Sardhana Stock Photos and Images

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Sardhana Stock Photos and Images

basilica our lady of graces meerut sardhana, uttar pradesh, india, asia Stock Photo

RMF72FDE–basilica our lady of graces meerut sardhana, uttar pradesh, india, asia

Begum Sambre 1750-1836, ruler of the Principality of Indian Sardhana to India 1780-1815 Stock Photo

RMDPB3PC–Begum Sambre 1750-1836, ruler of the Principality of Indian Sardhana to India 1780-1815

India, facade of Sardhana cathedral, tall spires, slender columns and dome. Stock Photo

RMPFMAFD–India, facade of Sardhana cathedral, tall spires, slender columns and dome.

The Great Elephant. Artist: Lala Deen Dayal (Indian, Sardhana 1844-1905). Dimensions: Image: 24.1 x 21.2 cm (9 1/2 x 8 3/8 in.) Mount: 30 x 37.7 cm (11 13/16 x 14 13/16 in.). Date: 1885-1900. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPANWB6–The Great Elephant. Artist: Lala Deen Dayal (Indian, Sardhana 1844-1905). Dimensions: Image: 24.1 x 21.2 cm (9 1/2 x 8 3/8 in.) Mount: 30 x 37.7 cm (11 13/16 x 14 13/16 in.). Date: 1885-1900. Museum: Metropolitan Museum of Art, New York, USA.

Barque Sardhana en cale seche. Stock Photo

RMPJ528A–Barque Sardhana en cale seche.

278 StateLibQld 1 97512 Sardhana (ship) Stock Photo

RMPDWP6D–278 StateLibQld 1 97512 Sardhana (ship)

RMKHGEYR–1 97512 Sardhana (ship)

Joanna Nobilis Sombre, Begum Samru, ca 1753– 1836 Stock Photo

RM2AXWH1E–Joanna Nobilis Sombre, Begum Samru, ca 1753– 1836

Art inspired by The Great Elephant, 1885–1900, Albumen silver print from glass negative, Image: 24.1 x 21.2 cm (9 1/2 x 8 3/8 in.), Photographs, Lala Deen Dayal (Indian, Sardhana 1844–1905, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX254–Art inspired by The Great Elephant, 1885–1900, Albumen silver print from glass negative, Image: 24.1 x 21.2 cm (9 1/2 x 8 3/8 in.), Photographs, Lala Deen Dayal (Indian, Sardhana 1844–1905, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Basilica of Our Lady of Graces, Church, Sardhana, Begum's basilica, Amazing Sardhana church built by Indian (Copyright © by Saji Maramon) Stock Photo

The Great Elephant 1885–1900 Lala Deen Dayal Indian. The Great Elephant. Lala Deen Dayal (Indian, Sardhana 1844–1905). 1885–1900. Albumen silver print from glass negative. Photographs Stock Photo

RM2HJ45Y0–The Great Elephant 1885–1900 Lala Deen Dayal Indian. The Great Elephant. Lala Deen Dayal (Indian, Sardhana 1844–1905). 1885–1900. Albumen silver print from glass negative. Photographs

The Begum Samru of Sardhana (c.1750-1836). Half-length portrait, seated smoking a hookah. She wears a fur hat with dangling pearl 'sarpech' and a pearl necklace, and is enveloped in a heavy yellow shawl. 1812. Watercolour on ivory. Source: Add.Or.4362. Stock Photo

RMR5J5Y2–The Begum Samru of Sardhana (c.1750-1836). Half-length portrait, seated smoking a hookah. She wears a fur hat with dangling pearl 'sarpech' and a pearl necklace, and is enveloped in a heavy yellow shawl. 1812. Watercolour on ivory. Source: Add.Or.4362.

Sookh-Vilas Palace Garden, Lala Deen Dayal, 1880–90 Stock Photo

RMKC7WCH–Sookh-Vilas Palace Garden, Lala Deen Dayal, 1880–90

Begum Sumru, vintage engraved illustration. Magasin Pittoresque 1836. Stock Photo

RF2C2PBFP–Begum Sumru, vintage engraved illustration. Magasin Pittoresque 1836.

Statues basilica of our lady of graces meerut sardhana, uttar pradesh, india, asia Stock Photo

RMF72FDH–Statues basilica of our lady of graces meerut sardhana, uttar pradesh, india, asia

Sookh-Vilas Palace Garden. Artist: Lala Deen Dayal (Indian, Sardhana 1844-1905). Dimensions: Image: 20.3 x 27.5 cm (8 x 10 13/16 in.) Mount: 30 x 37.7 cm (11 13/16 x 14 13/16 in.). Date: 1880-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAR94G–Sookh-Vilas Palace Garden. Artist: Lala Deen Dayal (Indian, Sardhana 1844-1905). Dimensions: Image: 20.3 x 27.5 cm (8 x 10 13/16 in.) Mount: 30 x 37.7 cm (11 13/16 x 14 13/16 in.). Date: 1880-90. Museum: Metropolitan Museum of Art, New York, USA.

. English: Panchakki and water channel Aurangabad . 1880s. Lala Deen Dayal (1844–1905) Alternative names Raja Deen Dayal Description Indian photographer Date of birth/death 1844 5 July 1905 Location of birth/death Sardhana Mumbai Authority control : Q1182338 VIAF: 94369161 ISNI: 0000 0000 8166 9953 ULAN: 500037191 LCCN: n79141503 GND: 129514721 WorldCat 465 Panchakki Stock Photo

RMMXEF9F–. English: Panchakki and water channel Aurangabad . 1880s. Lala Deen Dayal (1844–1905) Alternative names Raja Deen Dayal Description Indian photographer Date of birth/death 1844 5 July 1905 Location of birth/death Sardhana Mumbai Authority control : Q1182338 VIAF: 94369161 ISNI: 0000 0000 8166 9953 ULAN: 500037191 LCCN: n79141503 GND: 129514721 WorldCat 465 Panchakki

RMK10HYB–Barque Sardhana en cale seche

RM2B02D3E–Joanna Nobilis Sombre, Begum Samru, ca 1753– 1836

Art inspired by Sookh-Vilas Palace Garden, 1880–90, Albumen silver print from glass negative, Image: 20.3 x 27.5 cm (8 x 10 13/16 in.), Photographs, Lala Deen Dayal (Indian, Sardhana 1844–1905, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4PR4–Art inspired by Sookh-Vilas Palace Garden, 1880–90, Albumen silver print from glass negative, Image: 20.3 x 27.5 cm (8 x 10 13/16 in.), Photographs, Lala Deen Dayal (Indian, Sardhana 1844–1905, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Statue of Jesus, Body, Basilica of Our Lady of Graces, Sardhana, Uttar Pradesh, India. (Photo Copyright © by Saji Maramon) Stock Photo

Art inspired by Sookh-Vilas Palace Garden, 1880–90, Albumen silver print from glass negative, Image: 20.4 x 26.2 cm (8 1/16 x 10 5/16 in.), Photographs, Lala Deen Dayal (Indian, Sardhana 1844–1905, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9A6X–Art inspired by Sookh-Vilas Palace Garden, 1880–90, Albumen silver print from glass negative, Image: 20.4 x 26.2 cm (8 1/16 x 10 5/16 in.), Photographs, Lala Deen Dayal (Indian, Sardhana 1844–1905, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Statue: Second Station, Jesus carries His cross. Basilica of Our Lady of Graces, Begum's Church, Sardhana (Copyright © by Saji Maramon) Stock Photo

The Great Elephant, 1885–1900, Albumen silver print from glass negative, Image: 24.1 x 21.2 cm (9 1/2 x 8 3/8 in.), Photographs Stock Photo

RMKC7WCG–The Great Elephant, 1885–1900, Albumen silver print from glass negative, Image: 24.1 x 21.2 cm (9 1/2 x 8 3/8 in.), Photographs

Statue: Fourth Station, Jesus meets his mother. Basilica of Our Lady of Graces, Begum's Church, Sardhana (Copyright © by Saji Maramon) Stock Photo

The Great Elephant Saluting, Lala Deen Dayal, 1885–1900 Stock Photo

RMKC7WCD–The Great Elephant Saluting, Lala Deen Dayal, 1885–1900

RMF72FD8–Statues basilica of our lady of graces meerut sardhana, uttar pradesh, india, asia

Sookh-Vilas Palace Garden. Artist: Lala Deen Dayal (Indian, Sardhana 1844-1905). Dimensions: Image: 20.4 x 26.2 cm (8 1/16 x 10 5/16 in.) Mount: 30 x 37.7 cm (11 13/16 x 14 13/16 in.). Date: 1880-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA8383–Sookh-Vilas Palace Garden. Artist: Lala Deen Dayal (Indian, Sardhana 1844-1905). Dimensions: Image: 20.4 x 26.2 cm (8 1/16 x 10 5/16 in.) Mount: 30 x 37.7 cm (11 13/16 x 14 13/16 in.). Date: 1880-90. Museum: Metropolitan Museum of Art, New York, USA.

RMMTXB61–. English: Panchakki and water channel Aurangabad . 1880s. Lala Deen Dayal (1844–1905) Alternative names Raja Deen Dayal Description Indian photographer Date of birth/death 1844 5 July 1905 Location of birth/death Sardhana Mumbai Authority control : Q1182338 VIAF: 94369161 ISNI: 0000 0000 8166 9953 ULAN: 500037191 LCCN: n79141503 GND: 129514721 WorldCat 465 Panchakki

Art inspired by The Great Elephant Saluting, 1885–1900, Albumen silver print from glass negative, Image: 21.1 x 27.3 cm (8 5/16 x 10 3/4 in.), Photographs, Lala Deen Dayal (Indian, Sardhana 1844–1905, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9A6J–Art inspired by The Great Elephant Saluting, 1885–1900, Albumen silver print from glass negative, Image: 21.1 x 27.3 cm (8 5/16 x 10 3/4 in.), Photographs, Lala Deen Dayal (Indian, Sardhana 1844–1905, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMKC7WCJ–Sookh-Vilas Palace Garden, Lala Deen Dayal, 1880–90

RMMYMBMX–. English: Panchakki and water channel Aurangabad . 1880s. Lala Deen Dayal (1844–1905) Alternative names Raja Deen Dayal Description Indian photographer Date of birth/death 1844 5 July 1905 Location of birth/death Sardhana Mumbai Authority control : Q1182338 VIAF: 94369161 ISNI: 0000 0000 8166 9953 ULAN: 500037191 LCCN: n79141503 GND: 129514721 WorldCat 406 Panchakki

N/A. Lord Curzon-Elephant [sic] procession to Sanchi Tope. 28 November 1899. Lala Deen Dayal (1844–1905) Alternative names Raja Deen Dayal Description Indian photographer Date of birth/death 1844 5 July 1905 Location of birth/death Sardhana Mumbai Authority control : Q1182338 VIAF:94369161 ISNI:0000 0000 8166 9953 ULAN:500037191 LCCN:n79141503 GND:129514721 WorldCat 395 Curzon-Sanchi Stock Photo

RMP5Y3PF–N/A. Lord Curzon-Elephant [sic] procession to Sanchi Tope. 28 November 1899. Lala Deen Dayal (1844–1905) Alternative names Raja Deen Dayal Description Indian photographer Date of birth/death 1844 5 July 1905 Location of birth/death Sardhana Mumbai Authority control : Q1182338 VIAF:94369161 ISNI:0000 0000 8166 9953 ULAN:500037191 LCCN:n79141503 GND:129514721 WorldCat 395 Curzon-Sanchi

Pillar, Teamwork, Church, Basilica of Our Lady of Graces, Begum's basilica, Amazing Sardhana church built by Indian (Copyright © by Saji Maramon) Stock Photo

Statue: Twelfth Station, Jesus dies on the cross. Basilica of Our Lady of Graces, Begum's Church, Sardhana (Copyright © by Saji Maramon) Stock Photo

. English: Palace of Zeb-un-Nissa (Aurangazeb's daughter), Aurangabad. فارسی: قصر زیبالنسا شاعر پارسیگوی در اورنگآباد هند. 1880. Lala Deen Dayal (1844–1905) Alternative names Raja Deen Dayal Description Indian photographer Date of birth/death 1844 5 July 1905 Location of birth/death Sardhana Mumbai Authority control : Q1182338 VIAF: 94369161 ISNI: 0000 0000 8166 9953 ULAN: 500037191 LCCN: n79141503 GND: 129514721 WorldCat 1280 Zaibunissa palace Stock Photo

RMMNYF7D–. English: Palace of Zeb-un-Nissa (Aurangazeb's daughter), Aurangabad. فارسی: قصر زیبالنسا شاعر پارسیگوی در اورنگآباد هند. 1880. Lala Deen Dayal (1844–1905) Alternative names Raja Deen Dayal Description Indian photographer Date of birth/death 1844 5 July 1905 Location of birth/death Sardhana Mumbai Authority control : Q1182338 VIAF: 94369161 ISNI: 0000 0000 8166 9953 ULAN: 500037191 LCCN: n79141503 GND: 129514721 WorldCat 1280 Zaibunissa palace

. Photograph of the entrance bridge to the city of Hyderabad, Andhra Pradesh, from the Curzon Collection: 'Views of HH the Nizam's Dominions, Hyderabad, Deccan, 1892'. . 1880s. Lala Deen Dayal (1844–1905) Alternative names Raja Deen Dayal Description Indian photographer Date of birth/death 1844 5 July 1905 Location of birth/death Sardhana Mumbai Authority control : Q1182338 VIAF:?94369161 ISNI:?0000 0000 8166 9953 ULAN:?500037191 LCCN:?n79141503 GND:?129514721 WorldCat Entrance bridge to Hyderabad, India Stock Photo

RMMMMPWH–. Photograph of the entrance bridge to the city of Hyderabad, Andhra Pradesh, from the Curzon Collection: 'Views of HH the Nizam's Dominions, Hyderabad, Deccan, 1892'. . 1880s. Lala Deen Dayal (1844–1905) Alternative names Raja Deen Dayal Description Indian photographer Date of birth/death 1844 5 July 1905 Location of birth/death Sardhana Mumbai Authority control : Q1182338 VIAF:?94369161 ISNI:?0000 0000 8166 9953 ULAN:?500037191 LCCN:?n79141503 GND:?129514721 WorldCat Entrance bridge to Hyderabad, India

. English: The Shekh-ka-Roza [the dargah of Banda-Nawaz], Gulbarga; a photo by Lala Deen Dayal, 1880's* . 1880s. Lala Deen Dayal (1844–1905) Alternative names Raja Deen Dayal Description Indian photographer Date of birth/death 1844 5 July 1905 Location of birth/death Sardhana Mumbai Authority control : Q1182338 VIAF: 94369161 ISNI: 0000 0000 8166 9953 ULAN: 500037191 LCCN: n79141503 GND: 129514721 WorldCat 232 He Shekh-ka-Roza the dargah of Banda-Nawaz Gulbarga Stock Photo

RMMYGCA5–. English: The Shekh-ka-Roza [the dargah of Banda-Nawaz], Gulbarga; a photo by Lala Deen Dayal, 1880's* . 1880s. Lala Deen Dayal (1844–1905) Alternative names Raja Deen Dayal Description Indian photographer Date of birth/death 1844 5 July 1905 Location of birth/death Sardhana Mumbai Authority control : Q1182338 VIAF: 94369161 ISNI: 0000 0000 8166 9953 ULAN: 500037191 LCCN: n79141503 GND: 129514721 WorldCat 232 He Shekh-ka-Roza the dargah of Banda-Nawaz Gulbarga

Pillar, Basilica of Our Lady of Graces, Church, Sardhana, Begum's basilica, Amazing Sardhana church built by Indian (Copyright © by Saji Maramon) Stock Photo

RMMX9J1E–. English: The Shekh-ka-Roza [the dargah of Banda-Nawaz], Gulbarga; a photo by Lala Deen Dayal, 1880's* . 1880s. Lala Deen Dayal (1844–1905) Alternative names Raja Deen Dayal Description Indian photographer Date of birth/death 1844 5 July 1905 Location of birth/death Sardhana Mumbai Authority control : Q1182338 VIAF: 94369161 ISNI: 0000 0000 8166 9953 ULAN: 500037191 LCCN: n79141503 GND: 129514721 WorldCat 269 He Shekh-ka-Roza the dargah of Banda-Nawaz Gulbarga

Statue: Eight Station, Jesus meets the women of Jerusalem. Basilica of Our Lady of Graces, Begum's Church, Sardhana (Copyright © by Saji Maramon) Stock Photo

RMMWD7KF–. English: The Shekh-ka-Roza [the dargah of Banda-Nawaz], Gulbarga; a photo by Lala Deen Dayal, 1880's* . 1880s. Lala Deen Dayal (1844–1905) Alternative names Raja Deen Dayal Description Indian photographer Date of birth/death 1844 5 July 1905 Location of birth/death Sardhana Mumbai Authority control : Q1182338 VIAF: 94369161 ISNI: 0000 0000 8166 9953 ULAN: 500037191 LCCN: n79141503 GND: 129514721 WorldCat 268 He Shekh-ka-Roza the dargah of Banda-Nawaz Gulbarga

. English: This Company painting is by Jiwan Das of Delhi and is a portrait of Begam Samru, a remarkable Kashmiri woman who started out as a dancing-girl. She originally married the adventurer Walter Reinhardt, who sailed to India in 1745, jumped ship and enlisted with the French. He was later recruited by the Mughal Governor in Bengal. He led an army which defeated the Honourable East India Company’s army and was ultimately given the fiefdom of Sardhana. Following his death, Begam Samru inherited his army of six well-trained and disciplined infantry battalions, and she even led her troops int Stock Photo

RMMWYM2X–. English: This Company painting is by Jiwan Das of Delhi and is a portrait of Begam Samru, a remarkable Kashmiri woman who started out as a dancing-girl. She originally married the adventurer Walter Reinhardt, who sailed to India in 1745, jumped ship and enlisted with the French. He was later recruited by the Mughal Governor in Bengal. He led an army which defeated the Honourable East India Company’s army and was ultimately given the fiefdom of Sardhana. Following his death, Begam Samru inherited his army of six well-trained and disciplined infantry battalions, and she even led her troops int

Statue: Fourteenth Station, Jesus is laid in the tomb. Basilica of Our Lady of Graces, Begum's Church, Sardhana (Copyright © by Saji Maramon) Stock Photo

RMMW47D5–. English: This Company painting is by Jiwan Das of Delhi and is a portrait of Begam Samru, a remarkable Kashmiri woman who started out as a dancing-girl. She originally married the adventurer Walter Reinhardt, who sailed to India in 1745, jumped ship and enlisted with the French. He was later recruited by the Mughal Governor in Bengal. He led an army which defeated the Honourable East India Company’s army and was ultimately given the fiefdom of Sardhana. Following his death, Begam Samru inherited his army of six well-trained and disciplined infantry battalions, and she even led her troops int

RMMY4MX4–. English: This Company painting is by Jiwan Das of Delhi and is a portrait of Begam Samru, a remarkable Kashmiri woman who started out as a dancing-girl. She originally married the adventurer Walter Reinhardt, who sailed to India in 1745, jumped ship and enlisted with the French. He was later recruited by the Mughal Governor in Bengal. He led an army which defeated the Honourable East India Company’s army and was ultimately given the fiefdom of Sardhana. Following his death, Begam Samru inherited his army of six well-trained and disciplined infantry battalions, and she even led her troops int

. English: Dargah of Zar Zari Baksh from the inner courtyard, from the Curzon Collection: 'Views of Caves of Ellora and Dowlatabad Fort in H.H. the Nizam's Dominions' taken by Deen Dayal in the 1890s. Rauza or Khuldabad. Zar Zari Bakhah’s tomb contains many relics including a circular steel mirror on a pedestal presented by Tana Shah of Golconda. 1890. Lala Deen Dayal (1844–1905) Alternative names Raja Deen Dayal Description Indian photographer Date of birth/death 1844 5 July 1905 Location of birth/death Sardhana Mumbai Authority control : Q1182338 VIAF: 94369161 ISNI: 0000 0000 81 Stock Photo

RMMP3RX4–. English: Dargah of Zar Zari Baksh from the inner courtyard, from the Curzon Collection: 'Views of Caves of Ellora and Dowlatabad Fort in H.H. the Nizam's Dominions' taken by Deen Dayal in the 1890s. Rauza or Khuldabad. Zar Zari Bakhah’s tomb contains many relics including a circular steel mirror on a pedestal presented by Tana Shah of Golconda. 1890. Lala Deen Dayal (1844–1905) Alternative names Raja Deen Dayal Description Indian photographer Date of birth/death 1844 5 July 1905 Location of birth/death Sardhana Mumbai Authority control : Q1182338 VIAF: 94369161 ISNI: 0000 0000 81