who make off with young girls that take their fancy.

Hugo Fregonese was the director, and collaborator John Cabrera, who sadly passed away in Denia in 2014, told us about how an electrician was stopped just in time as he was about to hammer a six inch nail into the priceless mosaic walls of the Alhambra Palace.

Our Girl Friday (1953)

Rich girl Sadie Patch, played by Joan Collins, is shipwrecked in the Pacific and ends up along with three companions on a desert island, which is in reality pacific, stressless Mallorca.

One companion is a drunken Kenneth More playing a ‘legless’ Irish sailor.

The comedy revolves around who will get the girl after all the men commit themselves to not try; as men do.

The main site for filming was Peguera, 20 kilometres west of the capital Palma.

‘Our Girl Friday’ was the first of many films that Dennis O’Dell worked on in Spain. His daughter Denise O’Dell would later follow in his footsteps and set up her own Spanish production company, collaborating in the making of many famous films made in Spain.

That Man from Tangiers (1953)

The man in question is an imposter, who persuades a young, bored American girl to marry him.

The girl originally planned to go to Sevilla, and she does indeed yo-yo between that city and Tangiers in her attempts to extricate herself from her plight.

The third angle of this love triangle is Spanish actress Sara Montiel, who would later charm the pants off many a Gary Cooper and marry Anthony Mann, director of Made in Spain classics such as ‘El Cid’ and ‘The Fall of the Roman Empire’.

Very little filming was actually done in Tangier; in fact the Casbah in the film was built on land adjacent to the Chamartin studio in Madrid.

The Robe (1953)

Although filmed in California, USA, it is believed that some footage of the rocky landscape of La Pedriza, Madrid, was used to provide some seriously Judean scenery for this epic starring Richard Burton, about the shroud of Christ.

Burton would later make Alexander the Great near Madrid.

Malaga (Fire Over Africa) (1954)

Maureen O’Hara stars as Joanna Dane, a former O.S.S. operator sent to Tangier by the American authorities to investigate a powerful ring of smugglers.

Most of the action is set in Tangier, with a brief spell in Gibraltar, and the climax is a gun battle between the Tangier police and the smugglers on the North African shore of the Mediterranean; all of which was filmed in and around Málaga, the first Spanish city to have a British Cemetery, by Royal Decree in 1831, and where the grave of writer Gerald Brenan can be found.

During one chase scene there is a moment when we can observe at the entrance to the port, a cart, shaped like a boat, from which sweets are sold. This was not a prop, but a familiar sight to all the people of Málaga at the time.

When O’Hara’s accomplice is murdered through a door (not a mistake), she escapes to her car, helped by a passing train in the area of La Malagueta beach, and as she drives off we see La Gibralfaro castle looming over the town.

In another scene, after O’Hara is captured on a boat, we see an aerial view of Málaga, with its bullring prominent in the forefront, probably taken from the castle.

A few seconds later, Logan indicates the castle to a deckhand as a meeting place if they can’t find him. He is arrested, but escapes and climbs up to the castle to meet the deckhand, with another good view of the bullring.

As in ‘Casablanca’, a bar features considerably in the story. The bar is called ‘Frisco’ in the film, but in reality was  El Refugio, in Calle Alcazabilla.

One location was the Paseo Reding, named after the local Napoleonic War hero General Reding, victor of the Battle of Bailén. The Hotel Miramar, where the main members of the crew stayed, was situated in this street.

The Black Knight (1954)

“England’s gonna be invaded!” exclaims Alan Ladd without a “hither”, “thither”, “sire” or “sooth”, and we know we’re in trouble.

Fortunately, most of England’s key castles appear to be a mere five minutes gallop away from each other, and so the whole thing is sorted out and Alan gets the girl.

Ladd stars as a medieval blacksmith at the time of King Arthur, fulfilling the American dream of working his way from rags to riches by killing people (nobly of course). Many have linked the film’s ideology to the prevailing McCarthyism of the epoch, especially the treachery from within, which works in favour of foreign powers. The historic authenticity is challenging even to the average schoolboy as Saracens, Cornishmen and Vikings all compete to invade Arthurian England and impale themselves on Ladd’s sword.

The locations include Ávila, in which the medieval streets and the town gate (Puerta de Alcázar) feature, and the final battle also takes place beneath its walls.

Part of his duelling takes place in the castle of Manzanares el Real near Madrid, where Ladd in his gothic helmet cuts them down like so many daffodils on and off the battlements of this well conserved castle.

The ‘authentic’ ghost of this castle is called Maricantina, a poor shepherdess who attracted the love of a noble, the Marqués de Santillana. Unable to fulfil her dream, she died of a broken heart and now wanders the castle in anguish.

Photo Courtesy Mark Yareham

Going back to helmets, Arthur’s Knights, who don’t exactly come across as fast thinkers, wear an array of helmetry that would put Darth Vader to shame.

The castle of Guadamur, built in the province of Toledo in 1468, was also used, and appears at the very beginning, representing the home of the Earl of Yeovil before it is burnt down by Saracens dressed as Vikings.

Guadamur

In 1502 this castle was home to two of Spain’s most colourful royals, Felipe el Hermoso and Juana la Loca (Beautiful Phil and Crazy Jane-although it loses something in translation).

There is also a ghost; the Arab Princess Zaida made the typical mistake of Romeo and Juliet or Maria and Tony, of falling in love with the wrong partner, in Zaida’s case King Alfonso VI.

Her father reacted like any peeved parent, cutting off her head and tossing it in the moat.

Today, on the darkest nights, it is said her voice can be heard from below.

Pedro A Alonso, who runs the information office in Guadamur, informed me that local girls, including his own mother-in-law to be, were not allowed to participate in the film due to their excessive cleavage, considered outrageous at the time in puritan Spain.

Not content with showing some of Spain’s finest castles, the producers did what Hollywood would do forever more, fusioning the walls of Ávila with the frequently used Alcázar castle of Segovia to make one mega-castle, which is Camelot.

Mister Arkadin (1954)

Gregory Arkadin (Orson Welles) has a castle in Spain, and it turns out to be the famous Alcázar Castle of Segovia, under whose turrets the Catholic Monarchs Isabel and Fernando married before setting out on the reconquest of Spain.

Alcázar

Segovia’s other emblematic monument, the impressive Roman Aqueduct, also features prominently in the film, which is all about a whirlwind race around the world to obtain information about Arkadin’s past; a plot not too dissimilar from ‘Citizen Kane.’

Spain’s famous Easter penitent processions with Ku Klux Klan garbed sinners in bare-footed, torch-lit columns and Flamenco music passing as religious dirges portray a period perspective of Spain, as do the herds of goats huddling along the main street.

When Van Stratten and Raina first arrive at the castle, with an airplane flying overhead, Welles mixes exteriors of the Alcázar with shots of the much filmed nearby medieval village of Pedraza, especially its main square.

Once inside the castle, where Arkadin holds a masked ball, we are in fact inside the Colegio de San Gregorio in Valladolid, witnessing a Goyaesque performance, mostly by university students, among the spiralling columns of the cloister and the ornate staircase and first floor gallery.

Colegio de San Gregorio: Photo Courtesy Mark Yareham

Curiously, while the Alcázar is usually a background feature in most of the films where it appears, in Mister Arkadin we are allowed onto the terraces to see the expansive views of Castilla all around as Arkadin reveals his plan to Van Statten.

Mister Arkadin was also filmed in Madrid, including the façade of the famous El Prado Museum, and the port of Barcelona at the beginning, where the murder and killing of the assassin takes place, supposedly in the port of Naples.

Among the hotels where Welles did his planning, sleeping and generally bad behaving were The Palace, the Castellana Hilton and the Carlton.

Among the extras used was the later to be famous Spanish writer Miguel Delibes, a job for which he was happy to be paid 10 pesetas and a ham roll.

Filming began on the 25th of January 1954. The Senya Blanca gardens belonging to the Hotel Gavina on Girona’s Costa Brava at S’Agaró pretended to be a hotel in Mexico where Arkadin and Van Stratten argue.

The story has many elements of Harry Lime, although fewer sewers, and was in fact part of a broader project around that character.

King’s Rhapsody (1955)

A massive flop for a fading Errol Fynn, who does an ‘Edward VIII’; abdicating for love, although he later marries lovelessly out of a sense of duty (ironically he would later marry the actress he rejects in the film; Patrice Wymore). The parallels with the British royal family are uncanny; there’s even heavy drinking, although Flynn may have adlibbed a bit there.

‘Laurentia’ is the kingdom and the songs of Ivor Novello add a touch of class to some dull royals.

Errol Flynn’s presence caused a sensation during the week spent in Sitges, Barcelona, where many local people earned as much as 15 pesetas and a ham roll as extras, including a local man playing the Bishop who presided over Flynn’s wedding.

The red carpeted staircase known locally as ‘La Escalinata de la Punta’ plays a prominent part in the film’s opening scene, and will be used again for the coronation of Flynn’s son.

La Escalinata de la Punta

Laurentia, Flynn’s kingdom, is Montserrat, the weirdly shaped mountains over which the credits roll, a sacred place for the Catalan people.

The royal palace was seemingly situated in Barcelona’s Cuitadela Park, with the famous Cascada fountain in front of it playing a leading role for various scenes. In front of the fountain, supposedly, is the palace itself, although it turns out to be the Palau Reial de Pedralbes, quite a way away on the other side of Barcelona.

Flynn returns various times to the mountains of Montserrat, to go into exile, to fight a duel or ride his horse.

Montserrat is Catalonia’s very own magic mountain, supposedly possessing telluric energies, and congregating every 11th day of the month, hopeful UFO spotters.

Hitler believed he would find the Holy Grail there, and sent his very own Galahad, Reichsführer of the Schutzstaffel Heinrich Himmler, to find it.

On our visit in October 2022, we were fortunate to stay at the Guilleume guest house, where our hosts Pere and Carme kindly showed us around Montserrat, indicating all the locations used in the film as well as giving us an insight into the area which we wouldn’t have had otherwise. From their guest house you have amazing views of the mountains.

Carme and Pere with lost traveller

Also used was the seaside promenade el Passeig de la Ribera in Sitges, where one of Flynn’s passionate love scenes was filmed under a full moon with swaying palms and breaking waves in evidence.

The fascination of Americans for Sitges also affected Douglas Fairbanks; both Senior and Junior were in the town in the early 30s, staying at the Terramar Hotel at the southern end of the beach, where they were planning a project using exteriors in the area, a plan brought to an end by the advent of the Spanish Civil War.

It was in fact during the 1950s that Flynn chose Illetes, in Mallorca, as a good place to raise a family. He had a mansion in Cala Marina which was known by the locals as ‘Es Molí de’n Errol Flynn’ and a yacht named Zaca, which he moored in the Palma Royal Sailing Club. In his final days he established his permanent residence there with Patrice Wymore, his last wife.

In 1985 Calvià town council paid him homage by inviting his widow to visit the area and also unveil a plaque to him beside the Hotel Albatros, where she lodged.

All that remains now of Flynn’s old home is a mythological animal protruding from the wall of the windmill tower in a square in front of where the house used to be.

Flynn had first arrived in Mallorca in 1950 with Wymore, who he had just married in Montecarlo, and was on his way to Gibraltar when a storm forced them to take shelter on the northern shore of Mallorca. They then followed the coast to Palma and liked it so much that they promised to return.

Richard III (1955)

The film began shooting with the final battle scene, on the sun-baked fields at Torrelodones, Madrid; scenes that involved two and a half months of shooting.

Laurence Olivier proved his mettle by carrying on during one scene, despite having been authentically pierced by an arrow in the leg.

John Cabrera, who worked in the photography department during shooting in Spain, told us that the archer brought over from the UK to make the shot, was being wound up by the crew so much before firing, that the shot went wrong, right into Laurence’s leg.

John also mentioned that ‘Bosworth’ was in fact pasture land for bulls, and that they were chased off the battlefield on more than one occasion.

In her book about Olivier’s visits to Spain, Margarida Araya publishes a photo showing that Franco’s cross on top of the ‘Valley of the Fallen’ (Valle de los Caídos) actually appears in the distance in the film.

Central Spain with its olives and carobs doesn’t exactly capture the essence of the green fields of the merry English Midlands at Bosworth, but as this was no war of roses, it suffices.

That Lady (1955)

Filming took place at the royal palace built by King Felipe II, El Escorial Monastery, north west of Madrid and at the Roman Aqueduct and Alcázar castle of Segovia. 

The Alcázar purports to be the Palace of the Duke of Pastrana in Guadalajara, which, although still standing, was not used; probably the real thing was considered too unrealistic. The Escorial on the other hand was used for the scenes depicting King Felipe II.

The monastery is inevitably linked to Felipe, who had it built. Legend says it was built to cover the gates of Hell, and that Felipe installed his library in search of the philosopher’s stone. It is also believed that his four wives, María de Portugal, Mary Tudor, Isabel de Balois and Ana de Austria haunt the monastery today, along with a black dog, who Felipe had killed because its barking annoyed his builders.

El Escorial

When the Princess of Éboli is to be put into the Torre de Pinto, the tower seen from the distance is in fact that of the Torre de los Dones, a castle now perched over a motorway at Torrelodones, near Madrid.

Torre de los Dones

Paul Scofield made his film debut as Felipe II of Spain and won a BAFTA award as most promising young actor in this film. Olivia de Havilland stars in the title role as Ana de Mendoza, Princess of Éboli, and Christopher Lee appears too.

Contraband Spain (1955)

A robbery in a watch factory takes place on the Pyrenees border, and then we move to downtown Barcelona, where we see La Rambla in an introductory flurry of images, and later Richard Greene, (who took time off from playing Robin Hood on TV to make this film), follows the baddies, who like him are travelling in a taxi, until they get out in Plaza Real with its arcaded pavements.

The Paseo de Gracia features, as do the gardens of Reina Victoria. Greene’s brother’s apartment is located on Calle Muntaner.

In the valleys of Barcelona province, filming also took place in Sant Celoni and in Caldes de Monbui.

The seaside resort of Blanes also got a look in, and there is a lot of driving to and from the French town of Urdos across the border from Girona province. The iron bridge that appears when the police find the robbers’ car is in fact the Urdos Viaduct.

Thunderstorm (1955)

Although shot in English, the film was a Spanish production, directed by John Guillermin and Alfonso Acebal. The latter would later work on the David Niven version of ‘Around the World in 80 Days.’

‘Thunderstorm’ was shot around the village of Mundaka (Vizcaya), famous now as a surfing centre, and tells the story of a blonde woman arriving unconscious on a boat, who turns a few heads in the village.

Mundaka, with Santa Catalina at extreme right

Filmed between April and June 1955 with many locals as extras, Mundaka is San Lorenzo in the film, while nearby Bermeo is Mendoza, although the fish cannery supposedly in Bermeo/Mendoza is in fact the Town Hall of Mundaka/San Lorenzo.

Mundaka’s iconic chapel of Santa Catalina features, as does Cabo de Ogoño and the island of Ízaro, which would later lend its name to a Spanish film production company.

The beach of Bakio appears twice for scenes between the blonde (actually the wife of Tyrone Power, Linda Christian,) and both the villain and the hero.

The Spanish Gardener (1956)

Based on A.J. Cronin’s 1950 novel of the same name, The Spanish Gardener is a film about the up and down sides of relationships. Michael Hordern plays Harrington Brande, a diplomat who moves to Spain with his young son Nicholas (Jon Whiteley) following the break up of his marriage. When Brande hires local gardener José (Dirk Bogarde), Nicholas finds a sympathetic friend, unlike his rigid father, who then becomes jealous.

The Spanish Gardener was filmed in Girona on the Spanish Costa Brava at S’Agaro in spring 1956.

The scenes showing a game of fronton, a Spanish version of squash, were filmed at the Planassa (esplanade) of Palamós, by the port, although it has since been demolished to make way for a car park. Here we see Bogarde winning the match for his team, much to the chagrin of Hordern, miffed by his son’s enthusiasm for José.

The athletic Bogarde is seen jumping and falling in style, although always with his back to the camera when full strokes are observed, suggesting that a double may have been used.

The Consul’s mansion is Mas Juny at the Platja del Castell, Palamós, owned at the time by industrialist Puig Palau, the same man who convinced Albert Lewin to film ‘Pandora and the Flying Dutchman’ on the Costa Brava.

We also see the 18th century Arc de Sant Benet at Sant Feliu de Guixols, when José and Nicholas catch the bus to go fishing. The arch formed part of a fortified monastery, which now includes the tourist information office.

We also see the stone bridge of Girona, dating from 1311. The bridge crosses the river that divides the town, where its painted houses are a well known landmark lining the riverside. After the new Consul arrives in Girona by train we see him being driven across the bridge on his way to his residence at ‘San Jorge’.

Why such an isolated place should need a British Consul is never explained, but at least it allows us to enjoy the beautiful clifftop Costa Brava scenery and the beach of Es Castell, where José and the boy play.

Around the world in 80 Days (1956)

The Spanish bullfight scene was filmed in Chinchón, where Ava Gardner, who had a house near Madrid, made a cameo appearance. So, in other parts of the film, do Noel Coward, Marlene Dietrich, and Buster Keaton. In fact the film is believed to have originated the expression ‘cameo.’

10,000 extras were used in August 1955 to shoot the bullfight scene in the town’s emblematic oval ‘square’, with Mexican comedian Cantinflas (an acquired taste) as the bullfighter. 6,500 residents of Chinchón were employed as crowd extras, but producer Michael Todd decided that he wanted more, and so boosted the regional economy by contracting another 3,500 from nearby towns.

Chinchon’s Round Square

The town square would be used for many more films over the years, and bullfights continue to be held there every summer between July 15th and September 15th, and can be watched nowadays from the restaurants that surround the (round) square.

Zarak (1956)

Although filmed largely in Morocco, it is the Spanish Sierra Nevada near Almuñuécar, Granada that makes the most believable mountains of Afghanistan, give or take a few thousand metres.

Victor Mature took both of his whippings like a man (in fact he seems to have got a taste for it after the first one and volunteers for the second) and showed his personality by offering to pay for the funeral of stuntman Jack Keely, who was killed in a horse riding accident during shooting.

Zarak’s problems begin with the seduction of his father’s wife and continue through the ferocious attacks on his enemies and the betrayal of his allies and brothers.

The film raises questions; how many columns can be massacred before the British run out of troops, and is Zarak’s motivation too subtle to be understood or is he just trying to out-eccentricise the English?

Alexander the Great (1956)

In the film, Aristotle, played by mild-mannered Welshman Barry Jones, informs Richard Burton, well cast as the Macedonian/Welsh Alexander: “we Greeks are the chosen – the elect. Our culture is the best – our civilization, the best; our men, the best. All others are barbarians! And it is our moral duty to conquer them, enslave them, and if necessary destroy them!” reminding us of a few other unpleasant characters who have roamed the globe in search of an axe to grind on somebody else’s skull.

The village that Alexander’s men keep returning to, the centre of their operations in Macedonia, was in fact El Molar, and the hill with columns where they hold their meetings was Cerro de la Torreta, just above the town, which is also known as Las Cuevas.

The Macedonians can be seen more than once marching up the streets of their capital, turning the corner around a round building, which was in fact the outside of the oven of the local bakery on the corner of Calles Carniceria and Ramón Gabriel, and has hardly changed.

Bakery at El Molar

El Molar is a town with a long association with the cinema, and especially its hotel and restaurant, Casa Olivares, founded in 1915, where many famous actors, directors and producers have whiled away a break between shots, and where, during the shooting of Alexander, the crew and cast would order their favourite dish ‘judías de la Tía Evarista’ (beans in the style of Aunt Evarista).

Samuel Bronston regularly set up his HQ there, and Fernando Olivares (Evarista’s husband), one of the owners, would often be responsible for recruiting extras. The extras were delighted to exchange Bronston’s 50 pesetas daily for the 25 they could earn tilling the soil.

Among the many photos on display in the restaurant is one with the scene of Alexander’s men walking up the hill past the bakery.

The castle of Manzanares el Real gets a brief cameo when, from its walls, Alexander watches his fleet returning home as the rot begins to set in as regards his plans for world supremacy. The fleet sailed off not across the Mediterranean, but across the nearby Santillana reservoir, which provides Madrid with its drinking water.

Most of the riding and fighting took place at the area known as the Dehesa de Navalvillar, later to become everybody’s favourite multi-epoch battlefield.

It’s an amusing film, with false beards for all kinds of tastes and mini-skirted warriors who fall off horses unnecessarily; and where nobody ever appears to actually kill anyone else despite a large amount of frantic sword waving. Very politically correct.

Harry Andrews’ performance as Darius is so convincing, as is his curly beard, that it is a relief when he is finally deserted and stabbed by his followers and left to rot in a Spanish marsh; almost certainly by the costume and make up departments!

This was one of the first opportunities for many Spanish actors, crew and extras to participate in an international epic. Several hundred Spanish soldiers and policemen made up Alexander’s army, including the head of the Madrid mounted police, who played the high priest accompanying Alexander.

Moby Dick (1956)

Whales are in fact commonly seen around the Canary Islands, and the island of Lanzarote even has a whale museum. Although mostly filmed off the coasts of Wales, Ireland and Portugal, the final scenes were filmed in the Bahía (Bay) de La Isleta near Las Palmas, the capital of Gran Canaria island, due to the fact that winter was setting in and the water was getting too cold further north.

The final scene with Richard Basehart floating symbolically and literally on the coffin was also shot there as Spanish coffins are notoriously more comfortable than those of other nations.

Las Canteras beach was the focal point of the filming and Moby Dick itself was built in the shipyard of Las Palmas in Calle Rosarito. It only took 2 months to build the 65 metre long white whale with the malicious eye out of latex, wood and metal.

Las Canteras is three miles long and the filming took place at the extreme eastern point known as La Puntilla during two weeks at Christmas in 1955.

Most of the crew was lodged in the Hotel Parque at the quayside, Calle Muelle de Las Palmas, 2, although Peck, Basehart and Huston, slept at the Santa Catalina, opened in 1890, in Calle León y Castillo, 227.

The Man Who Never Was (1956)

The film tells the story of ‘Operation Mincemeat,’ in which British Intelligence fooled the Nazis into believing that the invasion of southern Europe would take place further east, thus luring German troops away from the real destination: Sicily.

In this true story a body dressed in a military uniform is dropped into the sea and washed up in Huelva. The documents on the body were then passed on to the Gestapo and the trap was sprung.

During the burial and again at the end of the film, we can see Huelva cemetery, where the man, whose identity is still debated, is actually buried.

The grave identifies the body as Glyndwrm Martin, who ‘served as William Martin’ and also, incongruously, bears the epitaph ‘Dulce et decorum est pro patria mori,’ (it is sweet and fitting to die for one’s country), although it is uncertain if this is intended to be ironic, as it was when Wilfred Owen quoted Horace in his famous World War One poem.

Surprisingly the body was not buried in next door’s British Cemetery, a relic of the British presence in the days when Huelva’s Rio Tinto mines were run by British companies.

Port Afrique (1956)

Although mostly shot in Algeria and Morroco, some port scenes also used the Spanish enclave on the African continent, Ceuta, and particularly the dock called El Muelle Alfau.

The plot consists of a soldier, returning home one leg short, trying to find out who killed his wife.

Ofelio A Martin from Ceuta informed me that although the film appeared to have many camels among its limited resources, in fact there were only three, paraded in shifts past the camera to give the impression of multitudes. If true, it’s a very clever deceit, observed after the French officer’s visit to the nightclub.

The actors, including Christopher Lee, Anthony Newly and Dennis Price, were lodged at the Hotel Atlante.

Chase a Crooked Shadow (1957)

Anne Baxter, Richard Todd and Herbert Lom starred in this film shot principally in the Costa Brava fishing village of Tamariu, Girona, (a fact that we don’t have to guess as Richard Todd tells us so at the beginning), and produced by Douglas Fairbanks Junior.

The opening images, shown accompanied by some rather nice guitar music played by Julian Bream, are of Barcelona, and especially the Plaça Reial.

The villa where Baxter stays is La Muscleta, situated between Cala Pedrosa and Sa Perica, and other scenes for this thriller were filmed at Sant Antoni de Calonge.

The police station was a transformed Casa Ribera at Palamós, which was demolished in 1974.

In one scene Anne Baxter drives a Bentley through the town centre. She passes along Carrer Major, Avinguda Onze de Setembre, before entering Casa Ribera.

Later she comes out of the building, going down an alleyway, Carrer Canó. Then we see from the balcony of Casa Ribera, the fishing port with a warehouse known as the Edifici del Tinglado, which is now the Fishing Museum.

Todd then drives her wildly on the long and winding coastal road between Sant Feliu and Tossa de Mar, and when they stop, the castle of Tossa is clearly visible behind them.

They stop at a beach bar for some wine and a chat about diamonds at Passeig del Mar, Tamariu.

The Pride and the Passion  (1957)

The title sounds like the novel Jane Austen forgot to write, but was in fact a Hollywood epic that takes place during the Napoleonic Wars in French-occupied Spain.

The plot of the film is that a group of authentic Spanish ‘guerrillas’ are planning to move a big cannon across Spain in order to help the British defeat the French.

(‘Guerrilla’ is a word that came into English from the Spain of that epoch, although ‘guerrilla’ in fact means ‘little war’, whereas the English word ‘guerrilla’ would be ‘guerrillero’ in Spanish).

The surly Spanish leader is that famous Spaniard Frank Sinatra, whereas the suave, typical Englishman is Cary Grant (well, at least he was born in England), and, to give even more authenticity, the Spanish peasant girl is Italian Sophia Loren.

Frank’s surliness on film was kept up off the set, where among other escapades, he refused to use the car supplied him by the studio, insisting upon having his Ford Thunderbird flown all the way to Spain at the studio’s expense, and causing an international incident when he hung a sign from his hotel window, which said: ‘Franco is a fink’, which fortunately nobody in the Guardia Civil could understand. Sinatra later described the filming experience as “underwhelming.”

The idea is to use the cannon to attack the French garrison at Ávila, Spain’s best-preserved walled city, founded in the 11th century to protect the Spanish territories from the Moors. It is known as the ‘city of Saints and Stones,’ being the birthplace of Saint Teresa and the burial place of the Grand Inquisitor Torquemada.

These small details didn’t of course stop film director Stanley Kramer wanting to blow up the walls for authenticity’s sake. Although the Spanish authorities were tempted by the Yankee dollar (5 million of them spent on this film), in the end they declined. Instead, Kramer built a wall in front of the wall, which he then destroyed.

Ávila

Other parts of Spain where filming took place, and which Kramer was not allowed to blow up either, include Hoyo de Manzanares (Madrid), where we see the Spanish forces retreating dejectedly at the beginning of the film, just before they dump the cannon.

Spanish taxi drivers are not as picaresque as they once were; for, just after landing on the Spanish coast at Cambados in the province of Pontevedra Grant’s coach can be seen passing in front of the famous Alcázar castle of Segovia, and seconds later it  arrives in Compostela de Santiago in Galicia, La Coruña, passing the cathedral in the Plaza de Obradoiro, where he enters the guerrilla headquarters, which is in fact the Parador Hotel of Santiago, where Sinatra, Loren and Grant were also guests during filming.

Parador, Santiago

When the guerrillas try to cross a river and lose the cannon on the rapids, they are in fact crossing the River Miño at Arbo.

The next scene was shot in the central square at the impressive castle, which is now the Oropesa Parador in Toledo province, and which revolutionised (in the non-uprising-against-the-French sense of the word) the town, where practically nobody wasn’t an extra for the film. It was here that Frank asks the spectators at a bullfight to help pull the cannon out of the river. They approve of his reasoning and put the French soldiers to the knife before following Sinatra out to rescue the cannon and their own self respect.

Location of Bullfight Scene. Now the Car Park

Of the stars, only Sinatra was involved in these scenes, and his presence at the Parador, which had functioned as a hotel since 1930, is remembered today, both by local people and by photographs in the Parador.

Parador employee and chronicler José Manuel Gutiérrez Rodríguez has compiled an enormous amount of information and documentation about this and other events in the history of the castle, including the stay there of the Duke of Wellington at the time of the Battle of Talavera.

The Parador has a curious attraction for feminists, as its first director, from 1930 to 1965, Adela Paramo, was a woman, unusual in those days; and also, as an information panel testifies, the Parador was the scene of the first bullfight involving a female Matador, Conchita Citrón.

Graham Greene and Somerset Maugham are among the illustrious British travellers to rest their heads there.

Later, after attacking a French camp and killing every man, man and man, the guerrillas pass briefly among the weird mushroom-shaped rocks of the Ciudad Encantada in Cuenca, before stopping at some windmills. A photograph of the filming in Cuenca can be seen today in the bar of the Ciudad Encantada Hotel, just across the road from the entrance to the park.

The real star of the film is undoubtedly the cannon, one of five copies used in filming, which the guerrillas hide in the Patio de los Reyes of El Escorial palace just outside Madrid (Manéteras in the film). The Holy Week Procession taking place as they steal away however, was filmed under the famous Roman aqueduct at Segovia some distance away.

Before filming, Kramer had had a personal interview with Franco to convince him that the film would emphasise Spanish heroism. The little man was thrilled and offered full collaboration, including a Spanish army advisor, Lieutenant Colonel Luis Cano, despite the hero’s role being given to the perfidious English in the person of Cary Grant.

Among the extras contracted to assault the walls of Ávila, shot on the 10th June 1956, was none other than the later to be first democratic president of post-dictatorship Spain, local man, and ex-Mayor Adolfo Suarez.

Thousands of extras stormed the north wall, easily recognisable from the church steeple of the demolished Carmen Convent looming above it.

The Sun Also Rises (1957)

In 1957, after divorcing Frank Sinatra, Ava Gardner was one of Hemingway’s entourage in Spain, where she became a big fan of bullfighting, which she once described as a kind of madness.

It is appropriate therefore that Gardner should have been selected to play a Hemingway character, Brett Ashley, in the film version of the book that Hemingway started writing in Valencia about Pamplona.

After a dull spell in Paris, where the characters complain how modernisation is ruining the world, the film relocates to Spain for an idyllic fishing scene with hardy peasants immersed in a rustic life shared with equally sleepy donkeys, sheep and goats.

Hemingway himself was a keen fisherman, and on his frequent visits to Navarra in northern Spain, could often be found on the Irati River at a place known as ‘Los Baños’, surrounded by beer bottles and conquered trout.

The main action revolves around Pamplona’s San Fermín bull running festival of Franco’s time, and there are lots of uniforms and religious parades, and charming policemen in British bobby helmets who come running the moment an irate barman gets fed up with the drunken antics of the Americans, and particularly Errol Flynn.

The filming in Pamplona, Navarra, took place during the festival of 1955, using the ruse that they were making a documentary about San Fermín. Hemingway’s work was banned in Spain at the time, particularly because of his pro-Republican novel ‘For Whom the Bell Tolls’, set in the Spanish Civil War.

The character based on Hemingway (Jake), is played by Tyrone Power, who also played a bullfighter in the film ‘Blood and Sand’ based on Valencian writer Blasco Ibañez’s book. Power would in fact eventually die in Spain while making the film ‘Solomon and Sheba’.

We also see Gardner’s character (Brett Ashley) having an affair with a bullfighter, called Pedro Romero in the film. Gardner had a dramatic effect on Spanish bullfighters wherever she went; not for nothing was she known as ‘the most beautiful animal in the world.’

Audrey Hepburn’s real life husband Mel Ferrer plays one of Gardner’s victims in the film and follows her around for the sole purpose of lighting her cigarettes before anybody else can. This annoys Errol Flynn, who is supposed to be her fiancé on the few occasions that he isn’t incapacitated by booze.

At one point Ferrer beats up four people, including the bullfighter, and then in true Hollywood style looks around him and enquires: “what have I done?” a question that only a madman or actor would ask, or at least one who lived in a time before closed circuit TV cameras captured everything.

The fact that the bullfighter speaks better English than most of the Americans is clarified by his admitting to having worked as a waiter in Gibraltar.

Cape-twirling Romero actually speaks good English because he was played by American Robert Evans, who later became a top Hollywood producer.

In another classic scene, where Power is recovering from his war wound, we are reminded that the tobacco industry had a very intimate relationship with Hollywood. Power asks his doctor if it’s alright to smoke. The doctor replies that it won’t do him any harm, and then reveals that his wounds will result in impotence; something he might have already noticed if he was well enough to smoke.

The film captures the atmosphere of San Fermín as it must have been before the tourists took over, and although director Henry King did use a lot of original footage of San Fermín that he had previously filmed, the city was rebuilt accurately in Morelia, Mexico, the sets being easy to confuse with the original, as anyone visiting Pamplona and comparing them with the film can see.

In 2009 Pamplona celebrated the 50th anniversary of Hemingway’s last visit to the city in 1959. They published a pamphlet and put up plaques showing the places he used to frequent, mostly around Plaza del Castillo.

The very same Mexican square, with its arches, trees and bandstand, appears throughout the film as the focal point for the fiesta and for the recurrent meetings of the characters, for better or worse.

Most emblematic is the Bar Iruña, whose décor remains as it was during Hemingway’s time, and which has a separate bar filled with Hemingway photos and a 2006 bronze statue of the man himself leaning appropriately against the bar. Another statue of Hemingway can be found next to his beloved bullring, where a street also bears his name.

The Hotel Perla, where Hemingway used to stay, keeps his old room, 217, as it was then.

Sail into Danger (1957)

This film, starring Dennis O’Keefe and Kathleen Ryan, in which a boat owner is forced by smugglers to sail from Barcelona to Tangiers, sank without the glory of the sunsets on the island of Cabrera, where it was made.

Situated south of Mallorca, Cabrera consists of a main island and 18 smaller islands, with over 450 species of plants and over 150 species of birds.

Action of the Tiger (1957)

The film was shot during the autumn and winter of 1956 and the spring of 1957 in Guadix, Granada.

Guadix, being a flexible kind of place, was Albania this time, in a story about a mercenary rescuing the imprisoned, blind brother of an inevitably attractive girl.

Various locations around the Sierra Nevada mountain range were used, such as Almuñécar (Punta de la Mona) for the yacht scenes, and the famous house caves of Guadix, with strange conical shapes as a result of erosion.

Juan José Carrasco Soto, author of ‘Granada y el Cine’ adds the locations of the caves of Sacromonte the Abogado gulley and Llano de la Perdiz, which portrays the border with Albania.

But of course the most recognisable landmark was the castle of La Calahorra, perched on its barren hill, from where it has beckoned film-makers for decades.

La Calahorra

The castle belongs to Countess Valone, a typical English-speaking Albanian aristocrat who helps the brother and sister to escape at the price of being slapped around by Communist policemen.

The Catholic Monarchs gave the castle to Cardinal Mendoza, their advisor, who played an important role in the Christian conquest of Granada. He in turn willed it to his illegitimate son, Rodrigo de Vivar y Mendoza, the first Marquis of Cenete. Rodrigo was the protagonist of a typically medieval love versus duty intrigue.

When his wife Leonor de la Cerda died, he visited Italy and then returned with a bunch of Italian architects, sculptors and artists, and a few wagons loaded with Carrara marble to embellish his abode.

While in Italy, all was not art and culture; he also captivated a 15-year-old beauty, María de Fonseca.

Her father wasn’t too keen on the match and so Rodrigo married her in secret, which greatly annoyed Isabel la Católica, who threw a fit and had Rodrigo imprisoned. When Isabel died, Rodrigo was released and immediately liberated María from the convent where she’d been incarcerated.

They moved into the castle with their marble, had two kids and lived happily ever after.

Sean Connery’s love affair with Spain began long before he became James Bond, or anyone else we’ve heard of. This story of smugglers and political prisoners didn’t exactly promise a brilliant future for our Sean, who plays a drunken sailor.

Spanish Affair (1957)

The story of an American architect discovering the ‘real’ Spain, especially Flamenco. There is a very interesting story behind this film, which you won’t find in your video club.

It was produced by Bruce Odlum, and his son Brian single-handedly keeps the film alive as it’s not on sale.

The opening scene was filmed in El Prado Museum, Madrid, where a businessman tells his secretary, Mari Arrubia (played by Carmen Sevilla): “We must practise our English because, like most Americans, he speaks no Spanish”. Although to be fair, the American protagonist, Merrit Blake (played by Richard Kiley) does pick up a few words before the final credits.

The couple drive around Spain to convince several Spanish businessmen to accept the construction of a modern hotel, and to convince would-be tourists that Spanish roads were built for livestock not cars.

First stop is Segovia, where Merrit gives us a lecture on architectural principles while fondling the famous Roman aqueduct…..fondly.

They stop for a quick look at the Alcázar Castle, which Merrit describes astutely as “better than Walt Disney”, losing most of the credit that he’d racked up until that moment.

Next they drive to Catalonia, to the seaside village of Tossa de Mar in Girona province, where ‘Pandora and the Flying Dutchman’ had been made six years previously.

The beach and castle are seen in all their splendour as Merrit meets Carmen’s jealous knife-wielding boyfriend among the ruins.

During their brief stay in Barcelona we don’t see much of the city, but are introduced to the languid ‘Sardana’, a traditional Catalan dance involving groups of people holding hands in a circle.

The final stop is Toledo, with its fusion of Islamic and Christian architecture. As Carmen speaks to her father, we can see the Alcázar Castle in the background, scene of a famous siege in the Spanish Civil War.

In the final scene we can see the majestic Tajo River, which winds its way across the Peninsula before reaching its mouth in Lisbon.

I walked along what used to be called the Safont Beach, on the banks of the Tajo, and the house in which Carmen Sevilla’s ‘father’ philosophises seemed to be an old factory or mill still standing by the riverside.

Across the Bridge (1957)

Rod Steiger stars as a corrupt businessman in a film based on a Graham Greene novel, about a bridge that connects Mexico and the USA, even though the film was made around Sevilla, at Lora del Rio (‘Catrina’ in the film) where the distinctive iron bridge is to be found.

Much of the action takes place around Plaza de España, and the Hotel Turista is located there at number 4.

The Santa Ana church, at the end of calle Roda Arriba, appears in some scenes, such as Scarff’s funeral.

The Post Office in the film was played discreetly by the Town Hall.

Director Ken Annakin reveals in the documentary accompanying the DVD that it was John Cabrera who told him that he could find all the scenery he wanted in Spain, after Annakin had travelled by train from New York to Mexico, filming trains as he went for the movie, and taking over 600 photos for locations.

Most of the extras were gypsies, who captured the ‘Mexican’ look the director sought, while among the stars were Bernard Lee, who would later become M for the early 007 films, and Shakespearian actor Noel Williams as the laconic Mexican Police Chief.

The big star however is Dolores the dog (or bitch to be honest), who is a pain at first but finally melts Steiger’s heart. They found her in a dogs’ home in Liverpool.

Tip on a Dead Jockey (1957)

Robert Taylor plays an unhappy ex-pilot from the Korean War living in Madrid. When his horse doesn’t win in a race held at the Hipódromo de la Zarzuela, he agrees to do a bit of harmless smuggling; only it’s not so harmless.

Before all that, his jilted wife (Dorothy Malone) flies to Madrid to see why he’s left her, and we get an aerial view of the city’s bullring, Las Ventas; just so we know that it’s really Spain!

Stowaway Girl (1957)

Trevor Howard stars in a film by James Bond director Guy Hamilton, shot in British studios but with locations in and around the city of Alicante.

A barely recognisable bearded Warren Mitchell, and an erudite Donald Pleasance row Howard to shore, where the looming castle of Alicante’s Santa Bárbara dominates the port.

Once there, although it is supposedly somewhere in South America, Manuela makes contact with Mario and a curious poster announces a football match between Levante (misspelt as Levate) and Hercules, the local team of Alicante.

In most countries the film goes by the title ‘Manuela,’ who is the stowaway, and among the locations are the historic centre (calles Santa Cruz and calle Tarifa), and plaza de Santa María, where after supper, Mario continues his attempts to seduce Manuela in front of the basílica de Santa María

Later the action moves to the nearby island of Tabarca, looking a lot shabbier than it does today.

Sea Fury (1958)

Victor MacLagen’s last film showcased two promising young actors; Robert Shaw and Stanley Baker.

Authentic local fishermen mend their nets and do other authentic things on the beach at L’Estartit, Girona on the Costa Brava in a film about a petrol tanker grounded on the Spanish coast in a storm. The village however, claims to be on the coast of the Basque Country.

Rosita, who is being pimped to the Captain of the ship by her father, entices Baker, a sailor in port, up the hill to take some photos at ‘el Castillo’, where she fakes a twisted ankle to seduce him.

Later he follows her there again and they agree to run away together so that she doesn’t have to marry Baker’s over the hill Captain to satisfy her father’s financial greed.

The hilltop chapel is the Ermita de Sant Ramón, next to the castle above Begur, where Elizabeth Taylor later filmed ‘Suddenly Last Summer.’

The 7th Voyage of Sinbad (1958)

In Girona province, Sa Conca Beach at Sant Feliu, S’Agaró and Castell-Paltja d’Aro in Girona were among the locations employed for an early scene when we first see the Cyclops and observe the powers of the magic lamp, and also for where the dragon finally dies towards the end of the film.

Sa Conca Beach

Filming commenced in the beautiful Palace of Alhambra in Granada, representing Baghdad in the film, which offers a complete guided tour of the Alhambra, beginning when Sinbad and Parisa arrive at the palace after their voyage, carried by bearers, when we can see the Alhambra’s Puerta de Vino, which also appears when Sokurah the magician abandons the city.

The Alhambra. Photo Courtesy James Yareham

The production team wasn’t permitted to use the palace grounds in the daylight hours and the volume of tourists meant all interior shots had to be filmed at night.

The pool, entrance porch and noble hall of the house-palace called ‘The Tower of Prince Ismail’ (or ‘Tower of the Ladies’) first appear in the romantic scene between Sinbad and Parisa, soon joined by Sokurah, who presents his plans for the giant crossbow.

This location was used at night for the crowded palace scenes in which Parisa and her father arrive to join the Caliph. The prison scene was filmed in the ‘Patio de los Aljibes’, behind which we can see the ‘Torre de las Armas’ and the ‘Torre del Homenaje’. The courtyard, backed by the ‘Torres de Alcázaba’, became the prison yard where Sinbad recruits his crew.

The night time party with the courtesans, during which a woman and a snake are merged, takes place in the ‘Patio de los Arrayanes’.

When Sinbad and Parisa sit next to a pool with a stone lion spouting water, and she leans against a statue, they are in front of the entrance to the ‘Palacio del Partal’ (also known as the ‘Torre de las Damas’). This is also where the Caliph is informed that his daughter has been shrunk, and in the background we can see the Oratorio.

Princess Parisa is shrunk with the help of a rather smoky candle by Sokurah in the ‘Sala de las Dos Hermanas’.

Sinbad crosses the ‘Patio de los Leones’ when he runs to her aid, and when he speaks to her we can see the ‘Mirador de Lindajara’.

Patio de los Leones

The discussion between Sinbad, Sokurah and the Caliph about Sinbad’s journey also takes place in the ‘Palacio del Partal’ entrance.

The Alhambra is one of Spain’s most visited monuments. It was originally built as a small fortress in AD 889 on the remains of Roman fortifications, and then rebuilt in the mid-13th century by the Nasrid emir Mohammed ben Al-Ahmar.

In 1333 Yusuf I, Sultan of Granada continued the construction, which stood until it was surrendered to the Catholic Monarchs Fernando and Isabel in 1492, the last Muslim foothold in Spain.

It was here, in the same year, that Christopher Columbus received a royal endorsement for his westward expedition.

After many years of neglect and squatters, and after Napoleon’s army had wreaked destruction in pursuit of revenge for their defeat in Spain, restoration began. A wood of English elms was brought to Granada and planted by the Duke of Wellington in 1812.

An earthquake caused further damage in 1821 to the Alhambra, which means ‘the red one’,

The American writer and traveller, Washington Irving, lived in the Alhambra while writing ‘Tales of the Alhambra,’ recounting all the legends associated with the royal palace.

Among the locations used on Sinbad’s travels were the caves of Artá and the spectacular rocky canyon of Torrente de Pareis (the Valley of the Cyclops), both in Mallorca. The cave, with its steps, down which Sinbad and his men walk to enter the valley, was the home of the dragon. Dragon and Cyclops begin their fight in there and continue slugging it out in the Torrent.

Torrente de Pareis

Among the boulders at La Pedriza near Madrid, the fight between Sinbad and his men and the double-headed vulture was filmed and mixed in among the scenes from Mallorca and the Costa Brava. Not only did these scenes take place in three completely separate locations, but the actors also had to pretend to fight against imaginary creatures, who were inserted during the editing process.

It is also in La Pedriza where they find the giant egg; and when Sindad is dropped into the giant bird’s nest, the water we see behind him is not the sea, but the Santillana Reservoir north east of Madrid.

La Pedriza is an impressive geological feature of great scenic interest, located on the southern slopes of the Guadarrama mountain range. It is one of the largest granite ranges of Europe, with a remarkable boulder field of strangely eroded rocks.

La Pedriza

Some scenes were shot on board the replica of Columbus’s ship, The Santa María, which at the time was anchored in Barcelona port. Unfortunately, when they tried to set sail, the ship almost capsized, and the remaining scenes were filmed with the ship tied up in the dock. The local fire brigade collaborated by making waves and Barcelona dockers were recruited as extras.

South Pacific (1958)

Unforgettable words and music from a film with unforgettable bare chests, nice scenery and…… unforgettable songs. Even though it was made as long ago as 1958, it wouldn’t be hard to imagine Bridget Jones washing Daniel Cleaver right out of her hair, or Daniel leading a chorus of lounge lizards claiming that there is nothing like a dame, before Mark and Bridge relax some enchanted evening.

It’s a film that begins with sunsets rather than ends with people riding off into them, and the screen repeatedly suffers from an attack of condensation every time somebody gets passionate.

The tropical splendour of the film owes its authenticity to the ocean and beaches of Malaysia, Hawaii and Ibiza and…..hang on…..Ibiza?

Yes, that’s right, the magical, mysterious Bali Hai is just off Ibiza. Its real name (though nothing is real) is ‘Es Vedra’, an island associated with UFO sightings, believed to be the island of the Sirens described by Homer.

The only life-forms today are the goats left by a crazed monk, who used to live alone on the island in the days when a man could do so with goats and be seen as a seer rather than helping police with their enquiries.

The Sheriff of Fractured Jaw (1958)

The Spanish Western begins here, and not a plate of spaghetti in sight. In what is almost but not quite the cast of a ‘Carry On’ film, and a musical to boot, Kenneth More stumbles in the best bumbling British toff style across the Far West near Madrid, at a specially constructed Western set at Dehesa de Navalvillar near Colmenar Viejo, where Western makers of many nationalities would follow, including Sergio Leone in ‘A Fistful of Dollars.’

Ken is an English gun salesman who becomes Sheriff by accident, and is looked after by blonde bombshell Jayne Mansfield, who manages to keep her head during the film despite being pregnant in real life.

Raoul Walsh directed a large cast of cowboys and Indians riding around some rocky terrain at La Pedriza.

La Pedriza: Photo Courtesy Mark Yareham

Additional exteriors shots were taken in Guadalajara province, specifically at the gulley known as ‘Barranco de la Virgen de la Hoz’ by the River Gallo at a place known as ‘El Rodenal.’

The Man Inside (1958)

Jack Palance plays an insurance investigator on the tail of a mild-mannered jewel thief. They play cat and mouse across Europe, including Madrid, where Palance hires Spanish taxi driver Anthony Newley, and is inspired by a statue of Don Quixote.

All totally believable.

Wonderful Things (1958)

Frankie Vaughn stars as a humble fisherman with ambition in Gibraltar; and although most of the action takes place at Catalan Bay, on the eastern side of the rock, there are plenty of panning shots of the Spanish countryside around La Línea (Cádiz), and some strolling across the border along Winston Churchill Avenue.

The Naked Maja (1958)

Originally meant to be filmed in Spain, Franco refused permission at the behest of the Alba family and it was shot in Italy.

Nevertheless, according to Miguel Losada and Victor Matellano, the paintings were filmed in Madrid and Toledo, with the pretence that they were making a documentary about Goya.

Soloman and Sheba (1959)

Many people come to sunny Spain to lengthen their lives; Tyrone Power came to Spain to shorten his, although that probably wasn’t his intention at the time.

Power was the co-producer and star of the Hollywood blockbuster, directed by King Vidor, set in Egypt and therefore, logically, filmed near Zaragoza, bearing in mind that you can’t find a decent bit of wasteland in Israel with all the pesky irrigation, and even in 1959 it was a difficult task, and holding full scale battles were not especially conducive to keeping in well with the neighbours.

Power had completed shooting more than half of the film when he collapsed after a gruelling duelling scene with George Sanders, and died of a heart attack a few minutes later. He was replaced by wig-toting Yul Brynner, who redid all of Power’s scenes. Power, however, is still visible in the film in long shots.

Filming near Zaragoza had its advantages. The military academy there was only too happy to lend expendable soldiers to the film company to die in droves.

The area where the film was made at the suggestion of a Spanish military advisor was the Spanish army’s summer training camp at Valdespartera, which was later to become absorbed by Zaragoza’s expansion and, curiously, or not, a lot of the streets in the neighbourhood have been given the names of famous films. So, as you wander the streets, you come across names (in Spanish of course) like ‘The Birds’, ‘Singing in the Rain’, ‘An American in Paris’ or ‘Casablanca’ Street.

During the battle scenes a castle can be seen on a distant hill. This castle is the 13th century ‘Santa Bárbara.’

George Sanders, who shared Power’s last scene, would return to Spain in 1972 in order to commit suicide in a hotel in Castelldefells near Barcelona. The British actor, born in Saint Petersburg, left a note saying that he’d done it: “because I am bored” (with life, not Barcelona, which is certainly a racy little town). Sanders was married to two of the Gabor sisters, Zsa Zsa and Magda, although at different times.

Power’s own demise took place at the Sevilla Film Studios in Madrid’s Avenida Pio XII, number 3. The studios, created in 1943 were used in such epics as ‘Alexander the Great,’ ‘El Cid,’ ‘Patton’ and ‘King of Kings.’ Unfortunately, in 1973 the complex was redeveloped as an area of villas and a shopping centre.

In the great battle scene with the dazzling shields, the producers point out that no toy horses were injured.

Suddenly Last Summer (1959)

Elizabeth Taylor rehearses for ‘Who’s Afraid of Virginia Wolfe’ by acting out her manic fantasies with stoic Montgomery Clift, whose each movement resembles somebody suffering from a recent punch in the stomach, and whose pockets, to which his hands seem to have a fatal attraction, are his deepest attribute.

The film demonstrates an incredible lack of knowledge about Spain, with the traumatic events taking place in a small coastal village called ‘Cabeza de Lobo’, supposedly in the summer of 1937, when Spain was in the middle of a civil war and foreign travellers, like Taylor’s brother Sebastian, closely scrutinised.

Sebastian, played by the Spanish actor Julián Ugarte, is mobbed and very possibly eaten alive by a group of young boys and youths, rehearsing, for parts in ‘Lord of the Flies’.

In fact, judging from the photos taken at the time, they were a jolly, friendly bunch of local lads, their faces blackened with boot polish to make them look sinister.

The village chosen for Taylor’s nightmare climb to the medieval castle at the top, where Sebastian finally succumbs, is Girona’s Begur, an old fishing village.

Ten days were spent in August 1959 shooting in Begur and around about for a film released the same year, but not seen in Spain until 1979. It is debatable whether this is due to the portrayal of Spanish youth as ignoble savages or Liz Taylor’s display of too much of her generous body for the slavering cinema goers of Franco’s dictatorship.

During filming Taylor and her then husband Eddie Fisher would often take their meals at the Bar Frigola in Begur’s main square those summer days

Other scenes were filmed at the beach at Pals, Sant Antoni de Calonge, and at S’Agorá, in front of the well known Taverna del Mar, all on the Costa Brava.

It is on the Santa Pol beach in front of the Taverna that Sebastian meets up with the youths who will later chase him up to the castle though the streets of Begur (quite a chase given that Begur is 20 kilometres up the coast).

Begur Castle

Some of the technical staff stayed near the beach of Llafranc at Calella de Palafrugell, while the stars stayed at the famous Gavina hotel in S’Agaró.

50 years had passed since the film was made when in 2009 the filming was celebrated with an exhibition in Begur, organised by local expert Pere Carreras Luque.

John Paul Jones (1959)

Mia Farrow was the Queen of Denia’s fiestas long before she became a Princess of Hollywood.

Her father John directed this film, in which her brother John Charles Farrow also had a brief part as John Paul Jones the young Scottish boy who throws an egg at a British officer who is trying to bring the locals to their senses by banning the use of bagpipes and kilts.

This scene supposedly takes place at a small square in a Scottish village, although it was actually filmed in the Plaça Sant Antoni in Denia in Alicante province.

The stairs on which John Paul was hiding when he threw the eggs was a prop, but was copied from a real staircase that can still be found nearby in ‘Plaza El Raset’.

When John returned to Denia for the 50th anniversary of the making of the film, he was moved to see the staircase still there.

Plaça Sant Antoni is still recognisable, although it has grown a few bars since the film was made, and winding through some atmospheric streets of the old fishing port, we can find in Carreró del Macriat a statue of questionable taste that commemorates the making of the film.

The port of Denia played the role of both a Scottish fishing port (where Jones was born) and Portsmouth (the American one in New Hampshire).

Robert Stack, who later played Elliot Ness in ‘The Untouchables’ TV series, and who played John Paul Jones as an adult, was often to be seen running up and down the sandy Arenal beach at Jávea with his wife Rosemary and his daughter Elizabeth during their stay, and the same beach was used for the scene in which Jones attacks a British base at Tobago.

When John Paul returns to attack the port of Whitehaven, where ironically he began his naval career, the castle his men capture was in fact Denia castle, originally built in the 11th century and located in the city centre behind the port. The point where we see them climbing upwards with the castle wall to their right is the ‘Punta del Diamant’.

The decision to use Denia was largely due to the enthusiasm of one of the film crew, John Cabrera, whose family originally came from there. John worked on many of the great films made in Spain and elsewhere in an illustrious career spanning several decades.

Lunch with the late, great John Cabrera in Denia

Saint Petersburg also features in the film, although the scenes in the Palace there were actually shot in the Palacio Real of Madrid using the authentic thrones of the Spanish monarchy, which were temporarily available for forty years due to the brief interlude of Franco’s dictatorship. The scenes with Queen Catherine of Russia, played by Bette Davis, were filmed there, as were some of the scenes of the French court at Versailles.

This was the first film produced in Spain by the legendary Samuel Bronston, flush with money from various international companies that could not take their money out of Spain and so ‘invested’ it in making films, which could then make them dollars back home.

Bronston, actually a nephew of Leon Trotsky, had two important supporters to help him make the film; American war hero Admiral Nimitz and the Spanish Prime Minister, later assassinated by ETA, Carrero Blanco, also an Admiral. Both of them were keen to see a film about a heroic Admiral for reasons that defy the imagination!

For the making of ‘John Paul Jones’ two boats were brought from Italy and one from Barcelona and turned into 18th century frigates. Their presence in Denia would bring many more film makers with naval themes on their minds to the town.

The whole crew of the film stayed at hotels in Benidorm; and in fact the distinctive ‘Peacock Island’ in Benidorm’s bay can clearly be seen when a group of marines storm a beach as they capture Providence Island in the Bahamas from the evil British.

The film totally transformed the lifestyle of sleepy Denia, and cultural icons such as sunglasses, Coca Cola and Whisky found their way into the everyday life of the local people, many of whom shared in the 27 million pesetas spent in the town during filming in 1958.

Our thanks to Toni Reig, Miquel Crespo and Romu Soler from Denia for taking us around the locations.

North West Frontier (1959)

The story is set in India and concerns the attempts of Kenneth More and Lauren Bacall to save an Indian prince by escaping on a train.

Although the first part is largely filmed in India, the countryside of the province of Granada provided the ‘authenticity’, and the stations at Iznalloz and Guadix (where Spielberg would later film part of the third Indiana Jones film) provided most of the ‘authentic’ Indian train station material.

The station at Guadix is Bhivandi Pura, where More and Bacall find the massacred refugees and a surviving baby.

The scenes at a bridge took place at the River Anchurón on the Linares- Baeza line in Jaén province. The bridge, which our heroes have to cross as it falls apart, crosses the river on the road between Fonelas and Belerda de Guadix.

The group finally reach safety at Kalapur, whose station is provided by Iznalloz.

Speaking of lines; the film contains the classic “half the world is only civilised because we made it so” from Lady Wyndham.

The film is worth watching if only to enjoy the theme music, the stunningly appropriate ‘Henley Boating Song’.

Honeymoon (1959)

Although largely a Spanish film, the director was Englishman Michael Powell and the lead actor Anthony Steele, who among other great roles, performed seven times in the British soap opera ‘Crossroads’.

Steele plays Australian farmer Kit Kelly, travelling through Europe on his honeymoon.

The port of Vigo in Pontevedra, Galicia, the Alhambra Palace of Granada, where Antonio and Anna dance together, and the famous mosque at Córdoba, are all used as backdrops to this feast of music and dancing, which centres around Manuel de Fallas’ evocative ‘Amor Brujo’.

Alhambra
Alhambra

Director Powell has a cameo in his own film, as the tourist guide explaining the story of the Lovers of Teruel, Spain’s own version of Romeo and Juliet.

The tomb of these 13th century unconsummated lovers can be visited today in the Mausoleum of the church of San Pedro; the two romantics lie side by side their hands stretched out to each other but (as they weren’t married) not touching.

In the 38th minute of the film as Kit and his wife leave Madrid and head south, for the briefest of moments the castle of Maqueda in the province of Toledo rises majestically behind them.

Maqueda

Like so many castles, the origin was Roman, although the serious building only began around 981.

In 1083 it was taken by Alfonso VI of Castilla after which it passed through many hands.

Between 1196 and 1198 it resisted sieges of the Almoravids.

Pedro I the Cruel tried hard to live up to his name. In 1354 he ordered the imprisonment and execution of the Master of the Order of Calatrava don Juan Núñez de Prado.

This may have been because of his friendship with Pedro’s brief Queen Doña Blanca or in order to hand the job of Master over to his protégé Diego García de Padilla, his lover’s brother.

Strange lights sometimes appear in the castle, announcing the presence of Núñez, whose throat was unceremoniously slit.

 Isabel la Católica lived there for some years and later on so did the Guardia Civil.​

It started With a Kiss (1959)

A little bit of romance between Glen Ford and Debbie Reynolds in which the couple move to Madrid and treat us to some backdrops of the city, which include the Rastro and the Cibeles Fountain, where Real Madrid supporters generally celebrate their team’s triumphs.

The ‘Plaza de España’ and the ‘Palacio Real’, in the shadow of ‘Torre de Madrid’ and ‘Edificio España’ also featured in this film, which temporarily brought a little bit of glamour to a city where not much else happened; except when Real Madrid won.

Edificio España. Photo Courtesy Mark Yareham

During filming they ran into the cast of ‘Spartacus’, who were also staying at the Castellana Hilton (now Intercontinental) Hotel.

Filming also took place in Granada, at the Alhambra palace and in the Albaicín district of the city. Our couple also witness a wedding in the San Nicolás church.

The gate of the park known as ‘Carmen de los Mártires,’ situated next to the Alhambra, also features.

During their Granada stay the stars lodged at the Hotel Alhambra Palace, perched up on a hill beside the Alhambra itself, and displaying some old fashioned Arabian charm. We see their arrival here before they explore the city.

Once again American film makers show their amusing attitude towards Spanish geography. After Granada, the next morning Ford and Reynolds pass through Segovia, where they inspire the envy of Antonio the bullfighter (envy for Ford’s car that is) as they drive through the town, past the magnificent castle perched above, and under the Roman aqueduct. Quite a detour considering their destination is Madrid.

Our thanks to Granada cinema expert Juan José Carrasco for the information about Granada.

Tommy the Toreador (1959)

The film is really a vehicle for British singer Tommy Steele to exploit his hit song ‘Little White Bull.’

Tommy the sailor gets mistaken for a bullfighter when he arrives in Spain and everybody falls over a lot.

An excellent supporting cast includes Sid James, Bernard Cribbins, Kenneth Williams, Eric Sykes and Warren Mitchell (all except Williams playing Spaniards), as well as experienced Spanish actors such as José Nieto.

The film begins with images of the Seville Fair (Feria de Sevilla) an annual event held usually in April when the people of Sevilla dress up in traditional costumes, and flamenco music, horses and sherry are the attractions.

The hotel where Tommy ends up after escaping with the girl on the back of a truck, is the Hotel Oromana, situated in Avenida de Portugal, Alcalá de Guadaira, in whose streets a lot of the action takes place. The hotel was built in 1929 for the Latin-American Exhibition in Sevilla in the regional style.

As they are riding along, the town’s castle is clearly seen.

A castle of some description has stood on this site since the Iberians dominated the peninsula.

With 11 towers it has loomed over the town over the centuries, being built upon and developed especially by the Moors.

The castle is rich in legend. When the Christians reconquered it, they observed from the walls an eagle that always landed in the same place. On digging there they discovered the image of a Virgin, buried apparently by Christians during the Arab conquest of the city.

Another story tells of blind fish that adapted to and lived in the underground waterworks built by the ever-busy Romans.

The town and castle take their names from a Moorish Princess Aira, whose ghost it is claimed still haunts the castle and whose voice can still be heard there.

She had been promised to a Moorish prince, but in true West Side Story tradition, fell in love with a Christian prisoner instead. Helping him escape across the river, they were surprised and killed by her jilted would-be husband.

Having betrayed her father in this way, the gate she escaped through was thereafter called the Gate of Treason.

Prisoners there have been, and although none were particularly famous, they could tell a good story today.

Diego García de Padilla was kept prisoner in the well, lowered there by his brother in law King Pedro I of Castilla after the Battle of Nájera in 1367. There he monitored the water levels when the rain fell to see if he would drown, while in an underground wheat store, Bishop Juan de Cardellac also paid the price for opposing Pedro (aka Pedro the Cruel), and was not released until he was already insane.

The castle also has a dragon legend, a creature hatched from an egg under the castle, where it lived with its friend/master Yacub until it saved the Sultan’s life by burning to cinders a group of renegade warriors who attacked him.

The big bull fight scene at the end takes place in the Real Maestranza de Caballería, Sevilla.

SOS Pacific (1959)

Richard Attenborough stars and Guy Green directs.

The Pacific is of course the Atlantic, and the Canary Islands, named so because of their canine inhabitants rather than birds, are the destination of the passengers whose plane crashes where an atom bomb is to be tested.

Filming took place on the island of Gran Canaria in the Vegueta district of the city and on the docks of Las Palmas, especially on the dock of Santa Catalina, where a young, spry Attenborough skulks and stutters mischievously.

Puerto de La luz, Triana (Alameda de Colón and Hotel Cairasco) as well as San Nicolás also appear, as does the village of San Bartolomé de Tirajana.

The beaches of Maspalomas and the Playa de los Burros represent the desert island where the hydroplane ends up.

Action Stations (1959)

A gang of counterfeiters chase an engraver and his daughter to Spain. The girl is kidnapped and released by two smugglers.

Among the Spanish locations is the famous Tibidabo Amusement Park of Barcelona, perched above the city, as well as the neighbourhood of Vallvidriera, where there is a funicular railway to the park.

Gibraltar also features, although, is that on the Spanish coast? Either way you offend somebody.

Categories
Period

1920-1949

FROM THE TWENTIES TO THE FORTIES

Rogues and Romance (1920)

Blood and Sand (1922)

The Spanish Jade (1922)

The Bandolero (1924)

Duck Soup (1933)

Grand Canary (1934)

Desire (1936)

The Last Train from Madrid (1937)

The Bullfighters (1945)

1920-1949

Rogues and Romance (1920)

In the days long before Franco would happily loan his period piece army to American producers, the Kingdom of Spain would not allow fight scenes to be filmed on its soil, and consequently a Spanish village was built for this film in Larchmont, New York State.

Some non-violent scenes were however permitted in Algeciras, Cádiz, Granada, Sevilla  and Málaga, where the mountains of Ronda were a popular place to film films about banditry. And popular for banditry too!

On the other hand, perhaps it was the subject matter, about a Spanish revolutionary abducting a rich, American girl that triggered the refusal.

This silent movie was directed by George B Seitz, who also played the part of the rich father.

Blood and Sand (1922)

This silent movie (although they would have been speaking English if we could have heard them) starring Rudolph Valentino, was set in Sevilla, although largely shot in Hollywood studios by Fred Niblo, who made the first version of ‘Ben Hur’ among other things.

According to Francisco Perales, Sevilla University teacher and author of books about Hollywood in Spain, a second film unit was sent to Sevilla for background shots, and so we can see the famous Giralda tower and Calle Mateos Gago, with its typical orange trees (not so orange in black and white of course, nor rustling pleasantly in the whispering breeze, come to think of it).

La Giralda. Photo Courtesy of Mage

The film is one of several based on the book by the Valencian writer Vicente Blasco Ibañez.

The film contains all the kitsch of films of that epoch, with exaggerated gestures and intense, moody staring at the camera. In an early scene we see one of Juan Gallardo’s (Valentino’s) friends mortally wounded by a bull, and Juan, instead of helping him, rushes off, kills the bull and only then rushes back for his friend’s final seconds. Priorities are priorities after all!

The film is all about rags to riches, with our hero living in a hovel with strategically placed brickwork protruding from the broken plaster just to prove the point, and an array of colourful characters dressed in carefully-crafted rags.

The soundtrack couldn’t have cost much, consisting of droning organ music, as if somebody were working up the energy to compose a dirge.

Our hero is too weak to wholly love the woman he loves, falling inevitably into the wicked clutches of the nefarious Doña Sol. Doña Sol’s servant is perhaps the most intriguing character, dressed like something out of Arabian Nights, or possibly Arabian Mornings After, and of uncertain gender, it prances around casting meaningful looks that turn out to have nothing to do with anything; “meaning nothing” as Shakespeare pointed out.

The various bullfights, although made in a studio, are interspersed with real bullfight footage, presumably shot by director Fred Niblo’s second crew. A large advertisement for El Aguila beer, whose first brewery was opened in Madrid in 1900, is clearly visible in one scene.

The original brewery in Calle Ramírez de Prado, nº 3 was closed in 1985 and is now a regional library.

After making enquiries at the library, bullfighting enthusiasts working there told me that the bullring images could have been filmed at Pamplona (Navarra), Alicante or Zamora bullrings, although it might also have been the now demolished Fuente del Berro bullring in Madrid.

The Spanish Jade (1922)

It is amazing to think that when Alfred Hitchcock was just starting out in the film business, that he came to Spain, to Sevilla in fact, as a location scout, when working as title designer on this silent movie, which is officially classified as ‘lost’.

Among the ‘Spanish’ cast of this American film were British actor David Powell and Australian Marc McDermott.

Canadian John S Robertson directed. He was the inspiration for the song ‘Old John Robertson’ on the legendary ‘Notorious Byrd Brothers’ album by The Byrds.

The Bandolero (1924)

Although a silent movie, this was one of the first American productions made in Spain (and Cuba), and was shot entirely in English, but with subtitles obviously.

Pedro de Córdoba, Gustav von Seyffertitz, and Renée Adorée starred in a film about ravishing bandits (bandits who ravish I mean to say), directed by Tom Terriss.

Manuel Granado, a young Argentine actor was actually gored by a bull in the bullring at Córdoba during shooting; footage which found its way opportunistically into the final cut. Ouch!

Duck Soup (1933)

One town where Hollywood has left a lasting impression is the village of Loja, situated in the mountains of Granada province.

Although the Marx Brothers were never there, for some reason lost in the mists of time, an image of the village appears at the beginning of the film, supposedly portraying the kingdom of Sylvania.

The place from where the photo was taken has since been renamed ‘Mirador (viewpoint) de Sylvania’, and silhouettes of the Brothers and information about the film have been erected there to commemorate its brief moment of glory.

Mussolini banned this film about political misdeeds, which is always a good reason for revisiting it.

Grand Canary (1934)

Despite the name, the mentions of specific locations are from Tenerife Island rather than Gran Canaria, from which the film takes its name.

In the film the island is suffering from an epidemic of yellow fever, with just a dash of cholera to add variety, which isn’t the best kind of tourist promotion, but then no news is bad news.

Maybe the producers confused ‘yellow’ with ‘tanned’, which is not surprising on an island that averages 255 sunny days per year.

Based on the novel of the same name by A.J. Cronin and directed by Irving Cummings, the film tells the story of a doctor in disgrace who heads for a new life in tropical climes, only to find sweaty love, jealousy and sickness.

The Spanish authorities were not amused by the film, and diplomatic protests were registered about the poor image of the Canaries and, perhaps worst of all, the positioning of Spain’s highest mountain in Gran Canaria island instead of Tenerife, where it can usually be found. Or it might have been the British brother and sister going there to set up a ‘mission’.

The town of Santa Cruz, where the doctor fights the fever, in between drinks and a bar fight in the ‘Hotel Hemingway,’ is also in Tenerife in reality.

The doctor was played by Warner Baxter, who was not only the first American to win the Academy Award for Best Actor, but also lived through the San Francisco earthquake of 1906.

The early scenes of the film are quite advanced technically, with images merging in and out of each other, although the camel ploughing towards the end is a little far fetched.

Desire (1936)

Gary Cooper is on his way from Paris to San Sebastián in Guipúzcoa for a holiday, when he runs across jewel thief Marlene Dietrich, who uses him to smuggle some jewels into Spain (Cooper is only smuggling cigarettes, although his greatest crime here is his singing).

Once there, after an eventful trip in which donkeys play a prominent part, they meet up in the Hotel Continental Palace, (opened in 1884 and closed in 1972).

Unfortunately the stars never made it to Spain in the year for whom the bells tolled, although a film crew was despatched to film the images that formed a backdrop.

As a portal for Spanish tourism, Cooper’s phrase “what a country! What eggs!” must be one of the most original tourist slogans ever invented, and one that surprisingly hasn’t been borrowed by the Spanish authorities. Yet.

About half an hour into the film we see brief scenes of San Sebastián’s famous curving Concha beach, its promenade ‘Paseo Nuevo’ with its tamarind trees and the Alderdi Eder square, where the Town Hall stands.

Concha Beach

San Sebastián must have been extraordinarily international in the 30s; according to the film, the local newspaper, ‘Diario de San Sebastián’, was published entirely in English (which is even more amazing when considering that it had ceased publishing back in 1887), and the customs officers who discover Cooper’s cigarettes speak impeccable Oxford English.

The looming Urgull Mountain can also briefly be seen in the film, with its castle and English cemetery, a reminder of the siege of the city in 1813, when the Duke of Wellington defeated Napoleon’s troops (and then rather churlishly burnt the town).

When Cooper and Dietrich leave the hotel they drive through some ‘typical’ Spanish scenery, replete with rocky crags and rushing rivers.

They also drive out of Toledo, across the San Martín bridge with the castle of San Servando behind them.

When King Alfonso VI took Toledo from the Muslims in 1085, he turned the castle, dedicated to the saints Servando and Germán, over to the Templar Knights, in thanks for saving his life at the battle of Sagrajas, a defeat that, in the film El Cid, he blames on El Cid for not helping him.

The castle has the great advantage of being haunted, by one Lorenzo de Cañada, a soldier in the reign of King Felipe II, who continues to patrol the castle to this day.

The castle now operates as a youth hostel, with 25 rooms. One of the hostel rooms, T 4, is not usually available as it is supposed to be haunted. Some unhygienic spectre dedicates its time to unrolling toilet paper, guests feel somebody else sitting on their beds, sheets have a life of their own, and there are strange lights and sounds.

San Servando Castle: Photo Courtesy Mark Yareham

Their journey ends at the Villa Rubio in non-existent Guadarale.

The Last Train from Madrid (1937)

Inevitably an American film about the Spanish Civil War couldn’t be made in Spain in 1937 without connivance from one side or the other, and this one had to observe American neutrality.

Nevertheless, historical records show that some of the footage in the film was actually from Spain.

Specifically, at the beginning, the images of destruction of what is supposed to be Madrid, were in fact of Palencia, while an aerial bombardment of the capital came from Soviet sources; despite which it was included.

Anthony Quinn appears in an early role, beginning a life-long relationship with Spain.

The Bullfighters (1945)

‘The Bullfighters,’ directed by Mal St. Clair, stars none other than Laurel and Hardy in their penultimate film together, and in which Stan has to face up to the bulls down Mexico way.

The famous duo never actually made it to Spain, but according to Ramon Herrera, author of ‘La Cineclopedia Navarra’, the film contains some documentary inserts from the early 40s of bulls being released in the bullring of Pamplona, Navarra, following the famous bull run of the festival of San Fermín, made internationally famous by the writings of Ernest Hemingway.

In the final bullring scene, when chaos erupts, the images clearly belong to the entrance of the bulls in the ring at Pamplona following the running through the streets.